Tag Archives: Cheryl Frances-Hoad

Upcoming gigs, second week of November 2015 (9th-15th) – Julia Holter’s experimental pop tours the UK; chamber music at the Forge (Ensemble Perpetuo’s galactic tour, CHROMA’s British Music Collection show with Martin Scheuregger & David Gorton premieres); Baba Yaga Hut London rocktronica double (Tropic of Cancer + Shift Work + Telefon Tel Aviv down south, Teeth Of The Sea + Charles Hayward’s Anonymous Bash out east); Olga Stezhko takes her Lucid Dream piano concert to the Wigmore & Bridgewater Halls; Vôdûn rocks out Afro-psych-metal at Westminster Kingsway; Dub Trio/Thumpermonkey mix it up at The Underworld; Haiku Salut/Camden Voices/Emilie Levienaise-Farrouch bring post-folk, soundtrack classical and community chorale to Daylight Music

8 Nov

Since when did November become so generous? There’s plenty to see and hear this coming week, including the continuing Jenny Hval/Briana Marela tour (with Bristol and London dates), Laura Moody following up recent shows in Cardiff and Sheffield with a house concert in Edinburgh on the 12th (email her directly in case tickets are still available) and, in London, the opening dates of the London Jazz Festival and the End Festival. Plus the following:

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With Briana Marela, Jenny Hval and Holly Herndon all touring or playing in Britain this month – and with Joanna Newsom having already sold out her lone British date at the Eventim Apollo on Monday – it’s a good month for seeing art-pop with a distinctly female hue or ethos (although to be honest there’s always a wealth of such things around, if you look hard enough and dip under the radar).

To the above, add  Julia Holter, who’s working a short British tour over the course of the week. It’s an opportunity to see how rapidly Julia’s exploratory, highly literary work has evolved and altered over a decade of recording time: from the Debussy-an glistenings of 2006’s ‘Eating The Stars’ to the oblique sonic and textual puzzles of 2011’s ‘Tragedy’ (mixing transfigured Greek drama, disorientating found sound and transparent barely-there parings of songcraft) and the impressionistic jazz-novel assemblage of ‘Loud City Song’ in 2013 (which drew on Collette, MGM musicals and belle-epoque).

Julia’s newest album, this year’s ‘Have You In My Wilderness’, is something of a step into the known. Her once-baffling minimal musical stylings – which, on ‘Tragedy’ in particular, hung precariously on the edge of what might be described as “song” – have by now transformed themselves into what sounds like dreamy, distracted takes on late-‘60s/early-‘70s Brill Building songwriter pop. That said, the album’s meditations on solitude and companionship (real, imagined, rejected or deconstructed) retain Julia’s distinctive tone of lateral thinking and musing, and if the songs seem more conservative on the outside they soon reveal themselves as different, more fluid creations, if Carole King had been enticed into French surrealism (note the nods to Dali, Bunuel, Germaine Dulac and Gérard de Nerval in the video for ‘The Sea Calls Me Home’, above). It’s also clear that if ‘Have You In My Wilderness’ does invite a broader audience by way of its more comfortable textures, it’s not a sell-out: keeping firmly in touch with her earlier impulses and schemas, Julia has included a re-recording of Betsy On The Roof (a pre-‘Tragedy’ song best known from her rare 2010 live tapes).

Julia Holter:

Note that the Leeds gig at the Brudenell is part of their High & Lonesome Festival in which Julia will be sharing a stage with Josh T. Pearson, Neil Halstead &and many others.

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There are two chamber music concerts coming up at The Forge in London:

Ensemble Perpetuo

Ensemble Perpetuo presents: Heavenly Sights (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Monday 9th November 2015, 7.30pm) – £10.00 to £12.00 – information & tickets – more information

Founded in 2013 by English oboist James Turnbull, Ensemble Perpetuo is a dynamic and versatile collective of musicians who perform a wide variety of traditional and contemporary chamber music in new settings; bringing it to new audiences through exciting collaborations and innovative repertoire choices; and seeking new pathways in which to experiment and augment the concert experience through multi-art form collaborations. Perpetuo has embarked on a number of exciting mini-residences throughout the UK and is taking music to new venues including concerts in theatres, museums, cafes, found spaces and other unexpected locations.

Join Perpetuo for the final event in their groundbreaking series of chamber music concerts for 2015 – an evening of incredible music that takes you on a journey to the furthest reaches of the galaxy. ‘Heavenly Sights’ is an evening of music inspired by space, flight and motion. Featuring music from Beethoven and Piazzolla to Weir and Muhly, experience over two hundred years of chamber music in one evening.

Programme:

Robert Schumann – Mondnacht (arr. Colin Matthews)
George Benjamin – Flight
Nico Muhly – Motion
Judith Weir – Airs From Another Planet
Anthony Powers – In Sunlight
Charlotte Bray – Trail Of Light
Astor Piazzolla – Milonga del Angel
Ludwig van Beethoven – Moonlight Sonata
Cheryl Frances-Hoad – My Fleeting Angel

 

CHROMA ensemble

CHROMA: Gorton, Scheuregger and British Music (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK,Wednesday 11th November 2015, 7.30pm) – £10.00-£12.00 – information & tickets – more information

Founded in 1997, the critically acclaimed CHROMA is an acclaimed, London-based, flexible chamber ensemble dedicated both to new music and to revisiting classic repertoire in fresh and exciting contexts; mentoring the next generation of composers, and involving audiences in compelling, inspirational experiences. Closely associated with the performance of contemporary music the ensemble has forged close links with many prominent British composers through many commissioned premières and collaborations (including work with Luke Bedford, Michael Nyman, David Bruce,  Tarik O’Regan,  Michael Zev Gordon, Raymond Yiu, Claudia Molitor, Julian Grant, Arlene Sierra, and Marcus Barcham-Stevens) .

CHROMA has a lively strand of intimate chamber concerts combining music and storytelling, which has resulted both in its first own-label album ‘Folk Tales’ and in various opera stagings in association with the opera festival  Tête à Tête,  the Linbury Studio Theatre and others.  The ensemble’s mentoring programme includes ongoing work with student composers at the Royal Academy of Music, Royal Holloway University of London and Oxford University.

This concert (featuring Roderick Chadwick on piano) is the culmination of composer Martin Scheuregger’s residency at the British Music Collection. Martin’s new work, ‘Harlequin’, and ‘Burgh Castle’ by David Gorton form the centre of the programme. Harlequin engages with and reflects on the themes and ideas Martin has been exploring through the music of The Collection, whilst ‘Burgh Castle’ – a CHROMA aural-visual commission for piano and ensemble – is inspired by the landscape of the East Anglian Fens. Pieces from the BMC – from both lesser-known and established composers – place these new works in the context of Martin’s residency and the music with which he has surrounded himself for the last 18 months.

Programme:

Philip Cashian – Horn Trio
Helen Grime – Snow and Snow
Martin Scheuregger – Harlequin (world premiere)
David Gorton – Burgh Castle (world premiere)
Anthony Powers – In Sunlight
Sadie Harrison – The Bride’s Journey In Three Songs And A Memory

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On the 12th November, Baba Yaga’s Hut are presenting a double event in London: simultaneous gigs in the east and the south, each blending rock and electronica in different ways and at different intensities.

event-20151109-tropicofcancTropic of Cancer + Shift Work + Telefon Tel Aviv (DJ) (Baba Yaga’s Hut @ Corsica Studios, 4-5 Elephant Road, London, SE17 1LB, UK, Thursday 12th November 2015, 8.00pm) – £10.00 – informationtickets

Gauzy, morbid-romantic dream pop project Tropic of Cancer (comprising murmurer and instrumentalist Camella Lobo plus collaborators) return to London for another set of blurred lyrics and slow-burner Gothic psychedelic-tinged tunes. Expect lapping echoes, grey-draped music and a numbed atmosphere with concealed drama: self-confessed romantic and “hyperbolic dramatist” Camella admits that the driving concept behind most of her songs is “a love so supernatural it lasts beyond death, but also a love that is sometimes not strong enough to conquer human weakness in the living.” 

The live Tropic Of Cancer band now includes Joshua Eustis of Telefon Tel Aviv (and also Sons of Magdalene, Puscifer and the Nine Inch Nails tour band) who’ll apparently be playing a DJ set under his TTA moniker.  Further support comes from London dance-electronica minimalists Shift Work.

 

event-20151112-teethoftheseTeeth of the Sea + Anonymous Bash (Baba Yaga’s Hut @ The Brewhouse, London Fields Brewery, 369-370 Helmsley Place, South Hackney, London, E8 3SB, UK, Thursday 12th November 2015, 8.00pm) – £9.00 – informationtickets

At this gig, the increasingly acclaimed Teeth Of The Sea launch their fourth album – the subtly-titled ‘Highly Deadly Black Tarantula’.

The London band’s assured and stormy concoction of spacey psychedelic guitar rock  dramatics, heavily-processed Fourth World trumpet, counter-culture festival techno,  electronica and drone music – plus their assured-to-arrogant stage presence and mastery of performance – has been winning them a wide range of fans from across the board. The clips below should give you an idea of what to expect both on record and onstage.

Support comes from Anonymous Bash, featuring veteran experimental drummer Charles Hayward (of This Heat, Camberwell Now, Massacre and the myriad collaborations of Accidents + Emergencies). Based on the music springing from last year’s four-week Hayward residency at Salford’s Islington Mill (during which Charles collaborated with over twenty musicians from the Manchester regions), the project features a taut, dubby experimental sound centred around the sonic marriage of his own percussion, melodica and vocals with shifting, abrasive rock aspects brought in by his collaborators.  The Salford-based Gnod ensemble (a mixture of  kosmiche and cult-spoofery) played a substantial role in the Anonymous Bash album, and join Charles in the ongoing live lineup.

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Olga Stezhko, 2015Increasingly a ‘Misfit City’ regular, the Belarusian classical pianist Olga Stezhko (whose superb technique is equalled by her audacious, densely intellectual approach to programming her repertoire) chalks up two landmark concerts at two British classical music institutions this week as she makes her debut at both the Wigmore Hall and the Bridgewater Hall. To each venue, Olga is bringing her ‘Lucid Dreams’ programme – a selection of pieces exploring ideas of childhood and children’s music.

Olga comments “this programme is deeply personal to me. It is a conscious attempt to rediscover those things that were central to the development of my musical identity. Inevitably this can appear to be a sort of light musical psychoanalysis, but as I recall my childhood I remember vividly being surrounded by magic, with all its signs and symbols, which greatly affected how I felt towards the world around me at the time. To some extent, I have never lost touch with my younger self thanks to my extensive teaching work with children. Their distinctive personalities are an endless source for artistic inspiration; I wish therefore to dedicate my concert to those boys and girls.

“The narrative of the programme reflects the development of our perception of reality during different stages of life. It moves from the magical realism of a child’s worldview in the first half (Toys & Dances) to the broader metaphysical questions we all face at some point in life in the second part (Images & Visions).”

Olga Stezhko: ‘Lucid Dreams’ piano recital (Kirckman Concert Society @ Wigmore Hall, 36 Wigmore Street, London, W1U 2BP, UK,  Tuesday 10th November 2015, 7:30pm) information & tickets

Programme:

Part One: Toys & Dances

Sergei Prokofiev – Old Grandmother’s Tales Op. 31
Sofia Gubaidulina – Musical Toys
Dmitri Shostakovich – Three Fantastic Dances Op. 5
Claude Debussy – Suite Bergamasque: Menuet
Lev Abeliovich – Tarantella
Aleksandr Skriabin – Deux Danses Op. 73

Part Two: Images & Visions

Claude Debussy – Images, Series 1
Aleksandr Skriabin – Cinq préludes Op. 74
Claude Debussy – Images, Series 2
Aleksandr Skriabin – Vers la flamme, poème Op. 72

Olga Stezhko (The Manchester Mid-day Concerts Society  @ Bridgewater Hall, Lower Mosley Street, Manchester, M2 3WS, UK, Thursday 12th November 2015, 1:10pm) – £7.00-£11.50 – informationtickets

Programme:

Sergei Prokofiev – Old Grandmother’s Tales Op. 31
Sofia Gubaidulina – Musical Toys
Claude Debussy – Images, Series 1
Aleksandr Skriabin – Vers la flamme, poème Op. 72

(Note that the Manchester concert features a much shorter version of the ‘Lucid Dreams’ programme.)

Throughout the programme, Olga explores the further deeper brought up in her music choices, investigating Debussy’s complex psyche and relationship with his daughter, the cognitive differences between children and adults (including the former’s belief, often shared with adult musicians, that they shape the world by thought and action), her own childhood impulses as a pre-teen musician, and the roles of parent figures in successive generations of composers. She also challenges the subordinate role that children’s music seems forced to play, arguing “what is the definition of children’s music anyway? I believe when these works emerge as an innermost urge from a mature master, it epitomizes their most sincere and unpretentious artistic output.

“Such music as Gubaidulina’s Musical Toys (part of my future recording project ‘Toys & Tales’) or, for example, Debussy’s Children’s Corner (to be included into my next all-Debussy album) is as rich with imagery, colour, trepidation, emotion and symbolism as any symphonic masterpiece. Moreover, it is perhaps the most accurate musical description of any composer and their inner worlds. Both performers and listeners can relate to this kind of music precisely because there is something universal about it as we all were children once, authentic and genuine in our relationship with the world.”

Olga’s full thoughts behind ‘Lucid Dreams’ (from which the above notes and quotes are taken) can be found here, and are well worth reading.

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Another couple of London rock gigs show up midweek and at the end of the week. Summaries below:

Vôdûn + support t.b.c. (WestkingMusic Live @ Westminster Kingsway College Theatre, 211 Grays Inn Rd, Kings Cross, London, WC1X 8RA, UK, Thursday 12th November 2015, 6.30pm) – £2.00-£5.00 – information

Emerging out of a cloud of voodoo-scented bombast (in the centre of which you’ll find former Do Me Bad /Chrome Hoof singer Chantal Brown) Afro-psych/doom metal band Vôdûn bring a welcome taste of old-school Black Rock Coalition determination back to the party along with their artfulness. A churning bass-less power trio – multi-racial, two-thirds women, and taking on the names of loa spirits – they set wall-of-noise guitar against galloping drums and full-throated soul-power vocal melisma.

The band make much of West African spirit power, possession and cosmology: but from what initially seems like a stew of schtick brewed from heavy metal and voodoo swagger, various Afrocentric and feminist images bubble up (not least in the assertive vigour of the female players, and in the way they remind us of the passionate feminine component in the rituals and worldview of the original vodun culture). The current Vôdûn single Mino’s Army is a tribute to the fearsome all-female musket regiment which (by the nineteenth century) made up a third of the Dahomeyan army, played a leading role in the nation’s military policy, and honed female ferocity into a powerful fighting force which dismayed and won the admiration of male opponents (including the French, whom the Mino repeatedly mashed in early stages of the colonial wars). The blood-and-fire video pays tribute to this, and to the acres of severed heads which the victorious Mino left behind them, though perhaps not to the fact that the Mino came to strive against slavery in their own nation as well as the slavery fostered by the Europeans.

Inevitably, Vôdûn are going to be inspiring questions and challenges about the African traditions they’re playing with, and perhaps a deeper approach to storytelling doesn’t currently fit the spontaneous and immediate nature of the band as it stands. But in spite of this, and behind the surface theatrics, the signs are promising. One to watch…

Thumpermonkey, 2015

Dub Trio + Thumpermonkey (Nightshift/Rock-A-Rolla @ The Underworld, 174 Camden High Street, Camden Town, London, NW1 0NE, Sunday 15th November 2015,…. ) – price – information – tickets

Later in the week,  Dub Trio return to London, bringing their live dub/rock skills and their interdependent mutually-looping interactions back to the stage of the Underworld. Here’s a long clip of a full, relatively recent show to get you in the mood.

In support are London’s Thumpermonkey (another bunch of ‘Misfit City’ regulars) whose intricately-constructed heavy post-progressive sound is in some ways the antithesis of Dub Trio’s semi-spontaneous instrumental tightrope act. I’d argue that that was the joy of a well-arranged rock gig – in this case, the contrast between two equally deft, clever and complementary bands keeps one’s brain fizzing away happily, and you leave the gig feeling smarter and more alive than you did when you arrived. Certainly Thumpermonkey’s crammed and ingenious musical constructions, topped off with Michael Woodman’s theatrical songlines and multi-layered lyrics, remain one of the current underrated treasures of British rock.

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On the Saturday there’s another Daylight Music – a typically involved crossover gig of post-rock, soundtrack classical and communal musical spirit. Details and promo blurb below…

Haiku Salut, 2015

Daylight Music 206 – Haiku Salut + Camden Voices & Emilie Levienaise-Farrouch (Union Chapel, Compton Terrace, Islington, London, N1 2UN, UK, Saturday 14th November 2015, 12.00pm–2.00pm) – free (£3.50 donation suggested) – information

The wonderful Haiku Salut are best described as an instrumental dream-pop-post-folk-neo-everything trio from the Derbyshire Dales, and their talent for combining joyous folk, intricate electronica and spellbinding neo-classical has seen them compared to everyone from Beirut and múm to Sigur Ros and Aphex Twin. Their second album ‘Etch And Etch Deep’ has received acclaim from ‘Uncut’ (who called it “both warmly familiar and completely, fearlessly new”) and ‘Popmatters’ (“vividly coloured sonic canvas”), while ‘The Line Of Best Fit’ described the opening track and recent single, Bleak And Beautiful (All Things), as “uniquely stunning… isn’t afraid to tear up the rulebook and begin fresh.”

Formed in 2013, Camden Voices is a choir of thirty passionate singers, instrumentalists and teachers, as well as those working outside of the music world. Rehearsing weekly in the heart of Camden Town, they aim for high musical standards whilst keeping a friendly and fun sense of community at our heart. With groove and harmony as their foundation, they develop new approaches to ensemble singing; using new arranging talent, they dust off neglected gems from the worlds of jazz, soul, gospel, and a cappella with a vibrant contemporary twist.

You can also hear the elegant, beautiful music of Emilie Levienaise-Farrouch, an award-winning French pianist/composer currently living in London. Spanning film score, bespoke composition and art installations, her work is connected by both its high quality and evocative, meticulous craft – a common sensibility of elegant, instinctual composition. In 2015, she created a sound-walk for London’s Queen Elizabeth Olympic Park, and her debut album ‘Like Water Through The Sand’ is set for a November release on FatCat’s post-classical imprint 130701.

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If ‘ve got a moment over the next few days, I’ll post up something on the London Jazz Festival and on The End – failing that, more November gig news to follow.

More upcoming London gigs in early June – prog rock/math rock/post-hardcore @ The Facemelter; electro-pop/drum’n’brass/loops/experimental ambience @ Tuesdays Post; eclectic classical/experimental chamber music/kletzmer & Bulgarian voices @ The Forge

31 May

Some more early June gig previews for London – these would have been in the previous post if I’d picked up on them earlier.

Firstly, a Facemelter promotion (from the experimental rock/post-hardcore wing of the Chaos Theory organisation whose jazz gigs I’ve also enjoyed)…

Facemelter, 5th June 2015

Alright The Captain + Iran Iran + Porshyne @  The Facemelter (The Black Heart, 2-3 Greenland Place, Camden, London, NW1 0AP, Friday 5th June , 7.30pm

Three heroes of math rock, alternative and post-rock travel from different corners of the UK to unite and form this amazing lineup.

Derby-based trio Alright The Captain masterfully combine virtuosic instrumentalism with unabashed musical experimentation and have effortlessly established themselves as a sonic force to be reckoned with, thanks to their increasingly inimitable, uniquely imaginative brand of math-rock. Their sprawling and varied career has seen them sharing stages with post-rock luminaries including Mono, toe, 65daysofstatic, Pelican, Tera Melos, ASIWYFA, Maybeshewill, Adebisi Shank (RIP), This Will Destroy You, ZU and many more. Their new album ‘Contact Fix’ (which ‘Musical Mathematics’ describes as “div(ing)  in and out of math rock, prog and post rock – but, at its heart, it’s different”) has gone down a storm.

Iran Iran are another supremely talented bunch of musicians who stunned and impressed all who saw them at ArcTanGent last year. With insanely complex rhythms and thunderously heavy riffs, the four-piece from Bristol have evolved since their excellent first EP ‘Crystal Math’ and are packing a punch. They’ve played with Future Of The Left, Cleft, Alright The Captain, This Town Needs Guns, You Slut!, Alpha Male Tea Party, Death Pedals and many others. Fans of complex musical wizardry or heavy riffs will love their new EP ‘Milk Time For Spiders’.

Brightoners Porshyne dance between ambient intervals and melodic vocals to intensely intricate, fantastically crunchy  prog rock riffs. With just a few single releases and a session filmed by Small Pond Recordings, they already sold out their first headline show in Brighton. This is your chance to catch the band before their career takes off.

More info here and here, and tickets here (£5.00 advance, £7.00 on the door).

At the end of the same week, Georgina Brett’s Tuesdays Post event returns to Stoke Newington with another evening of ambient/progressive live music, including ‘Misfit City’ favourites Darkroom

event-20150607tuesdayspost

Minny Pops/Spaceheads/Darkroom/Georgina Brett & Hems @ Tuesdays Post, (The Others, 6 Manor Rd, London, N16 5SA, Friday 7th June, 7.00pm)

Formed by vocalist/band leader Wally van Middendorp in Amsterdam in 1978, Dutch electro pioneers Minny Pops took their name from a primitive Korg drum machine. The band released several singles and a debut album, Drastic Measures, Drastic Movement, on independent Dutch label Plurex before joining the legendary Manchester label Factory Records in 1980 (which resulted in them being produced by Martin Hannett, touring with both Joy Division and New Order, and becoming the first Dutch group to record a Peel Session). Singles including Dolphin’s Spurt, Secret Story and Time were followed by the acclaimed album ‘Sparks In A Dark Room’ in 1982. The band released two further albums (‘Poste Restante’ and ‘Fourth Floor’) before splitting in 1985. In 2012, the band reunited for a series of gigs in the UK, the Netherlands and Belgium and recorded a 7-inch single for Tim Burgess’ O Genesis label. After a pause to draw breath, 2014 has seen Minny Pops performing live once again.

Spaceheads are a cosmic duo of trumpet electronics and drums. Formed in 1990, they have developed a blend of electronics and sunshine fanfares over the course of ten albums, three EPs and much touring across Europe and the USA. Andy Diagram (also of James) plays trumpet with a mobile phone stuck to the top with a fish slice and Richard Harrison plays drums with big bendy metal sheets stuck to the top. They create live looped layers of brass driven by flurries of free flowing funky drums. Andy and Richard have achieved an intuition of what each is about to do next which makes their semi-improvised gigs a joy to behold. They release their first studio album in ten years – ‘A Short Ride On The Arrow of Time’ – this Autumn.

Darkroom – the UK-based duo of Michael Bearpark (guitars) and Andrew Ostler (synths)- expertly ride the line between luscious, old-school progressive rock and modern ambient electronics. At times reminiscent of early Tangerine Dream with hints of Fripp and Eno, they create clouds of sequenced synths, chewy grooves, and looped phrases to support a variety of acoustic and electric guitar melodies that twist and turn in surprising, occasionally aggressive, ways.

Hems Aka Henrique Matias will be playing live with Georgina Brett. Henrique is a multi-talented composer, programmer and DJ. He specialises in Multimedia programming (from internet things to Max/MSP and similars), although not all his live music and performances sounds like computer music (sometimes he takes his drum machines and crazy things out of the house). Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, often in an hypnotic style. The point of this music is not only to captivate with extraordinary timing and melodic style but also to help the listener to relax in our ever-increasingly fast world.

Interactive visuals and multimedia projections are by Hanzo and Rucksack Cinema.

More information here – tickets £7.00 on the door.

By all accounts The Forge (in Camden Town) has spent the last few years becoming one of north London’s most interesting small venues for mixed music. I’ve yet to go there and see for myself: but in its full June calendar (also featuring funk, jazz, classical and Cuban music as well as assorted poetry) the following four concerts caught my interest:

Notus Winds & Eliza McCarthy (Wednesday 3nd June, 7.30pm)

Part of the classical monthly series Wednesdays at The Forge, this time featuring award-winning chamber ensemble Notus Winds and solo pianist Eliza McCarthy with a program of contemporary compositions (more information here). Tickets £10.00 to £12.00.

Programme:

Harrison Birtwistle – 5 Distances
György Ligeti – Ten Pieces
Arvo Pärt – Quintettino
Anders Hillborg – Six Pieces for Wind Quintet

Fenella Humphreys: Bach to the Future Part 1 (Tuesday 9th June, 7.30pm)

The first of three concerts presented by violinist Fenella Humphreys, featuring commissions of six new works by six of Britain’s leading composers to accompany Bach’s glorious 6 Sonatas and Partitas for unaccompanied violin. This first concert includes new works by Cheryl Frances-Hoad and Gordon Crosse alongside extraordinary music by Bach, Scott, Westhoff, Hindemith. Tickets £10.00 to £12.00.

Programme:

Cyril Scott – Bumble-Bees (1928)
Johann Paul von Westhoff – Suite no. 5 in D minor (1682)
Gordon Crosse – Orkney Dreaming (2014)
Fritz Kreisler – Recitativo and Scherzo-Caprice op. 6 (1911)
Paul Hindemith – Sonata op. 31 no. 2 ‘Es ist so schönes Wetter draussen’ (1924)
Johann Sebastian Bach – Partita no. 3 in E major BWV 1006 (c. 1720)
Cheryl Frances-Hoad – Suite no. 1 (2014)
Eugene Ysaye – 2nd Sonata op. 27 (1923)

Reciprocity: a new work by Daniel Patrick Cohen (Wednesday 10th June, 7.00pm)

Reciprocity is a 28 minute work for voice, taped narration, eight celli, piano, and percussion. The piece was composed by Daniel Patrick Cohen from six poems by the late Darya Farha, a Canadian poet, therapist, filmmaker and clothing designer. Darya was an extraordinary woman whose sharp intelligence, dry wit, distaste for orthodoxies and boundless empathy fuelled restless journey through her unfinished life. Darya died of breast cancer in 2011 when she was 46, and Reciprocity was commissioned by her sister Juliana Farha, who lives in London. Reciprocity is not about cancer, however. Instead, its human and universal themes of joy, pleasure, fear and anger, along with its intriguing instrumentation are sure to engage a broad audience. You can read more on the project here, and here. Tickets £6.00.

She’Koyokh & Veda Slovena Bulgarian Choir (Thursday 11th June, 8.00pm)

In a unique collaboration, She’Koyokh & Veda Slovena Bulgarian Choir combine the fiery panache of klezmer and Balkan music with the timeless beauty of Bulgarian voices, weaving Jewish, Turkish and Balkan music into the rich tapestry of the Bulgarian choral tradition. Read She’Koyokh’s piece on their Veda Slovena collaboration here. Tickets £10.00 to £12.00.

(All events taking place at The Forge, 3-7 Delancey Street, London, NW1 7NL)

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