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April 2017 – upcoming ambient/textural gigs in London, Stroud and Berlin – two ‘A Gift for the Ephemerist’ shows with Andrew Heath, Anne Chris Bakker, Romke Kleefstra and Jan Kleefstra (14th & 15th); Luke Howard in London and Berlin (19th, 20th) plus Charlie Coxedge. Plus a nod to the Fat Out Festival in Salford (14th-16th)

6 Apr

Four upcoming shows from the more elegant, pianistic end of ambient (although guitar noise is never far away)…

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'A Gift For The Ephemerist', 14th & 15th April 2017

‘A Gift for the Ephemerist’: Andrew Heath & Anne Chris Bakker + Kleefstra|Bakker|Kleefstra

  • IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England, Friday 14th April 2017, 8:00information
  • Secret Garden @ The Museum in the Park, Stratford Park, Stratford Road, Stroud, Gloucestershire, GL5 4AF, England, Saturday 15th April 2017, 12.00-3.00pm – free event – information here and here

“In 2015, an invitation from Aqueous synthesist Andrew Heath to Anne Chris Bakker (to play in the UK as part of a Resound performance) cemented a friendship and mutual admiration of each other’s music. Early the following year, Andrew visited Chris in the north of the Netherlands for a week of inspired improvisation – spending their time gathering field recordings, composing and of course, cycling. Combining Bakker’s beautiful bowed guitar and Heath’s quiet and minimal piano and textures, the collaboration has produced no less than two exquisite albums – ‘The Ephemerist’s Collection’ and ‘Lichtzen’. Pause and contemplate, for here are immersive driftscapes which shimmer and pulse with fragile, half-glimpsed melodies.

“Combining improvised dark-ambient with spoken word, Kleefstra|Bakker|Kleefstra is the work of Anne Chris Bakker with fellow experimental guitarist Romke Kleefstra plus poet Jan Kleefstra. The trio have worked together for several years – following their debut album ‘Wink’ in 2009, they played throughout Europe and Japan. ‘The Wire’ wrote about the trio: “two guitarists construct an icy enclave out of frozen drones and amplifier crackle, a veritable Fortress Of Solitude whose isolation is further emphasised by the poet’s intimately close-miked tones and distant echoes, giving an acute impression of expanses and depths both internal and external.” K|B|K have also collaborated with Peter Broderick, Nils Frahm, Greg Haines and Machinefabriek.”




 

Note also that Kleefstra|Bakker|Kleefstra will be playing on the 16th April at the Fat Out Festival in Salford – a pretty stunning array of musical experimentalists, noiseniks, avant-jazzers and more, running between the 14th and the 16th, and featuring far more contributors and collaborators than I can hope to pin down in a single blogpost anymore, let alone a shared one. If you’re in the area and sufficiently clued up, you’ll know about this avant-art ferment already. If not, it’s not too late to jump in – all details are here.

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Luke Howard, 19th April 2017“Melbourne-born composer and pianist Luke Howard (joined by Australian jazz drummer Daniel Farrugia) presents a selection of solo piano and ambient works from his records ‘Sun, Cloud’ and ‘Two Places’.

“Luke studied classical piano as a child before graduating with honours from the Victorian College of the Arts. He was twice a finalist in the Montreux Jazz Festival Solo Piano Competition and has written music for both film and theatre. In 2013 he released the Australian Music Prize long-listed record ‘Sun, Cloud’. Luke’s score to ‘ Where Do Lilacs Come From ‘ won Best Music for a Short Film at the 2014 APRA/AMCOS Screen Music Awards. His second solo album, ‘Two Places’, was released in April 2016.

“Dividing his time between Europe and Australia, in recent years Luke has opened for Benjamin Clementine and Ben Frost, and performed with artists as diverse as Lior and Jeff Mills. His music has been described as “totally sublime” (‘Headphone Commute‘, February 2014), “absolutely heavenly” (Mary Anne Hobbs of BBC Radio 6, July 2013), and “cinematic in its approach” (‘The Age‘, October 2009).”



 
The month’s pair of dates:

  • Bush Hall, 310 Uxbridge Road, Shepherds Bush, London, W12 7LJ, England, Wednesday 19th April 2017, 7.30pm (with Charlie Coxedge) – information here and here
  • Lido Berlin, Cuvrystraße 7, 10997 Berlin, Germany, Thursday 19th April 2017, 8.00pm – information here and here

In London, support comes from Charlie Coxedge (a.ka Charlie Cocksedge of Money), who’ll be performing solo sets of looped guitar music.



 
The London Howard/Coxedge show is another of the gigs repositioned following the sad and sudden closure of the Forge in Camden (see also the BC Camplight show at St Pancras Old Church the following day). It’s comforting to see that the artists can be accommodated so quickly rather than just having holes blown in their schedules; although it doesn’t entirely make up for the loss of a great venue and the closure of all of the work that went into building it up.
 

April 2017 – upcoming London gigs – three songwriters – Momus (10th); BC Camplight (20th); David Vaughan (29th)

4 Apr

This month, there’s the chance to catch the work of three distinctive and different songwriters who are making individual appearances in London.

In reverse date order – there’s the warm and witty cabaret folk of David Vaughan, who ruminates on subjects from cheerful lust to the downfall of Andrew Mitchell, to the resolve of bereaved children. There’s the wrecked, wracked, shaggy-falsetto alternative pop of Philly refugee-turned-Manchester revenant BC Camplight. Finally – or firstly – there’s whatever a reflective, career-compiling Momus currently cares to pick out from his twenty-six years of contentious adventure (whether it’s the sampler pop performance art palimpsests of his recent work, the Pet-Shop-Boys-do-transgressive-Gainsbourg synth pop of his middle period, or the dazzlingly literate acoustic folk of the early years when he lined up alongside Cave, Cohen and Brel as a speculative, lethally witty chronicler/observer of the possible, the askew and the perverse).

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Momus
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Monday 10th April 2017, 7.30pm
information

Momus, 2017“Nick Currie, more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter who lives in Japan. He also writes fiction and reviews contemporary art.

“A veteran of British indie labels, Momus is currently in the midst of a re-release program which will see all his early material reissued by Cherry Red. His latest LP of new compositions is ‘Scobberlotchers’ — a response to Brexit and Trump — and his latest novel is ‘Popppappp’, the tale of two graphic designers captured by fanatical followers of Mark E. Smith.”




 
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Parallel Lines presents:
BC Camplight
St Pancras Old Church, Pancras Road, Camden Town, London, NW1 1UL, England
Thursday 20th April 2017, 7.30pm
information

“Lost treasure needn’t be found in the distant past; the 21st century hides many artists who disappeared into the great wide yonder. BC Camplight (the alter-ego of American songwriter Brian Christinzio) is one such example.

BC Lamplight, 20th April 2017“Originally from New Jersey, Christinzio started playing piano aged just four, inspired by his mum’s Jerry Lee Lewis and Nilsson records and his Dad’s classical collection. Depression and crippling hypochondria clashed with captaining the football team and a penchant for boxing. Post-school, he fell in with people, “willing to go through shit to be a musician,” which saw him relocate to Philadelphia where he occasionally played live with Philly faves The War On Drugs and guested on Sharon Van Etten’s album ‘Epic’. He went on to release his own albums in 2005 and 2007, both gems of a certain psych-pop vintage, combining eloquent songwriting with a self-destructive bent. Christinzio certainly knew it – he’s described himself as “the guy who blew it.”

“But this sublime talent with the keening vocal and fearless approach to lyrical introspection has another chance. His new album ‘How To Die In The North’, recorded in his newly adopted home of Manchester, England, is a fantastically rich, stylistically diverse trip. From dramatic, layered pop to a haunted take on Sixties sunshine-pop, from blue-eyed soul to speedy surf-pop, from sparser piano balladry to psychedelic showstoppers and a grand finale that’s part Nilsson and part Broadway showtune.”

There’s a further twist to the tale in that BC has recently fallen foul of Britain’s ludicrous visa laws and is now having to split his living time between Paris and Philadelphia (the very place he had to leave in order to achieve this artistic and personal rebirth). Come along to this solo piano-and-voice gig on the 20th to at least express a little sympathy.


 

 

(UPDATE, 7th April 2017 – Another sorry twist. This gig has been moved to St Pancras Old Church following the sad, sudden closing of The Forge. Another great venue goes down… At least this means that the show doesn’t get pulled and that more tickets are available.)

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MAP Studio Café presents:
David Vaughan
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 29th April 2017, 7.30pm
information

David Vaughan“Singer-songwriter David Vaughan’s highly original mix of chanson, latin jazz and classical music comes to MAP for the very first time. Playing two forty-five minute sets of original songs arranged especially for voice, piano/classical guitar, accordion and clarinet, David calls on a number of influences including French chanson of the mid 20th century, modern and traditional Latin jazz, and classical music. They are melodic in nature with intricately arranged accompaniments highlighting David’s talents as both a performer, composer and arranger.

“With a varied career that spans work as a big band jazz trumpeter, jazz fusion keyboard-player (with Matt Borgmann’s 1990s band Meander), rock singer, commercial music composer and music teacher, David leads the show in his own relaxed, friendly style putting his audience at ease for what is an intimate, often heart-felt, sometimes dramatic, sometimes virtuosic show. Few contemporary British songwriters propose such an original blend both of instrumentation and of musical styles. The sound of top UK cabaret/jazz accordionist Romano Viazzani, combined with the mellow tone of upcoming classical clarinetist Jordi Juan Pérez, provides an inimitable backdrop to Vaughan’s songs. And yet this is neither folk nor traditional song, but something entirely original.”


 


 

April 2017 – upcoming London jazz gigs – Ella Hohnen-Ford Quartet (8th), The Delegation (22nd), TEXTURE (28th)

3 Apr

Three upcoming jazz gigs this month – shimmering vibes-and-voice-led songwork; large-scale and purposeful big-band abstractions like a collapsing city; cartoon-coloured Weather Report-ish synth and drum grooves…

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MAP Studio Café presents:
Ella Hohnen-Ford Quartet
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 8th April 2017, 7.30pm
information

Ella Hohnen-Ford Quartet, 8th April 2017“The unusual line up of bass, drums, voice and vibraphone adds to the unique sound created by the Ella Hohnen-Ford Quartet, a vibrant jazz/cross-genre quartet of passionate young players, currently studying at the Royal Academy of Music and Guildhall. With influences ranging from the jazz greats (such as Ella Fitzgerald and Shirley Horn), to modern composers (including Kenny Wheeler and Marius Neset) and singer-songwriters such as Nora Jones and James Taylor, the group have a truly individual and confident sound. A debut performance not to missed, featuring arrangements of songs we love and compositions written by and for this specific line up.

“The band features Ella Hohnen-Ford (currently the only singer studying at the Royal Academy of Music’s jazz course), vibraphonist/composer Jonny Mansfield, drummer Boz Martin-Jones and bassist Will Sach (who currently holds the world record for playing the highest altitude bass line, at 40,000 feet). Ella and Boz also play in Johnny’s hotly-tipped Elftet band.”

I couldn’t find anything by the whole band, let alone any sneak previews of their original tunes, but here’s what sounds like Jonny and Ella at work on an old standard:


 
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MAP Studio Café presents:
The Delegation
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 22nd April 2017, 7.30pm
information

Gabriel ZuckerGabriel Zucker’s indie jazz orchestra The Delegation was founded in 2013, and has already broken new ground in New York’s dynamic music scene. Combining an array of disparate influences into a unique and emotionally immediate sound, The Delegation has performed throughout the Northeast and Canada, and Zucker’s compositions for the group have received awards from ASCAP and the American Composers Forum JFund grant. The group’s singular musical philosophy has been profiled at length by the Ottawa Citizen, Jazz Gallery, and the American Composers Forum.

“Last autumn, The Delegation brought its unique concept to life with the release of ‘Evergreen (Canceled World)’, Zucker’s maximalist 12-movement composition that serves as the band’s sprawlingly ambitious debut record. In ‘World Music Report’, Raul da Gama wrote “in Zucker’s almost confrontational writing I find the vision of one who is hugely expressive. Here is a young man with a profound sense of tone and colour and how it can be wrought from diverse instrumentation to be affectingly “cantorial”, expressive and hugely symphonic too.”

“‘Evergreen’ also received 4.5 stars in ‘Downbeat’ and 4 stars in ‘All About Jazz’. With protean production by Zucker and pop producer Chris Connors, the nearly-two-hour record features everything from angular rhythmic grooves to Radiohead-inspired soundscapes to jarring electronics-infused chamber music to enigmatic lullabies, and is one of the year’s only contemporary releases on the prestigious ESP-Disk label.


 

 

“Support comes from Introspection, a new seven-piece contemporary modal jazz and jazz-rock ensemble, soon to release their eponymous debut EP. The group plays the original compositions and arrangements of its bandleader and guitarist Julian Woods, which explore colourful modal harmony, open improvisation, dense textures, contemporary through-composition, and rock-like timbres.”

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IKLECTIK Art Lab presents:
TEXTURE
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Friday 28th April 2017, 8:00 pm
information

TEXTURE, 2014“TEXTURE is an original drums/keyboards duo project of drummer, percussionist and composer Adam Teixeira, featuring Chris Pruden on analogue keyboards and synthesizers. Based in South London and Berlin, the two musicians began playing together in Toronto, Canada in 2012 and have since performed across North America and Europe collaborating with a variety of international musicians.

“Adam has recently released this music on his debut album (also called ‘TEXTURE’), which features hypnotic and infectious drumset grooves, kalimba melodies, atmospheric synth landscapes; exploring a unique blend of folkloric rhythmic traditions stemming from African, Caribbean and Indian classical roots with modern jazz and electronic influences, and providing the perfect setting for the musicians to launch into energetic improvisations.”



 

April/May 2017 – upcoming London gigs – across-the-board instrumental progressive – Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain (7th); Piko Cloud Booker + Mein Haus + Matt Baber of Sanguine Hum (April 20th); Mouse On The Keys + Mutiny On The Bounty + Strobes (May 1st)

30 Mar

Three upcoming London gigs across April and leading into the start of May: all of them batting around ideas in the progressive field, whichever particular road they took into it. In early April – a Chaos Theory post-rock show with three bands offering successive palettes of solitary guitar sketches, sombre filmic post-Godspeed tonescapes, and bright-toned romantic futurism. In mid-April – the debut of a brand new progtronic trio alongside an experimental string duo and a humble keyboard star. On May Day, an international rhythmatic threesome at Rich Mix mixing up post-Squarepusher tech-fusion, bursting guitar instrumentals and twenty-first century dual-keyboard/drumkit jazz-rock barrage.

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Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain, 7th April 2017

Chaos Theory Promotions presents:
The Facemelter: Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 7th April 7.30pm
information and here

“This month The Facemelter features a glorious night with some truly brilliant veterans of post-rock, drone and ambient sounds, with new and seasoned projects alike.

“Formed thirteen years ago, Flies are Spies from Hell have climbed up from humble beginnings to international fame. The years have seen them move on from small local gigs, to sharing the stage with behemoths such as Russian Circles, And So I Watch You From Afar, *shels, Latitudes and Vessels, to a couple of European tours, and appearances at ArcTanGent and Dunk!festival. Two years after the release of their second album ‘Underdog Underfoot’, they’ll finally grace the stage at The Facemelter.


 
A-Sun Amissa are a powerful (mostly) instrumental collective possessed of “a rusted industrial aesthetic that lurks in the periphery of perception” (‘Rock-A-Rolla’), founded and led by Richard Knox (Shield Patterns, Glissando, The Rustle of the Stars) and Angela Chan (Tomorrow We Sail, Lanterns On The Lake, The Rustle of the Stars) that has featured an array of members and collaborators since its formation in 2011, as well as two albums out on Gizeh Records.

“Producing dense, drone-like atmospheres with evocative, melodic string and woodwind sections, intertwining guitars and field recordings, their live performance is a mixture of recorded output combined with improvisation to explore progressions in the music every time. Their ever-flowing lineup of collaborators have included members of Amenra, Nadja, Gnod, Oiseaux-Tempête and Hundred Year Old Man.


 
Only Echoes Remain serve up incredibly cinematic post-rock, without becoming too cliched thanks to generous smatterings of math, ambient and classic prog influences. They have already played with the likes of Her name Is Calla, TOTORRO, VASA, Poly-Math and Waking Aida, and will be releasing their debut LP early this year.”


 
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Piko Cloud Booker + Mein Haus + Matt Baber, 20th April 2017

Piko Cloud Booker present:
Piko Cloud Booker + Mein Haus + Matt Baber
Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England
Thursday 20 April 2017, 7.00pm
information

Piko Cloud Booker are a modern-day progressive rock trio combining King Crimson-esque cyclical guitar patterns in a mix-up of wacky time signatures with the expansive sequencer-driven explorations of early Tangerine Dream. PCB are guitarist Cameron Piko (mastermind of Australian prog-metal unit Montresor), bassist/violinist Gaz Cloud (one half of dream-technoists Cloud & Owl) and drummer Andrew Booker (no-man, Tim Bowness, Sanguine Hum).”

(This project’s so new that’s there’s no music available to present for it – instead, I’ve had to give you a few ideas via these clips from the member’s other projects, including Andrew’s ten years of undersung work with jamming collective Improvizone:)




 
“Supporting them will be string duo Mein Haus, consisting of Patricia Stepien (violin) and Elliot Murphy (cello, guitar). Their music is by turns creepy and sparse, then intense and dramatic. But whether it’s complex rhythmic interplay, or crunching cello and soaring violin, you feel the humour is never far away. From gigsite ‘Go Out Of Tune‘ – “based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable. Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk.”


 
Matt Baber is a co-founding half of the continuing Oxford-based musical journey that is currently Sanguine Hum, having made its way through various earlier incarnations. He has played keyboards throughout, both crafting his unique synth atmospheres plus stamping down complex piano riffs on his Fender Rhodes. Expect more of the latter this time, as he delves into his Jarrett/Emerson-flavoured solo material for his first ever solo keyboard show.”


 
Note that Gaz Cloud – as half of Cloud & Owl – will also be playing this Askarabaskara techno/house gig five days earlier, demonstrating part of the elements-puzzle which makes up his new band.

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Mouse On The Keys + Mutiny On The Bounty + Strobes, 1st May 2017Chaos Theory Promotions presents:
Mouse On The Keys + Mutiny On The Bounty + Strobes
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Monday 1st May 2017, 7.30pm
-information here, here and here

“An ultrasonic mammoth of a lineup, packed with dreamlike jazz, vast math rock, ambient precision and mesmerising polyrhythmic beats!

“The extraordinary Mouse On The Keys trio are back from Japan, armed with fresh material from their new album ‘Out Of Body’, out last January via Topshelf Records. This is a pristine example of blending minimal-phrased piano and dynamic drumming, while creating a live experience composed of visual and audio elements. Formed in 2006, with elements of jazz, funk, post‐rock and electronic music, Mouse On The Keys fits into a genre of their own.

“The trio consists of two former members of the influential Japanese underground band Nine Days Wonder – Akira Kawasaki and Atsushi Kiyota – who teamed up with Daisuke Niitome (who has played drums as well as composed music for countless jazz‐funk and hip hop bands). Their unique sound, comprising two pianos, two keyboards and drums, continues to stand at the forefront of the Japanese music scene.


 
“Luxembourg quartet Mutiny On The Bounty bring a torrent of groovy rhythms, guitar acrobatics and joyous melodies our way. These guys have been showcasing their unique brand of math-rock and instrumental music throughout Europe and have played close to five hundred shows supporting bands such as Biffy Clyro, And So I Watch You From Afar, TTNG and Maps & Atlases as well as playing some of the biggest festivals like Roskilde, Primavera and Fusion festival.

“Following on from their album ‘Trials’, released in 2012 and recorded by producer Matt Bayles, Mutiny On The Bounty released their latest album ‘Digital Tropics’ via Small Pond, which encompasses facets of their personalities ranging from rock, to electro, 80’s pop and even hip-hop. A reverb-infused, pop groove-laden feast of staccato guitar melodies, loops and math rock beats.


 
Strobes‘ triangle of electrified polyrhythms, spaced-out synth jams and off-kilter beats will open the evening. Featuring guitar and synth-work by Matt Calvert (Three Trapped Tigers), drums by Joshua Backmore (Troyka) and keys by Dan Nicholls (who has collaborated with Squarepusher and Matthew Herbert), the trio flickers effortlessly between the worlds of electro-improv, minimalist polyrhythm and distinctively original hooks.

“Like a twisted love child of Aphex Twin, Brainfeeder and Battles, Strobes have been heard individually with the likes of Squarepusher, Matthew Herbert and Three Trapped Tigers. Built from collective composition, studio production, live sampling and improv jams, the band smashes out exhilarating odd-tempo loops, polyphonic synth soundscapes and big headnodding beats. Their new album ‘Brokespeak’, out via Blood And Biscuits, is a true work of genius.


 
“With DJ sets from Bojan Nikolic (The Brain Center At Whipple’s, Battleship Grey), this will be an intensely satisfying feast of jawdropping talent and headnodding beats.”

 

March/April 2017 – upcoming London experimental gigs – Matt Cargill/Sam Edwards at More News from Nowhere (29th March); a Tony Conrad celebration at the Horse Hospital with Neil Campbell & Michael Flower of Vibracathedral Orchestra plus screening of ‘Completely in the Present’ (5th & 6th April)

15 Mar

Something on the drones’n’noise’n’whistles More News From Nowhere gig at the end of the month…

'More News From Nowhere' #15. 29th March 2017 (image © Daniel Oines)

‘More News From Nowhere’ #15. 29th March 2017 (image © Daniel Oines)

More News From Nowhere presents:
MNFN #15: Matt Cargill + Sam Edwards + Ashcircle
The Victoria, 186 Hoe Street, Walthamstow, London, E17 4QH, England
Wednesday 29th March 2017, 8.00pm
– information here, here and here

From MNFN: “We’re really excited to announce that we’re putting out our first tape – a super-limited run of thirty hand-decorated cassettes featuring Matt Cargill (Sly & The Family Drone)’s blinding solo set from of tape processing and live loops (featuring a surprise banger) from the Rose and Crown last year. On the flip side is multi-instrumental improviser Sam Edwards‘s amazing performance from the William Morris Gallery at Stowfest last year – it’s a nice contrast to Matt’s with contemplative, harmonic synth drones and skittering, pulsing percussion. You’ll be able to pick one up on the night for a fiver (or a tenner in total on the door for a ticket/tape bundle), or subsequently on Bandcamp.


 
“Both of them will be playing live on the night with support from Ashcircle (aka MNFN’s own Ciaran Mackle, collaborating with South Circular’s Tom Macarte).”


 
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In early April, down at the Horse Hospital, there’s a two-day celebration of the life and work of the bolshy, challenging art-polymath Tony Conrad, marking the first anniversary of his death. Crash course here:

“Tony Conrad was one of the great American artists of our time, yet to the world at large he remains criminally underappreciated. Since the early 1960s, Conrad’s films and compositions have been the stuff of legend for artists and musicians everywhere. His vast, inter-disciplinary repertoire has single-handedly created and influenced major film and compositional movements. He performed in and recorded the soundtrack to Jack Smith’s legendary ‘Flaming Creatures’; he turned the paradigms of cinema upside down with ‘The Flicker’, a film composed of only black-and-white frames; his development and practice of just intonation and minimalism through his work with Stockhausen and La Monte Young still has the music establishment scratching their heads; his pivotal role in the formation of The Velvet Underground has directly or indirectly influenced everyone who has picked up a guitar since; as an early adopter of activist public access television he democratized the emerging medium of portable video. In his later years he continued to perform and make work that pushed the boundaries of reason for which he has finally begun to receive worldwide attention.”

The celebration consists of one Conrad-inspired gig, and one documentary screening:

Neil Campbell & Michael Flower, 5th April 2017

Muckle Mouth presents
Neil Campbell & Michael Flower
The Horse HospitalThe Colonnade, Bloomsbury, London, WC1N 1JD, England
Wednesday 5th April 2017, 7.00pm
– information here and here

Neil Campbell and Michael Flower are founding members of legendary Leeds freak-out collective Vibracathedral Orchestra, the “totemic ensemble of contemporary British outsider music”…

“Neil has been active on the lunatic fringe of underground music since at least 1979. In that time, as well as his work with Vibracathedral Orchestra he has performed and recorded widely as solo performer, ad hoc collaborator and core member of groups such as A Band and Astral Social Club. His collaborations are myriad, including work with Richard Youngs, Campbell Kneale, High Wolf, Grumbling Fur, John Clyde-Evans, Filthy Turd, Oren Ambarchi, Ashtray Navigations, Spider Stacy, David Larcher, Blood Stereo, John Olson and Matthew Bower. Writers have described him variously as “a one-man subculture”, a “grandfather figure” with “a hallucinogenically inclined pallet.” Neil shares his birthday with Grace Jones, Malcolm X, Ho Chi Minh, Pol Pot and Joey Ramone – look out!

“Michael operates in a similar musical territory which focuses on the droning element of strings, guitars, wind instruments and handheld percussion. Occasional vocal mutterings may remind people of traditional Indian ragas, while other parts of his work hints more at the academic influence of, say, a Henry Flynt or Tony Conrad. Mick has also played with everyone from Chris Corsano (as Flower-Corsano Duo), Pete Nolan’s Magik Markers side project Spectre Folk, MV&EE w/The Golden Road and Sunburned Hand Of The Man.”


 
'Tony Conrad: Completely In The Present'

‘Tony Conrad: Completely In The Present’ – full screening
The Horse HospitalThe Colonnade, Bloomsbury, London, WC1N 1JD, England
Thursday 6th April 2017, 7.00pm
– information here and here

“Director Tyler Hubby (editor of ‘The Devil and Daniel Johnston’ and ‘The Great Invisible’) makes his directorial debut with ‘Tony Conrad: Completely In The Present‘, a non-fiction film examining the pioneering life and works of artist, musician, and educator, Tony Conrad….

“Utilizing intimate footage of Conrad and his collaborators shot by the director over the last twenty-two years, as well as Tony’s own archive of recordings and films, Tony Conrad: Completely in the Present mirrors Conrad’s own playfully radical approach to art making. The non-linear structure allows Conrad to wildly free associate his streams of consciousness, revealing an honest and humane way of navigating a remarkable, creative life.

“Chronicling Conrad’s life, work and pervasive influence over the years and through multiple mediums, this highly anticipated film is on tour of some the world’s most esteemed museums, galleries and film festivals – the Viennale, Rotterdam International Film Festival, Big Sky Film Festival, The Tate Modern, Washington DC’s National Gallery of Art, Brighton CineCity Film Festival, HOME Manchester, CCA Glasgow, among more than fifty others.”

“Starring: Tony Conrad, Tony Oursler, Jim O’Rourke, David Grubbs, Marie Losier, John Cale, Moby, Branden Joseph, Jeff Hunt, Charlemagne Palestine, Jay Sanders, Jennifer Walshe.”


 

March/April 2017 – upcoming London gigs – Piano Day fringes – Xenia Pestova’s Non-Piano evening (18th March); Sophie Hutchings, Arthur Lea, Xenia Pestova and others at Daylight Music (1st April)

13 Mar

“Why does the world need a Piano Day? For many reasons, but mostly, because it doesn’t hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.”Nils Frahm, Piano Day founder)

This year, Piano Day is on the 29th of March. I did a pretty exhaustive guide to last year’s event – I doubt that I’ll go to the same lengths this year (if you’re interested, have a look at the official site), but here are a couple of upcoming concerts related both to that and to its tinkly little brother, World Toy Piano Day eleven days earlier on 18th March.

Xenia Pestova: Non-Piano, 18th March 2017
Xenia Pestova presents:
Xenia Pestova: Non-Piano
IKLECTIK Art Lab, ‘Old Paradise Yard’, 20 Carlisle Lane, Lambeth, London, SE1 7LG, England
Saturday 18th March 2017, 8.30pm
information

“Pianist Xenia Pestova will play everything but the piano, presenting a wild mix of unconventional objects and sounds. The performance will include music by Helga Arias Parra for two aerospace engineers with prepared piano and live electronics, by Ed Bennett for the Indian harmonium and drones, by Christopher Fox for toy piano, Pierre Alexandre Tremblay for the ROLI Seaboard and fantastic world premieres from the participants of the first London Toy Piano Composition Workshop.”


 

Xenia is also one of the several pianists performing at the Daylight Music Piano Day concert at the start of April.

Daylight Music 251: Piano Day 2017
Arctic Circle presents:
Daylight Music 251: Piano Day with Sophie Hutchings + Arthur Lea + Xenia Pestova + Lorenzo Masotto
Union Chapel, Compton Terrace, Islington, London, N1 2UN, England
Saturday 1st April 2017, 12.00pm
– free event (suggested donation: £5.00) – information

“For centuries, people have found joy in playing, and listening to, the piano. Nils Frahm thought this beloved instrument should be honoured, and launched Piano Day in 2015. Daylight Music will be joining in the worldwide celebrations with a special concert of piano delights — including performances from Sophie Hutchings, Arthur Lea, Xenia Pestova and Lorenzo Masotto. From John Cage interpreted on toy piano, to retro rhythm’n’blues and southern soul to post-classical reflection from the other side of the world.”





 

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