Tag Archives: Of Arrowe Hill

January 2016 – upcoming gigs (mostly London) – jazz/Indo/groove/lyrical shapes at Cafe Oto with Emanative & Collocutor Duo, Earl Zinger, Sarathy Korwar and Sealionwoman; Medway garage, film snaps, Paris pop and hauntological folk in Putney with The Senior Service, French Boutik and Of Arrowe Hill. Plus Nerve Toy Trio in Warrington.

23 Jan

And another inevitable January gig update, as expected…

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Emanative Collocutor Duo, 2015

(Baba Yaga’s Hut presents)
Emanative & Collocutor Duo featuring Earl Zinger + Sarathy Korwar + Sealionwoman (+ more tbc)
Cafe Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Friday 29th January 2016, 8.00pm
more information

Baba Yaga’s Hut bring us an evening of cosmic jazz explorations.

Emanative & Collocutor Duo is a teamup between saxophonist/flautist Tamar Osborn and drummer/mixologist Nick Woodmansey. Tamar’s history includes work with Africa Express, Dele Sosimi and The Fontanelles: she currently leads eclectic, hypnotic modal septet Collocutor (with Josephine Davies, Simon Finch, Marco Piccioni, Suman Joshi, Maurizio Ravalico and Afla Sackey) which mixes jazz and minimalism with Afrobeat and Ethiopian ideas, Indian classical and polyphonic choral music. In recent years, Nick’s work as leader of the Emanative project has seen him take the helm for British cosmic jazz. The Duo allows Nick and Tamar to take and blend aspects and ideas from both projects in a slimmer, tighter context. Guesting with the Duo on chants and vocals is Earl Zinger, the reggae-toaster-inspired alter ego of acid-jazz veteran and former Galliano frontman Rob Gallagher (whose post-Galliano work has included jazz band Two Banks Of Four and who’s also currently working as William Adamson).

Three tastes of the project are below – a duo version of Albert Ayler/Mary Maria Parks’ ‘Music Is The Healing Force Of The Universe’;an Emanative remix of a Collocutor track; and an Emanative track from last year with strong Collocutor contributions.



This is (I think) the second gig for the Duo – there’s been at least one other well-received show in July 2015, at The Waiting Room in Stoke Newington). That gig also featured Sealionwoman, the playful, driving voice-and-double-bass duo whose shape-changing jazz and blues songs have enchanted ‘Misfit City’ for several years now. They’re making a return appearance at this gig too. (Here’s my my 2013 eyewitness account of them, again; plus a chunk of video from the very same show.)

In between Sealionwoman and the Duo comes Indian classical/fusion percussionist Sarathy Korwar. Dividing his time between London and Pune, Sarathy trained as both tabla and drum kit player and specialises in applying Indian classical rhythmic ideas to non-Indian percussion instruments, blending in aspects of improvisation and intuition.

More people may be added to the bill at the last moment…

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On the following evening, there are shades of garage, mod, Parisiana and spooky folk.

(Retro Man Blog & Damaged Goods Records present)
The Senior Service + French Boutik + Of Arrowe Hill
The Half Moon
, 93 Lower Richmond Road, Putney, London SW15 1EU, London, England
Saturday January 30th 2016, 7.30pm)
more information

Playing ‘60s-styled instrumentals, The Senior Service feature four musicians who, between them, have moved through many of the garage bands from the Medway scene – including The Prisoners, The James Taylor Quartet, The Solarflares, The Masonics, and assorted Billy Childish bands. Jon Barker (Hammond organ), Graham Day (guitar), Darryl Hartley (bass guitar) and Wolf Howard (drums) are inspired by John Barry/Ennio Morricone/Barry Gray soundtracks, Stax rhythm’n’blues (Booker T & The MGs) and early Mod (Small Faces). Damaged Goods Records release their debut single, Depth Charge, this month (with a full album to follow).

Senior Service/French Boutik/Of Arrowe Hill @ The Half Moon, Putney, 30th January 2016
In support are French Boutik, who (inspired by their Paris home) blend ideas from 1960s French pop such as Serge Gainsbourg and Yé-yé with classic Motown and Burt Bacharach, all with a modernist pop twist.

Opening the evening are Of Arrowe Hill – Adam Easterbrook’s “hauntological” rock group who are now midway through their second decade of work. Expect their usual mix of country blues and acid folk with lo-fi psychedelia, with Adam backed by ex-Aardvarks rhythm section Ian O’Sullivan and Jason Hobart.

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Finally, further north (much further north) there’s this:

(Marpexke Productions presents)
Nerve Toy Trio
The Saracen’s Head, 381 Wilderspool Causeway, Warrington, WA4 6RS, England
Saturday 30th January 2016, 9.00pm

Nerve Toy Trio, 30th January 2016Nerve Toy Trio (guitarist Tony Harn, bass player/pedalist David Jones and drummer Howard Jones) are playing their first gig of the year, back in their hometown.

Although I’ve posted about Tony before (covering his first three albums as a solo player – start here and work backwards) I don’t think I’ve posted about the Trio before. All are veterans of an underrated and overlooked Warrington art-rock scene of the 1980s which (although notable for launching Tim Bowness) was squeezed between and overshadowed by neighbouring ferments in Manchester and Liverpool. They spin out an echoed, textured fusion-rock which spans from delightfully airy to tight-and-bumptious, and which thrives on understated juxtapositions which are always earnest, cheeky or interesting, – setting a pinch of Hendrix squall against Cheshire pastoralism; Pat Metheny harmonic glitter alongside romantic Steve Hackett peals; Rush power riffage in alternation with Robin Guthrie spangle.

With their melodic, rococo flourishes and outright proggy roots, sometimes the Trio come across as uncertain time travellers – hopping and picking across four decades of art rock and fusion while still ultimately homesick for the treasures of their teenage listening – but for me that just adds to their charm. The clip below shows their mellower side and a flash of their muscle: the gig’s in aid of Macmillan Cancer Support if that’s any more of a draw. Nerve Toy Trio still seem like a band who’ve not quite found their audience yet. If you’ve read this far and are still interested, perhaps it’s you they’re looking for.

June 2015 – upcoming London gigs this weekend – Daylight Music on Saturday (with Lucy Claire & Imogen Bland/HART/Thomas Stone/Laish); Hangover Lounge on Sunday (David Callahan/The Left Outsides)

25 Jun

Two good-looking free gigs from Daylight Music and The Hangover Lounge are happening in London over the weekend. Details below.

Daylight Music 195: Lucy Claire & Imogen Bland + HART + Thomas Stone, with Laish (Union Chapel, Compton Terrace, Islington, London, N1 2UN – Saturday 27th June, 12pm to 2pm) 

A Daylight Music exclusive, with the premier performance of musician Lucy Claire and dancer/choreographer Imogen Bland’s ‘Moon/Yew‘. The pair present a stark and beautiful music-and-movement exploration of Sylvia Plath’s ‘The Moon and the Yew Tree’. The music is a mix of classical ambience, field recordings and glitchy electronics. An ethereal atmospheric sound, warm and comforting yet strange and haunting with choreography telling a tale of isolation, ritualistic acts and unclear paths ahead. It’s the first time that Daylight has welcomed a dancer to the stage, making this an even more special occasion.*

HART is the ethereal shoe-gazing dream-pop/folk project of singer/songwriter Daniel Pattison. His debut EP is out in May 2015 and features string arrangements from the acclaimed American composer Nico Muhly.

Thomas Stone creates his immersive music using contrabassoon, samplers and activated percussion, exploring themes of ritual and presence while blurring the boundaries of electronic and acoustic sound production. An enforced simplicity runs throughout the compositions – long tones underpinning slowly evolving motifs punctuated by cyclic rhythms, and gentle dissonances breaking to moments of fragile beauty.

In between the main performances this week will be shorter ones from Daniel Green, a.k.a. Laish.  A member of Brighton-based acoustic revivalists The Willkommen Collective, he’s made a name for himself as a writer and deliverer of captivating stories in song: on this occasion, however, he’ll be treating us to improvised guitar sets.

There’s a Soundcloud preview here.

Free entry, but donations are (as ever) encouraged.

Up-to-date information on the event is here.

* Actually, it’s not the first time – they had a flamenco dancer onstage last year with Ida y Vuelta. It says a lot about just how much happens at Daylight Music that they can actually forget things like that while writing their own blurb.

******

In spite of fairly frequent visits to Daylight Music, so far I’ve not made it down the road to visit the affiliated Hangover Lounge (part distant cousin, part slightly-more-rumpled neighbour). If they’re going to put on more free bills like the one on this Sunday, I’ll have to make more of an effort.

David Callahan + The Left-Outsides @ The Hangover Lounge, 28th June 2015

David Callahan + The Left Outsides (The Hangover Lounge @ The Lexington, 96-98 Pentonville Road, London, N1 9JB, Sunday 28th June 2015, 3.00pm – free)

David Callahan is best known as the frontman – or co-frontman – of two bands. The first of these, The Wolfhounds, was a mid-’80s post-punk band associated (for good or ill) with NME’s infamous C86 cassette to which they contributed alongside The Wedding Present, a young Primal Scream, The Pastels and others. While C86 set up and juxtaposed what were to become British indie archetypes (on the one side a parochial pop of jangling guitars and under-achievement, on the other an abrasive noisiness and surreal tendencies), The Wolfhounds were always a cut above, aided by a jagged garage-noisy way with a melody and their broader conceptual focus, plus David’ smart pointed way with a lyric and his arresting vocal (a precise, razoring punk sneer a few shades away from bitter blues – imagine a less theatrical Matt Johnson, if that helps). ‘If You Know What I Mean’ has described them as “the Stooges tempered by Big Star poetics” – read some more about that here.

Much of this carried over into David’s next project, Moonshake: one of a number of diverse but loosely-affiliated East London post-rock and indietronica bands (also including Stereolab, Disco Inferno, Bark Psychosis and A.R. Kane) who, for a few years, vigorously stripped out and rebooted pop and rock forms with experimental techniques. For the first few Moonshake albums (an exciting mangle of dub bass, guitar-noise and sample barrages owing equal amounts to hip hop and musique concrete), David worked in an exciting, two-headed arrangement with an equally distinctive singer-songwriter, Margaret Fiedler. When this ended in acrimony (and after Margaret wheeled away with half of the band to form Laika), David led Moonshake on his own for two further albums, adopting an increasingly cinematic and introspective approach (I’ve got a review of the last one here).

Since reuniting with a reinvigorated Wolfhounds in 2005 (a belated reunion album, ‘Middle Aged Freaks’, arrived nine years later), David has reverted to a more guitar-based sound but continued to write and record, with his broad and trenchant perspective intact. This Sunday’s solo appearance looks as if it’s going to be a rare acoustic set from him – featuring “all-new songs, sometimes in funny tunings” – but as he recently dug out his old Moonshake sampler for work with Manyfingers, he might surprise us with something a little more torrential and noisy.

I know less about the opening act, The Left Outsides, so the following is stolen straight from their Facebook page:

The Left Outsides are Mark Nicholas and Alison Cotton, a duo from Walthamstow, London who have been playing together since the winter of 2003. Both are former members of The Eighteenth Day of May and Mark is a former member of acid expressionists Of Arrowe Hill. Alison’s considerable viola skills have been put to good use in numerous bands including Saloon and Mathew Sawyer & The Ghosts. Their debut EP ‘Leaving The Frozen Butterflies Behind’ was released on the I Wish I Was Unpopular label in January 2006 and their album (titled ‘And Colours In Between’) was released in May 2007 on Transistor Records. A live album titled ‘Live At The Drop Out’ was self-released in January 2008. A 7″ single ‘The Third Light’ was released on the Hi-Beat Records label in July 2008. The Left Outsides are currently awaiting the release of their most recent album.

Up-to-date information on the Hangover Lounge gig is here.

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