Tag Archives: Ham Legion

Upcoming gigs at the end of July and onwards – Thumpermonkey/The Earls Of Mars/Ham Legion in London; Holly Penfield’s Judy Garland show hits the Hippodrome; The Luck Of Eden Hall tour the UK

25 Jul

Next week sees the first gig (for some time) for one of the most interesting of current British rock bands; some high-gloss cabaret; and the start of a psychedelic pop roadshow travelling around the UK. Read on…

Thumpermonkey @ The Islington, 30th July 2015

Thumpermonkey + The Earls Of Mars + Ham Legion (Guided Missile Special People Club, The Islington, 1 Tolpuddle Street, N1 0XT, London, UK, Thursday 30th July, 8.00pm) – £7.00/£6.00

Thumpermonkey don’t get as much attention as they deserve. It’s possible that this is because they don’t seem to take things seriously, addressing almost everything with a skewed and multi-levelled sense of cryptic grand-baroque geek humour. Just to illustrate this – a current work-in-progress Thumpermonkey song is “something which we’re calling Giraffes, which includes some vague narrative about doing a conga during an asteroid-based extinction-level event.” One of their older albums is called ‘Chap With The Wings, Five Rounds Rapid’ – a wry kill-the-monsters line filched from ‘Doctor Who”s laconic and unflappable Brigadier. In the same spirit as that reference, I’d suggest that while they are serious about what they do, they’re not necessarily serious about the way they do it – like many of my favourite things.

If what I’ve written so far leads you to expect strained, fey, sub-Zappa wackiness, then think again. Both in the flesh and on record, Thumpermonkey are a brooding and atmospheric proposition – seriously musical, travelling from blitzingly heavy quasi-metal riffs to spidery post-rock, from threshing post-hardcore to theatrical mane-tossing prog at a moment’s notice while Michael Woodman’s grand edgy vocals and complex multi-levelled lyrics ride on top like an arcane mahout with an arched eyebrow. They’ve been called “a sustained victory for intuitive cross-pollination” by ‘Prog’ magazine and every gig they play confirms this particular accolade. Here they are playing 419 (a song which at first appears to be one of their more delicate offerings, revealing its intensities later).

The other two bands on the bill are less well known to me, but aren’t short of blurb:

The Earls Of Mars are probably the most original thing you’ll hear all year. At their heart, the band are a ’70s-influenced rock band bringing together jazz, prog, space rock, doom and blues and forming it into a barking mad noise that you’ll either get or you won’t. If you don’t get it then close the door on your way out of the spaceship, as those of us who want to stay are off on a fantastical journey to who-knows-where, with The Earls Of Mars steering the ship. Enjoy the trip, ladies and gentlemen, as it’s going to be a fun ride.

Ham Legion‘s noisy lo-fi pop is punctuated with proggy outbursts, psychedelic breakdowns and passages of cod-metal joy. Tangy and tart guitar, egg noddle bass lines and light crispy drums are smothered in gooey boy/girl harmonies. Eat in or take away. For fans of Cardiacs, Deerhoof, They Might Be Giants, Split Enz, Heavy Vegetable.

Judge for yourselves – here are the videos for the Earls’ ‘Astronomer Pig’ single from last year, followed by some footage of a Ham Legion gig in Brighton a couple of years ago. As for tickets, they’re available here.

 

* * * * *

The day after the Thumpermonkey gig, Holly Penfield plays one of her biggest gigs of the year…

Holly Penfield as Judy Garland

Holly Penfield sings Judy Garland, The Hippodrome Casino, Cranbourn Street, Leicester Square, London, WC2H 7JH, UK, Friday 31st July 2015, 8.00pm) – £15.00 and upwards

Following a triumphant debut last year, Holly returns to the London Hippodrome, singing the songs of the legendary Judy Garland in her own inimitable style. Holly will be joined by her musical director Sam Watts and his magnificent seven-piece band. An unmissable evening for Holly and Judy fans alike, set in the glorious Matcham Room, located inside the Hippodrome Casino – formerly known as The Talk Of The Town, this is the venue of legends and home to Judy’s final London concerts.

Longer-term readers will know that I got to know Holly years ago via her own original ‘Fragile Human Monster Show‘ and the ‘Parts Of My Privacy’ album (which I wrote about ages ago – that review’s due a revamp and remount, I think). Both of those, though original songwriter pop, had their own theatrical and psychodynamic aspects which pointed towards Holly’s current work in vivid cabaret (and, latterly, as half of swing revivalists The Cricklewood Cats). As for Holly’s interpretations, she can and does cover cute showbiz camp and heart-tugging pathos within the same performance – you can see a couple of examples below.

Up-to-date information on the Judy concert is here and here, while tickets are available here. A mischievous part of me fancies swapping the audience from Holly’s show with the one from the Thumpermonkey/Earls/Ham Legion gig, and vice versa. I suspect that they all might enjoy it more than they’d expect to…

* * * * *

The Luck Of Eden Hall, 2015

On the same night that Thumpermonkey and co. play, The Luck Of Eden Hall are over from Chicago to play the first of two London gigs, launching a Kickstarter-funded UK tour which will take them to a wide array of venues and mini-festivals around England, Scotland and Wales, accompanied by a shifting cast of local psych heroes, left-field blues artists and quirky alt.pop shoegazers.

As for the headliners, you can expect clear-voiced, well-made classic pop beset by sudden gusts of psychedelic blizzarding. The Luck Of Eden Hall remind me of the drawn-out trucker-and-motorist tussle in ‘Duel’ – they come across like a more sombre Neil Finn or Andy Sturmer being stalked, dogged and sideswiped by Hawkwind, Ride or ‘Saucerful’-era Pink Floyd. Here’s a little evidence:


 

Full tour dates below:

The Luck Of Eden Hall UK tour

 

Upcoming London gigs in early June – A Formal Horse & Ham Legion; Olga Stezhko; The Spiders of Destiny play Frank Zappa; a Bowie Night in Soho

29 May

Here’s some quick info on upcoming gigs in early June which I’ve heard about – all of them in London.

Over the last couple of years, Westminster Kingsway College has established itself as one of the capital’s finest homes for quirky art-rock – by which I don’t mean student hobby bands thrown together for campness or for ironic prankery, but a rich, complex, committed electric music spanning the range between gutter-punk and flouncing prog via metal, jazz, folk, avant-gardening and anything else which gets melted down into the stew. Here’s one of those gigs that proves the point.

A Formal Horse, 2015

A Formal Horse + Ham Legion (Westminster Kingsway College, 211 Gray’s Inn Road, London, WC1X 8RA, Tuesday 2nd June, 6.30pm)

A Formal Horse is a new progressive rock quartet based in Southampton. Although the band’s sound is difficult to pinpoint, their dense instrumental passages are reminiscent of King Crimson and Mahavishnu Orchestra, whilst Francesca Lewis’ lead vocals evoke the whimsical surrealism of the 1970s’ Canterbury scene. Wonky melodies and serene vocals over a brutal sound – their music keeps you on your toes. However, A Formal Horse go beyond simply regurgitating the music of their predecessors. With influences as diverse as Bartók and Bon Iver, the band prove that there is still much territory to be explored in the field of British progressive rock.

In June 2014, the band released their debut EP, which was recorded by Rob Aubrey (IQ, Transatlantic). They went on to perform at London’s Resonance Weekend alongside Bigelf and Änglagård, and were described by Prog Magazine as a “festival highpoint”. Since, they have shared stages with Knifeworld and Lifesigns, cementing their position at the forefront of the British progressive scene.

Ham Legion spent 2014 honing their sound and developing a storming live show. You can expect a collision of beaming up beat power pop, grinding metal outbursts, dramatic changes of mood, sudden passages of twistingly epic prog then moments of restrained delivery and somber reflection. They are striking out in 2015 with the release of their debut album towards the end of the year.

Tickets available here – £6.00/£5.00

Olga Stezkho: 'Eta Carinae'

Olga Stezkho: ‘Eta Carinae’

Olga Stezhko (the far-thinking Belarusian classical pianist whose ‘Eta Carina’ album impressed me so much last year) has two London concerts coming up in the first fortnight of the month. The second’s likely to be an all-access crowd-pleaser. Given its charity fundraiser status, I’m not sure whether the first is likely to feature or indulge any of Olga’s intriguing conceptual preoccupations with Scriabin, Busoni, cosmology and early twentieth century consciousness, but even if it isn’t it’s a great opportunity to see a fine musician at work in a grand location.

Olga Stezhko charity piano recital in aid of Friends of the Belarusian Children’s Hospice (St Pancras Parish Church, Euston, London NW1 2BA, Thursday 4th June, 1:15pm – 2:00pm)

Programme not revealed – free admission, donations requested.

EC4 Music in aid of The Prince’s Trust (Barbican Hall, Tuesday 9th June, 7:30pm – 9:30pm)

The choir and orchestra of London-based EC4 Music return for their seventh fundraising concert in aid of The Prince’s Trust with a stirring selection of music from both sides of the Atlantic.

Programme:

Leonard Bernstein – Overture from ‘Candide’
Aaron Copland – Appalachian Spring
George Gershwin – Rhapsody in Blue
Vaughan Williams – Serenade to Music
Leonard Bernstein – Chichester Psalms
Eric Whitacre – Water Night
Hubert Parry – Blest Pair of Sirens

Performers:

EC4 Music Choir and Orchestra
Tim Crosley – conductor
Olga Stezhko – piano
Claire Seaton – soprano
Roderick Morris – countertenor
Thomas Herford – tenor
Adam Green – baritone

Tickets available here – prices from £10.00 – £35.00 plus booking fee.

Some of London’s most active art-rockers are brewing up a free Zappa homage in Croydon at around the same time. Details below:

event-20150606spidersplayza
The Spiders of Destiny play Frank Zappa (The Oval Tavern, 131 Oval Road, Croydon, CR0 6BR, Saturday 6th June, 8:30pm)

Great googly moogly! On June 6th, nine-piece tribute band Spiders Of Destiny come to The Oval Tavern to play a marathon set of music by the late, great Frank Zappa. Featuring world class performers with a sense of humour from notable prog/alternative bands such as: Knifeworld, Perhaps Contraption, Pigshackle, Medieval Baebes, The Display Team, Hot Head Show, Poino, Spiritwo, First, A Sweet Niche and more. So polish up your zircon-encrusted tweezers, trim your poodle, learn the mudshark dance and join us as we propagate the conceptual continuity instigated by one of the masters of modern music.

More info here – this gig is FREE ENTRY but there will be a donations jug doing the rounds during the intermission.

book-bowiespianomanAnyone with an interest in David Bowie, rock history, cabaret, electropop and all of the other things that get swept up into Bowie’s art should head to Soho on Thursday 11th June for A Bowie Night at Gerry’s Club, at which pianist and writer Clifford Slapper launches his book ‘Bowie’s Piano Man: The Life of Mike Garson‘ (which also has its own Facebook page).

As well as readings and signings there will be performances of Bowie songs from avowed fans Danie Cox (from “flock-rockers” The Featherz), Ray Burmiston (of ’80s heroes Passion Puppets), club siren Katherine Ellis (Freemasons, Ruff Driverz, Bimbo Jones etc.) and acoustic singer Jorge Vadio. There’ll also be a performance from a longtime ‘Misfit City’ favourite – London balladeer, Brel translator and onetime ‘Pirate Jenny’s’ host Des de Moor, who’ll presumably be singing his Bowie-gone-chanson interpretations from his ‘Darkness and Disgrace’ show. (I’m particularly pleased to see that Des is back onstage. It’s been a long time.)

More on the book below, and more on Gerry’s Club here.

“It is pointless to talk about his ability as a pianist. He is exceptional. However, there are very, very few musicians, let alone pianists, who naturally understand the movement and free thinking necessary to hurl themselves into experimental or traditional areas of music, sometimes, ironically, at the same time. Mike does this with such enthusiasm that it makes my heart glad just to be in the same room with him.” – David Bowie

Mike Garson has played piano on sixteen David Bowie albums, including Aladdin Sane, with his celebrated piano solo on its title track, Diamond Dogs, Young Americans, 1. Outside and Reality. He has also played live with Bowie on countless tours and shows, and remains his most long-standing and frequent band member.

For some time Clifford Slapper has been working very closely with Garson to write a book which explores the life of this extraordinary and eccentric modern musician. It documents in detail how as a pianist he was catapulted overnight from the obscure world of New York’s avant-garde jazz scene to a close and long connection with Bowie. In addition, Garson is recognised as a classical virtuoso, a jazz master and one of the world’s greatest exponents of improvisation. He has also recorded and performed live with other rock legends such as the Smashing Pumpkins and Nine Inch Nails. All of this is covered by this first ever biography of Mike Garson.

Its starting point was several days of in-depth and frank conversation with Garson himself, and covers a wide range of themes which will be of interest to all Bowie fans, but also to anyone with a passion for music, social history or the process of creative inspiration. Input has also come from many interviews with those who have worked with him over the years, including Earl Slick, Trent Reznor, Sterling Campbell, Reeves Gabrels, Dave Liebman and many others.

event-20150611bowienight

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

The Recoup

The 232,359th Most Trusted Voice In Music

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Good Music Speaks

A music blog written by Rich Brown

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A lovingly curated compendium of the world's weirdest music

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

a closer listen

A home for instrumental and experimental music.

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

%d bloggers like this: