Tag Archives: Matt Finucane

October/November/December 2017 – upcoming British rock gigs – Matt Finucane’s on-off tourprowl (14th October to 17th December various); The Many Few’s album launch in London with Flying Tailor, The Squares, Money And Family and No Direction (2nd November)

9 Oct

I’m less and less inclined to cover anything which could be described as standard indie rock. In spite of that, some things do slip under my guard.

Matt Finucane on tour, October-December 2017Between October and December, Matt Finucane’s making periodic ventures out from his Brighton cave in order to bring his sardonic solo songs to a grateful nation. I think it’s the first time he’s gone this far afield, so probably most of them won’t have heard of him yet. Hailed by ‘Ringmaster Review‘ as “happy to be an explorer and purveyor of the wonderfully unconventional and confrontational”, Matt takes his influences “from Lou Reed, Mark E. Smith and horrible electronic noise (despite primarily performing on acoustic guitar).”

If Matt’s got a keynote as a songwriter, it’s his knack for seamlessly juxtaposing the macabre with the ordinary (as befits someone who’s a horror fan and occasional horror author). Don’t expect Cave-ian Southern Gothic, though. Though he’s not above using the mythic or the Biblical as a lyrical springboard, Matt leans more towards a sly, wilful British irreverence – a mocking vein of low/no-budget bungalow-bizarre. Something like a blunted Bowie if the latter had never hit the big time but had carried on regardless, sitting on the sidelines chopping out dryly acerbic guitar songs; or like the workmate who suddenly and joltingly reveals that not only is he smart but he also thinks very differently to you; or like the abrupt weirdness in the eleven a.m coffee cup.

At one time, Matt was the driving force behind luckless indie rockers Empty Vessels, who were full of good ideas but had all the strategy of a severed brake cable. These days he’s a little wiser and friendlier, but just as stubborn; and still worth spending time with.


 
Dates below – more info available nearer the time.

  • Bar Metro, 109/111 Bradshawgate, Bolton, BL1 1QD, England, Saturday 14th October 2017
  • Fab Cafe, 109 Portland Street, Manchester, M1 6DN, England, Sunday 15th October 2017
  • Dulcimer, 567 Wilbraham Rd, Chorlton, Manchester, M21 0AE, England, 26th October 2017
  • The Palmeira, 70-71 Cromwell Road, Hove, East Sussex, BN3 3ES, England, Sunday 29th October 2017
  • Market Bar, 32 Church Street, Inverness, IV1 1EH, Scotland, 31st October 2017
  • The Alleycat, 4 Denmark Street, St Giles, London, WC2H 8LP, England, 7th November 2017
  • The Brunswick, 3 Holland Road, Hove, East Sussex, BN3 1JF, England, Thursday 16th November 2017
  • The Hope & Anchor, 207 Upper Street, Islington, London, N1 1RL, England, 23rd November 2017
  • Mr Wolf’s, 32 St Nicholas Street, Bristol, Avon, BS1 1TG, England, 11th December 2017
  • Blue Man, 8 Queens Road, Brighton, East Sussex, BN1 3WA, England, Sunday 17th December 2017

* * * * * * * *
About five years ago, The Many Few‘s wobbly but appealing demo, with its boy/girl vocal fencing and its shaggy-dog pop fumbles made its way to ‘Misfit City’. I was rude about their guitar playing, and about other things (the phrase “a thorough fucking shambles” popped up at one point) but nice about their appealing rubbery songs and the flashes of insight which showed through their gangling home-made pop throws. The band took both the slapping and the stroking with robust good humour, and have swung in and out of my blog orbit ever since. Now they’ve finally completed their debut album ‘Sharkenfreude’ (sometimes it takes a while for a plan to come together) and have a launch gig lined up.

The Many Few, 2017While The Many Few have retained their band-in-next-door’s-garage feel (though the guitar’s less wobbly now, they’ve never entirely lost that shambling gait, nor their habit of being distracted by gags), they continue to bowl shots down the art-pop alleys of bands such as XTC or B52s – artists who thrived on crowd-pleasing quirk and the odd cheery subversion. They’re still likely to go cute, lolloping after a list song or a moment of lyrical parody, but when they’re on course they can produce thoughtful suburban songs populated by interesting, flawed characters engaged with the day-to-day business of staying alive and staying functional. Hopefully ‘Sharkenfreude’ is well packed with these; it might be less close to the band’s heart than is the freedom to roam and wrangle, but it’s where their particular talent flowers.

 
To ease the delivery of ‘Sharkenfreude’, the launch gig sees The Many Few “backed by our fabulous and talented friends who share our passion for real original music, quirks, grooves and eccentricities… Flying Tailor (hyperactive sweet dreams, modern introspective folk with touches of trip hop); the spiky spontaneous blended art pop, folk and blues of The Squares (featuring ex-Blue Aeroplanes-ers Caroline Trettine and Nick Jacobs); the top-notch synthy indie alt-pop of Money And Family; and the stage debut of folk trio No Direction. With more t.b.a., this will be the art pop party of the year!”

Note also that the ticket gets you a discount on the album. As for the support, watch and listen below:



 
The Many Few present:
‘Sharkenfreude’: The Many Few + Flying Tailor + The Squares + Money And Family + No Direction + Stew Whoo DJ set
The Alleycat, 4 Denmark Street, St Giles, London, WC2H 8LP, England
Thursday 2nd November 2017, 7.00pm
information
 

End-of-May gigs (mostly London) – Bank Holiday weekenders from Daylight Music and SmileAcoustic; a mixed-classical benefit for Nepal; Knifeworld again; fun and frolics underneath the arches with John Ellis and co.

22 May

Just because I’m likely to be stuck indoors for the next fortnight doesn’t mean that you have to be. Some interesting gigs are coming up in – mostly in London, I’m afraid – but just in case any of you are London-based, here are some ideas to see you through until June.

First of all, there are two free Daylight Music events over the weekend. Running eclectic free gigs that span from cosy to experimental, and from classical to folk to noise-pop, Daylight Music have been a Misfit City favourite for a long time. See here for reviews of previous events in September and October 2013 and in January 2014; and see below for details on the upcoming concerts…

Join us for a weekend of music with artist travelling from Los Angeles, Wales and Spain to dazzle you. And while you’re reading this, have a listen to a special mix by Ex-Easter Island Head.

Daylight Music 190: Winter Villains + Poppy Ackroyd + Jon DeRosa (Union Chapel – Saturday 23rd May, midday to 2pm)

The new Spring Season kicks off with a name to watch; Poppy Ackroyd is a classically trained pianist and violinist who weaves delicate, atmosphere music by manipulating and multi-tracking sounds from just those two instruments. On the same week, you can hear Cardiff’s Winter Villains and their intricate chamber pop music (the duo were nominated for the Welsh Music Prize in 2013) and Jon DeRosa from the USA, whose new album ‘Black Halo’ is out via Rocket Girl on 25 May. Hannah Lawrence plays some usual and some unusual melodies on the Henry Willis organ in between this week. Full details here.

Colleen with Ex-Easter Island Head (LSO St Luke’s – Sunday 24th May 7.30pm)

A double bill of musicians renowned for manipulating your expectations as much as they do their instruments; creating hypnotic minimalist music from simple arrays of strings, percussion and even just vocals. Colleen mixes acoustic instruments with electronic sampling techniques to create rhythmic, lyrical folk-pop songs. Her new album Captain of None will focus on a melodic repertoire, with fast-paced tracks rooted by prominent bass lines and her instruments of choice, the treble viola da gamba and her voice. Liverpool-based Ex-Easter Island Head turn the electric guitar on its head, to compose physical, droning soundscapes.

Next up, on Bank Holiday Monday there’s an afternoon-and-evening free concert in Bethnal Green, promoted by unplugged specialists Smile Acoustic (who are new to me, but seem very welcoming). Far too many different acts to summarize quickly – although I do recognise Matt Finucane, who first came to my attention doing anti-pop with Empty Vessels years ago and who’s now matured (though he probably wouldn’t use the word) into a sinister songwriter and a horror/science fiction writer. Read on…

SmileAcoustic: Tasting Menu Bank Holiday Special (Rich Mix – Monday 25th May, 4pm onwards)

Smile Acoustic has been making many friends, and all our friends seem to make great music… so we thought it high time for a get together. An extra long weekend requires extra entertainment after all! So we present a feast of flavours, in our first ever Tasting Menu. Full information here.

4pm – Prash Gor, Kirsten McClure, Lauren Lucille, Matt Finucane, Dave Santos, Gian Luca, Mark Harrison, Jeremy of The Green Rock River Band, Horatio James

7pm – Bellatrix, Camilo Menjura, Arthur Lea

Yes we’re cramming in a ridiculous amount of talent into an additional late afternoon show, as well as our usual evening gig. An incredible array of original songsters will be gracing the stage, with a line up that takes us all the way from banjo to beatbox. Free entry as ever, as is the cake. See you there!

On Friday 29th May, in west London, UK Music for Nepal are putting on a classical music benefit aiming to raise ten thousand pounds for the victims of the earthquake. It’s mostly performances of Romantic and Baroque work (by Chopin, Rachmaninoff, Brahms, Bach, Liszt and Fauré), but with a few outbreaks of early twentieth century modernism via some Scriabin pieces, plus a world premiere of a new piano work by composer Keith Burstein (a onetime Romantic Futurist and still an ongoing champion of latterday tonal music – see here for a long-ago review of his first String Quartet). It’s also got a striking array of performance talent – see below…

Gala Concert for Nepal @ St Barnabas Church, Ealing, May 29th 2015
Gala Concert for Nepal (St Barnabas Church, Ealing, London, Friday 29th May, 7.30pm)

Programme:

Johann Sebastian Bach – Chorale Prelude “Nun Komm die Heiden Heiland” BMV 659
Frédéric Chopin – Polonaise-fantaisie in A flat major, Op.61
Gabriel Fauré – Sicilienne, Op.78
Gabriel Fauré – Élégie, Op.24
Aleksandr Scriabin – Etude in D# minor Op.8 No12
Aleksandr Scriabin – Nocturne for Left Hand
Sergei Rachmaninov – Cello Sonata in G minor, Op.19
Franz Liszt – Consolations, S.172
Sergei Rachmaninov – Prelude in G minor Op. 23 No. 5
Johannes Brahms – Variations on a theme by Paganini (Book 1)
(and a world premiere by composer Keith Burstein)

Performers:

Alicja Fiderkiewicz, Carlo Grante, Artur Pizarro, Murray McLachlan, Viv McLean, Nico de Villiers, Keith Burstein – piano
Corinne Morris – cello

Tickets available here – prices from £20.00 to £50.00.

Also on Friday 29th May there’s the latest London gig by Knifeworld, part of a five-date English tour also taking in Manchester, York, Bristol and Brighton (as mentioned a few posts back). Expect an evening of explosive, tuneful and corrugated art rock played with the vigour of a soul revue and the complexities of a ’70s prog band. For the York gig, they’re supported by motorik rockers Muttley Crew and for the London gig by bounding art-rockers Barringtone (ex-Clor) and Cesarians. The Brighton gig is a Tim Smith benefit gig at which they’re supported by prog-poppers Ham Legion, the mysterious M U M M Y (a brand new project by Cardiacs affiliates Jo Spratley and Bic Hayes) and self-styled bitter and twisted songwriter Stephen Evens (who says of himself that “the songs are beautiful and the words are horrible. I don’t know why you don’t think that’s a good thing…”).

Knifeworld on tour, May 2015

Finally, on Saturday 30th May at 8pm there’s what’s billed as “a night of fun and frolics” at the Wanstead Tap (a craft beer shop in Forest Gate which doubles – or quadruples – as café, bar and performance space). The main attraction is John Ellis (the former Peter Hammill, Stranglers and Peter Gabriel guitarist whom ‘Misfit City’ last encountered via his ‘Sly Guitar‘ album). John’s solo gigs are rare, but he’s something of a master of post-punk art-rock guitar, so well worth seeing. Also on the bill are “post-punk electronic balladeers” Cult With No Name and Kamelia Ivanova (who’s either highly mysterious or needs to fix his or her Facebook page). See below for the flyer.

John Ellis concert @ The Wanstead Tap, 30th May 2015

REVIEW – Empty Vessels: ‘Empty Vessels’ demo cassette, 2000 (“uptight urban fuck-up music”)

14 Jul

Empty Vessels: 'Empty Vessels' (demo cassette, 2000)

Empty Vessels: ‘Empty Vessels’ (demo cassette, 2000)

Perhaps I was spoilt by the absolute flamboyance of David Devant And His Spirit Wife (a band of music-hall performance artists in Britpop camouflage, fronted by another Vessel) but I initially found Empty Vessels a bit underwhelming. Billing themselves as a “breakbeat/guitar soundclash”, I was expecting to be walloped around the head with seething snare cracks, to have my arse booted by kick-drum hits and my ears burned by electric wailings (all in a comfortable metaphorical way, mind). I was expecting festival style-ee-ee expansiveness. A sort of Asian Dub Foundation that had been gutted and stripped out, but were still rustling defiantly.

But Empty Vessels are less of a soundclash than a crowded minibus jammed with noises. They sound as if they do their recording in one of those tiny closets in Islington that estate agents try to flog to people as homes… or maybe in the cupboard of one of those closets. The usual claustrophobia of sped-up drum’n’bass-style breakbeats could only be amplified by these cramped, super lo-fi recordings; all skinny and vertical, never laying out when they can tense up. The sort of music inspired by hunching up and listening to hoarded CDs rather than by losing oneself on a sweaty, body-heavy dancefloor. Beat-science with a home chemistry set…

Nicotine is an unfortunate starter: neurotically trapped rushes of synth bass, shrill Killing An Arab-style guitar licks through budget fuzztones, and some pug-dog yelping courtesy of a bloke who sounds like Steve Harley forcibly bundled into a filing cabinet. Skip it for Chew-Up, a smarter shot in which all the beats are turned up and a careening sub-bass runs away with the foundations. Here the fuzzy shoulderings of guitar are a relief from the needling drums. The voice runs like a mumbling rat, complaining but flicking from rhythm to rhythm, and you find yourself wanting to catch on to what it’s ranting about. Empathising too much with your own sampler, it seems. “Chewing up experience, and chewing up experience… / It’s mine! It’s mine! / I acquire.”

Empty Vessels sound best when they don’t sound in control, when they’re running after their technology like it’s the last bus out of town. Sneering Face is one of those intriguing accidents that happen when you have white guys playing gladiatorial black dance music, desperately and unsuccessfully trying to get around their own whiteness, and ending up somewhere else entirely when they fail, sounding pretty liberated for it. While it starts as a wayward attempt at speed rapping (invaded by psychedelic space guitar echo), Empty Vessels have decided to fuck it all off about two-thirds of the way in and go for the ridiculous. Creaky vocal interjections that belong in Jim Henson’s Creature Workshop (“I – ought to teach them a leh-sson!”), seasick bloots of guitar, falsetto operatics wobbling in the background. The sort of vandalism that suggests they meant to do it from the start.

Uptight urban fuck-up music. Tower-block friendly. Angry summer sounds for days when none of your clothes seem to fit. I can’t say I like this, but it’s successfully sneaked into my curiosity field.

Empty Vessels: ‘Empty Vessels’ demo cassette
self-released (no catalogue number or barcode)
Cassette-only demo
Released: 11th June 2012

Buy it from:
The original cassette is long gone, although it was possibly reissued as a Peoplesound CD single which might be available second-hand. These three tracks have since been resurrected on ‘Empty Vessels 1‘, available from Bandcamp

Empty Vessels online:
Homepage BandcampYouTube

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