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November 2017 – London and Birmingham instrumental giggery – Kabantu at 1901 Club (16th); Alex Roth double bill playing with Future Current and scoring Kasia Witek’s ‘One Wall of Me’ for Olie Brice & Ruth Goller (17th); Steve Lawson with Bryan Corbett at Tower of Song (19th)

9 Nov

A quick sweep through three diverse mid-month gigs in London and Birmingham, covering duets of loop-bass and trumpet, some global acoustic fusion, and a double-bill of experimental guitar trio plus double-bass-accompanied dance piece…

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Kabantu, 16th November 2017

Hattori Foundation presents:
Hattori Foundation Rush-Hour Recital: Kabantu
1901 Club, 7 Exton Street, Waterloo, London, SE1 8UE, England
Thursday 16th November 2017, 7.00pm
– information here and here

“Reinventing global sounds, rewriting the rulebook – winners of the Royal Over-Seas League Competition 2017, Kabantu (meaning “of the people”), is a five-piece hailing from Manchester who unravel new marriages of music from around the globe to celebrate the space where different cultures meet. Formed in 2014 at the Royal Northern College of Music and combining the virtuosity of classical training with the opportunity to explore music from around the world, Kabantu musically reflect their interest in global cultures, arrangement and improvisation.

“The instrumentation comprises violin (Katie Foster), cello (Abel Selaocoe), guitar (Ben Sayah), double bass (Ali McMath) and percussion (Delia Stevens). Vocal harmonies from South Africa coalesce with everything from Celtic reels and Brazilian samba to Balkan folk music and beyond. Kabantu use music to bridge countries and cultures, creating an exuberant and joyful sound. They have just recorded their debut album with Mercury-nominated producer Gerry Diver and very much look forward to releasing it alongside a UK-wide launch tour in February 2018.

“The programme will include Scotland/Good Call (a set of two tunes, one penned by the group’s Edinburgh-born violinist Katie Foster and one traditional, fused with Kabantu’s take on Scottish music, including bowed banjo woven with intricate rhythmic decoration) and Ulidzele (a traditional song brought to Kabantu by their South African cellist Abel Selaocoe, using a blend of African vocal harmonies preceded by vibrant chanting and percussion to tell the story of a funeral celebrating a life, rather than mourning it.”



 
* * * * * * * *

London Jazz Festival presents:
Kasia Witek’s ‘One Wall of Me’ (featuring Olie Brice & Ruth Goller playing music by Alex Roth) + Future Currents
Jazz Cafe POSK @ POSK (Polish Social & Cultural Association), 238-246 King Street, Hammersmith, London, W6 0RF, England
Friday 17th November 2017, 7.30pm
information

Kasia Witek/Future Currents, 17th November 2017“Conceived specifically for a new company of three dancers and two musicians, Kasia Witek‘s new performance piece ‘One Wall of Me’ investigates and celebrates the intelligence of the body. Through the practice of embodied awareness, the performers awaken a sense of belonging, togetherness, and joy. Watch and listen as the meditation on endless interconnectivity unfolds before you.

“An original score by award-winning composer/improviser Alex Roth, drawing on the deep sonorities and physicality of double bass (played live by renowned improvisers and “double double bass team” Olie Brice and Ruth Goller), provides an integral counterpoint to Kasia’s highly physical choreography, danced by Elisa Vassena, Stella Papi and Tora Hed.

Future Currents is an electric guitar ensemble formed by Alex Roth to explore the full range of the instrument’s sonic potential. Bringing together three of the UK’s most acclaimed improvising guitarists, (Alex, Chris Montague and Chris Sharkey, who between them are members of Troyka, Sephiroth, trioVD, Otriad and Blue-Eyed Hawk), the group creates new music of extremes, informed as much by composers like Morton Feldman, Frank Zappa, Olivier Messiaen and Richard D James as by pioneering guitarists such as Fred Frith, Robert Fripp, Marc Ducret and Bill Frisell.”


 

* * * * * * * *

Steve Lawson & Brian Corbett, 19th November 2017

Steve Lawson with Bryan Corbett
Tower of Song, 107 Pershore Road South, Kings Norton, Birmingham B30 3EL, England
Sunday 19th November 2017, 7.00pm
– information here, here and here

Back at Tower Of Song in Birmingham, bass guitarist, loop musician and ToS/’Misfit City’ regular Steve Lawson embarks on a launch gig for his latest album ‘PS, You Are Brilliant’.

The sunny title may seem to counterpoint Steve’s recent set of more sombre-toned releases such as ‘If They Had Won’ and ‘Referendum’, mourning the enmity, deprival and confusion of Brexit and the austerity age (as well as providing a restful break before he reimmerses himself in the polemical communitarian thrash/protest metal of Torycore later in the month). However, it seems that the music is more of an extension of the work on his last full album ‘The Surrender Of Time’ (“dark, dissonant layers of sound coupled with glitchy, wonky hip-hop beats and odd time-signature chance-based loops that bring an even more complex set of relationships between the various layers at work”).

The title itself is a quote from and tribute to the late arts producer Roanne Dods (of the Jerwood Foundation and Small Is Beautiful) whom Steve describes as “one of the most relentlessly encouraging people I’ve ever come across… she brought a sense of possibility to every conversation, and alongside that was so, so good at actually making things happen, at organising and pulling together teams to make sure that those ideas, that impetus and all that amazing encouragement came to fruition. I think about her pretty much every day, as I do things that she encouraged me to do, as I reach to be the best that I can be in every area of my life, and pass on that encouragement to others.”

Joining Steve at Tower of Song is “one of my most favourite collaborators ever as special guest – Bryan Corbett on trumpet. Bryan is one of the most brilliant improvisors I’ve ever worked with – he has an otherworldly ability to arrange and orchestrate his sounds on the fly, using subtle effects and exemplary technique to lift everything he plays on to a higher level. It’s been way too long since we last played together, and this will be our first ever duo gig.”

The eticket deal includes a free download of If They Had Won (one of the tracks from ‘PS, You Are Brilliant’). Have an advance listen to it here…


 

November 2017 – experimental gigs in England – Christine Ott on tour in Salford, Leeds and London (5th-8th November)

29 Oct


 
French experimental keyboard player Christine Ott – a sometime collaborator with Radiohead, Yann Tiersen and Tindersticks – is about to visit England as part of an ongoing European tour.

There are only three dates on this part of the tour, but they reveal a constantly shifting focus as Christine moves between different projects and presentations. In Salford, she’s part of a Gizeh Records-sponsored triple bill shared with two Manchester area experimental acts. In Leeds, she’s performing a live, self-penned soundtrack to a classic 1930s silent film blending romantic drama and docufiction, while in London, she’s got an evening split between a solo set and a performance of her duo project Snowdrops, in which she and fellow keyboard player Mathieu Gabry blend assorted keyboards and soundscapes. All will feature Christine’s work on piano and on the ondes Martenot, an antique années folles proto-synthesizer from the 1920s using vacuum tubes, slide controls, early filters and a selection of varied speaker devices to create eerie swooping cadences and strangely-coloured sonic outputs.

Dates:

  • The Eagle Inn, 18-19 Collier Street, Salford, M3 7DW, England, Sunday 5th November 2017, 7.30pm (with A-Sun-Amissa & ARC Soundtracks) – information here and here
  • Leeds International Film Festival @ Victoria Hall, Victoria Square, Leeds, West Yorkshire, LS1 3.., England, Monday 6th November 2017, 8.15pm (TABU live)information
  • IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England, Wednesday 8th November 2017, 8.00pm (solo performance + Snowdrops performance) – information here and here

More on the film project:

F.W. Murnau’s last silent film classic, the poetic and moving ‘Tabu‘, is the story of an impossible love on Bora-Bora island, between Matahi, a young pearl diver, and Reri, a young woman promised to the gods. Christine Ott’s soundtrack alternates modern classical piano pieces with avant-garde tracks on the mysterious and mesmerising ondes Martenot.”


 
More on Snowdrops:

“Alert launchers. A rogue wave. A burning forest… Musical landscapes in chiaroscuro, from melodies to “sculptures sonores”… Christine’s work in the Snowdrops duet goes beyond certain lines outlined in ‘Only Silence Remains’. An eminently powerful and spontaneous music, but also open and natural. A mixed universe of jazz, neo-classical, cinematographic and improvised music, which could vaguely sketch in the features of Sigur Rós, Steve Reich and Claude Debussy.”


 
More on Christine’s support acts in Salford:

“The audio/visual project of K. Craig and David Armes, ARC Soundtracks combines a dense, multi-layered sound-world with ritualistic visuals to create an immersive, hypnotic work. New album ‘DERELICTION//MIRROR’ takes us into a bleak auditory realm of post-industrial structures and traces the role of the body within these liminal spaces. Strained harmonics and industrial, discordance mesh with veiled rhythms and spoken-word narrative to create a heavy, static energy to both sound and visuals.


 
“An instrumental music collective founded and led by Richard Knox (The Rustle of the Stars, Shield Patterns, Glissando), A-Sun Amissa has featured an array of members and collaborators since it’s formation in 2011. To date they have released two albums on Richard’s own Gizeh Records label. The group produce a dense, drone-like atmosphere, accompanying evocative, melodic string and woodwind sections, intertwining guitars and field recordings. The live show features sections of the recorded output combined with improvisation to unlock new movements and progressions in the music. The subtle, considered textures and the hypnotic interaction between players and instruments provide an intense live performance.”


 

October 2017 – upcoming London gigs – art pop and stories from Tom O.C Wilson, Eley Williams and Kept Cairns (22nd October); holy electro-noise folk and beats from Jarboe, Father Murphy and Metalogue (23rd October)

17 Oct

Tom O.C. Wilson, 22nd October 2017

Pickled Egg Records presents:
Tom O.C Wilson + Eley Williams + Beetles
Servant Jazz Quarters, 10a Bradbury Street, Dalston, London, N16 8JN, England
Sunday 22nd October 2017, 7.30pm
– information here and here

Until recently operating as Freeze Puppy, Tom O.C. Wilson is now venturing out under his own name with ever-more-intricate and compositionally complex conversational songs, venturing into hitherto unexplored territory between (to pick a few loose examples) Stephen Sondheim, Frank Zappa, Neil Hannon, Django Bates and The Carpenters.

‘Tell A Friend’ – his debut album as himself – is “lovingly crafted, infectiously playful arthouse pop… a frothy, colourful twelve-song collection that pushes the raw materials of pop into dazzlingly surprising shapes, from the polyrhythmic fervour of Give Yourself Some Credit to the Steve Reich-meets-Motown stomp of The Ones. Yet as with similarly cerebrally-minded pop acts such as Field Music, Max Tundra and Dutch Uncles, the intricacy of the music is coupled with an unusually high hooks per-minute quotient — these are songs to sing along to as much as ponder.” While previous records have revelled in a certain literary playfulness, each song on this one is based on Tom’s own life and friendships. It’s in keeping with Tom’s decision not to hide behind kooky project names any longer: he’s never likely to create a standard-issue confessional album, but this is explicitly “a celebration of human interaction” in all its richness. Judging by the tone of start-up single The Ones, it’s predominantly positive.

Tom was originally providing his own support as half of his other band Beetles, but they’ve had to pull out. Fortunately, a more-than-worthy replacement’s been found in the shape of singer-songwriter Kept Cairns, a mysterious pseudonymous friend and fellow traveller from Tom’s Bristol days. His songs (which he himself describes as “gradually accret(ing)” rather than being written) “sketch and explore the unseen world of interiority: mental health, transcendence, relationship breakdown, the limits of communication, ambiguity, time and love.” Generally that’s a recipe for broken-handed strumming and murky lo-fi mumbles; so it’s surprising to find percussive, intricate acoustic guitarwork (recalling Michael Hedges and John Martyn) and carefully-drawn lyrics and vocal lines as crisp as new book pages (detailing complicated and frequently unresolved situations but describing them with an immaculate grace and economy). To see what I mean, you’ll need to take a trip over to his music page: bar a quiet presence on Spotify, he’s so far underground that gigs like these are the only other chance to get the measure of him.

Appropriately for an evening of literary pop, the middle act on the bill is a writer. Eley Williams is an acclaimed prose-poet of confusions, mental transformations and fairytales whose stories sweep across their settings like an investigating light passed over text. Here she is in action:

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The following day, Chaos Theory will be vibrating the rafters as they take over St Pancras Old Church and shake out its more shadowy corners for a particularly ambitious gig. Expect an evening of dark drones and noises, Euro-American cloister-folk and cinematic/industrial music textures, filled with dark-refracted Catholicism and a decidedly ecclesiastical tone.

Jarboe + Father Murphy + Metalogue, 23rd October 2017Chaos Theory Promotions presents:
Jarboe + Father Murphy + Metalogue
St Pancras Old Church, Pancras Road, Camden Town, London, NW1 1UL, England
Monday 23rd October 2017, 8.00pm
-information here and here

From the Chaos Theory blurb:

“Original Swans member Jarboe joins forces with Italian occult propagators of insight-through-terror Father Murphy, as they perform a single set in three parts. Father Murphy will open with their avant-garde dark creations, to be joined by Jarboe to perform their new collaborative EP (which came out on Consouling Sounds on 22nd September). Jarboe will then perform her own material, with Father Murphy providing their own twist to her sounds as her backing band.

“Ambient darkness will be provided before and after the performance by producer Metalogue, who will create a whole new set for the evening and release it as a new album. This will be an experience like no other.”




 

June 2017 – upcoming London classical/experimental gigs – Kammer Klang double event – ‘Soarings: A Salon on Else Marie Pade’ (5th June); Apartment House and Jacob Kirkegaard play Pade and Henning Christiansen, plus Vitalija Glovackyte (6th June)

24 May

The June Kammer Klang is a double event centred loosely around Danish composers Else Marie Pade and Henning Christiansen, who variously pioneered mid-twentieth century electronic music and cross-genre intermedia Fluxus experiments.

Kammer Klang presents:
‘Soarings: A Salon on Else Marie Pade’
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Monday 5th June 2017, 7.30pm
– information here and here
and
Apartment House (performing Henning Christiansen) + Jacob Kierkegaard (presenting Else Marie Pade) + Vitalija Glovackyte + Aguirre DJs
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Tuesday 6th June 2017, 7.30pm
– information here and here

'Soarings: A Salon on Else Marie Pade', 5th June 2017

“The sounds outside became concrete music, and in the evening I could imagine that the stars and the moon and the sky uttered sounds and those turned into electronic music.” – Else Marie Pade.

Increasingly recognised as Denmark’s first composer of electronic music, Else Marie Pade imagined “aural pictures” during a childhood afflicted by illness, and later learned jazz piano. Operating within the Danish resistance in the Second World War while still a teenager, she was captured by the Nazis and imprisoned in the Frøslevlejren internment: an experience which must have had a long-lasting and damaging effect since it undermined her post-war attempts to train as a classical pianist. Undaunted, she concentrated on composing instead: finding her particular niche after hearing a 1952 Danmarks Radio programme on Pierre Schaeffer’s musique concrète and realising that he’d given aural shape to the same ideas she’d had as a child. From the mid-1950s she was in at the start of art programmes on Danish television, establishing a lifelong position for herself both as a Danmarks Radio producer and as a pre-eminent radio and television composer (at a time when that strand of musical work offered as much genuine creative opportunity as anything in the avant-garde).

Over the course of her lifetime Pade produced a wide variety of sensuous, stimulating electronic compositions to entwine with various broadcast work: avant-garde documentary work, audiovisual ballet and more. Having studied with Schaeffer during the 1950s, she also attended the Internationale Ferienkurse für Neue Musik in Darmstadt during the 1960s and early 1970s, studying under Karlheinz Stockhausen, Pierre Boulez and György Ligeti (and impressing Stockhausen enough that he’d use her own ‘Glass Bead Game’ piece as a lecture topic). Apparently taken for granted in her home country, Pade’s reputation was greater abroad – her work was eventually compiled in a three-LP retrospective on Important Records (‘Electronic Works 1958-1995’) in 2014, two years before her death.

Regarding the ‘Soarings’ salon:

“…”Soarings” is a rough translation of the Danish word “svævninger” – a word coined by Pade to encompass both the phenomenon of different frequencies colliding to make an interference beat, and the more poetic image of soaring through the air. The ‘Soarings’ salon event is a special opportunity to hear more about her work via talks, film screening and discussion.

“The evening begins with a talk from artist and composer Jacob Kirkegaard, a long-time friend and colleague of Pade’s. Jacob will speak about Pade’s life and work from his unique perspective, having both produced her three-LP retrospective and collaborated with her on their joint composition ‘Svævninger’ (released by Important Records in 2012, and from which the evening takes its name). His presentation will include new images (including recently digitised scores) never previously shown in public.

“The evening will include the UK premiere of Pade’s extraordinary audiovisual piece ‘En dag på Dyrehavsbakken’: one of her very earliest works, which was first broadcast in 1955 by DR (the Danish Broadcasting Corporation). It consists of pictures and sounds recorded over two summers at Dyrehavsbakken, near Klampenborg in Denmark, and also includes electronically-produced sine tones and echo effects. This makes it the first piece of musique concrete and electronic music made by a Danish composer.


 
“The salon will conclude with a panel discussion with diverse contributions and reflections on Pade’s work and its wider context from Danish musicologist (and ‘Seismograf‘ editor) Sanne Krogh Groth, sound designer/studio manager Jo Langton and ‘Wire’/’Sight & Sound’ writer Frances Morgan. There’ll also be a reading by sound artist Ain Bailey (whose work includes sonic autobiographies and investigations of both architectural acoustics and the role of sound in the formation of identity).”

Kammer Klang, 6th June 2017Jacob Kierkegaard returns for the full Kammer Klang show the following night, where he’ll be presenting Pade’s 1962 work ‘Faust Suite’, generally considered her masterpiece and described by Jennifer Hor of ‘The Sound Projector’ as “beautiful and mysterious, elegant and eerie music that can express deep solitude or wonder… a secret three-dimensional universe where the most amazing experiences may be had.” Over half an hour of sensually chiming oscillator churn (with nimble, challenging digressions of timbre, tone and emphasis), it places Pade’s work in parallel to the electrophonic imaginings of Delia Derbyshire and Daphne Oram – similarly thoughtful, similarly detailed and discursive; part of a wave of highly individual and original female composers and sonic réalisatrices with much of their work taking place within broadcast media, dancing apart yet in step.


 
Opening the show is composer/performer Vitalija Glovackyte, who “creates deep-felt chirpy music, bringing together conventional and homemade instruments, electronics, lo-fi devices and visuals. Her works span intimate solo sets and large-scale multimedia performances. Aside from her solo work, Vitalija co-runs the Almost Credible Music Ensemble and is one-half of the experimental pop duo Kinder Meccano.”


 
The track above stems from an eighteen month residency Vitalija spent with modern chamber ensemble Apartment House, who are also contributing to the evening in a seven-piece formation of Gordon MacKay (violin), Lucy Railton (cello), Frank Gratkowski (bass clarinet), Simon Limbrick (percussion), Kerry Yong (keyboard/piano), Loré Lixenberg (voice) and AH founder Anton Lukoszevieze as conceptualizer and director. They’ll be presenting the UK premiere of Anton’s adaptation of ‘Requiem of Art (NYC) – Fluxorum Organum’, a Henning Christiansen piece originally performed in 1967 (and reworked three years ago by Anton for an Ultima New York performance).

An adherent to the Fluxus art movement, Christiansen spent his artistic life rejecting standard distinctions of stylistic boundaries (including those between nominally different art forms) and the concept of the lone genius. Instead, much of his work was based on direct, implied or encouraged collaboration, whether he was encouraging others to freely interpret his ideas or whether he was actually working in equalized tandem with another artist. In its original form, ‘Fluxorum Organum’ is an example of the latter situation (having been created as the soundtrack portion to a film collaboration between Christiansen and conceptual art godfather Joseph Beuys) while its Lukoszevieze reinterpretation brings it back under the first method. You can view the original Beuys/Christiansen collaboration below:


 
The month’s Kammer Klang DJ slot is taken care of by representatives of Belgian record label/mail order distributors Aguirre who release and/or stock a wide range of electronic, ambient, experimental to rock, jazz, new wave and reggae. (including Pade and Christiansen recordings plus reissues from the revered French avant-garde record label Shandar. They’ll be playing various selections both from their catalogue and from their enthusiasms.
 

Programme:

Fresh Klang: Vitalija Glovackyte
Henning Christiansen – ‘Requiem of Art (NYC) – Fluxorum Organum’ (1967-68) adapted by Anton Lukoszevieze for Ultima New York at Issue Project Room, 2014 (UK premiere) – performed by Apartment House
Else Marie Pade – ‘Faust Suite’ (1962) performed by Jacob Kirkegaard
DJs: Aguirre
 

March/April 2017 – upcoming London experimental gigs – Matt Cargill/Sam Edwards at More News from Nowhere (29th March); a Tony Conrad celebration at the Horse Hospital with Neil Campbell & Michael Flower of Vibracathedral Orchestra plus screening of ‘Completely in the Present’ (5th & 6th April)

15 Mar

Something on the drones’n’noise’n’whistles More News From Nowhere gig at the end of the month…

'More News From Nowhere' #15. 29th March 2017 (image © Daniel Oines)

‘More News From Nowhere’ #15. 29th March 2017 (image © Daniel Oines)

More News From Nowhere presents:
MNFN #15: Matt Cargill + Sam Edwards + Ashcircle
The Victoria, 186 Hoe Street, Walthamstow, London, E17 4QH, England
Wednesday 29th March 2017, 8.00pm
– information here, here and here

From MNFN: “We’re really excited to announce that we’re putting out our first tape – a super-limited run of thirty hand-decorated cassettes featuring Matt Cargill (Sly & The Family Drone)’s blinding solo set from of tape processing and live loops (featuring a surprise banger) from the Rose and Crown last year. On the flip side is multi-instrumental improviser Sam Edwards‘s amazing performance from the William Morris Gallery at Stowfest last year – it’s a nice contrast to Matt’s with contemplative, harmonic synth drones and skittering, pulsing percussion. You’ll be able to pick one up on the night for a fiver (or a tenner in total on the door for a ticket/tape bundle), or subsequently on Bandcamp.


 
“Both of them will be playing live on the night with support from Ashcircle (aka MNFN’s own Ciaran Mackle, collaborating with South Circular’s Tom Macarte).”


 
* * * * * * * *

In early April, down at the Horse Hospital, there’s a two-day celebration of the life and work of the bolshy, challenging art-polymath Tony Conrad, marking the first anniversary of his death. Crash course here:

“Tony Conrad was one of the great American artists of our time, yet to the world at large he remains criminally underappreciated. Since the early 1960s, Conrad’s films and compositions have been the stuff of legend for artists and musicians everywhere. His vast, inter-disciplinary repertoire has single-handedly created and influenced major film and compositional movements. He performed in and recorded the soundtrack to Jack Smith’s legendary ‘Flaming Creatures’; he turned the paradigms of cinema upside down with ‘The Flicker’, a film composed of only black-and-white frames; his development and practice of just intonation and minimalism through his work with Stockhausen and La Monte Young still has the music establishment scratching their heads; his pivotal role in the formation of The Velvet Underground has directly or indirectly influenced everyone who has picked up a guitar since; as an early adopter of activist public access television he democratized the emerging medium of portable video. In his later years he continued to perform and make work that pushed the boundaries of reason for which he has finally begun to receive worldwide attention.”

The celebration consists of one Conrad-inspired gig, and one documentary screening:

Neil Campbell & Michael Flower, 5th April 2017

Muckle Mouth presents
Neil Campbell & Michael Flower
The Horse HospitalThe Colonnade, Bloomsbury, London, WC1N 1JD, England
Wednesday 5th April 2017, 7.00pm
– information here and here

Neil Campbell and Michael Flower are founding members of legendary Leeds freak-out collective Vibracathedral Orchestra, the “totemic ensemble of contemporary British outsider music”…

“Neil has been active on the lunatic fringe of underground music since at least 1979. In that time, as well as his work with Vibracathedral Orchestra he has performed and recorded widely as solo performer, ad hoc collaborator and core member of groups such as A Band and Astral Social Club. His collaborations are myriad, including work with Richard Youngs, Campbell Kneale, High Wolf, Grumbling Fur, John Clyde-Evans, Filthy Turd, Oren Ambarchi, Ashtray Navigations, Spider Stacy, David Larcher, Blood Stereo, John Olson and Matthew Bower. Writers have described him variously as “a one-man subculture”, a “grandfather figure” with “a hallucinogenically inclined pallet.” Neil shares his birthday with Grace Jones, Malcolm X, Ho Chi Minh, Pol Pot and Joey Ramone – look out!

“Michael operates in a similar musical territory which focuses on the droning element of strings, guitars, wind instruments and handheld percussion. Occasional vocal mutterings may remind people of traditional Indian ragas, while other parts of his work hints more at the academic influence of, say, a Henry Flynt or Tony Conrad. Mick has also played with everyone from Chris Corsano (as Flower-Corsano Duo), Pete Nolan’s Magik Markers side project Spectre Folk, MV&EE w/The Golden Road and Sunburned Hand Of The Man.”


 
'Tony Conrad: Completely In The Present'

‘Tony Conrad: Completely In The Present’ – full screening
The Horse HospitalThe Colonnade, Bloomsbury, London, WC1N 1JD, England
Thursday 6th April 2017, 7.00pm
– information here and here

“Director Tyler Hubby (editor of ‘The Devil and Daniel Johnston’ and ‘The Great Invisible’) makes his directorial debut with ‘Tony Conrad: Completely In The Present‘, a non-fiction film examining the pioneering life and works of artist, musician, and educator, Tony Conrad….

“Utilizing intimate footage of Conrad and his collaborators shot by the director over the last twenty-two years, as well as Tony’s own archive of recordings and films, Tony Conrad: Completely in the Present mirrors Conrad’s own playfully radical approach to art making. The non-linear structure allows Conrad to wildly free associate his streams of consciousness, revealing an honest and humane way of navigating a remarkable, creative life.

“Chronicling Conrad’s life, work and pervasive influence over the years and through multiple mediums, this highly anticipated film is on tour of some the world’s most esteemed museums, galleries and film festivals – the Viennale, Rotterdam International Film Festival, Big Sky Film Festival, The Tate Modern, Washington DC’s National Gallery of Art, Brighton CineCity Film Festival, HOME Manchester, CCA Glasgow, among more than fifty others.”

“Starring: Tony Conrad, Tony Oursler, Jim O’Rourke, David Grubbs, Marie Losier, John Cale, Moby, Branden Joseph, Jeff Hunt, Charlemagne Palestine, Jay Sanders, Jennifer Walshe.”


 

March 2017 – upcoming London experimental music gigs – Pefkin, Bell Lungs, Russell Walker and David CW Briggs on the 12th; Yoni Silver, Eden Grey and |V|I|O|L|E|N|C|E| at openJack on the 15th; Magnus Loom, Alex Douglas, Zoey Gunshot and Flying Saucer on the 16th

5 Mar

Sundry experimental music shows in London during mid-March:

* * * * * * *

Pefkin + Bell Lungs + Russell Walker + David CW Briggs, 12th March 2017Pefkin + Bell Lungs + Russell Walker + David CW Briggs
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Sunday 12th March 2017, 7.00pm
information

Words from the organiser:

“Scotland comes to New River and it’s going to be a spooky psychedelic affair.

Pefkin is the alter ego of Gayle Brogan, one half of Glaswegian vintage synth duo Electroscope and ex-proprietor of the Boa Melody Bar mail order. She has been recording as Pefkin since 1999 and released albums on Morc, Wild Silence, Reverb Worship, Pseudoarcana etc. More recently she has been recording with the Kitchen Cynics‘ Alan Davidson, creating psych-folk hymnals inspired by a mutual love of folk songs and nature, and has been recording with United Bible Studies. On her own Gayle creates a dreamy rural psychedelia from looped vocals, guitar, analogue synth and violin. She is currently recording an album inspired by the recumbent stone circles of Aberdeenshire.


 
Bell Lungs (vocals/electric guitar/electric violin) is from Scotland and has previously performed in the USA, Germany, Italy, Spain and the UK, in curious locations such as an abandoned grain silo, a hydro-electric power station inside a mountain, the top deck of a double-decker bus and amidst the eerie, moving sculptures of Sharmanka Kinetic Theatre. She will be playing an immersive continuously-morphing set that will carry you from the Western Isles of Scotland to the rainforest and outer space.


 
“Support from Russell Walker of Pheromoans fame and Bomber Jackets infamy. He has also written a book. The book is great, very funny. I saw Russell play at Tatty Seaside Towns‘ most recent event in the famed ‘Naughty Corner’. Me and Barney Wakefield were trying to have a serious conversation but it was IMPOSSIBLE because of this set. He was reading some very funny, misanthropic, storioes/poetry about some ‘people’ either real or unreal. Scathing and mundane in equal measure which is the sign of a good cook. Great with kids. (His son is the spitting image of my nephew… I didn’t want to mention it at the time, ‘cuz that’s probably a strange thing for stranger to bring up on first meeting).


 
David CW Briggs will open the proceedings! Dave used to play in Unlabel band Cove and was playing solo under the moniker Hills Have Riffs for a while. He drinks a lot of tea and is great with kids.”


 
* * * * * * * *

openJack, 12th March 2017

Ellis Gardiner presents:
openJack – Yoni Silver + Eden Grey + |V|I|O|L|E|N|C|E| + guests
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Wednesday 15th March 2017, 7.30pm
information

Yoni Silver is a multi-instrumentalist (specialising in bass clarinet and electronics), composer, improvisor and performer. He plays in a number of projects, including the Hyperion Ensemble. This is Yoni’s first openJack appearance, but he’s back a few weeks later with his trio, Denis D’or.


 
Eden Grey‘s music is an experimental mix influenced by electro, dub, d’n’b, techno, drone, ambient and hip-hop. Her music took a major shift towards the collage-based methods of the historical avant-garde while earning her Masters’ degree in music technology and after she began building her modular synthesizer in 2013. Eden also hosts the CV FREQS meetups for the London Modular Synthesis Group.


 
|V|I|O|L|E|N|C|E| is a solo electronics project by Tim Cowlishaw, one of the people behind Walthamstow’s avant-music evening More News From Nowhere.”


 
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Magnus Loom, 16th March 2017Chlöe Herington presents:
Magnus Loom + Zoey Gunshot + Flying Saucer
The Harrison, 28 Harrison Street, Kings Cross, London, WC1H 8JF, England
Thursday 16th March 2017, 7.00pm
information

This is another of the leftfield gigs organised by reedswoman/noise-fiddler and curator Chlöe Herington (Chrome Hoof, Knifeworld, V A L V E, Half The Sky), and here’s what she has to say about it:

Magnus Loom wildly turns and tumbles through a cornucopia of brightly burning pitches and rhythms, howling and whispering, in his own world of avant-punk cabaret. According to his Facebook page, “Magnus Loom makes a noise, and lives in hope that one day others might enjoy it as much as he does.” It’s really good noise. I reckon you’ll enjoy his noise.



 
“The two support acts are both performing debut gigs. Zoey Gunshot is political noises and anti-folk; Flying Saucer is experimental noises, a bit Jonathan Richmond tinged with Bob Drake.“

 

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