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June 2017 – upcoming English gigs – the return of Pram with the immersive ‘Under the Blossom That Hangs On The Bough’ event in Birmingham (June 3rd); Zarjaz Baby and Jon Slade/Night of the Comet in London (June 3rd); Arthur Russell’s ‘Calling Out Of Context’ revisited in London (June 7th)

23 May

Some shows and events to start June off. In Birmingham, experimental dream pop/post rock band Pram (one of the most original and charming groups ever to work in either genre) have resurfaced and are taking over an Edgbaston park for a very different kind of performance. Back in London there are opportunities to catch up with Zarjaz Baby (one of the wilder characters from the original wave of British post-punk) an acoustic set from Jon Slade (who’s navigated his way through a heap of scenes from art-punk to Riot Grrl to a thousand indie DJ nights); and a recreation of the cello/pop songs of Arthur Russell, one of the darlings of the 1980s New York loft music scene.

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Pram: 'Under The Blossom That Hangs On The Bough', 3rd June 2017

for-Wards, MAC Birmingham and Pram present:
Pram: ‘Under the Blossom That Hangs On The Bough’
Martineau Gardens, 27 Priory Road, Edgbaston, Birmingham, B5 7UG, England
Saturday 3rd June 2017, 4:30pm
– free event – information here, here and here

“Composers and sonic artists Pram have been exploring south Birmingham with the help of local community groups to uncover the sounds of the locality. The results are both familiar and surprising.

“Let Pram take you on a journey through the city, a sound trail through the four wards of Birmingham’s Edgbaston district. Hear the world from the perspective of a bee as it flutters and forages. The snuffles of a tiny baby become the snores of a lion, the gurgle of a stream a mighty cataract. Come along and follow the woodland trail, bring a picnic and settle down for a performance inspired by the sound of the city as you’ve never heard it before.

“Set in the magical surroundings of Martineau Gardens, ‘Under the Blossom that Hangs on the Bough’ is an installation and performance by Pram, celebrating the sounds of Edgbaston. It will take place at Martineau Gardens on the afternoon of Saturday 3rd June, concluding at 6.30pm with a Pram performance inspired by sound recordings made in the wards of Quinton, Harborne, Edgbaston and Bartley Green. Free admission if you register at Eventbrite…”

This isn’t quite the same Pram that charmed us and subverted pop for a surprisingly long stint in the ’90s and noughties across a string of albums which included ‘Dark Island’ and ‘Sargasso Sea’ and a sound that seemed to be part child’s murmur, part clinking post-kosmische stroll and part friendly haunted house. Most obviously, singer and lyricist Rosie Cuckston (she who used to mount her keyboard on an ironing board at concerts) is absent, having moved on into academia and a more direct form of the social activism which the band’s eclectic inclusiveness and tendency to take philosophical side roads only hinted. That said, the rest of the band’s original creative core (multi-instrumentalists Matt Eaton, Sam Owen and Max Simpson) are all present, having spent the interim years of Pram downtime working with wonky loops as Two Dogs, creating film and theatre sound and making sonic art out of books with the Sound Book Project.

This also isn’t the first time that the post-Rosie Pram’s reappeared. Earlier in May they made an appearance at Imaginary Musics in Switzerland, playing a “music for Kopfkino” audio-visual set in a festival dedicated to “cinematic, recomposed and fictional musics”, and it seems as if losing Rosie’s quiet reflective voice and cocooned lyrics has shifted them further over into the areas suggested by Matt’s sound design and by Sam and Max’s live sound art. On-spec, it seems as if they’ve succeeded in becoming a kind of “post-band”, with a foot in their old live work, song-structures and performance coherence, but leaning towards something far more abstract and ego-free. ‘Under the Blossom That Hangs On The Bough’ sounds as if it will be something fascinating to be immersed in – an urban psychedelic afternoon stroll with the family, an aural refraction of Birmingham through leaves, greenery and company.

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Zarjaz Baby + Jon Slade, 3rd June 2017

Zarjaz Baby + Jon Slade
The Horse Hospital, The Colonnade, Bloomsbury, London, WC1N 1JD, England
Saturday 3rd June 2017, 7.00pm
information

“An existentialist extravaganza featuring a solo acoustic set from Zarjaz Baby (Freakapuss and former Tronics). Zarjaz will be performing dark atmospheric songs, full of imagery, with jazz, blues, early ’60s beat and pop influences, with live performance artists, in a style not seen since the basement and candles days of Beatniks.

“Also featured on the night is a solo acoustic Love-Rock revival set from Jon Slade/Knight Of The Comet, incorporating songs from his former bands Huggy Bear and Comet Gain, plus a Fire Department number, some Electric Bull re-workings, as well as songs he wrote with Wolfy Jones.


 
“’60s European pop music in between sets, Francoise Hardy, Brigitte Bardot, Gillian Hills. Expect sombre girls dressed in black and boys in Breton shirts.”

For more information contact incoming@freakapuss.com

For more on Zarjaz’s chequered life and career, have a read of this interview he did with ‘The Quietus’ three years ago, featuring accounts of brushes with mental illness, of releasing surreal post-punk songs with titles like Shark Fucks, of arguing with ‘2000AD’ over his stage name, and of having his image ripped off by Sigue Sigue Sputnik.


 
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Arthur Russell: 'Calling Out Of Context', 7th June 2017

XOYO Live and Milestones present:
‘Arthur Russell – A Classic Reinterpreted’
XOYO, 32-37 Cowper Street, St Lukes, London, EC2A 4AP, England
Wednesday 7th June 2017, 7.00pm
– information here and here

“It’s been said that “Arthur’s songs were so personal that it seems as though he simply vanished into his music.”

“Twenty-five years after Arthur Russell‘s death, some of the most exciting, forward-thinking faces in music are set to present a unique rendition of Arthur Russell’s timeless album ‘Calling Out Of Context’. A posthumous album that brought together twelve incredible tracks from across two previously unreleased LPs, ‘Calling Out Of Context’ represents Arthur in his prime. Two decades later and the music sounds as contemporary as ever – a huge inspiration for those performing on the night. We’re very excited to hear this new rendition.”

Bringing together elements of electropop, classical minimalism, post-disco, hip hop and singer-songwriter work, the ‘Calling Out Of Context’ songs span twenty years of Arthur’s composing and creative history while he was battling to fuse the parallel New York worlds of dance culture and art music between the late ’70s and the early ’90s – a pioneer of the freewheeling musical eclectism which today we pretty much take for granted. Take a look at this salvaged 1987 interview feature from the ‘Melody Maker’ for more on the topic, featuring reflections from Arthur and others on Indian music, the pulse shared by formal minimalism and New York dance clubs, and the social and cultural challenges of the time regarding blending “high” and “low” cultures.

The band for this London performance consists of Ashley Henry (keyboards), Midori Jaeger (cello), Alica Higgins (vocals), Sam Gardner (drums) and Joe Downard (bass).


 

May 2016 – upcoming London and Brighton gigs – Roar, Steve Strong and Tony協Yap get noisy (May 21st); Prescott and The Evil Usses spiralize our ears (May 24th); M U M M Y curate a free cavalcade of psychedelia/folk/oddpop on the side of the Alternative Escape festival (May 19th)

16 May

Roar + Steve Strong + Tony協Yap, 21st May 2017

Best of Bandcamp, SPREAD and New River Studios present:
Roar + Steve Strong + Tony協Yap
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Sunday 21st May 2017, 6.00pm
information

Yokohama band Roar (dipping into London as part of a British and American tour) are a two-piece of Shusei on guitar and Taketo on drums. Noisy and immediate, their sound’s an immediately accessible, unconstrained rock sound churning together aspects of surf music, Hendrix, Nirvana, Foetus and The Melvins.

Two support acts add to the fray. Steve Strong provides his usual one-man-band post-rock loop act, layering assertive, precise live drumkit work with rattling spidery guitar riffs and surging wads of noise texture. Keyboard player Gman Leong & drummer Alessandro Salzano make up London experimental noise/beat duo Tony協Yap: more live drumkit, this time paired with abrasive synth jabs and snarls. Taunting us with the possibility of dynamics, they usually come at us full-tilt – a jammed rave cannonade with occasional vivid lacunae of downtime and ebbed space, stripped and shaped by small sounds (such as the ring of Alessandro’s singing-bowl).





 

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Prescott + The Evil Usses, 24th May 2017

Prescott presents:
Prescott + The Evil Usses
Paper Dress Vintage Bar & Boutique,, 352a Mare Street, Hackney, London, E8 1HR, England
Wednesday 24th May 2017, 8.00pm
– information here and here

Like Tony協Yap, the dogged, quirky Prescott are a band who know a thing or two about teasing. A vehicle for the cellular, bafflingly elasticated compositions of onetime Stump bassist Kev Hopper, they’re also an excuse for underground art-rock drummer Frank Byng, out-there guitarist Keith Moliné and improbable synth player Rhodri Marsden to unpredictably shunt each other around pitch and beat.

With the various members drawing on stints with projects as diverse/perverse as Pere Ubu, Snorkel, The Keatons, Scritti Politti, The Free French, Ticklish and This Is Not This Heat, there’s plenty of scope and impetus for lateral thinking, coupled with a poker-faced goofy accessibility. Their second album, ‘Thing Or Two’, is another stylish raspberry in the face of sensibility and torpor. Imagine the swoop and ping of Brand X rendered in far too many inappropriate Lego bricks; imagine Weather Report fed on a diet of Dada and No Wave; imagine a fusillade of perky post-punk blips like XTC spending a stint as a Koji Kondo covers band.

In support, there’s Bristol’s The Evil Usses, whom I last encountered in the runup to Bristol’s Wakizashi festival last October, and whom I described back then as “a deconstructive, fiercely humorous No Wave jazz-rock quartet, who share some of Knifeworld’s brassy exuberance but take it over the escarpment and down into a stomping, seven-league-booted Beefheart country.” Come along and have your cortex ruffled.



 
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Two of the Alternative Escape gigs in Brighton, 18-19 May 2017

Before either of these, though, there’s a particular free all-dayer at The Black Dove in Brighton on 19th May – part of the extensive Alternative Escape fringe event that’s coiled around the city’s huge Great Escape festival. Certain bands and projects affiliated to the great swarming ferment of the Cardiacs tradition tend to repeatedly pepper ‘Misfit City’ coverage. This particular gig packs a bunch of these together like a explosion of overnight mushrooms (appropriately, since the tang of a particular kind of psychedelia hangs over it).

Up in the curator role are M U M M Y, the psychogothadelic thrumming of Jo Spratley and ex-Cardiac/Dark Star/Levitation-eer Bic Hayes. Bic’s also part of the motorik lysergic driving-machine ZOFFF (who’ll be playing their own set towards the end of the night, fresh from their recent show backing Damo Suzuki). ZOFFF pull together plenty of people from the Brightonian psychedelic axis – including Chris Anderson, who’s bringing along both his shipwreck-and-dreams songwriter project Crayola Lectern and his spacegazing pop band La Momo.

Friendly one-man personality cult Kavus Torabi will take another bare-bones acoustic tilt at the ornate songs he’s written for Knifeworld and the Monsoon Bassoon, while touching on the inspirations he’s shared in his work with Cardiacs and Gong. Psych-tinged folk baroque is provided by Emily Jones and Arch Garrison (bringing liberal dashes of Cornwall and Wiltshire psychogeography with them) and there’s frowning, shadowy, mordantly hilarious Kinks-Gothic popcraft from Stephen Evens. Also on board are noisy punk-prog/alt.pop trio Ham Legion, and Chloe Herington’s experimental music project V A L V E (who make obliquely thoughtful, oddly accessible music from bassoons, melodicas, tape-loops, concert harps, electronics, doorbells and things found on walks and in skips).

Just about the only band here that’s not a ‘Misfit City’ regular is Hurtling, the alt./dream-rock trio featuring Jen Macro and Jon Clayton (formerly of stuffy/thefuses and Something Beginning With L) with Smallgang/Splintered Man bassist Simon Kobayashi. Boasting sturdy support musician links to My Bloody Valentine, Shonen Knife Graham Coxon, Robyn Hitchcock and Bitch Magnet (and taking inspiration from alt.rock heroes such as The Breeders, Sebadoh and Warpaint), they’re possibly the best connected band on the bill: also one of the most straightforward, and a link to the Great Escape outside.


 
Throughout, you’ve got illuminations from south coast psych-lighters of choice Innerstrings. See below for performance schedule and time; see above for links to the wealth of things I’ve previously written about most of these people; go here for the Facebook event page…

Programme:

2.00pm – doors
3.00pm – Ham Legion
3.40pm – Emily Jones
4.20pm – Crayola Lectern
5.00pm – Hurtling
6.00pm – La Momo
6.40pm – Stephen Evens
7.20pm – M U M M Y
8.00pm – V A L V E
8.40pm – Arch Garrison
9.20pm – Kavus Torabi
10.00pm – ZOFFF
afterwards, until 3.00am – DJ Moke
 

May 2017 – upcoming London gigs – new SIKE! psych-rock night in Holloway (featuring The Spanish Infanta, Dazy Crown, Eyre Llew and Niris, May 11th); dance/pop/jazz with Agar Agar and Lucien & The Kimono Orchestra plus Is Tropical DJ set (May 16th); a womantronic evening with electric:indigo, A’bear and Lisa Busby (May 18th)

4 May

SIKE, 11th May 2017

gigmit presents
SIKE! (featuring The Spanish Infanta + Dazy Crown + Eyre Llew + Niris)
Nambucca, 596 Holloway Road, Upper Holloway, London, N7 6LB, England
Thursday 11th May 2017, 7.00pm
– information here, here and here

A new psychedelic rock night, launching at Nambucca in upper Holloway this month, attempts to capture the whole of the range within the genre. Good luck with that – Baba Yaga are still scooping up variations after years of plugging away at it.

That said, SIKE!’s debut night scintillates across a determined four-act psych spectrum from gritty backstreet hardness to sunkissed airiness. There’s the lysergic gutbucket garage sludge of The Spanish Infanta; the gentler post-punk-meets-West Coast-y songs of Dazy Crown, the soaring Icelandic-inspired raptures and wreckage of Nottingham’s Eyre Llew; and the Balearic chillout of instrumental duo Niris (a teaming of guitarist/multi-instrumentalists Nick Engel and Chris Hatwell which covers a broad range between uplit flamenco-inspired guitar duets, ambient sunrise electronica, and breezy dance songs). Examples below.






 
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Snap Crackle & Pop Live presents:
Agar Agar + Lucien & The Kimono Orchestra + Is Tropical (DJ set)
The Moth Club, Old Trades Hall, Valette Street, Hackney, London, E9 6NU, England
Tuesday 16th May 2017, 7.30pm
– information here and here

Agar Agar + Lucien & The Kimono Orchestra + Is Tropical DJ set, 16th May 2017Over in Hackney, the Snap Crackle & Pop label are running a Cracki Records night featuring a couple of French and Belgian acts who explore luminous, involved dance-and-groove styles (plus a DJ set from squat-party experimentalists turned international poptronicists Is Tropical).

The ’80s synth pop/acid disco hybrid of Agar Agar mixes resurrected old analogue tech with art school smarts and fluid contemporary sensibilities on identity and expression. Blending electro sunniness with the feeling of a haunt in the full noon brightness, there’s also (as with Elephant) an ineffable bruised melancholy creaming off the top. Their songview’s full of interesting propositions – from Prettiest Virgin’s dancefloor ballad of yearning, slightly predatory female longing (complete with suggestive, part-animated video clip of lost girl, naked dancers, dolphins and fleshy tunnelling) to the surreal night journey of I Am That Guy (with its burnishings of ominous analogue hornsynth, its intimations of housebreaking, and the profanity-laden, deracinated blues-growl of its cross-gender vocal).



 
Like Agar Agar, Lucien & The Kimono Orchestra draw on the 1980s (predominantly in their attempts to recapture impressions of French cinema and Japanese funk) but also look back towards the ’70s. Like Carl Hudson’s Moon Unit, they breathe new life into Lonnie Liston Smith cosmic jazz-funk, retool a handed-down Horace Silver vocabulary, and flood jazzy cascades and stabbing Wurlitzer syncopations through contemporary dance club sensibilities. On their vocal collaborations – such as Ship, with FM Laeti – they coast towards a Morcheeba cool. Left to their own devices, they’ll veer towards warm, skittish brain-grooves, occasionally like a slightly less oblique French take on Weather Report (or, as on Galaxies, like Brand X or the more fusionesque moments of Genesis).



 
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electric:indigo + A'bear + Lisa Busby, 18th May 2017

The Engine Room + Austrian Cultural Forum + The Wire presents:
electric:indigo + A’bear + Lisa Busby (DJ Set)
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 18th May 2017, 8.00pm
information

If you’re more interested in an evening of female musicians working way out in the left-field, IKLECTIK are offering the first British gig in twenty years for Austrian electro-polymath Susanne Kirchmayr – a.k.a. electric:indigo. Composer, DJ, producer and founder of female:pressure (the go-to directory for women in electronic music), on this occasion she’ll be performing “a unique version of her six-channel sound art piece ‘109.47 degrees’. The title of the ultra-wide hyper-stereo piece refers to “the ideal tetrahedral angle in foams as described in Plateau’s laws”. From a set of small acoustic particles ‘109.47 degrees’ creates complex sonic structures that “live on friction, cohesion and constant movement”…” Suzanne will also be being interviewed by ‘The Wire’s Emily Bick.


 
In support, “vocal/techno/experimental/rap/rainbow workout” artist Janine A’Bear will be performing a synths-and-voicewarp-and computers set of “electronic poetry” boasting “carefully constructed verse combined with themes of a cosmic nature.” That’s quite a lot of grab-quotes there. I’ve also grabbed a few examples of her work and laid them out here – shimmering, layered rivulets of synthesis at a post-techno pulse rate, there’s plenty in there, but if you want to explore her verse it sounds as if you’ll have to tease it out of the soundscaping with a wool-comb.

 
Working the DJ decks for the evening is musician, Goldsmiths music lecturer and Editions Of You head Lisa Busby; also known for her work with The Nomadic Female DJ Troupe, noise/improve/playback crew Rutger Hauser and electro-Dada duo Sleeps In Oysters (as well as a solo career as singer-composer exploring “the fringes of song… using domestic or outdated playback media as instruments, but also work(ing) in text-based score, installation and site specific performance…”). Come and listen to her uncrate her mind.

If you want to dig a little deeper, it’s worth noting that this concert is part of international sound art exhibition The Engine Room, running between 4th May and 1st June between IKLECTIK and the nearby Morley College.
 

April 2017 – upcoming London gigs – three songwriters – Momus (10th); BC Camplight (20th); David Vaughan (29th)

4 Apr

This month, there’s the chance to catch the work of three distinctive and different songwriters who are making individual appearances in London.

In reverse date order – there’s the warm and witty cabaret folk of David Vaughan, who ruminates on subjects from cheerful lust to the downfall of Andrew Mitchell, to the resolve of bereaved children. There’s the wrecked, wracked, shaggy-falsetto alternative pop of Philly refugee-turned-Manchester revenant BC Camplight. Finally – or firstly – there’s whatever a reflective, career-compiling Momus currently cares to pick out from his twenty-six years of contentious adventure (whether it’s the sampler pop performance art palimpsests of his recent work, the Pet-Shop-Boys-do-transgressive-Gainsbourg synth pop of his middle period, or the dazzlingly literate acoustic folk of the early years when he lined up alongside Cave, Cohen and Brel as a speculative, lethally witty chronicler/observer of the possible, the askew and the perverse).

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Momus
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Monday 10th April 2017, 7.30pm
information

Momus, 2017“Nick Currie, more popularly known under the artist name Momus (after the Greek god of mockery), is a Scottish songwriter who lives in Japan. He also writes fiction and reviews contemporary art.

“A veteran of British indie labels, Momus is currently in the midst of a re-release program which will see all his early material reissued by Cherry Red. His latest LP of new compositions is ‘Scobberlotchers’ — a response to Brexit and Trump — and his latest novel is ‘Popppappp’, the tale of two graphic designers captured by fanatical followers of Mark E. Smith.”




 
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Parallel Lines presents:
BC Camplight
St Pancras Old Church, Pancras Road, Camden Town, London, NW1 1UL, England
Thursday 20th April 2017, 7.30pm
information

“Lost treasure needn’t be found in the distant past; the 21st century hides many artists who disappeared into the great wide yonder. BC Camplight (the alter-ego of American songwriter Brian Christinzio) is one such example.

BC Lamplight, 20th April 2017“Originally from New Jersey, Christinzio started playing piano aged just four, inspired by his mum’s Jerry Lee Lewis and Nilsson records and his Dad’s classical collection. Depression and crippling hypochondria clashed with captaining the football team and a penchant for boxing. Post-school, he fell in with people, “willing to go through shit to be a musician,” which saw him relocate to Philadelphia where he occasionally played live with Philly faves The War On Drugs and guested on Sharon Van Etten’s album ‘Epic’. He went on to release his own albums in 2005 and 2007, both gems of a certain psych-pop vintage, combining eloquent songwriting with a self-destructive bent. Christinzio certainly knew it – he’s described himself as “the guy who blew it.”

“But this sublime talent with the keening vocal and fearless approach to lyrical introspection has another chance. His new album ‘How To Die In The North’, recorded in his newly adopted home of Manchester, England, is a fantastically rich, stylistically diverse trip. From dramatic, layered pop to a haunted take on Sixties sunshine-pop, from blue-eyed soul to speedy surf-pop, from sparser piano balladry to psychedelic showstoppers and a grand finale that’s part Nilsson and part Broadway showtune.”

There’s a further twist to the tale in that BC has recently fallen foul of Britain’s ludicrous visa laws and is now having to split his living time between Paris and Philadelphia (the very place he had to leave in order to achieve this artistic and personal rebirth). Come along to this solo piano-and-voice gig on the 20th to at least express a little sympathy.


 

 

(UPDATE, 7th April 2017 – Another sorry twist. This gig has been moved to St Pancras Old Church following the sad, sudden closing of The Forge. Another great venue goes down… At least this means that the show doesn’t get pulled and that more tickets are available.)

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MAP Studio Café presents:
David Vaughan
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 29th April 2017, 7.30pm
information

David Vaughan“Singer-songwriter David Vaughan’s highly original mix of chanson, latin jazz and classical music comes to MAP for the very first time. Playing two forty-five minute sets of original songs arranged especially for voice, piano/classical guitar, accordion and clarinet, David calls on a number of influences including French chanson of the mid 20th century, modern and traditional Latin jazz, and classical music. They are melodic in nature with intricately arranged accompaniments highlighting David’s talents as both a performer, composer and arranger.

“With a varied career that spans work as a big band jazz trumpeter, jazz fusion keyboard-player (with Matt Borgmann’s 1990s band Meander), rock singer, commercial music composer and music teacher, David leads the show in his own relaxed, friendly style putting his audience at ease for what is an intimate, often heart-felt, sometimes dramatic, sometimes virtuosic show. Few contemporary British songwriters propose such an original blend both of instrumentation and of musical styles. The sound of top UK cabaret/jazz accordionist Romano Viazzani, combined with the mellow tone of upcoming classical clarinetist Jordi Juan Pérez, provides an inimitable backdrop to Vaughan’s songs. And yet this is neither folk nor traditional song, but something entirely original.”


 


 

April/May 2017 – upcoming London gigs – across-the-board instrumental progressive – Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain (7th); Piko Cloud Booker + Mein Haus + Matt Baber of Sanguine Hum (April 20th); Mouse On The Keys + Mutiny On The Bounty + Strobes (May 1st)

30 Mar

Three upcoming London gigs across April and leading into the start of May: all of them batting around ideas in the progressive field, whichever particular road they took into it. In early April – a Chaos Theory post-rock show with three bands offering successive palettes of solitary guitar sketches, sombre filmic post-Godspeed tonescapes, and bright-toned romantic futurism. In mid-April – the debut of a brand new progtronic trio alongside an experimental string duo and a humble keyboard star. On May Day, an international rhythmatic threesome at Rich Mix mixing up post-Squarepusher tech-fusion, bursting guitar instrumentals and twenty-first century dual-keyboard/drumkit jazz-rock barrage.

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Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain, 7th April 2017

Chaos Theory Promotions presents:
The Facemelter: Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 7th April 7.30pm
information and here

“This month The Facemelter features a glorious night with some truly brilliant veterans of post-rock, drone and ambient sounds, with new and seasoned projects alike.

“Formed thirteen years ago, Flies are Spies from Hell have climbed up from humble beginnings to international fame. The years have seen them move on from small local gigs, to sharing the stage with behemoths such as Russian Circles, And So I Watch You From Afar, *shels, Latitudes and Vessels, to a couple of European tours, and appearances at ArcTanGent and Dunk!festival. Two years after the release of their second album ‘Underdog Underfoot’, they’ll finally grace the stage at The Facemelter.


 
A-Sun Amissa are a powerful (mostly) instrumental collective possessed of “a rusted industrial aesthetic that lurks in the periphery of perception” (‘Rock-A-Rolla’), founded and led by Richard Knox (Shield Patterns, Glissando, The Rustle of the Stars) and Angela Chan (Tomorrow We Sail, Lanterns On The Lake, The Rustle of the Stars) that has featured an array of members and collaborators since its formation in 2011, as well as two albums out on Gizeh Records.

“Producing dense, drone-like atmospheres with evocative, melodic string and woodwind sections, intertwining guitars and field recordings, their live performance is a mixture of recorded output combined with improvisation to explore progressions in the music every time. Their ever-flowing lineup of collaborators have included members of Amenra, Nadja, Gnod, Oiseaux-Tempête and Hundred Year Old Man.


 
Only Echoes Remain serve up incredibly cinematic post-rock, without becoming too cliched thanks to generous smatterings of math, ambient and classic prog influences. They have already played with the likes of Her name Is Calla, TOTORRO, VASA, Poly-Math and Waking Aida, and will be releasing their debut LP early this year.”


 
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Piko Cloud Booker + Mein Haus + Matt Baber, 20th April 2017

Piko Cloud Booker present:
Piko Cloud Booker + Mein Haus + Matt Baber
Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England
Thursday 20 April 2017, 7.00pm
information

Piko Cloud Booker are a modern-day progressive rock trio combining King Crimson-esque cyclical guitar patterns in a mix-up of wacky time signatures with the expansive sequencer-driven explorations of early Tangerine Dream. PCB are guitarist Cameron Piko (mastermind of Australian prog-metal unit Montresor), bassist/violinist Gaz Cloud (one half of dream-technoists Cloud & Owl) and drummer Andrew Booker (no-man, Tim Bowness, Sanguine Hum).”

(This project’s so new that’s there’s no music available to present for it – instead, I’ve had to give you a few ideas via these clips from the member’s other projects, including Andrew’s ten years of undersung work with jamming collective Improvizone:)




 
“Supporting them will be string duo Mein Haus, consisting of Patricia Stepien (violin) and Elliot Murphy (cello, guitar). Their music is by turns creepy and sparse, then intense and dramatic. But whether it’s complex rhythmic interplay, or crunching cello and soaring violin, you feel the humour is never far away. From gigsite ‘Go Out Of Tune‘ – “based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable. Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk.”


 
Matt Baber is a co-founding half of the continuing Oxford-based musical journey that is currently Sanguine Hum, having made its way through various earlier incarnations. He has played keyboards throughout, both crafting his unique synth atmospheres plus stamping down complex piano riffs on his Fender Rhodes. Expect more of the latter this time, as he delves into his Jarrett/Emerson-flavoured solo material for his first ever solo keyboard show.”


 
Note that Gaz Cloud – as half of Cloud & Owl – will also be playing this Askarabaskara techno/house gig five days earlier, demonstrating part of the elements-puzzle which makes up his new band.

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Mouse On The Keys + Mutiny On The Bounty + Strobes, 1st May 2017Chaos Theory Promotions presents:
Mouse On The Keys + Mutiny On The Bounty + Strobes
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Monday 1st May 2017, 7.30pm
-information here, here and here

“An ultrasonic mammoth of a lineup, packed with dreamlike jazz, vast math rock, ambient precision and mesmerising polyrhythmic beats!

“The extraordinary Mouse On The Keys trio are back from Japan, armed with fresh material from their new album ‘Out Of Body’, out last January via Topshelf Records. This is a pristine example of blending minimal-phrased piano and dynamic drumming, while creating a live experience composed of visual and audio elements. Formed in 2006, with elements of jazz, funk, post‐rock and electronic music, Mouse On The Keys fits into a genre of their own.

“The trio consists of two former members of the influential Japanese underground band Nine Days Wonder – Akira Kawasaki and Atsushi Kiyota – who teamed up with Daisuke Niitome (who has played drums as well as composed music for countless jazz‐funk and hip hop bands). Their unique sound, comprising two pianos, two keyboards and drums, continues to stand at the forefront of the Japanese music scene.


 
“Luxembourg quartet Mutiny On The Bounty bring a torrent of groovy rhythms, guitar acrobatics and joyous melodies our way. These guys have been showcasing their unique brand of math-rock and instrumental music throughout Europe and have played close to five hundred shows supporting bands such as Biffy Clyro, And So I Watch You From Afar, TTNG and Maps & Atlases as well as playing some of the biggest festivals like Roskilde, Primavera and Fusion festival.

“Following on from their album ‘Trials’, released in 2012 and recorded by producer Matt Bayles, Mutiny On The Bounty released their latest album ‘Digital Tropics’ via Small Pond, which encompasses facets of their personalities ranging from rock, to electro, 80’s pop and even hip-hop. A reverb-infused, pop groove-laden feast of staccato guitar melodies, loops and math rock beats.


 
Strobes‘ triangle of electrified polyrhythms, spaced-out synth jams and off-kilter beats will open the evening. Featuring guitar and synth-work by Matt Calvert (Three Trapped Tigers), drums by Joshua Backmore (Troyka) and keys by Dan Nicholls (who has collaborated with Squarepusher and Matthew Herbert), the trio flickers effortlessly between the worlds of electro-improv, minimalist polyrhythm and distinctively original hooks.

“Like a twisted love child of Aphex Twin, Brainfeeder and Battles, Strobes have been heard individually with the likes of Squarepusher, Matthew Herbert and Three Trapped Tigers. Built from collective composition, studio production, live sampling and improv jams, the band smashes out exhilarating odd-tempo loops, polyphonic synth soundscapes and big headnodding beats. Their new album ‘Brokespeak’, out via Blood And Biscuits, is a true work of genius.


 
“With DJ sets from Bojan Nikolic (The Brain Center At Whipple’s, Battleship Grey), this will be an intensely satisfying feast of jawdropping talent and headnodding beats.”

 

April 2017 – upcoming London gigs – “wonk rock” with The Display Team + A Sweet Niche + Ham Legion (3rd); Patricia Hammond & Matt Redman’s Edwardian pop (3rd); SOIF Soiree with Society Of Imaginary Friends, David Skinner, The Support Stockings, Cian Binchy, Millie George, I Am Her, Martin Wakefield, Jed Demochowski, Anne Corrigan etc. (7th)

27 Mar

I was moved to jam these three early April gigs together for a preview. On the Wednesday, it’s up to you whether you go for the tangled electric loom of wonky pop/jazz/punk noise or for the hundred-year-old pop hits with the Keep Calm And Carry On teatowels. Either way, you still get to attend the latest mixed-music-and-poetry SOIF cabaret on the following Friday…

* * * * * * * *

The Display Team + A Sweet Niche + Ham Legion, 3rd April 2017Bad Hedge presents:
The Display Team + A Sweet Niche + Ham Legion
The Birds Nest, 32 Deptford Church Street, Deptford, London, SE8 4RZ, England
Monday 3rd April 2017, 7.00pm
information

“A repulsive onstage three-way shocker! For one night in April, three heavyweights of the widely ignored wonk rock scene will spill off the stage in one of London’s best (and cheapest) small venues. And all for free! The Display Team: nob-bothering high-octave brutalitarians; like a small orchestra with big balls. A Sweet Niche: skronky honkies that bring an ominous twistin’ y’all can’t be resistin’. Ham Legion: kaleidoscopic power-pop rompers with more dinner ideas than you’ve had hot.”

For a little more on these people from back in the ‘Misfit City’ archives, have a peek here, here and here. Meanwhile, here’s the obligatory fistful of tunes.




 
* * * * * * * *

Patricia Hammond & Matt Redman - 3rd April 2017Wiltons Music Hall presents:
Monday Night Music: Patricia Hammond with Matt Redman
The Mahogany Bar @ Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Monday 3rd April 2017, 8.00pm – free event
– information here and here

“An evening of rousing Edwardian pop! Patricia Hammond and Matt Redman, world-renowned specialists in authentic historical performance, will play an assortment of pop songs from the Edwardian era, including some of the first songs ever written about motorised transport: Willie Had A Motor-Boat, In My Merry Oldsmobile, My Rickenbacker Car, Wait Till You Get Them Up In The Air, Boys, and many, many more delights. If you’re very nice to them, Patricia and Matt also promise some rousing singalongs to gems such as If You Were The Only Girl In The World and, for the WW1 Centenary’s sake, Pack Up Your Troubles In Your Old Kit-Bag.

 
Matt will be performing on piano, guitar, banjo and accordion, and will treat people to instrumentals of some of the new dance crazes of the 1900s and 1910s, such as tango, chorinho, ragtime, Hawaiian and blues. Of course, this being Wilton’s, songs of the great music hall era will also feature. All together now!”

* * * * * * * *

SOIF Soiree, 7th April 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “For Absent Friends” (featuring Society Of Imaginary Friends + David Skinner + The Support Stockings + Cian Binchy + Millie George + I Am Her + Martin Wakefield + Evie + Jed Demochowski + Anne Corrigan + Dj Onjdrew + others t.b.c.)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 7th April 2017, 8.00pm – free event
information

The latest in Society of Imaginary Friends’ ongoing series of grab-bag gigs, featuring a number of faces which ought to be familiar from recent performances:

“A sunny spring park comes to life crowded with absent friends, friends turned imaginary, walking with the sun, singing and humming, playing rounders, turning summersaults, laughing with the children,climbing trees, smiling into the breeze and as the sun sets we gather round a bandstand at the centre of a green. Vegan ma-nah is brought out by sensual peace-loving Daleks… a gorgeous offering of sound and light a celebration of friendship.

“Performing on 7th is the virtuosic guitarist and velvety voiced singer David Skinner; harmonious vocal stylings from our choir The Support Stockings; fresh from his sold-out national tour, Cian Binchy; the fabulous young poet and star of the Round House and Young Vic Millie George; urban punk from the mighty Julie Riley‘s I Am Her; Martin Wakefield and Evie with inspiring poetry, music and verse; Jed Demochowski (of the VIPs) and his new band; Anne Corrigan delighting us with her poems; DJ Onjdrew, and a couple of super amazing surprise star guests. Plus us, theSociety Of Imaginary Friends.

“Please come and bring a memory, a line or two about your absent friend to say on the night. Looking forward to seeing you there. Don’t forget it is free entry and there is amazing vegan food and award-winning beverages to purchase.”





 

March 2017 – upcoming London gigs – Ghost Car, Secret Tongues and Strange Lipsticks in Peckham (11th); Hanging Valleys and Swan Levitt in Camden (21st)

4 Mar

Ghost Tongues (photo © Maria Dela O Garrido)

Ghost Tongues (photo © Maria Dela O Garrido)

Ghost Car + Secret Tongues + Strange Lipsticks
The Montague Arms, 289 Queens Road, Peckham, London, SE15 2PA, England
Saturday 11th March 2017, 7.00pm
– information here

What’s on the invite:

Ghost Car are inviting you to the launch party celebrating their debut single ‘Stuck In The Mud’ (released on New York label Greenway Records), on Saturday 11th of March at The Montague Arms, with support from Secret Tongues and Strange Lipsticks.”

What you get:

From Ghost Car – careening, shifting, minor-key garage rock with sweet’n’sour organ punches plus flavours of bolshy girl-group and of honey-and-yoghurt Gallic pop (despite the fact that, although the members hail from a wonderful pre-Brexit splatter of Spanish, Irish and British roots, none of them are French). The video for ‘Stuck In The Mud’ is a little low-budget hymn to female tensions – office-girl restlessness, transposed rage at impenetrable masculine spaces. It’s a collage of impeccable makeup methods, fusty corridors, and slammed or locked doors, with a nod to the way in which the women’s toilets can double as a sanctuary, a place to compose yourself, even a rallying zone.


 
From Secret Tongues, you get relatively conventionally dreampop indie. Permeated with a lazy but lipsmacking eroticism, it switches between languorous, scenic verses and upbeat, jouncy choruses. Recent single ‘Glass Beach’ is typical of their work – a song of arousal, of “pheromones playing with our hormones” (and it comes with a sloppy-sensual video full of orality and come-hither eyes).


 
For my money, the most persuasive reason to pitch up for the gig is for show opener Strange Lipsticks, a.k.a. singer-songwriter Mary Fritz. Over the times during which she’s shuttled between London and Boston, her music’s evolved from lo-fi tick/echo/strum songcraft (orchestrated with tremolo, warble and skate) to a shifting, half-moored folk sound interpolated with background noises and a wan tone of solitary council-estate psychedelia. Mary’s weary folk-chant of a voice (a little reminiscent of the unsettling intonation of Scottish post-folker Pinkie Maclure) remains the key note: breeding her songs’ atmospheres of ill-health and of a disturbed, distracted intelligence feeling its way around, angling for clarity.



 

* * * * * * * *

Hanging Valleys + Swan Levitt, 21st March 2017Hanging Valleys + Swan Levitt
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Tuesday 21 March 2017, 7.00pm
– information here and here

What’s on the other invite:

Hanging Valleys is an alternative band founded by Thom Byles in 2016, in which he’s joined by Mike Phillips (guitar, vocals) and Alexis Meridol (beats, synthesizer). Their music is centred around soaring falsetto vocals accompanied by ethereal atmospheric phrasing on electric and acoustic guitars, which combine to create a rich shifting soundscape. An unusual percussive playing style on the acoustic is blended with percussion and self-produced samples to create pulsing rhythms with captivating crescendos. The band’s debut EP will be released on 10th March 2017.

Swan Levitt is an English singer-songwriter from the Isle of Wight, UK. Blending together acoustic folk with refreshingly modern themes, his emotionally charged voice lets you in on a personal level, taking intricate melodies and crafting them into a fully cinematic experience. Uniquely adept at songwriting, Swan Levitt carries the listener on a character building journey. Using his personal struggles and his passion for science to create music that is acoustic at heart, yet interwoven with subtle electronic atmospheres. Levitt is currently recording his debut album at Studio Humbug on the Isle of Wight with accomplished production duo, Boe Weaver and Organ Records.”

What you get:

Beyond the initial hype (and the little cloud of thumbs-ups from various people at BBC Radio 6), you get two acts coalescing from their initial post-folk vagueness. For the past year or so, as they built themselves up from being Thom’s solo project into being an actual band, Hanging Valleys have been dotting Bandcamp and Soundcloud with individual tracks. On the positive side, they’ve got an exquisite, downy, murmuring sound which – if anything – their press releases undersell. On the other, they’ve sometimes used it to be over-evasive, apparently more interested in capturing the perfect curve of a shadow-croon or the glint of a guitar-string harmonic over anything requiring a commitment of story or setpiece. Their most recent track, ‘T.B.D’, seems to indicate that they’re finally hitting the right balance.



 
As for Swan Levitt, he initially came to general attention last year thanks to two softly pained, quietly dramatic post-Damien Rice-ish singles – ‘Alive’ and ‘Singularity’ – which sounded gorgeous but also on the lazy side of sparse: as with the early Hanging Gardens stuff, songs which seemed to prioritise furnishing over content. His third single, ‘You Were Human’, is a big step forwards; a mourning, brush-drummed lament with an offbeat, unsettling perspective, casting an eye on the destructive vortex of male desire and sentimentality while weaving together ideas of artificial intelligence and human feeling cribbed from ‘Blade Runner’ and ‘Ex Machina’ (and blurring the lines between lovesong and murder-ballad). He’s a lot more interesting now that he’s come out as a questioning geek instead of just being a beautiful attic voice.



 

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