Tag Archives: Oliver Coates

March 2017 – upcoming gigs – selections from the Sheffield Classical Weekend (17th-19th)

6 Mar

There’s plenty going on at the three-day mid-March Sheffield Classical Weekend, with the city permeated with music including many old and new favourites. Among what’s on offer are two different performances of Arvo Pärt’s ‘Fratres’ (one by a wind band, one by a host of strings), two Dreams of China concerts covering formal Chinese classical compositions) and a host of choral shows (the classic monk’s-debauchery of Orff’s ‘Carmina Burana’ via Schubert’s ‘Mirjam’s Siegesgesang’ and Brahms’ ‘Ziguenerlieder’, through to a variety of pops choirs.) Though I’d advise checking out the entire, pleasingly diverse programme, here are my own brief and subjective picks from it, if you’re interested.

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Oliver Coates & cellists: ‘Canticles of the Sky’ – Kelham Island Museum, Alma St, Sheffield, S3 8RY, England, Saturday 18th March 2017, 3:30pm & 5.00pminformation

“A UK premiere featuring star cellist Oliver Coates (Radiohead, ‘Under The Skin’ and ‘There Will Be Blood’). Olly and a host of cellists will surround the Kelham Island audience and lift you skyward with this ethereal and dreamy work from Pulitzer and Grammy-winning composer John Luther Adams. Also featuring extracts from J.S Bach’s Cello Suites.”

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Five Choirs: Sounds From Heaven – St Marie’s Cathedral, Norfolk Row, Sheffield S1 2JB, England, Sunday 19th March 2017, 2:30pminformation

“Perched around the sides of the excellent acoustic space within the Cathedral Church of St Marie, five Sheffield chamber choirs – Abbeydale Singers, Sheffield Chamber Choir, Sterndale Singers, Sheffield Chorale and Viva Voce – will “create a swoonsome heart-lifting soundscape of song.” As well as old and new choral standbys by John Tavener, Arvo Pärt, Felix Mendelssohn and others, the concert will include the premiere of ‘Kraal’ a commission for five simultaneous choirs written by Jenny Jackson (a member of Sheffield’s own contemporary composer collective, Platform 4).”

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More music fostered by Platform 4 will be popping up a few times over the weekend. Flautist Rachel Shirley performs “a selection of colourful and inventive works for flute, piano, blown bottles and saxophone“; there’s an evening date at Yellow Arch Studios with players from Sheffield Music Academy, performing the collective’s own “imaginative cutting-edge compositions”. There’s a “mind-bending” collaboration with Opera On Location in which “stories are turned upside down and endings become beginnings in (a) selection of operatic palindromes, where the music is the same both backwards and forwards… featuring Paul Hindemith’s short opera ‘Hin Und Zurück’ (‘There And Back’), plus new bitesize and puzzling pieces…” Platform 4 also contribute the cello-and-electric keyboard piece ‘Upright Stance’ to be performed alongside Shostakovich’s Cello Concerto at Oliver Coates’ concert with Sheffield Music Hub Senior Schools.

  • Opera On Location with Platform 4 – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 8:30pminformation (contains strong and sexually explicit language – recommended for 18+)
  • Rachel Shirley: ‘Hooting & Drinking’ – Channing Hall @ Upper Chapel, Norfolk Street, Sheffield, S1 2JD, Saturday 18th March 2017, 3.30pminformation
  • Oliver Coates & Sheffield Music Hub Senior Schools: ‘From The Heart: Shostakovich’ – City Hall Ballroom @ Sheffield City Hall, Barkers Pool, Sheffield, S1 2JA, England, Sunday 19th March, 12:00pminformation
  • Platform 4 with Sheffield Music Academy – Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6:30pminformation

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On the Friday and the Saturday, there are some thoughtfully programmed Sound Laboratory events centring on the music, ideas and influence of Pierre Boulez. Saturday sees a triple-banked set featuring pianists Beate Toyka and Matthew Odell, violinists Darragh Morgan and Lucy Phillips, clarinettist Sarah Watts and the University of Sheffield New Music Ensemble.

Each of these mini-concerts sets one of Boulez’s first three Piano Sonatas against another piece. ‘The Conflict And The Passion’ pitches ‘Piano Sonata No. 1’ against Beethoven’s Kreutzer Sonata in a study of thwarted passions. ‘Deconstruction & Digitalisation’ presents the classical deconstruction of ‘Piano Sonata No. 2’ and the electro-acoustic contrasts of ‘Anthemes II’. ‘Choice And Chance’ (the only one of the concerts to feature two Boulez compositions) offers ‘Piano Sonata No. 3’ and the clarinet-and-orchestra piece ‘Domaines’, contrasting a piece in which major options are available to the performer and one which is considerably more ordered and regimented.

The series opens on Friday with a special Boulez-inspired concert in which “the avant-garde becomes child’s play… primary school children from across the city explore the curious frontiers of contemporary electronic music and present the results of their musical experimentation.”

Sound Laboratory:

  • ‘Computer Music’ – Firth Hall @ University of Sheffield, Western Bank, Sheffield, S10 2TN, England, Friday 17th March 2017, 1:30pminformation
  • ‘The Conflict & The Passion’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 1:30pminformation
  • ‘Deconstruction & Digitalisation’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 3:30pminformation
  • ‘Choice and Chance’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 5:00pminformation

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Among the Chinese-inspired events is one in which Chinese and European chamber music merge as celebrated guzheng zither soloist Xia Jing teams up with The Fidelio Trio (Darragh Morgan on violin, Adi Tal on cello and Mary Dullea on piano). They’ll be presenting a concert of brand-new musical premieres – Gao Ping’s ‘Feng Zheng’ (‘Kite’), Jeroen Speak’s ‘Silk Dialogues 7’, Dylan Lardelli‘s ‘Shells’, and ‘Time Bends In The Rock’ by Sheffield-based composer Dorothy Ker.

Fidelio Trio & Xia Jing: ‘Global Soundtracks: Silk Dialogues’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 9:30pminformation

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In addition, there’s a variety of pop-up performances across the three days, featuring abbreviated sets by event headliners plus showings by small instrumental and vocal groups. It’s an open-minded spill moving out from classical forms to embrace folk, alt.chamber and other kinds of music.

One promising set of contributors are Manchester quintet Kabantu, who’ve thankfully dropped their previous name Project Jam Sandwich and who also “throw away the rulebook to bridge countries and cultures, creating an exuberant and joyful soundworld… vocal harmonies from South Africa coalesce with everything from Celtic reels and Brazilian samba to Balkan folk music and beyond.” Featuring violin, guitar, cello, double bass and percussion in addition to voices, they’re playing a pop-up show but also two separate consecutive-but-entirely-different sets at Yellow Arch Studios.

Classical by Night – Kabantu @ Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6.30pm & 9:30pm – information here and here
 

October 2016 – upcoming gigs in London – more avant-classical/experimental ensemble work as new Kammer Klang season opens at Café Oto with Miles Cooper Seaton, Distractfold Ensemble and Martyna Poznańska (4th October)

30 Sep

Heading off the end of his Kammer Klang-sponsored Oto residency, Miles Cooper Seaton moves seamlessly into headlining the first concert of the Kammer Klang 2016/2017 season.

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Kammer Klang, 4th October 2016Kammer Klang presents:
Miles Cooper Seaton & ensemble + Distractfold Ensemble + Martyna Poznańska + Monocreo DJs
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Tuesday 4th October 2016, 8.00pm
information

The word on Miles (again): “For over a decade, (his) work has defied genre and discipline, spanning immersive ambient installations, intimate sets in sacred spaces and festival stages from Los Angeles to Tokyo – as a solo artist, with his own band Akron/Family and as a member of Michael Gira’s Angels of Light. Their common thread is the raw emotional charge that infuses every performance with incendiary energy, leaving listeners hyper-sensitised to their own feelings and bodies, to each other and to the world around them.”

For this particular concert, Miles will be presenting the British premiere of ‘Transient Music #2’, performed by a seven-piece ensemble featuring an enviably broad set of musicians from varied traditions. In addition to the two Italian musicians who’ve been his right-hand men for the whole of his residency over the previous week (singer/guitarist Tobia Poltroneri, percussionist Alessandro Cau), he’ll be joined by post-rock/art-pop heroine Laetitia Sadier (Stereolab, Monade), by Oliver Coates (curator, cross-discipline collaborator and principal cellist in several prominent orchestras), by multi-instrumentalist Cathy Lucas (Orlando, Vanishing Twin, School Of Hypnosis, Earth Moon Earth) and by Japanese-French throat-singer/flautist Maïa Barouh.

Describing his ‘Transient Music’ series as “an evolving composition for modular ensemble”, Miles adds “music as an art form is truly realised when it is perceived. It is reciprocity that gives it life. Given this fact, it is the field of perception or awareness that is the context in which a composition is experienced. Though we have a visceral and instinctual relationship with music as primordial utterance, our modern experiences of music are often bound more to the intellectual barriers we place around sound in order to compartmentalise and understand its intention.

“Transient Music aims to engage the intuitive or pre-descriptive space that exists in the gap between experience and understanding. Members of the ensemble are given principal guideposts and cues that relate to their own cosmologies in order to encourage the cultivation of a spontaneous and empathetic awareness. This awareness is then activated sonically and energetically, and finally made manifest as a collective gesture of inclusivity as the tonal field gradually extends to the perceiver.”

Further information on the others playing at the event:

Manchester-based Distractfold are a contemporary music ensemble who “specialise in performing instrumental, electro-acoustic and mixed chamber music from the twenty-first century. Founded by composers/artistic directors Mauricio Pauly and Sam Salem with clarinettist Rocío Bolaños, violinist Linda Jankowska, cellist Alice Purton and viola player Emma Richards, Distractfold have presented over forty concerts around the world since 2011 and became the first British ensemble to be awarded to the prestigious Kranichstein Prize for Interpretation at the 47th International Summer Course for New Music, Darmstadt.” The ensemble will be joined by an associate – the young electric guitarist Daniel Brew (Beats & Pieces), with technical director Constantin Popp offering technological support.

The Distractfold programme includes an “ecstatic” piece by the Australian composer Liza Lim, who establishes her compositional ideas around a nexus of “Australian Indigenous aesthetics; Asian ritual forms and performance practices… Sufi poetics of bewilderment, loss, communion and ecstasy; and the textilic arts of weaving and knot-making as a cross-modal technology for thinking.”

Distractfold will also be presenting British premieres of new works by Mauricio Pauly and Sam Salem. Both pieces were originally premiered this year, back on 7th August in Darmstadt (as part of the 48th International Summer Course for New Music) and display the differing approaches of the two Distractfold directors – Mauricio concentrating on ensemble music with unorthodox lineups plus “amplification, performative electronics and prefabricated sounds”, while Sam concentrates on more mixed-media work founded on “the sounds of urban environments (and) specific geographical location(s)… aspir(ing) to illuminate and explore the hidden musicality and beauty of his geographical subjects, as well as his own relationship to his environment as both a source of inspiration and musical material.”

Bookending the evening will be individual sets by Berlin-based cross-disciplinary artist Martyna Poznańska and by DJs from the Milton Keynes record label Monocreo. Using field recordings, writing, composition and visual material including video and photography (plus her background in linguistics, Spanish literature and sound art), Martyna explores “the processes of remembering and forgetting, growth, decay and transformation” via installation and performance work. Monotreo’s releases, based around the remit of “sound art and outer limits”, have included recordings of post-punk and rhythmic electronic music as well as graphic scores.

Performers:

Miles Cooper Seaton + ensemble
Distractfold Ensemble
Martyna Poznańska
Monocreo DJs

Programme:

Martyna Poznańska – unspecified work for ‘Fresh Klang” programme
Mauricio Pauly – Charred Edifice Shining, for amplified string trio (2016) (UK premiere)
Liza Lim – Inguz (Fertility), for clarinet in A and violoncello (1996)
Sam Salem – Untitled Valley of Fear, for three object operators, tape and video (2016) (UK premiere)
Miles Cooper Seaton: Transient Music #2 (UK premiere)
Monocreo DJ set

Here’s a set of examples of other work by the composers and performers involved, including one from a previous Oto appearance:



 

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