Tag Archives: Mary Dullea

March 2017 – upcoming gigs – selections from the Sheffield Classical Weekend (17th-19th)

6 Mar

There’s plenty going on at the three-day mid-March Sheffield Classical Weekend, with the city permeated with music including many old and new favourites. Among what’s on offer are two different performances of Arvo Pärt’s ‘Fratres’ (one by a wind band, one by a host of strings), two Dreams of China concerts covering formal Chinese classical compositions) and a host of choral shows (the classic monk’s-debauchery of Orff’s ‘Carmina Burana’ via Schubert’s ‘Mirjam’s Siegesgesang’ and Brahms’ ‘Ziguenerlieder’, through to a variety of pops choirs.) Though I’d advise checking out the entire, pleasingly diverse programme, here are my own brief and subjective picks from it, if you’re interested.

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Oliver Coates & cellists: ‘Canticles of the Sky’ – Kelham Island Museum, Alma St, Sheffield, S3 8RY, England, Saturday 18th March 2017, 3:30pm & 5.00pminformation

“A UK premiere featuring star cellist Oliver Coates (Radiohead, ‘Under The Skin’ and ‘There Will Be Blood’). Olly and a host of cellists will surround the Kelham Island audience and lift you skyward with this ethereal and dreamy work from Pulitzer and Grammy-winning composer John Luther Adams. Also featuring extracts from J.S Bach’s Cello Suites.”

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Five Choirs: Sounds From Heaven – St Marie’s Cathedral, Norfolk Row, Sheffield S1 2JB, England, Sunday 19th March 2017, 2:30pminformation

“Perched around the sides of the excellent acoustic space within the Cathedral Church of St Marie, five Sheffield chamber choirs – Abbeydale Singers, Sheffield Chamber Choir, Sterndale Singers, Sheffield Chorale and Viva Voce – will “create a swoonsome heart-lifting soundscape of song.” As well as old and new choral standbys by John Tavener, Arvo Pärt, Felix Mendelssohn and others, the concert will include the premiere of ‘Kraal’ a commission for five simultaneous choirs written by Jenny Jackson (a member of Sheffield’s own contemporary composer collective, Platform 4).”

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More music fostered by Platform 4 will be popping up a few times over the weekend. Flautist Rachel Shirley performs “a selection of colourful and inventive works for flute, piano, blown bottles and saxophone“; there’s an evening date at Yellow Arch Studios with players from Sheffield Music Academy, performing the collective’s own “imaginative cutting-edge compositions”. There’s a “mind-bending” collaboration with Opera On Location in which “stories are turned upside down and endings become beginnings in (a) selection of operatic palindromes, where the music is the same both backwards and forwards… featuring Paul Hindemith’s short opera ‘Hin Und Zurück’ (‘There And Back’), plus new bitesize and puzzling pieces…” Platform 4 also contribute the cello-and-electric keyboard piece ‘Upright Stance’ to be performed alongside Shostakovich’s Cello Concerto at Oliver Coates’ concert with Sheffield Music Hub Senior Schools.

  • Opera On Location with Platform 4 – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 8:30pminformation (contains strong and sexually explicit language – recommended for 18+)
  • Rachel Shirley: ‘Hooting & Drinking’ – Channing Hall @ Upper Chapel, Norfolk Street, Sheffield, S1 2JD, Saturday 18th March 2017, 3.30pminformation
  • Oliver Coates & Sheffield Music Hub Senior Schools: ‘From The Heart: Shostakovich’ – City Hall Ballroom @ Sheffield City Hall, Barkers Pool, Sheffield, S1 2JA, England, Sunday 19th March, 12:00pminformation
  • Platform 4 with Sheffield Music Academy – Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6:30pminformation

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On the Friday and the Saturday, there are some thoughtfully programmed Sound Laboratory events centring on the music, ideas and influence of Pierre Boulez. Saturday sees a triple-banked set featuring pianists Beate Toyka and Matthew Odell, violinists Darragh Morgan and Lucy Phillips, clarinettist Sarah Watts and the University of Sheffield New Music Ensemble.

Each of these mini-concerts sets one of Boulez’s first three Piano Sonatas against another piece. ‘The Conflict And The Passion’ pitches ‘Piano Sonata No. 1’ against Beethoven’s Kreutzer Sonata in a study of thwarted passions. ‘Deconstruction & Digitalisation’ presents the classical deconstruction of ‘Piano Sonata No. 2’ and the electro-acoustic contrasts of ‘Anthemes II’. ‘Choice And Chance’ (the only one of the concerts to feature two Boulez compositions) offers ‘Piano Sonata No. 3’ and the clarinet-and-orchestra piece ‘Domaines’, contrasting a piece in which major options are available to the performer and one which is considerably more ordered and regimented.

The series opens on Friday with a special Boulez-inspired concert in which “the avant-garde becomes child’s play… primary school children from across the city explore the curious frontiers of contemporary electronic music and present the results of their musical experimentation.”

Sound Laboratory:

  • ‘Computer Music’ – Firth Hall @ University of Sheffield, Western Bank, Sheffield, S10 2TN, England, Friday 17th March 2017, 1:30pminformation
  • ‘The Conflict & The Passion’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 1:30pminformation
  • ‘Deconstruction & Digitalisation’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 3:30pminformation
  • ‘Choice and Chance’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 5:00pminformation

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Among the Chinese-inspired events is one in which Chinese and European chamber music merge as celebrated guzheng zither soloist Xia Jing teams up with The Fidelio Trio (Darragh Morgan on violin, Adi Tal on cello and Mary Dullea on piano). They’ll be presenting a concert of brand-new musical premieres – Gao Ping’s ‘Feng Zheng’ (‘Kite’), Jeroen Speak’s ‘Silk Dialogues 7’, Dylan Lardelli‘s ‘Shells’, and ‘Time Bends In The Rock’ by Sheffield-based composer Dorothy Ker.

Fidelio Trio & Xia Jing: ‘Global Soundtracks: Silk Dialogues’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 9:30pminformation

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In addition, there’s a variety of pop-up performances across the three days, featuring abbreviated sets by event headliners plus showings by small instrumental and vocal groups. It’s an open-minded spill moving out from classical forms to embrace folk, alt.chamber and other kinds of music.

One promising set of contributors are Manchester quintet Kabantu, who’ve thankfully dropped their previous name Project Jam Sandwich and who also “throw away the rulebook to bridge countries and cultures, creating an exuberant and joyful soundworld… vocal harmonies from South Africa coalesce with everything from Celtic reels and Brazilian samba to Balkan folk music and beyond.” Featuring violin, guitar, cello, double bass and percussion in addition to voices, they’re playing a pop-up show but also two separate consecutive-but-entirely-different sets at Yellow Arch Studios.

Classical by Night – Kabantu @ Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6.30pm & 9:30pm – information here and here
 

July 2016 – upcoming London gigs – The Fidelio Trio play Beethoven, Dvořák and Schoenberg and talk to us (19th)

17 Jul

A very quick post regarding an upcoming free London show from the Fidelio Trio – sadly, they’re not playing any of the original repertoire which they’ve commissioned over the years, but if you’re interested in hearing them take on music from the established canon from classical to Romantic through to the brink of chromatic modernism, and if you’re interesting in getting a formal chance to conversing with the kind of small ensemble which does invite commissions, this might suit you.

Rhinegold LIVE presents:
The Fidelio Trio
Conway Hall, 25 Red Lion Square, Bloomsbury, London, WC1R 4RL, London
Tuesday 19th July 2016, 6:15 pm
– free event – information here and here

“The ‘virtuosic Fidelio Trio’ (Sunday Times) are Darragh Morgan, violin, Adi Tal, cello and Mary Dullea, piano. Shortlisted for the 2016 Royal Philharmonic Society Music Awards – one of the highest recognitions for live classical music-making in the UK – they perform diverse repertoire internationally, broadcast regularly on BBC Radio 3, RTÉ Lyric FM, WNYC, NPR and in 2010 were featured in a Sky Arts documentary.

Champions of classical and contemporary alike (and with a string of new commissions to their name), this recital will explore some of the trio’s favourite repertoire. Join us and experience the on-stage chemistry which caught the attention of this year’s RPS Ensemble Award jury.

The evening starts with a drinks reception at 6.15pm, with the concert starting at 7.00pm. The concert is followed by an informal Q&A which will be conducted by Kimon Daltas, editor of Classical Music magazine.”

Programme:

Ludwig van Beethoven: Piano Trio in D major Op. 70 No. 1 ‘Ghost’ – I. Allegro vivace e con brio
Antonín Dvořák: Piano Trio No. 4 in E minor Op. 90 ‘Dumky’ – I. Lento maestoso – Allegro quasi doppio movimento
Arnold Schoenberg (arr. Eduard Steuermann): Verklärte Nacht

If you’re interested in hearing how the trio take on brand new repertoire, here are some clips of them in action, presenting debut live premieres of John Buckley’s 2014 ‘Piano Trio’ (from 2014) and Scott Wilson’s ‘Head Neck Chest Four Five Six Thing’ (from March this year).



 

October 2015 – upcoming London gigs (12th to 18th) – new classical music with Darragh Morgan & Mary Dullea; William D. Drake, Bill Pritchard and Bill Botting make a trio of songwriting Bills for Daylight Music; Laura Moody and a host of others play at Match&Fuse

8 Oct

During the middle of next week, there’s a set of new or rare contemporary classical pieces being performed in Camden Town.

Darragh Morgan and Mary Dullea, 2015

Picking Up The Pieces: Darragh Morgan & Mary Dullea (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Wednesday 14th October 2015, 7.30pm) – £10.00/£12.00

Here’s what the Forge has to say about it:

Described by BBC Music Magazine as ‘agile, incisive and impassioned’ violinist Darragh Morgan and pianist Mary Dullea are renowned soloists of new music as well as members of The Fidelio Trio, one of the UK’s leading chamber ensembles. ‘Picking up the Pieces’ explores new and recent repertoire, much of it written for this duo, by a diverse selection of composers. Among the program items, Richard Causton’s ‘Seven States of Rain’ (dedicated to Mary and Darragh) won the first ever British Composers’ Award; while Gerald Barry’s ‘Midday’ receives its world premiere alongside other London premieres from Camden Reeves and Benedict Schlepper-Connolly.

Programme:

Richard Causton – Seven States of Rain
Gerald Barry – Midday (world premiere)
Benedict Schlepper-Connolly – Ekstase I (UK premiere)
Dobrinka Tabakova – Through the Cold Smoke
Kate Whitley – Three Pieces for violin and piano
Sam Hayden – Picking up the Pieces
Camden Reeves – Gorgon’s Head (London premiere)

Here’s the original premiere recording of Darragh and Mary playing ‘Seven States of Rain’.

Tickets and up-to-date information are here. This concert is being recorded by BBC Radio for future transmission on Hear & Now.

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On the Saturday following, there’s a triple bill of Bills at Daylight Music. Now that’s cute, even for them. Here are the words, direct from the top…

Daylight Music 203, 17th October 2015

Daylight Music 203: William D. Drake + Bill Pritchard + Bill Botting (Union Chapel, Compton Terrace, Islington, London, N1 2UN, UK – Saturday 17th October 2015, 12.00pm-2.00pm) – free entry, suggested donation £5.00

For his fifth solo excursion, former Cardiacs keysmith William D Drake takes us on a serpentine path through the inner regions of ‘Revere Reach’, a part-imagined landscape composed of memory and fantasy. At once heart-felt, hearty and absurd, its heady reveries blend ancient-seeming modal folk melody with an obliquely-slanted rock thrust.

Bill Pritchard is a beloved cult British-born singer/songwriter. You may remember. You may not. He started writing songs for various bands at school but it wasn’t until he spent time in Bordeaux as part of a college degree that his style flourished. He did a weekly show with two friends on the radio station La Vie au Grand Hertz (part of the burgeoning ‘radio libre’ movement) and was introduced to a lot of French artists from Antoine to Taxi Girl. In 2014 Bill released – Trip to the Coast (Tapeste Records). He’s recently resurfaced with a cracking new album, the songs of which are classic Bill Pritchard. Guitar pop, hooky chorus’, melodic ballads and personal everyday lyrics about love, loss, and Stoke-On-Trent.

Our final Bill is Bill Botting – best known as the bass player from Allo Darlin with the encouraging face, or as one half of indie electro wierdos Moustache of Insanity. Bill returned to playing his own music sometime in 2014. What started as a solo act has now grown into a complete band featuring members of Owl and Mouse, Allo Darlin and The Wave Pictures. A 7-inch single out later in the year on the wiaiwya label has a country slant but an indie heart.

https://youtu.be/tROCvuxnke4

Up-to-date info on this particular Daylight Music afternoon is here.

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Laura Moody’s captivating cello-and-voice songcraft (which edges along the boundary lines of avant-garde classical, art pop and heart-on-sleeve folk music, while demonstrating a daunting mastery of both vocal and instrument) has been a favourite of mine for a while. On this particular week, she’s performing as part of the Match&Fuse Festival in London on 17th October, which I’d have made more of a noise about had I cottoned on to it earlier. She’ll be following up her London show with a date on 20th October at Leeds College of Music: unfortunately, this concert (which also features a talk) is only for LCM students/staff, but if you happen to be attending the college, grab the chance to go along.

There’ll be more on Laura shortly, as she’s embarking on a brief British tour next month which dovetails quite neatly with some other brief tours I’d like to tie together in a post. Watch this space.

Meanwhile, I might as well provide a quick rundown of the Match&Fuse events. This will be a short and scrappy cut’n’paste’n’link, since I’m honouring my own last-minute pickup (and, to be honest, because I exhausted myself listing out all the details of the Manchester Jazz Festival events earlier in the year).

By the sound of it, though, the festival deserves more attention than I’m providing. Even just on spec, it’s a delightful bursting suitcase of British and European music; much of which consists of various forms of jazz and improvisation, but which also takes in electronica, math rock, accordion-driven Tyrolean folk-rap, vocalese, glam punk, the aforementioned Ms. Moody and what appears to be a huge scratch ensemble closing the events each night. It’s spread over three days including a wild triple event on the Saturday. Tickets are starting to sell out; so if you want to attend, be quick.

Match&Fuse Festival, London, 2015

Committed to the composers and bands who propel, compel and challenge, Match&Fuse turns it on and ignites the 4th London festival in October. Dissolving barriers between genres and countries, it’s a rare chance to hear a spectrum of sounds from underground European and UK artists. On Saturday 17th October our popular wristband event will give you access to three Dalston venues and about thirteen artists and bands. Strike a match…

The Vortex Jazz Club, 11 Gillett Square, London, N16 8AZ, UK, Thursday 15th October 2015, 7.30pm – £9.90

Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London E1 6LA, UK, Friday 16th October 2015, 7.30pm – £13.20

The Vortex/Café Oto/Oto Project Space/ Servant Jazz Quarters simultaneous event, Saturday 17th October 2015, 8.00pm – £11.00/£16.50

Café Oto/Oto Project Space, 18-22 Ashwin Street, Dalston, London, E8 3DL, UK

Servant Jazz Quarters, 10a Bradbury Street, Dalston, London, N16 8JN, UK

The Vortex Jazz Club/Vortex Downstairs, 11 Gillett Square, London, N16 8AZ, UK

Full details of Match&Fuse London 2015 are here and here, with tickets (including wristbands) available here. There’s also a playlist available – see below.

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More October gig previews coming up shortly, plus some more for November…

October 2015 – upcoming London gigs – acoustic/alt.country at Daylight Music (Applewood Road, Holly Macve, Arborist) and the Fidelio Trio with Beethoven, Ravel and a Benjamin Dwyer premiere

5 Oct

And, finally for this week, from all of that noise to something acoustic for a Saturday noontime…

Daylight Music 202

Daylight Music 202: Applewood Road, Holly Macve + Arborist (Union Chapel, Compton Terrace, Islington, London, N1 2UN, UK – Saturday 10th October 2015, 12.00pm-2.00pm) – free entry, suggested donation £5.00

An early afternoon of songwriter-folk, America and alternative country from one of ‘Misfit City’s favourite free/pay-what-you-like events:

Applewood Road is an Australian/American alliance of three solo songwriters – Amy Speace, Amber Rubarth  (also known as one half of The Paper Raincoat) and Emily Barker (also known for her work with the-low-country and The Red Clay Halo). In September 2014, they all met for the first time in a cafe in East Nashville. Two hours later they had written the song they called Applewood Road. They booked studio time at Nashville’s super-cool analogue studio Welcome To 1979, and the following week recorded the song live to tape, with just double bass as accompaniment. So excited were they by the song, they decided to expand the idea in to a whole album. Six months later they reconvened in Nashville to write, rehearse and record songs to make up a full album, with the project and album all called ‘Applewood Road’. This is their first show in the UK, with the debut Applewood Road album due for an early 2016 release on Gearbox Records.

Bella Union label boss Simon Raymonde says, of Holly Macve“little is known of Holly other than she is a 20 year old from Yorkshire who appeared out of nowhere in Brighton late last year. I had a tip-off to go to a basement bar where she was playing. In a room full of beery boys chatting across all the music beforehand, the minute Holly opened her mouth the room fell silent. Hers is a rare gift.” Simon signed her shortly afterwards. The label has yet to release anything formally, but Holly herself has posted a demo track onto Soundcloud (see below), and she’s already won support slots with Ben Howard and Mercury Rev on the strength of what she’s offering.

Having previously worked as a songwriter around France, London and Dublin, Mark McCambridge played his first show as Arborist in February 2013, opening for James Yorkston in Belfast. A solo tour of Ireland followed before impressive performances led to notable support slots alongside Low, Cat Power, Echo & The Bunnymen and Alasdair Roberts. In May 2015 Arborist released the country-tinged ‘Twisted Arrow’. Recorded during dark winter nights in Belfast and in Dayton, Ohio (and featuring vocal harmonies by Kim Deal). A debut album is due this coming winter.

http://www.youtube.com/watch?v=3SJkVQX3VUE

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Not finally, in fact. There’s a chance to squeeze in a last-minute classical addition, since it’s always a shame to miss a premiere.

The Fidelio Trio, 2015

The Fidelio Trio @ The London Chamber Music Series (Hall One, Kings Place, 90 York Way, Kings Cross, London, N1 9AG, UK, Sunday 11th October 2015, 6.30pm) – £9.50 to £29.50

The celebrated Fidelio Trio – Mary Dullea (piano), Adi Tal (cello), Darragh Morgan (violin) – perform Beethoven’s hugely popular ‘Ghost Trio’, with its iconic eerie slow movement, and also Ravel’s remarkably imaginative and colourful ‘Piano Trio’, premiered 100 years ago this year in Paris in 1915.

In between comes the premiere of Irish composer Benjamin Dwyer‘s ‘Nocturnal’, inspired by Benjamin Britten’s famous own ‘Nocturnal after John Dowland (for solo guitar)’, and drawing upon a theme from Britten’s opera ‘Gloriana’, as well as a madrigal by English early seventeenth-century composer Thomas Wilbye. There will be a free pre-concert talk at 5.15pm in the St Pancras Room at Kings Place, in which composer and LCM Series director Peter Fribbins interviews Benjamin Dwyer about his new work and his interest in the music of Benjamin Britten.

More information here and tickets here.

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More October gig previews coming up shortly…

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