May/June 2018 – upcoming London rock and pop gigs – Great Dad play with Svetlana Smith and Couples (25th May) and with Socket and Italia 90 (1st June); Black Midi play with Preoccupations at Village Underground (5th June), with Omni at the Lexington (11th June) and launch their debut single at the Windmill with Jerskin Fendrix, GG Skips, The Guest and Legpuppy (12th June)

24 May

Right now I’m keeping an eye on a couple of very different south London dark-horse acts, seeing which sparks fly up and around them as they carve their spaces underground. Each is distinct – Great Dad play genderfluid experimental pop full of sampler collaging, flustered hummingbird guitars, voice-processing and a mixture of yawing, caught-in-the-flux perspective and fractured ecstatic/paranoid/semi-carnal song narratives; Black MIDI play a sometimes stony, sometimes yammery mashup of experimental rock positionings, post-hardcore slams, and neo-No Wave adjustments. Each has a peculiar ability to pull in listeners and attendees from their comfort zones. Each is keeping busy.



 

Great Dad play tomorrow night as part of a Bethnal Green college band gig, bringing their Goldsmith’s College inspirations to a show “spawned from the creative minds of UCL’s hottest young talents”. I know more about them than I do about any of the others – I can’t tell you much about Svetlana Smith apart from the fact that they’re a “neurotic synthpop duo” preoccupied with Russia and with pernicious beauty, and short of any clips or online sounds which I can use to illustrate that; Couples are theoretically easier to pin down, being a funky, fully-formed act allegedly aiming for a post-punk/grunge feeling but fronted by a classic blues-rock voice, actually ending up a little like Editors about to mutate into Stealer’s Wheel, if that makes any sense.

 
The following week, Great Dad play a much punkier free gig at the recently reopened Vinyl Deptford. Billmates Italia 90’s songs alternate between dank, irritable, menacing railway-arch noise or angry jet-propelled purpose; underpinned, in each case, by a glowering thrumming drone like an overhead bombing raid. They could have stepped straight out of 1979 and the winter of discontent – theirs is a classic butch-punk snarl of angry, disenfranchised boredom from the land of the have-nots, their lyrics minimal, their sound just a touch of Joy Division live loom. They’re just one constructive spat away from toppling into a broader politics; for now, though, they’re stuck on the edge, threshing out their frustration. Female-fronted firecrackers Socket don’t worry about anything like that, specialising in a hell-for-leather guitar pelt with capacious Lust for Life drumming and barely controlled chant-yelling.



 

Dates:

  • Quick Spin: Svetlana Smith + Great Dad + Couples – Bethnal Green Working Men’s Club, 42-46 Pollard Row, Bethnal Green, London, E2 6NB, England, Friday 25th May 2018, 8.00pm – information here, here and here
  • Double Dare w/ Socket + Great Dad + Italia 90 – Vinyl Deptford, 4 Tanner’s Hill, Deptford, London, SE8 4PJ, England
    Friday 1st June 2018, 8.00pm
    – free event (suggested donation: £3.00) – information here

* * * * * * * *

Celebrating a year of existence (during which they’ve played with all and sundry and an insouciant swagger, and effectively created their own no-rules scene), Black Midi play three shows in the first fortnight of June. The first is probably the highest profile one – a Village Underground show supporting fiercely-honed Canadian neo-post-punkers Preoccupations, currently touring their tersely-titled new album ‘New Material’. The second is another support slot, this time a Bad Vibrations gig in which they’re supporting Atlanta post-punkers Omni, another post-punk crew who play raised-eyebrow songs with taut riffs continually re-articulating their shape and moving onto new ones: arrangements like card-tricks executed within 4/4 time.





 
The third gig is Black Midi’s own combined formal first birthday party/single release party, down at the Windmill with a clutch of Windmill friends in attendance as they unveil their vinyl debut with the Bm Bm Bm” seven inch. Last time I covered Jerskin Fendrix, I tagged him as “a smart operator with a wise, knowing line in media-savvy one-man synth pop, who uses Autotune like a dance of the seven veils, and who knows how to make use of lo-fi bedsit trappings without being trapped by them”; and since he’s happily using the quote, I guess he’s not felt the need to change his ways. Similarly, I’ve recently described The Guest as a “Casio cave-techno specialist and parody-hipster narrator… like a meetup between adolescent versions of Jarvis Cocker and Julian Cope, Momus and Klark Kent in a school computer room, all up for smartarse bloopy experiments with primitive synth programs and hijacked games consoles” while “haunted electronicist” GG Skips showed up at a DIY Space gig last month.

Entirely new to me are electro/art-punk collective Legpuppy, who create dance-friendly clean-limbed European electropop with a dark, sarcastic cutting edge, sifting through the narcissism of social media quirks and memes and processing them into chilly, sarcastic songs with titles like Selfie Stick Narcissistic Prick, or Running Through A Field Of Wheat. It could be spiteful, but there’s a moral core to it, with the band training their sights on the kind of solipsistic ineptness that unglues the world.

Dates:

  • Preoccupations + Black Midi – Village Underground, 54 Holywell Lane, Shoreditch, London, EC2A 3PQ, England, Tuesday 5th June 2018, 7.30pm – information here and here
  • Omni + Black Midi – The Lexington, 96-98 Pentonville Road, Islington, London, N1 9JB, England, Monday 11th June 2018, 8.00pm – information here, here and here
  • Sonic Bm5: black midi + Jerskin Fendrix + GG Skips + Legpuppy – The Windmill, 22 Blenheim Gardens, Brixton, London, SW2 5BZ, England, Tuesday 12th June 2018, 7.30pm – information here and here

Brixton sounds:


 

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