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October 2017 – upcoming London gigs – heavy art rock with Thumpermonkey, The Fierce & The Dead and Ham Legion; another Society of Imaginary Friends Soiree with Beth Jones, WondRwomN and others (both 6th October)

1 Oct

A couple of London choices for this Friday…

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Thumpermonkey + The Fierce & The Dead + Ham Legion, 6th October 2017

Chaos Theory Promotions presents:
The Facemelter: Thumpermonkey + The Fierce & The Dead + Ham Legion
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 6th October 2017, 7.30pm
– information here and here

There’s still a few grab-’em-while-you-can tickets for this friendly clash between these three varied exemplars of British art rock. I keep posting odds and ends about them and always fear running out of something new to say, but here goes…

Described, this time out, as a “merry band of loony pronk heroes”, Thumpermonkey are better pegged as arch New Weird rockers, or as geeks-made-good. Bright, sharp, literate tale-tellers and brain-twisting scenarists, they roll out blistering tales and portraits of strange perspectives and stranger goings on festooned in kinked, scree-slipping riffs and grand declamatory vocals with an ever-present tinge of dark laughter. Unpicking the puzzlebox machinery of a typical Thumpermonkey song is a route to mingled glee and frustration, since singer, lyricist and concept director Michael Woodman packs in tight multi-dimensional digressions and inferences with the skill of a master.

This gig is a launch party for Thumpermonkey’s new EP ‘Electricity‘, inspired by “the luminous magnificence of human foolishness” and the story of “Victorian MP and visionary Lord James Badger… atomized by technology he hoped would transform the canals of the Euphrates, all because he followed the instructions of an angelic visitation.” The particular genius of Thumpermonkey is that they can unroll these kind of parodic slipstream plots without ever toppling into cute whimsy. If you’re looking for the missing link between Mastodon, Zappa, China Miéville, Van der Graaf Generator, Alejandro Jodorowsky and the harder end of the Mighty Boosh (and God knows that if you’re looking for something like that, you’re pretty specific), you’ll find it here. Clever bastards.


 

Currently riding along on the scaly back of their recent live album ‘Field Recordings’, The Fierce & The Dead are heading towards their seventh year as an imposing, boundary-squatting instrumental rock band, forcibly blending post-hardcore, instrumental prog, post-punk immediacy and experimental noise. Despite their music being sweetened by the inclusion of tuneful loop-guitar honeybear Matt Stevens in the lineup, they sport a brutal, angular, drawer-popping rifftastic sound which variously resembles Led Zeppelin and Black Flag simultaneously shaking down a post-rock band, a hotel kitchen getting a forcible mid-meal remodelling by Archaos, or a carhenge attempting to twerk along to highlife. Have a listen to Dancing Robots below for a dose of their live crunch and down-to-earth banter – or, if you prefer, there’s a free Bandcamp download sampler available.


 
Intermittently active Brightonian trio Ham Legion will open the show with a set of their cramped, restless heavy art-pop, matching the other two bands blurt-for-blurt and switch-for-switch.


 
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If all of the above is not for you – or if your Friday funds only stretch to a Tube journey and a drink – cabaret art-poppers Society of Imaginary Friends are putting on another free soiree in Wood Green (see passim). As ever, there’s a theme and a new bit of performance art jiggery-pokery from the Society themselves.

Society of Imaginary Friends Soiree, 6th October 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “It’s Our Home County Amateur Dramatic Class Soiree” (featuring Society Of Imaginary Friends + Beth Jones + WondRwomN + Martin Wakefield + Cian Binchy + Lord Buckley + Ted Sawyer/Frank Frenzy DJ sets)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 6th October 2017, 8.00pm – free event
information

“From Tring to Crawley, Amersham to Reigate, the dusky Downs resound to the sound of dramatis personae… for this is the time of preparation… the drawing-in of the nights can mean only one thing to these outcasts… Panto season is approaching.

“Our October Soiree is dedicated to London’s cultural refugees who dwell beyond the M25 where things are quite different… in a quiet cul-de-sac of the mind they float… there is no music other than ’80s power-synth ballads or Gary Numan… the Am Dram village hall is at the centre of the Home Counties mock-Tudor universe… As a mark of deep respect for this tradition, Society of Imaginary Friends will be performing the premiere of their ‘Home Counties’ song cycle featuring their cosy pub classic Please Put That Hammer Away and It’s My Home Counties Amateur Dramatic Class.”

Also on the bill is the usual swirl of other words and music – bluesy singer-songwriter Beth Jones ; poet/raconteurs Martin Wakefield and Cian Binchy, emerging Tottenham groove goddess WondRwomN with a cocktail of psychedelic soul, funk, rap and “grit pop”; and the “deranged and strange” Lord Buckley (presumably a tribute act to the hipsemantic beat standup from the 1950s, unless SOIF have mastered necromancy this year and brought us back the real thing). There’s also a double DJ helping from Ted Sawyer (Northern Soul) and Frank Frenzy (that 1980s power disco sound mentioned earlier) plus Karamel’s usual prizewinning vegan food (this time “reimagining the ’70s classics like prawn cocktail and Boeuf Bourguignon as a death free feast”).

See below for the Society’s poperatic tribute to social media, a harmonica-laden song about infidelity from Beth, and a couple of drum-and-‘bone-assisted joints from WondRwomN…


 

May 2017 – upcoming London gigs – new SIKE! psych-rock night in Holloway (featuring The Spanish Infanta, Dazy Crown, Eyre Llew and Niris, May 11th); dance/pop/jazz with Agar Agar and Lucien & The Kimono Orchestra plus Is Tropical DJ set (May 16th); a womantronic evening with electric:indigo, A’bear and Lisa Busby (May 18th)

4 May

SIKE, 11th May 2017

gigmit presents
SIKE! (featuring The Spanish Infanta + Dazy Crown + Eyre Llew + Niris)
Nambucca, 596 Holloway Road, Upper Holloway, London, N7 6LB, England
Thursday 11th May 2017, 7.00pm
– information here, here and here

A new psychedelic rock night, launching at Nambucca in upper Holloway this month, attempts to capture the whole of the range within the genre. Good luck with that – Baba Yaga are still scooping up variations after years of plugging away at it.

That said, SIKE!’s debut night scintillates across a determined four-act psych spectrum from gritty backstreet hardness to sunkissed airiness. There’s the lysergic gutbucket garage sludge of The Spanish Infanta; the gentler post-punk-meets-West Coast-y songs of Dazy Crown, the soaring Icelandic-inspired raptures and wreckage of Nottingham’s Eyre Llew; and the Balearic chillout of instrumental duo Niris (a teaming of guitarist/multi-instrumentalists Nick Engel and Chris Hatwell which covers a broad range between uplit flamenco-inspired guitar duets, ambient sunrise electronica, and breezy dance songs). Examples below.






 
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Snap Crackle & Pop Live presents:
Agar Agar + Lucien & The Kimono Orchestra + Is Tropical (DJ set)
The Moth Club, Old Trades Hall, Valette Street, Hackney, London, E9 6NU, England
Tuesday 16th May 2017, 7.30pm
– information here and here

Agar Agar + Lucien & The Kimono Orchestra + Is Tropical DJ set, 16th May 2017Over in Hackney, the Snap Crackle & Pop label are running a Cracki Records night featuring a couple of French and Belgian acts who explore luminous, involved dance-and-groove styles (plus a DJ set from squat-party experimentalists turned international poptronicists Is Tropical).

The ’80s synth pop/acid disco hybrid of Agar Agar mixes resurrected old analogue tech with art school smarts and fluid contemporary sensibilities on identity and expression. Blending electro sunniness with the feeling of a haunt in the full noon brightness, there’s also (as with Elephant) an ineffable bruised melancholy creaming off the top. Their songview’s full of interesting propositions – from Prettiest Virgin’s dancefloor ballad of yearning, slightly predatory female longing (complete with suggestive, part-animated video clip of lost girl, naked dancers, dolphins and fleshy tunnelling) to the surreal night journey of I Am That Guy (with its burnishings of ominous analogue hornsynth, its intimations of housebreaking, and the profanity-laden, deracinated blues-growl of its cross-gender vocal).



 
Like Agar Agar, Lucien & The Kimono Orchestra draw on the 1980s (predominantly in their attempts to recapture impressions of French cinema and Japanese funk) but also look back towards the ’70s. Like Carl Hudson’s Moon Unit, they breathe new life into Lonnie Liston Smith cosmic jazz-funk, retool a handed-down Horace Silver vocabulary, and flood jazzy cascades and stabbing Wurlitzer syncopations through contemporary dance club sensibilities. On their vocal collaborations – such as Ship, with FM Laeti – they coast towards a Morcheeba cool. Left to their own devices, they’ll veer towards warm, skittish brain-grooves, occasionally like a slightly less oblique French take on Weather Report (or, as on Galaxies, like Brand X or the more fusionesque moments of Genesis).



 
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electric:indigo + A'bear + Lisa Busby, 18th May 2017

The Engine Room + Austrian Cultural Forum + The Wire presents:
electric:indigo + A’bear + Lisa Busby (DJ Set)
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 18th May 2017, 8.00pm
information

If you’re more interested in an evening of female musicians working way out in the left-field, IKLECTIK are offering the first British gig in twenty years for Austrian electro-polymath Susanne Kirchmayr – a.k.a. electric:indigo. Composer, DJ, producer and founder of female:pressure (the go-to directory for women in electronic music), on this occasion she’ll be performing “a unique version of her six-channel sound art piece ‘109.47 degrees’. The title of the ultra-wide hyper-stereo piece refers to “the ideal tetrahedral angle in foams as described in Plateau’s laws”. From a set of small acoustic particles ‘109.47 degrees’ creates complex sonic structures that “live on friction, cohesion and constant movement”…” Suzanne will also be being interviewed by ‘The Wire’s Emily Bick.


 
In support, “vocal/techno/experimental/rap/rainbow workout” artist Janine A’Bear will be performing a synths-and-voicewarp-and computers set of “electronic poetry” boasting “carefully constructed verse combined with themes of a cosmic nature.” That’s quite a lot of grab-quotes there. I’ve also grabbed a few examples of her work and laid them out here – shimmering, layered rivulets of synthesis at a post-techno pulse rate, there’s plenty in there, but if you want to explore her verse it sounds as if you’ll have to tease it out of the soundscaping with a wool-comb.

 
Working the DJ decks for the evening is musician, Goldsmiths music lecturer and Editions Of You head Lisa Busby; also known for her work with The Nomadic Female DJ Troupe, noise/improve/playback crew Rutger Hauser and electro-Dada duo Sleeps In Oysters (as well as a solo career as singer-composer exploring “the fringes of song… using domestic or outdated playback media as instruments, but also work(ing) in text-based score, installation and site specific performance…”). Come and listen to her uncrate her mind.

If you want to dig a little deeper, it’s worth noting that this concert is part of international sound art exhibition The Engine Room, running between 4th May and 1st June between IKLECTIK and the nearby Morley College.
 

May 2017 – upcoming English gigs by or with Steve Lawson – Neil Murray masterclass + Steve’s Ley Lines trio in Kidderminster (May 2nd); Steve plays with Robert Logan (plus Surjit Sembi-Harding, Daniel Brooks and Dan Rogerson) in London (May 13th); Steve Lawson/Mike Outram/Emre Ramazanoglu trio in Birmingham (May 14th)

22 Apr

Ever-gregarious solo bassist Steve Lawson (who’s been having a pretty busy spring already, with his earlier Birmingham Bass Night and a couple of new albums ready to go) has put out news of three further upcoming live appearances in England as solo player and collaborator. Collectively, they run the familiar Lawson gamut of jazz, ambient fusion, electronica, work with singer-songwriters… and plenty of talking.

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First up is a combined gig, masterclass and interview (with Steve on the interviewer end of the mic…)

Neil Murray masterclass + Ley Lines, 2nd May 2017

“Kidderminster College presents a masterclass with bass legend Neil Murray! Neil’s career is woven into the history of British rock, including his time as bassist for Whitesnake, Black Sabbath, Gary Moore & Brian May. His influential style helped shape the evolution of hard rock from the jazz rock crossover of the 70s in bands like Colosseum II through to Whitesnake’s era-defining ‘1987’ global smash. Neil will talk with Steve Lawson about his career, demonstrate some of the lines that made him one of the most sought-after bassists in the country, and share advice from his life in music.

“The second half of the evening will be a performance by Ley Lines – Steve Lawson, Andy Edwards and Phi Yaan-Zek are the bass/drums/guitar teachers at Kidderminster College, and have released two critically acclaimed albums as a trio. This is their long-awaited live debut outside of the college, and promises to be an enthralling high energy set of improvised music crossing many styles and sounds!”


 
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The Waiting, 13th May 2017

Steve continues:

“May 13th at The Waiting, in Hounslow will be a solo gig and a collaboration with synth genius Robert Logan – Robert and I have been talking about collaborating for a long time. I’m a huge fan of his solo work, and am really looking forward to seeing what we come up with!”

For those of you who aren’t immediately familiar with Robert, he’s a pretty outstanding talent in electronic music. Like many in the field, he earns much of his living from drama or documentary soundtracks (the kind after which you squint eagerly at rapidly scrolling credits. keen to catch the name of whoever’s responsible for the arresting background sounds) but he’s also made a backroom wizard’s name for himself via beats and texture work for the likes of Brigitte Fontaine, Morcheeba’s Skye Edwards and in particular Grace Jones’s ‘Hurricane’, as well as collaborations with Steve Roach and Raf & O.

Four albums into a parallel solo career (which began with 2007’s ‘Cognessence’, recorded while he was still a teenager), Robert’s music displays a startling mastery of broad and exciting strands, going from dubstep, techno thud and ocean-pop ambience to twisted beats, atonal arpeggiations and dark ambience via experiments with banjo and pocket trumpet tracks; plus a magisterial atmospheric and heft of intent drawing from reconstructed classical music.


 
As regards the host event, The Waiting is a monthly gig at Maswell Park Church, boasting particularly full evening bills with a Christian slant (if not necessarily in terms of lyrical fervency, at least in terms of the faith and society which drives and shapes the musicians). On the 13th, in addition to Steve and Robert’s contributions, there will be appearances by Surjit Sembi Harding (frontman with Chiswick pop band Under Control, currently leading his own Surj project) and by Daniel Brooks, a onetime Robert Logan production client who divides his own work between quizzical electro-pop (exemplified by the ‘Toys’ track below), grand digital popscapes and electronic atmospheres. Both men are sometime worship leaders, bringing some of those skills to their pop fronting and songwriting voices; and while it’s true that Christian pop can sometimes be a refuge for simpering blandness, neither Surjit nor Daniel subscribe to this, both being several cuts above.



 
Surjit’s Under Control bandmate Daniel Rogerson will also be on hand for a solo guitar set, plus there’s a two-hour open mic session before the gig for anyone who wants to try their luck.

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Back to Steve for word on the final May show:

Steve Lawson/Mike Outram/Emre Ramazanoglu, 14th May 2017

“May 14th is a really special gig at Tower Of Song, with two of my favourite collaborators ever. Mike Outram (guitar) and Emre Ramazanoglu (drums) are true geniuses on their instruments – Mike and I recorded ‘Invenzioni’ back in 2010 but never played live. Emre and I met as part of a studio experimentation with Beardyman almost exactly a year ago. We played live in London last September and are really looking forward to playing again, and recording it properly for a live release.”

Here’s a trim of what I wrote last time the trio stepped out:

“Possessed of a boisterously convivial and adventurous set of guitar tones (as well as a spontaneous but eminently accessible creativity), Mike Outram is one of a number of contemporary electric guitarists who define themselves via the act of music rather than the reinforcement of genre. Although jazz enthusiasts will rightly admire him for his work with Nikki Iles, Tim Garland, Theo Travis’s Double Talk and Billy Bottle & The Multiple, Mike learns from and adds to whichever situation or artist he works with outside of jazz, be it soul pop with Carleen Anderson, latterday prog fusion with Steven Wilson or the classical/soundtrack work of composer Laura Rossi…. A committed solo performer since 2000, dedicated to presenting bass guitar as a standalone instrument, Steve has also been an enthusiastic and garrulous collaborator. His conversational fretless bass tones, Kaoss Pad rhythmic experiments and panoramic swathing loopscapes have meshed with a wide variety of partners from pianists, saxophonists, singers and drummers to electric kora players and a range of other amenable solo bassists. His own relaxed attitude to genre has resulted in a musical voice which strolls from place to place, touching on points from smooth-hipped jazz to art-rock, slick pop to noisy improv, dance electronica to ambient-aquatic sound painting, but never being tied down to any of them…. Emre Ramazanoglu, a multi-genre drummer, programmer, writer and producer… generally works (semi-invisibly) behind the scenes in the music industry, at the points where high-level musical chops, cunning production ideas and rapidly-evolving technology mesh with contemporary pop music production and bespoke event soundtracks. In between the demands of catwalk and chart, he fits in more esoteric, less overtly commercial work such as writing and shaping new records for reggae stalwarts Trojan, playing the Adrian Sherwood/remixological role on Martin France’s Spin Marvel jazztronica project, and co-running quirky sound design outfit Rattly’n’Raw.”

And here’s some of what they played on the night:



 
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Details on all three gigs below:

  • Neil Murray masterclass + Ley Lines – Worley’s @ The Swan, 56 High St, Stourport-On-Severn, DY13 8BX Tuesday 2nd May 2017, 7.00pm – free event – information
  • Steve Lawson + Surjit Sembi-Harding + Daniel Brooks + Robert Logan (& guests) + Dan Rogerson – The Waiting @ Maswell Park Church, corner of Heath Road and Inwood Road, Hounslow, London, TW3 1XN, England, Saturday 13th May 2017, 7.00pm (open mic from 5.00pm)information
  • Steve Lawson/Mike Outram/Emre Ramazanoglu – Tower of Song, 107 Pershore Road South, Kings Norton, Birmingham B30 3EL, England, Sunday 14th May 2017, 7.00pminformation

 

April 2017 – even more jazz & jazz-ish gigs – Theo Travis in Rochester (23rd April); Spaceheads and Howie Reeve in London (21st April); Carl Hudson’s Moon Unit in London (27th April)

10 Apr

A quick addition to the previous jazz update featuring Theo Travis – as well as his imminent Essex date with Double Talk, he’ll be playing a free Sunday lunchtime show with his regular quartet Marc Parnell (drums), Alex Keen (bass) and Mike Gorman (piano). They’ll be “playing tracks from Theo’s solo catalogue including from albums such as ‘Live at Ronnies’, ‘Secret Island’ ‘Heart of the Sun’ and ‘Earth to Ether’.” It’s a low key event, but a high quality one; the kind that strangers walk into expecting some plodding duffer and coming out massively enthused instead.

Theo Travis Quartet
The Eagle Tavern, 124 High Street, Rochester, Kent, ME1 1JT, England
Sunday 23rd April 2017, 1.00pm


 
Meanwhile, here are a few more London dates:

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Club Integral presents:
Spaceheads (with Rucksack Cinema) + Howie Reeve
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Friday 21st April 2017, 8.00pm
information

Spaceheads are a duo. Andy Diagram’s hotwired trumpet produces live harmonised loops and breathy samples which he controls via a mobile phone attached to the top of his horn with a fish slice. The thick brass layers created are propelled by Richard Harrison’s drums, percussion and bent metal sheets. Over twenty-five years, Andy and Richard have achieved an intuition of what each is about to do next, which makes their semi-improvised gigs a joy to behold.

“Spaceheads formed in 1990 in Manchester and have toured the world and released eleven albums to date. Their latest album ‘Laughing Water’ was released in November 2016 and followed last years successful album ‘A Short Ride On The Arrow Of Time”. Both were released on their own label, Electric Brass Records.


 
Rucksack Cinema a.k.a. Jaime Rory Lucy – has been supplying delirious, innovative live video imagery since 2007. His astonishing and almost preternatural ability to mix imagery with what is happening on stage as well as creating strange and wonderful atmospheres throughout a room has made him an intrinsic part of any Spaceheads gig.

Howie Reeve plays solo bass and sings. He has released three albums, and a single (with Mike Watt of The Minutemen/fIREHOSE/The Stooges), and is about to release a new album titled ‘Not So Secret Garden’. Reeve previously found fame with experimental indie-pop band Tattie Toes and has been striding out on his own for several years, acoustic bass in hand, walking boot on footstool. His music is deeply introspective, considered and full of glorious dynamic range.”

(I’ve just had a listen to Howie’s stuff. Not the jazzy noodling or string squeak one might expect from an experimental-end gig: more of a richly harmonic multi-stopped bass guitar approach allied to nervy vocalising and alarming lyrics> He should be playing on one of Steve Lawson’s multi-bass nights. If you’re looking for an easy song-style tag to fix on Howie, though, the best thing to do is to tack away from jazz and head towards the eerie, distressingly beautiful DIY nightmare-folk of Lupin Crook, who’s been quiet for too long…)



 
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Splash Music Productions present:
Carl Hudson’s Moon Unit
Zigfrid von Underbelly, 11 Hoxton Square, Hoxton, London, N1 6NU, England
Thursday 27th April 2017, 7.00pm
information http://app.etickets.to/buy/?e=14818

“Splash Music Productions are proud to introduce the launch night of ‘Pixel Planet’ – the spectacular Album from Carl Hudson. Eclectic, futuristic, soulful, and danceable, Carl Hudson’s follow-up album to the critically acclaimed ‘Zoology For Martians’ doesn’t disappoint. ‘Pixel Planet’ oozes class from start to finish. His wizardry on the keyboard and his willingness to experiment with sound and melody, combine to create an aural extravagance that propels the listener to another world and compels their feet to dance.”

I’m not quite sure what’s going on here, since this “launch event” seems to be covering an album allegedly released over a year ago in February 2016… but if you like cosmic-tinged soul jazz in a Lonnie Liston Smith vein, or if you like warm music to Hubble to, this could be your thing. See below.


 

April 2017 – upcoming gigs – two shades of prog in Southampton with Haze and A Formal Horse (12th)

29 Mar

Call me an ignorant metropolitan snob if you like, but Southampton isn’t the first place I would have looked to find an interesting or individual music scene – which is why it’s been a delight to find outposts like The Art House striving to prove me wrong. The Talking Heads might well be another such venue (the name already bodes well), and among the upcoming gigs there next month is this prog-happy show, in which veteran neo-proggers from the turn of the ’70s shake hands with an enterprising local band who are picking up the torch in their own particular way.

Haze + A Formal Horse, 12th April 2017

CentralSouthCoast Progressive Rock presents:
Haze + A Formal Horse
The Talking Heads, 16-22 The Polygon, Southampton, Hampshire, SO15 2BN, England
Wednesday 12th April 2017, 7.30pm
– information here, here and here

“Formed in Sheffield during the late 1970s by brothers Chris & Paul McMahon, Haze established their reputation as one of the hardest-working underground bands of the ’80s, releasing two albums, three singles and countless cassettes while playing over five hundred shows around the UK and Europe After the band disbanded in 1988, the McMahon brothers continued with World Turtle, but reformed Haze in 1998 for a twentieth anniversary show. Haze performed intermittently over the next ten years while the brothers mainly focussed on their acoustic folk band Treebeard. In 2013, Haze released a comeback album ‘The Last Battle’ and reissued their first release ‘The Cellar Tapes’ as a thirtieth anniversary CD (remixed and including previously unreleased tracks and online bonus tracks).

“Despite building their reputation as a progressive rock band, Haze have always drawn on a wide variety of influences, ranging from pop, rock, funk, metal and meandering psychedelic jams to tightly structured prog epics. The new material draws on all these, plus a strong folk, acoustic and medieval influence (from Ceri Ashton’s contribution on whistle, flute, clarinet, viola and cello, and sister Catrin’s on fiddle, mandolin and flute), combined with latest recruit Danny McMahon’s powerhouse drumming. The band took part in the ‘2weeks 2make it’ video competition a few years ago with a video for Faces On The Wall, and are currently writing material for a new album.



 
A Formal Horse is a visceral rock quartet working out of Southampton. The band released their debut EP in June 2014, recorded by Rob Aubrey (John Wetton, Big Big Train). They’ve since performed at A New Day Festival alongside The Stranglers and Focus, released a second EP, been nominated for a Progressive Music Award and garnered plenty of critical acclaim (‘Prog Magazine’ saluted their “warmth and charm” plus their “ability to turn on a dime with such élan”, while ‘Classic Rock’ admired their “nervy, twitching rhythms – think XTC playing Voivod’s back catalogue – with pure-as-the-driven female vocals… oddly intoxicating.”). They continue to play shows in the UK and Europe, and are currently working on two follow-up records – their third EP, ‘Made In Chelsea’, is out at the end of March.”

(They’ve also shown up in here before – click here for more of that.)


 

March/April 2017 – upcoming London jazz-and-related gigs – Chimera Trio + Glaser Rapley Robinson @ Jazz Nursery (30th March); Chris Sharkey’s Survival Skills + Zeitgeist @ Jazz Market (13th April); Collocutor + Ill Considered + Ashley Henry Trio @ Jazz Café (15th April); a quick Craig Scott @ LUME lab reminder (19th April)

25 Mar

Quick notes on four upcoming London jazz gigs of various kinds, from Jazz Nursery’s more traditional double bill to the contemporary electro-digital fusion soup at Jazz Market, from an Afrocosmic evening in Camden to the cut-up wildness at LUME Lab…

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Jazz Nursery, 30th March 2017Jazz Nursery presents:
Chimera Trio + Glaser Rapley Robinson
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 30th March 2017, 7.30pm
information

“The Chimera Trio is a modern take on the classic organ trio sound inspired by the likes of Larry Young and Woody Shaw. The band features Sam Warner on trumpet, Jamie Safiruddin on organ and Dave Ingamells on drums, fusing elements of the organ tradition with more contemporary grooves, melodic ideas and improvisations. The trio started while studying together at Guildhall and went on to be shortlisted for the Chartered Surveyor Jazz Prize.

Glaser Rapley Robinson (with Matt Robinson on piano, Sam Rapley on tenor sax/clarinet and Will Glaser on drums – all members of Rapley’s music-and-storytelling quintet Fabled) aims to explore early songbook and jazz repertoire in an open and honest way. Although it’s an opportunity to work in a slightly unusual line up, the trio’s focus is on how they improvise collectively and is primarily an excuse for them to play tunes they love together and to see where they can take them.”

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Jazz Market, 13th April 2017

Chaos Theory Music Promotions presents:
Jazz Market: Survival Skills + Zeitgeist
Strongroom Bar, 120-124 Curtain Road, Shoreditch, London, EC2A 3SQ, England
Thursday 13th April 2017, 7.30pm
– information here and here

“The Jazz Market is all about the spirit and essence of jazz, redefining traditional sounds and approaches to music, so it’s super exciting to have a chance to see what the latest creatives are working on.

“On Thursday 13th April (the night before Easter weekend!) at Strongroom Bar, the legendary Chris Sharkey returns to London with his ever-evolving solo/improvisational electronic project Survival Skills, which involves electronic production and improvised guitar with a mass of effects. We were lucky enough to host the live premiere of Survival Skills in 2014 (at Battleship Grey’s single launch), and then again at Rich Mix last year for Bitch ‘n’ Monk’s album launch. Chris is a truly understated visionary, whose vast CV includes being a guitarist (and more recently a producer) in Acoustic Ladyland, TrioVD, Shiver and The Geordie Approach, and who has performed at countless international festivals in the jazz and math rock scenes. He’s a boundary-pushing artist who only looks forward, and one who captures the true spirit of everything we look for in people we work with.

“Also on the bill are newcomers from Bristol, Zeitgeist, laying down heavy prog funk. A trio of musicians “fusing together the harmony and improvisation of jazz, the robust and hypnotic rhythm of hip-hop and the rhythmic complexity and unusual structure of progressive rock” (according to ‘Leeds Music Scene’), their unique brand of jazz with metal undertones has captured the attention and praise of musicians such as John Gomm and Alpha Male Tea Party. Since their inception in 2011, they’ve amassed a loyal following and are now ready to take on London.”


 
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To the Pyramids: A Journey Through Spiritual Jazz - 15th April 2017

To the Pyramids: A Journey Through Spiritual Jazz (featuring Collocutor + Ill Considered + The Ashley Henry Trio + DJ Pete (On The Corner Records)
The Jazz Café, 5 Parkway, Camden Town, London, NW1 7PG, England
Saturday 15th April 2017, 7.00pm
– information here and here

“Spearheaded by the great John Coltrane, the spiritual jazz movement saw a handful of artists striving towards spirituality and transcendence through their music. Players like Coltrane, his wife Alice Coltrane, Sun Ra, Lonnie Liston Smith, Miles Davis and Pharoah Sanders began taking their music on wild, otherworldly excursions with track recordings often reaching half an hour or more. It’s a sound that has recently come back to the fore thanks to the horn work of Kamasi Washington as well as in the electronic productions of artists like Four Tet and Caribou.

“Off the back of their recent album launch, we’re inviting Tamar Osborn‘s seven-piece group Collocutor to take us on a transportive journey into supreme sound and spirituality – combining jazz with aspects of Afrobeat, Indian classical, Ethiopian roots and minimalism.”


 
It’s a little unclear as to exactly how many other acts are on the bill, but current evidence suggests there’ll be a set by cosmic/ambient/Afrobeat quartet Ill Considered, a new project headed by former Ibibio Sound Machine and current Fontanelles bassist Leon Brichard (accompanied by saxophonist Idris Rahman, drummer Emre Ramazanoglu and percussionist Yahael Camara-Onono). There might also be one from The Ashley Henry Trio (with the leader’s piano and compositions supported by Sam Gardner on drums and Sam Vicary on bass). There’ll certainly be a DJ set from Pete of the house-to-jazz On The Corner record label.



 

* * * * * * * *

Also note that on 19th April, Leeds electro-digital splatterjazz exponent Craig Scott will be playing his LUME Lab event at IKLECTIK – more news on that is back on this older post.

Craig Scott (photo © Josh Crocker)LUME presents:
LUME Lab: Craig Scott
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Wednesday 19th April 2017, 8.00pm
information


 

March 2017 – upcoming gigs – Ramp Local show in New York on the 8th (Lily & Horn Horse, Macula Dog, Gavin Riley Smoke Machine, The Cradle); Whispers & Hurricanes show in London on the 9th (Danielle de Picciotto, Alexander Hacke, Jo Quail)

2 Mar

A little convocation of bands associated with Philadelphia’s Ramp Local label are playing at the Glove, an out-of-the-way Brooklyn performance theater and art shrine. (Apparently the Glove’s been set up by the same people responsible for the Grove performance space, and seems to be so in-the-moment that it’s impossible to find a formal address for it – you’ll either have to private-message their Facebook page, ask the right kind of friend, or get off at the MTA stop by Flushing Avenue and Broadway and take the chance that you’ll spot it.)

Lily and Horn Horse + Macula Dog + Gavin Reilly Smoke Machine + The Cradle, 8th March 2017

Ramp Local presents:
Lily & Horn Horse + Macula Dog + Gavin Reilly Smoke Machine + The Cradle
The Glove, (somewhere in) Bushwick, Brooklyn, New York City, NY 11221, USA
Wednesday 8th March 2017, 8.00pm
information

The gig’s a launch event for the debut album by Lily & Horn Horse, more on which below:

”Lily Konigsberg is a member of the experimental punk band Palberta, hailed by ‘Pitchfork’ for their “mercurial gestures, barking acidity, and off-the-cuff creativity” as well as for their taste for swapping or abandoning instruments midflow. Fellow multi-instrumentalist Matt Norman performs as Horn Horse. Together they formed a group called Lily & Horn Horse, who will release a collaborative cassette album – ‘Lily On Horn Horse’ – on March 3rd 2017 (on the heels of Palberta’s most recent album ‘Bye Bye Berta’), by way of Philly’s Ramp Local Records.

“With ‘Lily On Horn Horse’, Lily and Matt deliver a twenty-eight-track collaboration that synthesizes the eclectic musical talents of both multi-instrumentalists. Originally presented as a CD, the compilation was sold and packaged in origami during an August 2016 tour of the north-east USA. The album is more a snapshot of a creative time and place than concept-album. As Lily and Matt say “The release of Matt’s ‘Horn Horse‘ album featured Lily on most songs, most of which are included in y’own tape. Around the same time Lily was developing a mega set of karaoke music and instructed Matt to blow down some car horn charts which were eventually replaced by baritone horn parts and inserted into the recordings gently sleeping inside thine tape.”


 
“The record ends up a coherent pastiche of diverse tracks full of free jazz-inspired brass freak-outs, ethereal piano ballads, and synth arrangements skewed toward electronic composition. Lily’s siren-like voice calls from a perfume-cloud of disco-inspired grooves while Horn Horse’s vocals hit robotic and angular production. Tracks like Today and She Doesn’t Have A Good Brain bring to mind an Arthur Russell-like elevation of pop-music experimentation. In short, the record is a curated-tour through the frontiers of Lilly and Horn Horse’s creative landscape.”


 
The gig also offers three other acts. There’s discombobulated glitch-funk played with “inebriated, mule-like precision” from Macula Dog. There’s Big Neck Police‘s Paco Cathcart, performing with Palberta’s Ani Ivry-Block and The Gradients‘ Sammy Weissberg as The Cradle – woozy tenement indie-folk songs, a little like an accordion-and-double-bass equipped Mazzy Star at war with drum machines and bad aircon. Finally, there’s the goofy multi-media work of Gavin Riley Smoke Machine.



 
For me the most satisfying of the support acts is Gavin, who creates his own live-music take on a Choose Your Own Adventure paperback. He does this by gumming together a spitball of nerdy white-boy hip hop, blow-by-blow audience interaction and goofy pulp fiction/afternoon TV storytelling (a schoolkid caught up in a whirl of mutants, drug gangs, sinister teachers, the FBI and parents with mysterious pasts), topped off with some endearing homemade animation. In theory, it should fall flat on its face: instead, it can turn an audience of jaded hipsters back into eager, happy children.


 
* * * * * * *

Back in London, Chaos Theory’s airier spin-off Whispers & Hurricanes is back in business with a few old friends:

Hacke & De Picciotto + Jo Quail, 9th March 2017

Chaos Theory presents:
Whispers & Hurricanes: Hacke & De Picciotto, Jo Quail
Strongroom Bar, 120-124 Curtain Road, Shoreditch, London, EC2A 3SQ, England
Thursday 9th March 2017, 7.30pm
information

“The first Whispers & Hurricanes of the year sees the return of two legendary multimedia performers (whose entire life together is an ongoing work of art), as well as a prolific contemporary cellist and loop artist.

“German-American artist couple Danielle de Picciotto and Alexander Hacke are internationally known – she as the co-founder of the Love Parade, he a founding member of the band Einstürzende Neubauten – and both of them together members of Crime & The City Solution. Since 2010 they have been leading a nomadic life, touring the world with music and theatre projects, never staying still for too long. After two breathtaking shows for us at Cafe Oto and at Hackney Attic, this unconventional and versatile duo return to the UK with new additions to their show.

“Tonight they will perform music from their recently released and widely acclaimed album ‘Perseverantia’ – made up of instrumental sounds, a few spoken words by Danielle, throat singing by Alexander, purrs and squeaks of the hurdy-gurdy and autoharp, melancholic melodies of the violin, and bass and guitar hums.

“We will also have a first chance to hear new pieces that they are working on for their next album, comprised of recordings made in a huge cathedral in Austria, mixed with Mexican found sounds and desert drones. It will be intense.

 
Jo Quail is a visionary cellist who never ceases to push boundaries and her own limitations, with equally dramatic and contemplative compositions as well as with her use of loops and effects. Over the last seven years, her career has seen her release three full albums, a live DVD, several collaborative works, and many international tours, most recently with post-rock giants Caspian.

“Her music has captured the hearts of rock, classical, experimental, metal, post-rock, gothic and folk fans alike, and she is known for creating a unique experience with each performance.”


 

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