Tag Archives: Max Baillie

September 2018 – more Woodburner world/acoustica/pop sessions at Dalston Eastern Curve Gardens – Rum Buffalo Trio, Joe Corbin and Lorkin O’Reilly (4th September); M w S, Boe Huntress and Equal Echo (11th September); The Age Of Luna, Marine and Desert Rain (18th September); Choro Alvorada, Max Baillie and Li Alba (25th September)

27 Aug

More outdoor summer Woodburner gigs at Dalston Eastern Curve Garden, as the season moves into its final month: holding autumn at bay while it can.

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The 4th September show features festival legends Rum Buffalo, bluesman Joe Corbin, and touring NYC artist Lorkin O’Reilly.

Rum Buffalo fornicate with forgotten songs. They mingle in many genres but feed off the rich antique roots of swing and moody blues infiltrated with hip hop beats and filthy synth lines. It’s a surreal, vaudevillian show with outrageous costumes, twisted vocal harmonies, powerful beats and outrageous horn sounds. On the night expect a stripped-off trio show, revealing the core of their beastly natures.


 
Joe Corbin is a blues and soul musician from South London. An accomplished guitarist, powerful singer, and true performer, watching Joe play is bound to blow you away.


 
“Since arriving in Hudson, NY from his native Scotland, Lorkin O’Reilly has been making a name for himself on the New York folk scene with his delicate guitar technique and deft lyricism. This year has seen him share stages with the likes of Charlie Parr, Nadia Reid, Willy Mason, Mick Flannery and Ciaran Lavery. His debut album ‘Heaven Depends’ was released on 24th August on Team Love Records.”


 

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The 11th September gig features R&B/soul collective M w S, North London songstress Boe Huntress, and new electronic collaboration Equal Echo.

M w S is a London-based duo formed in Italy in 2013. Their musical influences are artists from soul, R&B and nu-soul (such as Erykah Badu and Lauryn Hill) mixed with contemporary neo-jazz artists like Tom Misch and Masego and electro-influenced artists like Vallis Alps and Louis Matters. Their first EP ‘Swim’ is a mix of pop, contemporary R&B and nu-soul with lyrics that sometimes recall their home country; their latest release, Island, produced by Grammy-award winning London producer Aamir Yaqub (Rihanna, Ne-yo) is a soulful chilled track full of tropical and summery vibes. M w S are currently working on their next EP, due out in 2019.


 

Boe Huntress grew up in Kent, playing and writing music from an early age. Her first job was writing songs for an online magazine, reviewing video games in song-form: a crash course in the art of songwriting, recording and producing, as well as in receiving immediate response to her work online. Studying Literature at university, Boe was inspired by both myth and feminism: beginning to play live, she was soon chosen by the IC Music Network as one of twelve up-and-coming artists to tour across Europe.

“Boe’s debut EP, ‘A Female Power’, is an earthy, epic debut reminiscent of both Kate Bush and Bjork. The EP is inspired by four female mythological figures (“we’ve been deprived of certain ways of seeing woman – this EP is an exploration of the darker, more unexplored aspects…”) and Boe’s taken it one step further by creating an immersive audio-visual show alongside the record. The EP is brought to life onstage by Aletta Dina on drums and Melanie Powell on synths and electronics, while Boe fronts the band with her raw, ethereal vocal and electric guitar.


 
Equal Echo is a new collaboration from Londoners Hector Plimmer (DJ and producer/creator of last year’s acclaimed ‘Sunshine’ album of broken beat, trip hop, instrumental soul and field recordings) and Alexa Harley (fellow producer, songwriter and collaborating singer for Hybrid Minds, Tom Misch and Mt. Wolf). The pair initially started working together with a one-off collaboration in mind: however, once they started, it soon became clear this would be more than just a feature project. For the last year-and-a-half Harley and Hector have been meeting two days a week, almost every week, creating music that shares an equal input of musical ideas from one another.

The amalgamation of styles and musical backgrounds blend together to make a sound unlike either Harley or Hector produce alone, whilst still retaining the best attributes from both. Not only are they musical partners, they are also best friends. Over the last two years the dynamic live show has been previewed at Archspace and Ghost Notes, with their premier festival appearances at Brainchild and Glastonbury Festivals.”

 
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The last show, on 18th September, features London-based hip hop/R&B trio The Age Of Luna, sensual pop mythologists Marine and atmospheric Finnish world-folkers Desert Rain.

The Age of Luna – “average joes with powerful minds” – number Butch Arkas, his schoolmate Kyote Noir and singer/saxophonist Daniella Wizard. Each brings their own influences and sensibilities to the table, and the end results reflect not just the four different musical personalities but the blend of tradition and technology that saw them get together in the first place. Despite their relative youth, the band has played over a hundred shows with festival plays at the likes of Glastonbury, Wireless, Secret Garden party and Live At Leeds. Their debut, self-titled album was released earlier this year to great acclaim and the band are busy working on new music due for release later this year.

 
“London-based Marine – formed in 2014 by Cara Sebastian (vocals and guitar), Beth Dariti (bass) and Kaja Magsam (drums), and described by ‘The Line Of Best Fit’ as “the musical equivalent of a creamy post-coital blush” – have just released their debut album ‘Fable Electric’, via The Vinyl Factory (following the beguiling singles Mount Olympus and Sirens).

“Produced by Rob Ellis (Anna Calvi, PJ Harvey, Cold Specks), ‘Fable Electric’ is an album that brims with exploratory wonder and bridges the gaps between spectral pop, dreamy grunge and ambient folk. Both wild and elegant, it is framed by intuitive beats, bass hypnosis that playfully counters melody, and a deep love of contrast. The vocal lines braid together over hooky guitar lines in a complex plait of old and new, understated and operatic, light and dark. The songs of Marine crystallized from mythology and fables, mingling with personal words and emotions to form tales of the ordinary and extraordinary. Their songs reference the underworld, seal demons, mighty Kraken, werewolves, witches and Gods, and even question the very nature of storytelling itself.


 
“Jyväskylä quintet Desert Rain are songwriter Ville Lähdepolku on guitar and vocals, Alex Lee on drums, Farshad Sanati on santour and vocals, Petri Pentikäinen on tabla and darbouka, and Ville Määttä on bass, keyboards, voice and a cluster of international wind instruments including Armenian duduk. They play hypnotic world-folk music that tends towards the mystic. From Finland to Dalston Eastern Curve Garden, just for you.”

 

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The last show, on 25th September, features choro band Choro Alvorada, international violin virtuoso Max Baillie, and the Latin-inspired songwriter Li Alba.

Choro Alvorada is a London-based group who play Brazilian choro music of all styles, including lesser-known works and original compositions. Choro emerged in Rio de Janeiro in the late nineteenth century as a mixture of European harmony with African rhythm and improvisation, in a similar way to jazz and ragtime. The name comes from the Portuguese verb “chorar”, which means “to cry”, and indeed choro music certainly has its fair share of tear-inducing laments. But choro is mostly known for its lively, playful and syncopated melodies in the traditional setting of a “roda”; that is, with musicians playing informally around the table (drinking plenty of beer – provided by the loving fans, of course!).

“Choro Alvorada have the traditional instrumentation of the ‘regional’ choro ensemble: clarinet (played by Andrew Woolf), flute (played by Rachel Hayter), 7-string guitar (played by Luiz Morais), cavaquinho (played by Jeremy Shaverin) and pandeiro (played by Alua Nascimento). They play a wide variety of styles of choro, exploring influences from all over Brazil (and London). They play with the irresistable swing of samba from the south and baião from the north-east, and even in the style of frevo, a carnival dance from the north-east! Many of the choros they play are their own compositions, so you may find a Cockney twist to them. They famously continued to play through a thunderstorm at the Curve Garden in Summer 2017, bringing a portion of the audience onto the stage with them in the style of the traditional roda.


 
“Maverick violinist and violist Max Baillie is truly one-in-a-million. Born to the sound of his twin sisters practising scales and argeggios, raised by his concert-cellist father and violin-teacher mother, before travelling the world and gaining a first-class degree from Cambridge University in… Politics. Apart from that short sabbatical, Max’s whole life has been music. Yet when you watch and listen, there is a spontaneity in his playing that makes you realise that in spite of all the history, education, and practise, a Max Baillie has to be born rather than made. Max-in-a-million is an international artist, having performed in Switzerland, Italy, South Africa, France, Australia and many other corners in the last twelve months, both as a concert soloist and with other projects including ZRI, who fuse sounds of Brahms with gypsy and Hungarian folk. Witness.


 
“Singer. Linguist. Lover of Latin, jazz and folk traditions. Voice of velvet and force of nature. Li Alba grew up in London, listening to traditional Spanish and Greek music whilst training as a classical singer. Graduating from Guildhall juniors in music and RADA in acting, she fell away from opera and into wild Easter European theatre arts, as a professional member of the Gardzienice Theatre Company. Partaking in independent arts projects around the world she has worked through music and staged mediums with global practitioners including Katie Mitchell, Mark Ravenhill, James Brennan and Julian Maynard Smith.

“Li has contributed to London’s night life scene by supporting in the launches of two venues, Kansas Smitty’s and Juju’s Bar & Stage, and is now embarking on her solo career with a plethora of musicians with global flavours and feels. She is accompanied by guitarist Telmo Souza who has played for Rhythms Of The City and Ines Loubet (amongst many others), and who leads the astonishing Afro-samba ensemble Caravela.”


 
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All events are at Dalston Eastern Curve Garden, 13 Dalston Lane, Dalston, London, E8 3DF, England on Tuesday evenings. Dates below:

  • Rum Buffalo Trio + Joe Corbin + Lorkin O’Reilly – Tuesday 4th September 2018, 7.00pm – information here and here
  • M w S + Boe Huntress + Equal Echo – Tuesday 11th September 2018, 7.00pm – information here and here
  • The Age of Luna + Marine + Desert Rain – Dalston Curve Garden – Tuesday 18th September 2018, 7.00pm – information here and here
  • Choro Alvorada + Max Baillie + Li Alba – Dalston Curve Garden – Tuesday 25th September 2018, 7.00pm – information here and here

 

April 2018 – upcoming London jazz/world/folk/classical gigs – Fast Fusion pop-up session at Poplar Union (1st April); Erik Rydvall, Olav Mjelva and Max Baillie’s ‘Nordic Folk Meets Baroque’ (4th April)

24 Mar

News on an interesting jazz/world concert series kicking off at the ever-promising Poplar Union, plus a Scandinavian-tinged classical/folk/fusion event in Stoke Newington…

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Fast Fusion #02, 1st April 2018

Help Musicians UK Jazz Promoter Fellowship & Birikiti Pegram presents:
‘Fast Fusion’:Yaw Asumadu/Louisa Jones/Mulele Matondo/Shirley Smart
Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England
Sunday 1st April 2018 – creating: 12pm-5pm / performance: 5.15pm
– information here and here

Fast Fusion is a live pop-up music installation bringing artists from jazz and world music genres together to write ten minutes of new work in just five hours. You get to witness the magic of art being made live in public before artists formally perform their final piece(s) at the end of the afternoon. The live audio is recorded to produce the Fast Fusion Takeaway Track(s), which you can then stream or download free. Sessions are also filmed and edited down to a short documentary-style video of the speed composition process.

“The second session (and first public session) brings together a dynamic group of musicians – singer/multi-instrumentalist Louisa Jones (who plays double bass, accordion and clarinet, and brings the swinging sounds of early jazz styles), Shirley Smart (a versatile, inventive cellist, and rare exponent of jazz cello), Mulele Matondo (a visionary bassist and guitarist from the Democratic Republic of Congo) and Yaw Asumadu (a master drummer, xylophone player and flautist from Ghana).”

The first session (a private jam in Studio Lumumba in East London to test the waters) featured Mulele Matondo plus London jazz trumpeter Mike Soper, Eliane Correa (a prolific Latin/jazz/fusion pianist, composer and arranger) and Lizy Exell (leader of the Old Hat Jazz Band and drummer for some of London’s other finest rising jazz groups, including Nerija). Here’s what they came up with:



 
Further sessions will follow – some of them at Poplar Union, although the idea is to bring the pop-up Fast Fusion format to many different performance spaces around London.

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Woodburner presents:
‘Nordic Folk Meets Baroque’: Erik Rydvall, Olav Mjelva & Max Baillie
The Old Church, Stoke Newington Church Street, Stoke Newington, London, N16 9ES, England
Wednesday 4th April 2018, 7.00pm
– information here and here

Nordic Folk Meets Baroque, 4th April 2018“Two award-winningstars of Scandinavian folk music – nyckelharpa player Erik Rydvall and Hardanger fiddle player Olav Mjelva – team up with violin and viola virtuoso Max Baillie for their debut concert here in London at the gorgeous Old Church in Stoke Newington.

“Having met in the snowy north of Norway in February, they posted some videos of their unique renditions of Bach; a few days and over sixty thousand views later they were quickly picked up by Classic FM online, Norwegian Radio, and were invited to perform live on BBC Radio 3’s In Tune program on April 2nd.

This is their special debut concert in London together. They will present a brand new concert of music including Bach, Merula, and Couperin played in a unique way that brings together string traditions from Norway, Sweden and the Baroque period alongside both traditional and original music from Scandinavia.”

 
(I’m sure I’ve come across something like this before… ah, yes, here it was…)
 

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