Tag Archives: Mike Outram

May 2017 – upcoming English gigs by or with Steve Lawson – Neil Murray masterclass + Steve’s Ley Lines trio in Kidderminster (May 2nd); Steve plays with Robert Logan (plus Surjit Sembi-Harding, Daniel Brooks and Dan Rogerson) in London (May 13th); Steve Lawson/Mike Outram/Emre Ramazanoglu trio in Birmingham (May 14th)

22 Apr

Ever-gregarious solo bassist Steve Lawson (who’s been having a pretty busy spring already, with his earlier Birmingham Bass Night and a couple of new albums ready to go) has put out news of three further upcoming live appearances in England as solo player and collaborator. Collectively, they run the familiar Lawson gamut of jazz, ambient fusion, electronica, work with singer-songwriters… and plenty of talking.

* * * * * * * *

First up is a combined gig, masterclass and interview (with Steve on the interviewer end of the mic…)

Neil Murray masterclass + Ley Lines, 2nd May 2017

“Kidderminster College presents a masterclass with bass legend Neil Murray! Neil’s career is woven into the history of British rock, including his time as bassist for Whitesnake, Black Sabbath, Gary Moore & Brian May. His influential style helped shape the evolution of hard rock from the jazz rock crossover of the 70s in bands like Colosseum II through to Whitesnake’s era-defining ‘1987’ global smash. Neil will talk with Steve Lawson about his career, demonstrate some of the lines that made him one of the most sought-after bassists in the country, and share advice from his life in music.

“The second half of the evening will be a performance by Ley Lines – Steve Lawson, Andy Edwards and Phi Yaan-Zek are the bass/drums/guitar teachers at Kidderminster College, and have released two critically acclaimed albums as a trio. This is their long-awaited live debut outside of the college, and promises to be an enthralling high energy set of improvised music crossing many styles and sounds!”


 
* * * * * * * *

The Waiting, 13th May 2017

Steve continues:

“May 13th at The Waiting, in Hounslow will be a solo gig and a collaboration with synth genius Robert Logan – Robert and I have been talking about collaborating for a long time. I’m a huge fan of his solo work, and am really looking forward to seeing what we come up with!”

For those of you who aren’t immediately familiar with Robert, he’s a pretty outstanding talent in electronic music. Like many in the field, he earns much of his living from drama or documentary soundtracks (the kind after which you squint eagerly at rapidly scrolling credits. keen to catch the name of whoever’s responsible for the arresting background sounds) but he’s also made a backroom wizard’s name for himself via beats and texture work for the likes of Brigitte Fontaine, Morcheeba’s Skye Edwards and in particular Grace Jones’s ‘Hurricane’, as well as collaborations with Steve Roach and Raf & O.

Four albums into a parallel solo career (which began with 2007’s ‘Cognessence’, recorded while he was still a teenager), Robert’s music displays a startling mastery of broad and exciting strands, going from dubstep, techno thud and ocean-pop ambience to twisted beats, atonal arpeggiations and dark ambience via experiments with banjo and pocket trumpet tracks; plus a magisterial atmospheric and heft of intent drawing from reconstructed classical music.


 
As regards the host event, The Waiting is a monthly gig at Maswell Park Church, boasting particularly full evening bills with a Christian slant (if not necessarily in terms of lyrical fervency, at least in terms of the faith and society which drives and shapes the musicians). On the 13th, in addition to Steve and Robert’s contributions, there will be appearances by Surjit Sembi Harding (frontman with Chiswick pop band Under Control, currently leading his own Surj project) and by Daniel Brooks, a onetime Robert Logan production client who divides his own work between quizzical electro-pop (exemplified by the ‘Toys’ track below), grand digital popscapes and electronic atmospheres. Both men are sometime worship leaders, bringing some of those skills to their pop fronting and songwriting voices; and while it’s true that Christian pop can sometimes be a refuge for simpering blandness, neither Surjit nor Daniel subscribe to this, both being several cuts above.



 
Surjit’s Under Control bandmate Daniel Rogerson will also be on hand for a solo guitar set, plus there’s a two-hour open mic session before the gig for anyone who wants to try their luck.

* * * * * * * *

Back to Steve for word on the final May show:

Steve Lawson/Mike Outram/Emre Ramazanoglu, 14th May 2017

“May 14th is a really special gig at Tower Of Song, with two of my favourite collaborators ever. Mike Outram (guitar) and Emre Ramazanoglu (drums) are true geniuses on their instruments – Mike and I recorded ‘Invenzioni’ back in 2010 but never played live. Emre and I met as part of a studio experimentation with Beardyman almost exactly a year ago. We played live in London last September and are really looking forward to playing again, and recording it properly for a live release.”

Here’s a trim of what I wrote last time the trio stepped out:

“Possessed of a boisterously convivial and adventurous set of guitar tones (as well as a spontaneous but eminently accessible creativity), Mike Outram is one of a number of contemporary electric guitarists who define themselves via the act of music rather than the reinforcement of genre. Although jazz enthusiasts will rightly admire him for his work with Nikki Iles, Tim Garland, Theo Travis’s Double Talk and Billy Bottle & The Multiple, Mike learns from and adds to whichever situation or artist he works with outside of jazz, be it soul pop with Carleen Anderson, latterday prog fusion with Steven Wilson or the classical/soundtrack work of composer Laura Rossi…. A committed solo performer since 2000, dedicated to presenting bass guitar as a standalone instrument, Steve has also been an enthusiastic and garrulous collaborator. His conversational fretless bass tones, Kaoss Pad rhythmic experiments and panoramic swathing loopscapes have meshed with a wide variety of partners from pianists, saxophonists, singers and drummers to electric kora players and a range of other amenable solo bassists. His own relaxed attitude to genre has resulted in a musical voice which strolls from place to place, touching on points from smooth-hipped jazz to art-rock, slick pop to noisy improv, dance electronica to ambient-aquatic sound painting, but never being tied down to any of them…. Emre Ramazanoglu, a multi-genre drummer, programmer, writer and producer… generally works (semi-invisibly) behind the scenes in the music industry, at the points where high-level musical chops, cunning production ideas and rapidly-evolving technology mesh with contemporary pop music production and bespoke event soundtracks. In between the demands of catwalk and chart, he fits in more esoteric, less overtly commercial work such as writing and shaping new records for reggae stalwarts Trojan, playing the Adrian Sherwood/remixological role on Martin France’s Spin Marvel jazztronica project, and co-running quirky sound design outfit Rattly’n’Raw.”

And here’s some of what they played on the night:



 
* * * * * * * *

Details on all three gigs below:

  • Neil Murray masterclass + Ley Lines – Worley’s @ The Swan, 56 High St, Stourport-On-Severn, DY13 8BX Tuesday 2nd May 2017, 7.00pm – free event – information
  • Steve Lawson + Surjit Sembi-Harding + Daniel Brooks + Robert Logan (& guests) + Dan Rogerson – The Waiting @ Maswell Park Church, corner of Heath Road and Inwood Road, Hounslow, London, TW3 1XN, England, Saturday 13th May 2017, 7.00pm (open mic from 5.00pm)information
  • Steve Lawson/Mike Outram/Emre Ramazanoglu – Tower of Song, 107 Pershore Road South, Kings Norton, Birmingham B30 3EL, England, Sunday 14th May 2017, 7.00pminformation

 

April 2017 – upcoming jazz & improv instrumental gigs, Midlands, West and East – Theo Travis’ Double Talk in Essex (21st); Birmingham Bass Night with Steve Lawson, Dave Clarke, Russ Sargeant and Kevin Buckland (24th); improv in Cheltenham with Trevor Watts/Veryan Weston/Hannah Marshall Improvising Trio, Han Bennink & Pat Thomas, plus Chris Cundy (28th)

9 Apr

I focus too much on London with these news posts, so it’s refreshing to get a chance to look further afield now and again. Two of the regular gig-engines that I keep an eye on are Cheltenham’s friendly and broadminded improve evening Xposed Club, and Birmingham’s self-propelled compulsive bass collaborator Steve Lawson – so it’s good to be able to feature a gig by each of them here, plus news on the only 2017 gig planned (so far) for Theo Travis’s Double Talk quartet.

* * * * * * * *

With Double Talk, saxophonist Theo Travis pulls together his diverse influences and drives – his lyrical Stan Getz-ish jazz approach, his taste for ambient experimentalism, and the push-pull strands of his beloved English art rock and prog strands (spanning the likes of King Crimson, Gong and Porcupine Tree through to the influence of Theo’s other main gig as a member of Soft Machine) – more successfully than with any of his other projects. Allying Theo with drummer Nic France, Hammond organist Pete Whitaker and the extraordinarily malleable guitar of Mike Outram, Double Talk produce a warm, thoughtful, textured and propulsive jazz – managing their fusion leanings without falling into the trap of electric sterility, expressing their irreverent Englishness without drowning in soapy tweeness; an exhibition of subtle, graceful and reflective muscle.

At this Fleece Jazz gig, they’ll be mainly (though not exclusively) concentrating on music from their 2015 album ‘Transgression’.

Fleece Jazz presents:
Theo Travis’ Double Talk
Stoke by Nayland Hotel, Keepers Lane, Leavenheath, Colchester, Essex, CO6 4PZ, England
Friday 21 April 2017, 7.30pm
– information here and here


 
* * * * * * * *

Birmingham Bass Night, 23rd April 2017

Birmingham Bass Night: Local Heroes! (featuring Steve Lawson, Dave Clarke, Russ Sargeant & Kevin Buckland)
Tower of Song, 107 Pershore Road South, Kings Norton, Birmingham B30 3EL, England
Sunday 23rd April 2017, 6.30pm
information

Another of Steve Lawson’s hometown low-end gigs-with-pals is coming up in the shape of this “all-West Midlands solo bass extravaganza” – more details below.

Steve Lawson is the UK leading solo bassist – a former Bass Guitar Magazine cover star, Steve has been playing solo for 20 years, everywhere from The Royal Albert Hall to the Knitting Factory in LA. His solo work has also lead to numerous collaborations, most recently with Divinity Roxx, Reeves Gabrels, Tanya Donelly and Beardyman amongst many others. He’s released somewhere in the region of 45 solo and collaborative albums, but lost count some time in 2012…


 
“Midlands bass legend Dave Clarke has been a regular on the scene for twenty-five years, touring with Surinder Sandhu, Alvin Stardust, The Contours and Chairman Of The Board, and gigging in pretty much every pop style imaginable. Dave returns to Birmingham Bass Night with his much-loved looping piano/bass experimental duo, the Rowberry/Clarke Project.

 
“UK bassist Russ Sargeant uses his instruments, along with technology and effects, to create beautiful, layered music. His work has been described as “wonderfully immersive” and “subtle layers of sound that emerge gracefully like cinematic soundtracks”.


 
“Solo bassist and soundscapist Kevin Buckland – a.k.a. An Ending Ascend – brings his beautiful laptop-powered, eBow-laden ambient textures to Birmingham Bass Night. Currently studying for a Masters in experimental composition and sound art, Kevin’s musical journey takes the listener on a rich and rewarding ride through a world of mellow organic electronica.”


 
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A rather longer entry now for the latest Xposed Club show, featuring as it does a stack of coalescing musicians with long solo pedigrees…

Xposed Club, 24th April 2017

Xposed Club presents:
Trevor Watts/Veryan Weston/Hannah Marshall Improvising Trio + Han Bennink & Pat Thomas + Chris Cundy (bass clarinet solo)
The Xposed Club @ Francis Close Hall, University of Gloucestershire, Swindon Road, Cheltenham, GL50 4AZ, England
Friday 28th April 2017, 8.00pm
– information here and here

Friends and collaborators for more than forty years (since meeting in Trevor’s Moiré Music Group, which pursued a unique combination of African rhythmic structures with the European musical tradition) saxophonist Trevor Watts and pianist Veryan Weston have been at the forefront of many innovations and developments within the jazz/world and improvisational areas of music.

Trevor is the only surving founder member of The Spontaneous Music Ensemble, began the Amalgam group in 1967 (with bassist Barry Guy and trombonist Paul Rutherford), and was a founder member of Barry Guy’s London Jazz Composers Orchestra. He also founded The Drum Orchestra which, over a seventeen-year span from 1980, combined the talents of musicians from North and South Africa and Latin America. Initially a collaborator with Lol Coxhill and Eddie Prévost in the early ‘80s, Veryan reveals new aspects of an ever-changing improvised music identity depending on who he is playing with: he spent much of the ’90 working with vocalist extraordinaire Phil Minton, and other collaborations have included Carla Bley’s Escalator Over The Hill, John Zorn’s Cobra and (more recently) Sol6 and the 2014 Lindsay Cooper memorial project. His work with Jon Rose on the ‘Temperament Project’ uses assorted acoustic keyboards and violins with “selected tunings derived from science, history and the imagination”, and his formal composition work with the ‘Tessellations’ project produces pentatonic pieces for choir, piano, string quartet and other formats.

Sharing musical interests (particularly in rhythmic ideas), the two have maintained a long standing improvisation-focussed duo, highly acclaimed for their recordings and worldwide live appearances. Having previously joined forces with drummer Terry Day and bassist Dominic Lash, they’re currently operating as a trio with the involvement of free improvising cellist Hannah Marshall – a force on the UK scene and beyond who continues to “extract and invent as many sounds and emotional qualities from her instrument as she can… influenced by environmental sounds, western classical music, jazz, noise, traditional songs and blues amongst many things…” As well as work with Veryan on the Tuning Out Tour, the Trio of Uncertainty and Haste (and with others including Rachel Musson, Julie Kjaer, and Tim Hodgkinson), Hannah collaborates on and scores many other performing-arts works within theatre, dance, storytelling, film and live art.


 

Last time he played at Xposed Club (nine years ago) Han Bennink packed the place out. At the age of seventy-five, the onetime hard-swing drummer retains the lifelong energy that’s made him a linchpin of the Dutch improvisational scene. From backing various American stars on their visits to Holland in the 1960s, Han went on to co-found the musicians collective Instant Composers Pool in 1967 with pianist Misha Mengelberg and saxophonist Willem Breuker. With additional skills on clarinet, violin, trombone, piano, soprano saxophone and banjo (and a parallel career as a visual artist) he’s one of Europe’s most diverse improvisers, working with Derek Bailey, Misha Mengelberg and John Tchicai, amongst others.

Han’s also been in a number of trios, including the sax-cello-drums Clusone 3 (with Michael Moore and Ernst Reijseger, creating a “free-wheeling mix of swinging jazz standards, wide-open improvising, and tender ballads”) and a sax-piano-drums arrangement with Peter Brötzmann and Fred van Hove. His current main trios are his own Han Bennink Trio (with Joachim Badenhorst on clarinet and Simon Toldam on piano) and a piano-bass-drums alliance with Cor Fuhler and Wilbert de Joode. He remains a member of Mengelberg’s ICP Orchestra and the Tobias Delius Quartet. Throughout all of this, he’s also kept up his interest in non-standard/found object percussion, something which dates back to his first experiments with a kitchen chair at the start of his playing career (he still plays one whenever he had the opportunity).


 
Han also retains an active fondness for the spontaneous duo gig, and for this Xposed appearance he’s joined by pianist Pat Thomas. An improv festival veteran, Pat’s own history is one of mingling organic musical influences (jazz, reggae, classical) with electro-acoustic experimentation – when not playing piano, he’s working with programmable keyboards and with found-sound created by taping and editing random soundtracks from TV broadcasts. In the mid-’80s he played in Ghosts with percussionist Matt Lewis and wind/EWI player Pete McPhail, the latter of whom would also be a member of Pat’s experimental tentet Monads (which specialised in running a gamut of improvisational possibilities from saxophone-led pieces to others which foregrounded turntables, drum machines and computers). During the ‘90s Pat was a member of the intermittent quartet Scatter (with Phil Minton, Roger Turner and Dave Tucker). He’s also played extensively with Tony Oxley, Mike Cooper. Derek Bailey and Lol Coxhill, has a keyboard-and-percussion duo with Mark Sanders, and a trio with Steve Beresford and Francine Luce.


 

The opening act on the bill is extended-technique reedsman Chris Cundy: an Xposed Club regular and favourite with roots in Medway busking, a roving Cheltenham/Canada base, and a history that includes work with Fyfe Dangerfield (exploring both art pop with Guillemots and more avant-garde improvising terrain with Gannets), freak-folkers Timbre Timbre, doom-soul singer Cold Specks, florid transgender romantic Baby Dee, acclaimed indie/jazz/folk artist Devon Sproule and others. The master of a range of approaches (multi-phonics, circular breathing and microtonality) and of assorted standard and unusual woodwind and reed instruments, Chris dips into everything from the philosophical experiments of Cornelius Cardew and John Cage to out-and-out improv to theatre work. For this particular gig, he’ll be concentrating on his bass clarinet work.


 

September 2016 – upcoming jazz-ish gigs – Mike Outram Trio in London (7th); Steve Lawson album launch in Birmingham (11th)

29 Aug

A couple of imminent shows in or around jazz (and in or around London and Birmingham)…

* * * * * * * *

Way Out West presents:
The Mike Outram Trio
The Bull’s Head, 373 Lonsdale Road, Barnes, London, SW13 9PY, England
Wednesday 7th September 2016, 8.30pm
information

Possessed of a boisterously convivial and adventurous set of guitar tones (as well as a spontaneous but eminently accessible creativity), Mike Outram is one of a number of contemporary electric guitarists who define themselves via the act of music rather than the reinforcement of genre. Although jazz enthusiasts will rightly admire him for his work with Nikki Iles, Tim Garland, Theo Travis’s Double Talk and Billy Bottle & The Multiple, Mike learns from and adds to whichever situation or artist he works with outside of jazz, be it soul pop with Carleen Anderson, latterday prog fusion with Steven Wilson or the classical/soundtrack work of composer Laura Rossi. As well as pursuing a serious, thoughtful sideline in bass guitar playing – something which he’s come to take as seriously as his guitar work – Mike’s a teaching professor at several eminent colleges, and the instigator of Electric Campfire, an online music course which has rapidly billowed into a musical community in its own right.

Though this gig is billed as being Mike’s trio, it actually stems from a partnership of equals, and predominantly from a 2010 album called ‘Invenzioni’, a set of improvised duets between Mike and eclectic alt.fusion bassist Steve Lawson. A committed solo performer since 2000, dedicated to presenting bass guitar as a standalone instrument, Steve has also been an enthusiastic and garrulous collaborator. His conversational fretless bass tones, Kaoss Pad rhythmic experiments and panoramic swathing loopscapes have meshed with a wide variety of partners from pianists, saxophonists, singers and drummers to electric kora players and a range of other amenable solo bassists. His own relaxed attitude to genre has resulted in a musical voice which strolls from place to place, touching on points from smooth-hipped jazz to art-rock, slick pop to noisy improv, dance electronica to ambient-aquatic sound painting, but never being tied down to any of them.

The final member of the trio is Emre Ramazanoglu, a multi-genre drummer, programmer, writer and producer who generally works (semi-invisibly) behind the scenes in the music industry, at the points where high-level musical chops, cunning production ideas and rapidly-evolving technology mesh with contemporary pop music production and bespoke event soundtracks. In between the demands of catwalk and chart, he fits in more esoteric, less overtly commercial work such as writing and shaping new records for reggae stalwarts Trojan, playing the Adrian Sherwood/remixological role on Martin France’s Spin Marvel jazztronica project, and co-running quirky sound design outfit Rattly’n’Raw. However, Emre originally came to London as a highly skilled jobbing drummer, and this gig gives him the opportunity to work with his original talents (although you can also expect him to blend in something of what he’s learned since that time, and probably to come armed to the teeth with portable rhythm and sound-shaping technology).


 
You can hear the basis of this particular strand of music – albeit minus Emre’s drumming – on the five tracks of ‘Invenzione’, in which Mike and Steve float thoughtfully down a stream of jazz-tinted ambient invention (echoing at points David Torn, John McLaughlin, Jeff Beck and perhaps a little Sonny Sharrock or Bill Frisell, but most often themselves) carrying out a loose, gently shaped conversation like two old buddies. I’m guessing that throwing Emre into the mix will probably pick up the relaxed rhythmic threads of this project, jerk them taut, and reign them back towards a purer jazz pulse; or something more along the lines of Mike’s skitter post-jazz-rock improv trio Snow Giants. The trio promise “an evening of world-class improvised music”: judging by the personalities involved, it’ll probably be laced with bonhomie, humour, informality and a general sense of being off the leash while not being too precious about it.

* * * * * * * *

A few nights later, Steve Lawson will be throwing an album launch show in his adopted hometown of Birmingham (and his adopted home venue Tower Of Song), and everyone’s invited.

Steve Lawson & guests
Tower of Song, 107 Pershore Road South, Kings Norton, Birmingham B30 3EL, England
Sunday 11th September 2016, 8.00pm
information

The album in question is ‘The Surrender Of Time’ – Steve’s fifteenth work of bass, loops and effects, and his second of 2016 (following this summer’s defiant, sometimes heartbroken album of instrumental reflections on the EU referendum). Out on September 5th, early copies of ‘The Surrender Of Time’ will come with a download of a side project, a single twenty-two minute track called Colony Collapse Disorder, Judging by the ‘Surrender Of Time’ excerpt below, Steve’s music is getting ever more unclassifiable at the edges: in this case glitchier, his bass shrouded and layered with drum effects and hard-rock distortions, with elements of experimental techno pulled apart and deliquesced by his jazz instincts.


 
You could read various things into this, including Steve’s increasing and frequently voiced disquiet at the fissile, wasteful and irrational state of the world (away from his bass, and frequently while still holding it, he’s a broad and assertive social media commentator, a vocal soapboxer and an outspoken humanitarian). Given that Colony Collapse Disorder is named after an inexplicable disintegration of bee colonies (and is variously and speculatively blamed on various causes including long-term pesticide effects, habitat destruction or ill-advised changes in beekeeping practises) you could see some of this recent work as moving into angrier, more sorrowful metaphors. But I’m speculating – and you certainly shouldn’t attend the gig expecting to see a man collapsed and sobbing over his pedalboard. Judging by the tone of most Lawson gigs, this will be puckish, celebratory, familial and musically immersive: and, at root, based around shareable melodies.


 
Steve promises “a fun night, plenty of hang time, maybe a special guest or two.” I reckon that it’s a pretty safe bet that his singer-songwriter wife Lobelia Lawson will be among the latter, but since Steve’s address book and musical dance-partner card stretches across a wide range of people from Michael Manring to Kristin Hersh via Cleveland Watkiss, Jon Thorne, Theo Travis and Daniel Berkman (and since he’s generally happy to play alongside whichever instrument and musician comes onstage with sufficient skill plus an open mind), expect anything.


 

Upcoming gigs – Theo Travis Double Talk tour, Death & Vanilla/LUST in London

24 Sep

While I’m not particularly happy with the fact that time and concentration opportunities are mainly restricting me to posting up gig news at present, there are side benefits. One of these is to go on virtual tours of my own, finding out (via tour schedules) where music is still happening in this time of chopped budgets and closed venues. If I’m covering musicians who play in out of the way places, or out-of-the-way venues, I get to find out even more – drawing myself out of my London-centric knowledge or a focus on big-gig places. I get to discover pubs, restaurants or found spaces in which people are still fanning musical sparks or maintaining a tradition instead of just selling up for luxury flats. I find this heartening.

Theo Travis

Theo Travis

Theo Travis has just announced an English tour for his Double Talk quartet, promoting their new album ‘Transgression’. Over the past decade, Theo’s made a name for himself as a musician who slips particularly easily and unfussily between genres. While he’s become the go-to saxophonist for British progressive and psychedelic rock and legacy fusion as well as for assorted ambient projects, he’s also achieved this without denting his impressive if understated jazz credentials. Double Talk – Theo on saxophones/flutes/ambitronics loops, plus Mike Outram (guitar), Pete Whittaker (Hammond organ) and Nic France (drums) – puts him together with three similarly flexible, fuss-free musicians.

Between them, the four can collectively boast involvement with some heavy-duty transatlantic jazz names (Nucleus, Loose Tubes, Tim Garland, Norma Winstone, Herbie Mann, John Etheridge, Slim Gaillard, Martin Speake), but also some serious engagements with rock (David Gilmour, Steven Wilson, The Wonder Stuff, Catherine Wheel), soul and dance (Bill Withers, Working Week), loop work with Robert Fripp and Steve Lawson, drum-and-bass with Photek, contemporary classical with Harvey Brough, and excursions into country and kids’ music. Having straddling all of these approaches via the application of talent and open-mindedness (and, crucially, a lack of preciousness), all four bring the same qualities and the lessons learned to Double Talk’s music – an airy English merge of fast-moving quizzical tunes, omnivorous jazz vocabulary and breezy humour bouncing on a solid chassis, but with the ability to move purposefully into open meditational territory and to stop and smell the fresh air whenever necessary.

The new tour starts on Saturday and crops up hither-and-yon until January next year – and here are the dates:

  • Jazzlive @ The Crypt, St. Giles Church, Camberwell Church Street, Camberwell, London, SE5 8JB, UK – Saturday 26th September 2015
  • The Eagle Tavern, 24 High Street, Rochester, Kent, ME1 1JT, UK (afternoon performance at 1.00pm) – Sunday 4th October 2015
  • Restormel Arts @ Bosun’s Charlestown, Quay Road, Charlestown, St Austell, Cornwall, PL25 3NJ, UK – Wednesday 21st October 2015 –
  • Jazz Steps @ Bonington Theatre, Front Street, Arnold, Nottingham, NG5 7EE, UK – Thursday 22nd October 2015 –
  • The Bear, Mill Yard, 24a Guildford Street, Luton LU1 2NR, UK – Friday 23rd October 2015 –
  • The Oval Tavern, 131 Oval Road, Croydon, CR0 6BR, UK – Sunday 1st November 2015 (afternoon performance at 1.00pm)
  • Sound Cellar @ The Blue Boar, 29 Market Close, Poole, Dorset, BH15 1NE, UK  – Thursday 5th November 2015 
  • International Guitar Festival of Great Britain @ Floral Pavilion Theatre, Marine Promenade, New Brighton, Wirral, CH45 2JS, UK – Thursday 12th November 2015
  • St Ives Jazz Club @ The Western Hotel, Royal Square, St Ives, Cornwall, TR26 2ND, UK  – Tuesday 17th November 2015 
  • Fringe Jazz @ The Mall, 25 Union Gallery, Clifton Village, Bristol, BS8 4JG, UK – Wednesday 18th November 2015
  • Fleece Jazz @ Stoke by Nayland Hotel, Keepers Lane, Leavenheath, Colchester, Essex, CO6 4PZ, UK – Friday 15th January 2016
  • Arts Depot, 5 Nether Street, North Finchley, London, N12 0GA, UK – Saturday 30th January 2016

 
* * * * * * * *

Closer to home for me, there’s the opportunity to discover a new set of promoters and their club nights. On this occasion it’s Baba Yaga’s Hut, who’ve been ferreting away for years on the fringes of some of the (once) cheaper, artier and edgier London districts without me hearing about them before. I think I’ll be mentioning them again, as their mashed-up roster of latterday hard-psychedelia, noise bands, alternative pop and assorted fence-vaulters certainly interest me. For now, here’s just one of their upcoming gigs, which is happening this coming Tuesday:

Death & Vanilla, 29th September 2015Death & Vanilla + Lust + T.Edwards (DJ) (Baba Yaga’s Hut @ Corsica Studios, 4-5 Elephant Road, London, SE17 1LB, UK, Tuesday 29th September 2015, 7.30pm) – £9.00/£10.00

Swedish dream-poppers Death & Vanilla have moved some way away from the psychedelic lounge-pop of their debut releases (in which they had a similar sepia-sampler sound to ’90s British post-rockers such as Broadcast and Pram, or even the cunning rush of Laika). These days they’re a tad more musically pointed and direct – positioning themselves straight in front of you, catching your eye and flipping open little musical doors as if they were some kind of musical advent calendar. In some respects, they sound like a more relaxed version of The United States Of America, the late ’60s experimentalists (part distracted folk carnival, part avant-garde tape effects) who arguably grandfathered and grandmothered the likes of Broadcast in the first place, albeit a little more smoothed out and hazy. They themselves offer “hands in the dark” and “Kraut-lullabies” as other labels which we can use. Check out a couple of their more recent songs below.

In support are multinational London-based quintet Lust, who’ve evidently looked back to those mid-’90s dream pop ideals of girl-group coos and quilted waves of balmlike guitar noise and decided, perhaps, to try to do it all better. With a sixty/forty girl/boy split, the instrumentation shared across genders, and Anna Haara Kristoferson, Moa Papillon and Andrea Muller singing in a creamy and hypnagogic triple-blend as they play, you can indulge happy memories of Lush (just one consonant shift away), Slowdive and My Bloody Valentine. You can also note that Lust seem a little cannier and calculated than Kevin Shields, Emma Anderson and co – not contrived as such, but perhaps a little more on-the-ball as regards their sense of pop music. The rills of ‘Loveless’ might never be far away, but neither is the songwriting suss of ‘Rumours’ and the directness of The Shirelles… or the option to go all gloriously New Romantic in a video. Take a look and a listen…

One “T. Edwards” is listed as playing as DJ for the night – I suppose that there’s a reasonable chance that this is man-of-all-seasons-and-many-instruments Terry Edwards, but you’ll have to find this out by yourselves.

Tickets available here, while up-to-date information is here.

Coming up – October events. It’s damn well snowballing…

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