Tag Archives: Sergei Rachmaninoff

April 2016 – upcoming gigs – a Chord Orchard evening in Brighton (with The Fiction Aisle, Crayola Lectern and Lutine) and Alexander Ardakov’s classical piano fundraiser in Amersham

26 Apr

I’m still recovering from the aftermath of moving house, but here are another couple of gig posts for shows later in the week. There’s one classical-piano fundraiser just outside London (following up the recent one by Olga Stezkho, and for the same cause) plus an evening of marginal-yet-melodic pop in Brighton (for those who thought the town was all about counterculture…)

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Alexander Ardakov
The Spinney Theatre, The Beacon School, 15 Amersham Road, Chesham Bois, Amersham, HP6 5PF, England
Thursday 28th April 2016, 7.00pm
– more information here
and here

“A graduate of the Moscow Conservatoire and a prizewinner at the Viotti International competition in Italy, Alexander Ardakov has been living in England where, in addition to his performing career throughout the world, he is a Professor of Piano at Trinity Laban Conservatoire of Music & Dance. The move to Britain and to Trinity where he has taught since 1991 has enabled him to develop as an international recitalist of exceptional versatility and musical integrity. Among his notable radio recordings are those for BBC Radio 3 and Classic FM. Alexander feels at home not only with the Russian classics but also with the composers of the romantic period such as Chopin, Liszt and Schumann. Indeed, Alexander’s audiences are never left indifferent, they are swept up in the sensitivity, intensity and passion of his playing that takes them on a journey from the most tender and intimate perceptions to the dramatic peaks of life’s greatest moments. Each meeting with him is a virtuoso performance that leaves the hearer emotionally sated yet still thirsty for more. Alexander’s extensive discography includes Rachmaninov’s Second Piano Concerto with the Royal Philharmonic Orchestra conducted by Sir Alexander Gibson. Further CD recordings are planned.”

Programme:

Johann Sebastian Bach – Ferruccio Busoni (1685-1760, 1866-1924)
Johann Sebastian Bach – Chorale Prelude “Ich ruf zu Dir”
Pyotr Ilyich Tchaikovsky – Nocturne op 19 no 4
Pyotr Ilyich Tchaikovsky – Romance op 5
Pyotr Ilyich Tchaikovsky – Meditation op 72 no 5
Sergei Rachmaninoff – Melodie op 3 no 3 in E major
Sergei Rachmaninoff – Elegie op 3 no 1 in E flat minor
Sergei Rachmaninoff – Musical Moment op 16 no 3 in B major
Christoph Willibald Gluck – Sgambati (1714-1787, 1841-1914)
Christoph Willibald Gluck – Dance of the blessed spirits
Robert Schumann – Warum (Why?)
Robert Schumann – Aufschwung (Upswing)
Ludwig van Beethoven – Seven Variations on the Theme ‘God Save the King’
Frédéric Chopin – Ballade op 23 no 1 in G minor
Frédéric Chopin – Ballade op 38 no 2 in A minor
Frédéric Chopin – Ballade op 47 no 3 in A flat major
Frédéric Chopin – Ballade op 52 no 4 in F minor


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Chord Orchard Evening, 30th April 2016Chord Orchard presents
CO.2 featuring The Fiction Aisle + Crayola Lectern + Lutine (+ DJs & Innerstrings lightshow)
Wagner Hall @ St Paul’s Church, West Street, Brighton, BN1 2RQ, England
Saturday 30th April 2016, 7.30pm
more information

The project of Chord Orchard leader Thomas White, The Fiction Aisle is “big, cinematic music that’s hewn in the shadow of John Barry, John Grant, Lloyd Cole and the Last Shadow Puppets, yet is very much its own creature. Much of it is a delicious investigation of old-fashioned pre-rock songwriting, but done from the heart rather than for kitsch kicks…a gorgeous surprise.” (‘The Arts Desk’)

Crayola Lectern released his debut double album, “The Fall and Rise of…” to great critical acclaim in 2013. The work and muse continue apace with the second album nearing completion and the third underway. Piano-oriented songs and adventures which affect people greatly, forming a unique musical world, all of its own, in thrall to nobody, best described as “what psychedelic music would have sounded like had the Edwardians invented it.”

Lutine“occupy the shifting, elemental space of their songs – a space that is sometimes airy, sometimes watery – in a way that is both effortlessly minimal and somehow whole. The result is a beautiful lucid dream of a record.” (‘Folk Radio’)

November 2015 – upcoming London gigs – assorted classical and related – another Fenella Humphreys Bach-plus violin evening (with extra Peter Maxwell Davies/Adrian Sutton premieres) and a multimedia Rachmaninoff symphony from Arensky Chamber Orchestra

29 Oct

Two upcoming classical concerts here, both at the Forge…

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Fenella Humphreys: Bach to the Future Part 3 (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Tuesday 3rd November 2015, 7.30pm) – £10.00-£12.00

Fenella Humphreys (photo by Gary Barton)

Fenella Humphries (photo by Gary Barton)

Violinist Fenella Humphreys presents the third of her Bach to the Future projects at The Forge, featuring commissions of new works by Britain’s leading composers to accompany Bach’s glorious Sonatas and Partitas for unaccompanied violin. The third concert includes new works by Sir Peter Maxwell Davies and Adrian Sutton alongside extraordinary music by Bach, Sibelius, Biber and Ysaye.

Programme:

Jean Sibelius – En Glad Musikant
Sir Peter Maxwell Davies – new work (2015)
J.S. Bach – Sonata no. 3 in C major BWV 1005
Heinrich Biber – Passacaglia in G minor
Adrian Sutton – new work (2015)
Eugene Ysaye – Solo Sonata no. 3 ‘Ballade’ op. 27

Fenella is also making studio recordings of the project for Champs Hill Records over two CDs – ‘Volume One’ was released in August 2015.

More information and tickets here.

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Here’s something familiar in a new setting…

The Arensky Chamber Orchestra presents: Rachmaninoff Symphony No. 2 (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Wednesday 4th November 2015, 8.00pm) – £12.00

Led by international prize-winning conductor William Kunhardt, The Arensky Chamber Orchestra has established itself as one of London’s most exciting young ensembles since its debut in 2009 – dedicated to revitalising the concert experience with theatrical and brilliant productions of classical music. Described as “deeply moving” by ‘The Independent’ in 2014, the ACO has produced numerous broadcast recordings on national radio and regularly performs in the country’s leading venues, including Cadogan Hall, Queen Elizabeth Hall, and the Southbank Centre’s Purcell Room.

The orchestra’s performances fuse electric performance with lighting design, “live” programme notes delivered from the stage and unusual venue use. Past collaborators have included leading soloists such as Jennifer Pike and Benjamin Grosvenor, guest directors including the leaders of the Philharmonia, the Orchestra of the Royal Opera House and the Orchestra of the Age of Enlightenment and institutions and festivals ranging from the Royal College of Art to the Greenwich and Docklands Festival. The ACO also regularly combine their performances with specially created food and drink menus and commissioned work from other artists, including video DJs, artists, actors and dancers.

The ACO return to The Forge with Sergei Rachmaninoff’s opulent Second Symphony, arranged for chamber orchestra. Revered as the greatest pianist of his time, yet scorned as an out-of-date and sentimental composer, Rachmaninoff’s music is an oasis of drama, colour and feeling in the increasingly rational and cold 20th Century musical world. Whilst all Rachmaninoff’s music sings with a heart-wrenching honesty, his Second Symphony is perhaps the most personal piece he ever wrote. Rachmaninoff’s First Symphony – a huge failure – had led to three years in the musical wilderness, to crushing self-doubt and writers block. He published his Second only after intense courses of hypnotherapy and years of reworking the manuscript.

As a result, it is a true autobiography of his soul: it speaks of fierce patriotism, exile and of a yearning to return to a home that was now lost to him. It tells of his worldwide triumphs, yet also of his failings and self doubt. The “dies irae” chant lurks in the shadows, a morbid reminder of Rachmaninoff’s preoccupation with death. But above all it sings with extraordinary beauty, sumptuous colour and unending, impossible-to-forget melodies. Join the ACO as they unravel the luxurious sound-world of this symphony with excerpts, short performances and stories from Rachmaninoff’s life. Then sit back and enjoy perhaps the ultimate Romantic symphony, and the world premiere performance of its new arrangement.

“Music is a calm moonlit night, the rustle of leaves in Summer. Music is the far off peal of bells at dusk! Music comes straight from the heart and talks only to the heart: it is Love! Music is the Sister of Poetry and her Mother is sorrow.” – Sergei Rachmaninoff

More information and tickets are here.

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