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February 2018 – upcoming London experimental gigs – Filthy Lucre’s “night of imagined languages” featuring Claude Vivier, Laurence Osborn, Hildegard of Bingen, Bowie’s Berlin and Byrne’s babble (24th February)

10 Feb

Filthy Lucre, 24th February 2018

Filthy Lucre presents:
Filthy Lucre: “Lingua Inota – A Night of Imagined Languages”
Hackney Showroom @ Hackney Downs Studios, 13-15 Amhurst Terrace, Hackney Downs, London, E8 2BT, England
Saturday 24th February 2018, 7.30pm
– information here, here and here

“Every song in the night uses invented languages to express the things that real words can’t touch… The divinity of nonsense has served, like music, to say the unsayable. Whether associated with religious ecstasy or utopian projects, these utterances are inscrutable yet intimate.”

For a while now, freewheeling concert/club night/collective Filthy Lucre (run by composer Joe Bates, clarinettist Anthony Friend and composer/conductor William Cole) have been putting together events “tied together by artistic concepts, such as cultic rituals and urban sprawl.” I’ve not caught up with them before now, but this event’s an ideal opportunity to get a feel for how they think.

Incorporating chamber choir and synthesisers, the Filthy Lucre ensemble will be performing ‘Glaubst du an die Unsterblichkeit der Seele? (Do You Believe In The Immortality Of The Soul?)’ the final, morbidly romantic langue inventée work from renegade Canadian composer Claude Vivier (infamously found in manuscript form on his desk in the aftermath of his murder, which it seemed to predict in its envisioning of a narrator stabbed in the heart by a potential lover). Also in place on the bill will be an exploration of the original lingua ignota of visionary theologian, polymath and composer Hildegard of Bingen (she of the hallucinatory Christian visions and the remarkable command of twelfth century experience from its musicality to its medicine, its theological orientations to the outer fringes of its philosophy).

In addition, Filthy Lucre will be tackling the “nonsense” of the David Bowie/Brian Eno collaboration ‘Warszawa‘ (born from Bowie’s blind phonetic transcriptions of Polish folk song) and the “electric babble” of Talking Heads. I guess they could mean the band’s pulsing Afrodelic loft-music setting of Hugo Ball’s ‘Gadji beri bimba’ (from ‘Fear Of Music’) but it could extend to any of David Byrne’s chopped songtexts – in particular, those on 1980’s haunted, free-form-sermonizing ‘Remain In Light’ and its funk’n’free-association follow-up ‘Speaking In Tongues’ (which could also have lent its name to the event).

There will also be new music by Laurence Osborn (‘ELITE’, scored for tenor, keyboard, two synthesizers and tape), art by Georgia Hicks (inspired by the illustrated manuscripts of Hildegard’s visions, which depict reality as a wheel) and a Hildegard-themed film by Paul Vernon. Various musical arrangements come courtesy of event coordinator Joe Bates himself, and from Emma-Jean Thackray.

Some examples of what’s on offer or what might be propelling the thoughts behind it can be found below…




 
(Update – 19th February 2018 – have just been able to share the Paul Vernon Hildegard trailer too. Looks as if music by Xenakis and Cocteau Twins has been added to the brew…)


 

December 2017 – upcoming London folk gigs – Gaelynn Lea at The Old Church (6th December); Tartine de Clous, Alasdair Roberts & Neil McDermott with guests Ivor Kallin & Sholto Dobie and The London Hardingfelelag (11th, 12th December); Gitta de Ridder and The Balkanoes at Collage Nights (13th December)

2 Dec

I keep missing Gaelynn Lea’s shows… and missing the opportunity to post about them. With her return to London for another gig this season, I’ve got a chance to catch up.

Blow the Fuse presents:
Gaelynn Lea
The Old Church, Stoke Newington Church Street, Stoke Newington, London, N16 9ES, England
Wednesday 6th December, 2017, 8.30pm
– information here and here

Gaelynn Lea, 6th December 2017A classically-trained twenty-year veteran of violin playing whose limbs have been shortened from birth by osteogenesis imperfecta, Gaelynn plays her fiddle like a cello and sings original songs drawing from the well of traditional American, Irish, Scottish and English folk sources and blending them with her own ideas and experience. Her wistful honey-gravelled singing, her songwriting artistry and her textured playing (supplemented by improvisation and loop-pedal) is powerful and universal enough to have won NPR Music’s 2016 Tiny Desk Contest, seeing off competition from around six thousand other American songwriters and performers.


 
Meanwhile, her performance presence and physical courage have moved audiences to tears and applause in her native Minnesota and across American and Europe (and have won her both admiration and a shared stage from Low’s Alan Sparhawk, country bluesman Charlie Parr, and New Acoustic touchstyle guitar star Billy McLaughlin). In addition to her musicality, Gaelynn is a powerful disability community advocate – speaking and blogging forthrightly and fearlessly about iniquities and the need for social change to accommodate and support disabled people, and covering subjects from everyday practical challenges to the expression and enjoyment of sexuality. Come for the music, stay for the strength; maybe leave with the encouragement to help make things better.

* * * * * * * *

Over in Homerton, the brilliantly ramshackle Old Dentist venue continues its rewarding partnership with Muckle Mouth, hosting yet another enthralling fringe-folk gig (although this one’s of a more traditional bent)…

Muckle Mouth, 11th December 2017

Muckle Mouth and The Old Dentist present:
Tartine de Clous, Alasdair Roberts & Neil McDermott, plus Ivor Kallin & Sholto Dobie (11th)/The London Hardingfelelag (12th)
The Old Dentist, 33 Chatsworth Road, Homerton, London, E5 0LH, England
Monday 11th December 2017, 7.30pm
– information here, here and here
Tuesday 12th December 2017, 7.30pm – information here, here and here

“We are honoured to host a very special collaboration between French harmony-singing trio Tartine de Clous, legendary Scottish guitarist and folk singer Alasdair Roberts and fellow Glasgwegian fiddler Neil McDermott over two nights at The Old Dentist following their residency at Cube Microplex in Bristol.

“Tartine de Clous (Geoffroy Dudouit, Thomas Georget and Guillaume Maupin) are a singing trio originally from the department of Charente in western France. Following in the footsteps of some of the great French groups of the late twentieth century folk revival (such as Mélusine and La Bamboche), they sing largely unaccompanied three-part harmony arrangements of the traditional songs of their native land.


 
“In an echo of The Auld Alliance, Tartine de Clous will perform in collaboration with the Scottish songwriter, guitarist and folk singer Alasdair Roberts and his fellow Glaswegian, fiddler Neil McDermott over two nights at The Old Dentist. Alasdair has worked with Drag City Records for some twenty years, releasing records featuring both interpretations of traditional songs and those featuring his own songwriting. In addition to being a fine fiddler in the Scottish traditional style, Neil McDermott is currently researching the musical and political engagement of the 1960s Scottish folk scene with the anti-nuclear movement.

 
“They are joined on the 11th by veteran improviser Ivor Kallin (onetime co-curator of the 2:13 improvisation club, once rather unpleasantly described by The Times as “a bearded Scotsman given to stream-of-consciousness spew”) and Muckle Mouth curator Sholto Dobie (on viola and diatonic symphony hurdy gurdy respectively), and on the 12th by The London Hardingfelelag playing Norwegian tunes for Hardanger fiddle.”

There’s not much out there on the London Hardingfelelag (though I did find out that their ranks include Sylvia Hallett, Catherine Martin of the Gabrieli Players, Clare Salaman, Tania Simon, Clifford Rowe and until a few years ago, the late Wilf Gibson of ELO/’Spirit of Eden’ fame), but I did turn up a couple of videos of Ivor and Sholto, supplemented by one of the Hardanger fiddle in action…




 
* * * * * * * *
I caught up with the Collage Nights shows in Wood Green last month, just in time to learn about the final two gigs in their season. The last one rolls around mid-month, featuring Dutch-English singer-songwriter Gitta de Ridder and Balkan-styled party band The Balkanoes.

Collage Nights, 13th December 2017

Collage Nights presents:
Gitta de Ridder + The Balkanoes
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Wednesday 13th December 2017, 7.00pm
– information here and here

Gitta’s debut album ‘Feathers’ came out last year. With its songs of family, friends and lovers (as opposed to hill gods, surreal landscapes or twisted urban short stories) it has a conventional tinge for the current time, but the delight is in the detail and the musicality. She’s a Joni Mitchell disciple less in the sense of pursuing the confessional or the coffee-table mope, more in the delightful flowering of orchestral chords and cats-cradle harmonies (as well as in her domestic wit).

As for the Balkanoes, they provide the standard pellmell Eastern European spaghetti-junction of Greek, Ottoman, Slavic and Romani musical threads, but have been known to career off into ‘Star Wars’ covers as well.

There’s also a special guest, but they’re keeping quiet about who that might be.




 

March 2017 – upcoming gigs – kletzmer in New York, Southampton, Liverpool and London, from Geoff Berner/Luisa Muhr and She’Koyokh (7th, 9th, 10th, 17th)

27 Feb

Some news on some upcoming kletzmer-related gigs in New York and across England during the first couple of weeks in March.

Geoff Berner & Lisa Muhr, 7th & 9th March 2017

In New York, as part of the Jalopy Theatre’s ongoing NY Klezmer Series in Brooklyn, there’s a newly created, first-collaboration show from two Vancouver-based musicians – singer-songwriter-accordionist Geoff Berner and singer Luisa Muhr (both of whom can collectively muster up talents across novel-writing, theatre directing, community activism and movement art, but that’s several other stories…)

“Being part of the Klezmer and Yiddish music and performance scene in the US, Canada and Europe, Geoff and Luisa first met at the renowned KlezKanada music camp where they spent many hours singing together. ‘Songs of People Other People Don’t Like So Much’ has been created out of the necessity of producing political work in times that need it. Geoff and Luisa will sing you stories of the underdogs (and unpopular overdogs) of our society: some in Yiddish, some with quite some Klezmer, some in their own words, some in someone else’s. Join us, listen, engage, and enjoy!”

The project’s too new for soundclips or videos: but here’s Geoff performing a solo song from 2013 (tearing with righteous venom into Vancouver’s rotten civic developments), and Luisa fronting a Yidishe Lider concert about a year ago.



 
In addition to the Jalopy show, Geoff and Luisa are presenting another Brooklyn performance, in the shape of a preview version a couple of days earlier at Freddy’s Bar & Backroom. This is a pay-what-you-like event (though they suggest a ten bucks minimum and you’re also tied to a minimum-of-two-drinks rule). This particular evening is for twenty-one year olds or over: not because of any added salty adult content, but purely because of licencing laws for the bar.

Dates:

* * * * * * * *

She'Koyokh, 2017

Meanwhile, back here in England, She’Koyokh – who have been hailed as “one of London’s musical treasures” (‘Evening Standard’) and “one of the finest kletzmer ensembles on the planet” (‘The Australian’) – are out on the road launching their fourth studio album, ‘First Dance On Second Avenue’.

“With a name roughly translated from the original Yiddish as “nice one”, She’Koyokh have spent over a decade absorbing the rich folk music traditions of Jewish Eastern Europe, Turkey and the Balkans. Their evolution spans the origins of busking at East London’s Columbia Road flower market to performing in the famous concert halls of Europe including Amsterdam’s Concertgebouw, the Gasteig in Munich and London’s Southbank Centre. She’koyokh’s members hail from the UK, USA, Serbia, Sweden and Turkey, forging a unique sound that is traditional yet original.

“Their live shows are an expertly crafted, multi-lingual exploration from the Baltic to the Black Sea virtuosic, toe-tapping klezmer instrumentals, Gypsy music, soulful songs and the best Balkan dance tunes from Bulgaria, Romania and Serbia. They’ll take you on a journey sampling polyphonic singing from Bulgaria, a Serbian song about a pigeon on the raspberries, a steamy quarrel between mother-in-laws in a Turkish sauna, a duet between a father and daughter about who she’s going to marry – in the end she chooses the drunken one! – and a love song for a Gypsy girl with penetrating green eyes.”


 
Dates:

 

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