Tag Archives: Phil Robson

February 2018 – upcoming London jazz gigs – Christine Tobin’s PELT (3rd February); Jason Yarde’s TRiO !Wah! plus JAE (11th February); Adam Ben Ezra plus the Dan Casimir Quintet (16th February)

28 Jan

A quick whistle-stop, cut’n’paste rush through some of early February’s interesting jazz gigs… not much from me this time, so you’ll just have to trust the press releases…

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Christine Tobin, 2014

Christine Tobin, 2014

Christine Tobin: ‘PELT’
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Saturday 3rd February 2018, 7.30pm
– information here and here

“Having been an integral part of the UK music scene for many years, Christine Tobin is now based between NYC and London. The Irish-born vocalist and composer is renowned for her unique rich voice and original compositional style. With eleven highly acclaimed albums under her own name and four major awards under her belt, Christine is treasured in the UK and far beyond as one of the leading lights on the contemporary scene. MOJO described her as an artist who “really transcends glib genre-fication. Her expressive range acknowledges finely acquired folk, jazz and 20th-century classical influences, which already sets her apart. And everything is shot through with an unmistakable refinement, free-spirited earthiness and giddy romanticism… this singer-songwriter is in a field of one.”

“Christine’s most recent album – 2016’s ‘PELT’ – is her settings of poems and lyrics by contemporary Pulitzer Prize winning poet Paul Muldoon. Although a continuation of her alchemy with fine words and music and her exploration of the chemistry between the two, ‘PELT’ marks a new direction and a new musical soundscape… both daring and dreamlike, passionate and playful. Tobin leads her musicians across a kaleidoscopic panorama, sometimes as junkyard blues philosopher, or snappy beat seductress, sometimes as a conduit for exquisite zen-like harmonies, or reflective Americana.


 
“The seed of the idea for setting Paul Muldoon’s poems came when the pair were invited to collaborate and perform a piece at the Kilkenny Arts Festival in 2011. Christine had long admired Muldoon’s work and he was greatly impressed by her British Composer Award-winning settings of W.B. Yeats. When they discussed setting his poems, Paul gave Christine a copy of his collection ‘Paul Muldoon Poems 1968 – 1998’ and gave her carte blanche to choose the poems she wished to work with. He also sent her new lyrics and as the project unfolded, the texts chosen ended up a being mix of poems and lyrics. The result is a rich and engaging collection with Tobin’s trademark originality.”

(Meanwhile, I’ve been slack enough to miss the fact that this is just part of an ongoing British tour which, by the time it hits London, will already have been through Bridport, Calstock, Torrington, Exeter, Southampton and Derby and is going on to Gateshead, Cardiff, Bristol and Nottingham before winding up at Birmingham on 10th February. For the full dates and details, check here: more on the personnel below.

“For this tour, Tobin has assembled a stellar band which includes seminal figures on the jazz scene Gareth Lockrane (flutes), Phil Robson (guitar/electronics), Steve Hamilton (piano/keyboard/laptop), Kate Shortt (cello/vocals/deaf signing), Richard Jones (violin), Dave Whitford (upright/electric bass) and Simon Lea (drums). In ‘Jazzwise’ magazine, Peter Quinn described them as “a cast of players who are all perfectly attuned to Tobin’s vision and artistry.” The London concert will feature a guest reading by the acclaimed multi-award winning Brooklyn poet Eva Salzman, who has also collaborated with Christine on past projects.”

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Jason Yarde's TRiO !WAH! + JAE, 11th February 2018

Tom Skinner presents
Jason Yarde’s TRiO !Wah! + JAE
The Pickle Factory, 13-14 The Oval, Bethnal Green, London, E2 9DU, England
Sunday 11th February 2018, 6.00pm
– information here, here and here

“On 11th February, revered jazz drummer Tom Skinner returns for a Sunday evening residency at The Pickle Factory, curating a forward-thinking evening of jazz music every other month. Over the past year Tom has hosted some true jazz greats – Ezra Collective, Shabaka Hutchings – and has some special evenings planned for 2018.

“This time, Tom Skinner invites monster ex-Jazz Warrior multi-reedist Jason Yarde – famed for his work as an arranger with the sadly departed Hugh Masekela – who presents his lauded jazz ensemble TRiO !WAH!, featuring Yarde on saxes, bassist Larry Bartley and drummer Mike Pickering. In contrast to playing in the big bands of Andrew Hill, McCoy Tyner, Sam Rivers, Hermeto Pascoal, Roy Ayers, Manu Dibango and his own Acoutastic Bombastic, Trio WAH! is a chance to hear Yarde’s playing and compositions in an intimate and stripped-down setting. Jason and Larry (Courtney Pine, Byron Wallen, etc) forged their musical relationship through playing in the original Jazz Warriors; and Mike (Billy Jenkins, Christine Tobin, etc) and Jason through the London based twelve-piece Rare Mix. Over the fifteen-plus years since, they have developed a fluid trio connection covering greatly varied musical terrain.

“From tight and constantly shifting rhythmic patterns to free flowing rhapsodic episodes, Trio !WAH! can cover the calm and the storm within a few bars, never losing the important elements of rhythm, melody and even harmony in this exposed format. ‘Jazzwise’ noted that the group “modulates easily from spacious post-bop to dirty grooves via Ornette-ish noise, showing a creative approach to form”, while ‘The Guardian’ said “it’s fascinating to witness how seamlessly Yarde’s writing and improvising intertwine… Swing, hip-hop, improv, you name it, he can make it all sound as if it was meant to live together, and he’s getting better at it all the time…”


 
“They’re joined by JAE, a mysterious keyboard and drums duo playing music influenced by King Tubby, Madlib and Larry Levan…”

(I found a little more on JAE, to render them less annoyingly anonymous. It turns out that it’s a team-up of longterm south London jazz buddies Joe Armon Jones (keyboard player with Ezra Collective, Sumo Chief, Nubya Garcia band and others) and drummer Jake Long (drummer with Maisha, SE Dub Collective and Where Pathways Meet).

Also, here’s eighty easygoing seconds of JAE doodle…

 

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Adam Ben Ezra + Dan Casimir Quintet, 16th February 2018

Adam Ben Ezra + Dan Casimir Quintet
The Jazz Café, 5 Parkway, Camden Town, London, NW1 7PG, England
Friday 16th February 2018, 7.00pm
– information here and here

“Double bass phenomenon, multi-instrumentalist and online sensation Adam Ben Ezra; a man seemingly on a mission to bring his instrument from its status as a background note to the dominant front-presence it deserves. For the past few years Adam has been pushing his craft in new, exciting directions and carving out a unique spot for himself in today’s international musical landscape, with both his virtuosity and musicianship earning him great success along the way.

“With more than ten million hits on YouTube and a strong following on all social media platforms, it is clear Adam is a bonafide star in the internet world. However, his success is certainly not limited to the web, having performed around the globe in major international music festivals and shared stages with some of the world’s fusion giants – including Pat Metheny, Victor Wooten and Richard Bona – over the last few years.


 
“Support comes from award winning bassist and composer Dan Casimir. Having made a name for himself with his EP ‘Escapee’, released on Jazz re:freshed in 2016, Dan has also lent his bass skills to the likes of Julian Joseph, Jason Rebello, Lonnie Liston Smith, Ashley Henry, Camilla George and Nubya Garcia to name a few.”


 
(As far as I know, the Dan Casimir Quintet is Dan plus pianist Sarah Tandy, guitarist Shirley Tetteh, singer Tess Hirst and drummer Olly Sarkar…)
 

March 2016 – upcoming gigs – Phil Robson Organ Trio UK tour; Phil Robson and Christine Tobin projects debut in New York; London jazz judders with West Hill Blast Quartet, Apocalypse Jazz Unit, Øyeblikk and a Tom Ward/Adam Fairhall/Olie Brice/Andrew Lisle quartet.

2 Mar

Phil Robson Organ Trio, UK tour, March 2016

I have no idea what this has to do with the Phil Robson Organ Trio…

Despite having recently followed many a London jazzman’s dream and relocated to New York, (alongside his wife and collaborator, singer Christine Tobin), Phil Robson hasn’t forgotten his home country. Best known as guitarist for long-lived British post-bop quartet Partisans, he’s also followed a four-album solo career which seems to have developed into another British-based full band project, the Phil Robson Organ Trio. The Trio (Phil plus Partisans drummer Gene Calderazzo and British Hammond organ ace Ross Stanley) are embarking on a short early-March tour of England and Wales, playing music from last year’s acclaimed album ‘The Cut Off Point‘ (on Whirlwind Recordings). I’ve only heard bits of it, but what I’ve heard suggests a dancing, cleverly-constructed yet liberated skein of jazz: drawing on a rock-based solidity (and perhaps a little bit of Phil’s long-ago hard rock’n’metal beginnings) while also enjoying the kind of mischievous, warm, ever-shifting tip-and-a-wink chord sequences thrown into British jazz during the ‘80s and ‘90s by the Loose Tubes school. See what you think…


 

Dates are as follows:

Phil is back in New York at the end of the month, where he’ll be unveiling a new project.

Phil Robson's Icicle Architects + Christine Tobin Duo, 30th March 2016

Taking their name from one of Phil’s Partisans tune, Icicle Architects feature veteran New York drummer Adam Nussbaum (who’s played with Gil Evans, Carla Bley, Johns Schofield and Abercrombie, Michael Brecker and too many others to list), ‘Saturday Night Live’ bass player James Genus and saxophonist Donny McCaslin (bandleader, Steps Ahead/Dave Douglas alumnus and most recently an art-rock darling due to his band’s prominent contributions to David Bowie’s jazz-steeped swansong ‘Blackstar’). There’s not much information on what they’re intending to do, so for now you’ll just have to imagine Phil’s tunes fed through a New York sensibility and multiple generations of exploring the noise: post bop, free jazz, fusion and avant-garde.

Christine Tobin will be playing the same gig as a voice-and-piano duo with pianist Kevin Hays (of the Sangha Quartet, Bill Stewart Trio, John Scofield Quiet Band and plenty more). Again, there’s not much information on this but Christine can always be relied upon to draw multiple ideas and traditions into her world of song, working her low-key but flexible voice across originals, improvisations or interpretations (mingling tones and echoes of Leonard Cohen, Betty Carter, Joni Mitchell and Cassandra Wilson, plus influences from her native Ireland such as the Yeats poems which underpinned her 2012 album ‘Sailing To Byzantium’).

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Back in London, and back to this coming weekend…

West Hill Blast Quartet + Apocalypse Jazz Unit, 5th March 2016

Apocalypse Jazz Unit
Hundred Years Gallery, 13 pearson Street, Hoxton, London, E2 8JD, England
Friday 5th March 2016, 7.30pm
more information

“The inimitable Apocalypse Jazz Unit was conceived in 2012 as a solo recording project by saxophonist Rick Jensen and has since transmogrified into a live band with a variety of equally deranged improvisers. Since April 2013 Apocalypse Jazz Unit has been a tornado of activity, releasing forty digital albums whilst bringing experimental mayhem, eclecticism and a sense of humour to their countless performances. The band currently lines up Rick on tenor saxophone, clarinet, harmonica horn and monotron with David O’Connor (sopranino saxophone, flute), Thomas Tronich (alto saxophone) Paul Shearsmith (pocket trumpet, balaophone), Hywel Jones (trombone) and Rebecca Gleave (violin).”


 

Originally this gig was also going to feature Brighton’s West Hill Blast Quartet featuring trumpeter Daniel Spicer (a member of the improvising sextet Bolide and duo Mandarin Splashback, and performer of solo spoken word/poetry), saxophonist Ron Caines (a founder member of prog-psych group East of Eden), double bass player Gus Garside (a mainstay of Brighton’s Safehouse collective and a member of string trio Arc and duo Static Memories) and percussionist Andy Pyne (of The Black Neck Band Of The Common Loon, Medicine & Duty, Shrag and Kellar). Unfortunately, they’ve had to pull out due to illness, meaning that the Apocalypse Jazz Unit is going to step up with an extended set. (Here’s a taste of the Quartet anyway…)


 

Rick Jensen promises “an epic display of transcendental jazz of… well… apocalyptic proportions. What you will get is the largest version yet of the band and it’ll also be the last gig I organise for a while due to my impending unemployment and the need to watch my money, so please do come and support this one…” (For me, this one would be worth attending if only to find out what some of those instruments Rick and Paul are playing are.)

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And there’s time to mention the latest LUME gig…

LUME presents:
Tom Ward/Adam Fairhall/Olie Brice/Andrew Lisle + Øyeblikk
The Vortex Jazz Club, 11 Gillett Square, Dalston, London, N16 8AZ, England
Sunday 6th March 2016, 7.30pm
more information

“For our next gig at the Vortex we are excited to present two new collaborations! Come and hear some fresh new orginal and improvised music!

Adam Fairhall and Tom Ward, 2015

This night features the debut performance of a new group featuring four highly creative improvisers who have appeared at LUME in other projects, but have never played all together. Tom Ward (alto sax, bass clarinet, flute) and Adam Fairhall (piano) had their names drawn out of the hat at our randomised free improvisation night last Summer, and following this initial encounter (a toy piano and bass clarinet duo) they decided to get a band together with double bass player Olie Brice and drummer Andrew Lisle. The quartet will play new music by the bandmembers, starting from a few common reference points. The band will employ a flexible approach to harmony and form, including investigating negative harmony and stretching out with extended improvisations. Influences include the Greg Osby ‘Banned In New York’ album with Jason Moran, the ‘Monk’s Casino’ album with Alexander von Schlippenbach and Rudi Mahall, and Fieldwork with Steve Lehman, Vijay Iyer and Tyshawn Sorey.

Øyeblikk, 2016

The two members of Øyeblikk – Dee Byrne (alto saxophone/electronics) and Ed Riches (guitar/electronics) – met in 2008. They have collaborated in various projects such as improvising sextet Zonica (Gareth Lockrane, Xantone Blacq, Elliot Galvin, Tom McCredie, Pat Davey) and more recently as an improvising duo using electronics. Tonight they will be joined by drummer/percussionist Matt Fisher who plays in Dee’s band Entropi. Øyeblikk (‘moment’ in Norwegian) describes the ethos of the project: a spontaneous narrative of soundscapes, riffs and themes taking the listener on a cosmic, sonic adventure. The title Øyeblikk is a nod to the fact that both Ed and Dee have a connection with Scandinavia, Dee lived in Stockholm for seven years and Ed spent a part of his childhood in Norway.”

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More gig news to follow…

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