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December 2017 – experimental gigs up and down Britain – Kammer Klang plays Mary Jane Leach in London (5th December) plus Mette Rasmussen, Sofia Jernberg and Dawn Scarfe; Gnod R&D on tour with URUK and pals (7th, 8th, 10th); Xposed Club at Cheltenham with Alexander Hawkins, Raymond MacDonald, Sharon Gal, Stuart Wilding, Chris Cundy (8th)

30 Nov

Kammer Klang presents:
Kammer Klang: Ashley Paul & Ensemble (performing Mary Jane Leach) + Mette Rasmussen & Sofia Jernberg + Dawn Scarfe
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Tuesday 5th December 2017, 7.30pm
– information here and here

Kammer Klang, 5th December 2017 The coming month’s Kammer Klang has only a tenuous relationship with contemporary classical, concentrating as it does on musicians who espouse either free improvisation or natural resonance.

The evening centres on an ensemble led by clattering, free-form multi-instrumentalist and composer Ashley Paul (who recently supported Powerdove further north at the Old Dentist) and featuring Hyperion Ensemble bass clarinettist/utility person Yoni Silver, cellist/Kammer Klang organiser Lucy Railton, onetime Sonic Youth guitarist-turned-ubiquitous London art musician Thurston Moore and Charcoal Owls’ multi-instrumentalist Tom James Scott on piano (a man who generally brings a specifically Cumbrian twist to his playing, gizmo fiddling and use of field recordings). They’ll be playing ‘Wolff Tones E-Tude’, a cellular Christian-Wolff-inspired piece by American composer Mary Jane Leach (example performance below).


 
Much of Mary Jane’s work focusses on acoustic properties and how sound environments form in specific spaces with particular resonances and opportunities for difference, combination, and interference tones; in addition, how these may be manipulated by a performer, composer or editor (or by someone who’s a combination of all or some of those things). She herself will be present for the performance, which also includes a stereo-diffused playback of her 1992 radio sound piece/hörspiel ‘Kirchtraum’ (about which she says “Have you ever walked into a church, and it seems as if there is sound rolling around the space that’s been there for a long time? I created ‘Kirchtraum’ to create a sound dreamscape to create that kind of feeling. It uses the phases of a dream, going progressively further back into the past and becoming more chaotic with each phase. I used nightingales to punctuate the different phases of the dream, to differentiate between the dream and the environment…”). In addition, she’ll be present for a pre-concert workshop on Sunday 3rd December from noon until 5.00pm (giving a lecture and offering feedback on pieces any composers care to bring in) and, prior to the concert on the Tuesday, participating in a public talk with Frances Morgan at 7.00pm.

 

Opening in the Fresh Klang slot is Dawn Scarfe, a sound artist preoccupied with “things that seem to sound themselves, such as resonating glasses, Aeolian wires and self-opening swell boxes”, and who’s brought this preoccupation to sound installations between Cumbria and London, Exeter and Estonia, Brussels and Seoul. Her projects include the livestreamed ‘Reveil‘ “an annual crowdsourced live broadcast which “tracks the sound of the sunrise around the world for twenty-four hours” using open microphones provided by streamers around the world: she’s described it as intending “to open a space for listening to something else – especially from places where humans and not humans meet – and in the course of one earth day to provide a sketch of this emerging field.” 2017’s edition included contributions from Maputo, Tehran, New York, Kolkata, Santiago de Cali, nature reserves in Cumbria’s Walney Island and Australia’s Noosa Biosphere Reserve, and even the Fukushima Exclusion Zone. On this occasion, Dawn will be performing ‘Tuning to Spheres’, written for wine glasses, sine tone generators and turntables.

 

Closing the evening out will be a free experimental duet between raw Danish Trio Riot saxophonist Mette Rasmussen (who works with both plain and prepared instruments) and Swedish/Norwegian singer/composer Sofia Jernberg (who works with a twisting barrage of vocal techniques including split tone singing, pitchless singing and distorted singing)



 

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Fresh from some well-publicised collaborations with avant-rock godfathers Faust, countercultural Salford sound wizards Gnod are returning to their ongoing “R&D” tour. For more on their London weekender from last year, click here; at the moment, they’re stripped back down to their core duo of Chris Haslam and Paddy Shine in order to explore the next, as-yet-undecided developments from last year’s seethe of slow, dirty riffage on their bed of dub, urban discontent, psychic reportage and ritual. As part of that development, they’re throwing the stage open to volunteer collaborators on the night, “be it singing , shouting, dancing, bringing an instrument/device to the table or just simply tuning in and coming along for the ride.” Dust off your home-made Azimuth Co-ordinator or pocket Tettix Wave Accumulator; grab that Aztec death whistle from the back of the kitchen drawer; head down and dive in.



 
Gnod + Uruk, 7th December 2017

Following the Italian/Slovenian leg in November (in which they toured with Italian noise-rock guitar/voice/drums duo OvO and Godspeed-associated Montreal wallcrashers Big ‡ Brave), the British tour will see a blurring of support slot and Gnod expansion. The band’s ranks will be pre-swollen in Glasgow by drummer and oscillator king Julian Dicken (from Glaswegian psych-rockers The Cosmic Dead) and in Bristol by murky industral-technoist Tony Child (a.k.a. Surgeon) and drummer Dan Johnson (from jazz-punkers Run Logan Run). In London, they’ll be augmented by a five-strong gang of John Doran (head ‘Quietus‘ ranter), heavy electronicist Mark Dicker (ex-Trencher, Palehorse, Bruxa Maria), Mark O. Pilkington and Michael J. York of synth-and-bagpipe psychonauts Teleplasmiste and Teeth Of The Sea trumpeter Sam Barton. In addition, the London gig has a clearly defined support act in the shape of URUK, a teamup of bass player Massimo Pupillo (of expansive no-wave trio Zu) and synthesist/multi-instrumentalist Thighpaulsandra (Coil, Spiritualized, various Julian Cope bands). URUK originates from 2016 when mutual fans Massimo and Thipe finally got together; the resulting music, debuted on this year’s ‘I Leave A Silver Trail Through Blackness’ album, references both Coil and Zu but sinks deeper into the world of highly textured dark-ambient drones.

Dates:

  • Corsica Studios, 4-5 Elephant Road, Elephant & Castle, London, SE17 1LB, England, Thursday 7th December 2017, 8.00pminformation
  • Broadcast, 427 Sauchiehall Street, Glasgow, G2 3LG, Scotland, Friday 8th December 2017, 7.00pminformation
  • Exchange, 72-73 Old Market Street, Bristol, BS2 0EJ, England, Sunday 10 December 2017, 7.30pminformation

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Xposed Club, 8th December 2017
Just time, too, to mention another Xposed Club incident over in Cheltenham, in which there’ll be a meet-up duo of pianist Alexander Hawkins and saxophonist Raymond MacDonald (who between them have notched up work and/or leadership duties with Convergence Quartet, Glasgow Improvisers Orchestra, Decoy and more – we also recently saw Raymond exploring the art of the graphic score in London). Also on the bill is well-respected London experimental vocalist/Resonance FM founder Sharon Gal, engaging in duo work with Ghost Mind percussionist (and Xposed host) Stuart Wilding; and a solo set from avant-garde bass clarinet virtuoso Chris Cundy who, as mentioned here some time back, “dips into everything from the philosophical experiments of Cornelius Cardew and John Cage to out-and-out improv to theatre work.”

Various tasters below:





 
Xposed Club presents:
Alexander Hawkins & Raymond MacDonald + Sharon Gal & Stuart Wilding + Chris Cundy
The Xposed Club @ Francis Close Hall, University of Gloucestershire, Swindon Road, Cheltenham, GL50 4AZ, England
Friday 8th December 2017, 8.00pm
information
 

October 2017 – upcoming London gigs – art pop and stories from Tom O.C Wilson, Eley Williams and Kept Cairns (22nd October); holy electro-noise folk and beats from Jarboe, Father Murphy and Metalogue (23rd October)

17 Oct

Tom O.C. Wilson, 22nd October 2017

Pickled Egg Records presents:
Tom O.C Wilson + Eley Williams + Beetles
Servant Jazz Quarters, 10a Bradbury Street, Dalston, London, N16 8JN, England
Sunday 22nd October 2017, 7.30pm
– information here and here

Until recently operating as Freeze Puppy, Tom O.C. Wilson is now venturing out under his own name with ever-more-intricate and compositionally complex conversational songs, venturing into hitherto unexplored territory between (to pick a few loose examples) Stephen Sondheim, Frank Zappa, Neil Hannon, Django Bates and The Carpenters.

‘Tell A Friend’ – his debut album as himself – is “lovingly crafted, infectiously playful arthouse pop… a frothy, colourful twelve-song collection that pushes the raw materials of pop into dazzlingly surprising shapes, from the polyrhythmic fervour of Give Yourself Some Credit to the Steve Reich-meets-Motown stomp of The Ones. Yet as with similarly cerebrally-minded pop acts such as Field Music, Max Tundra and Dutch Uncles, the intricacy of the music is coupled with an unusually high hooks per-minute quotient — these are songs to sing along to as much as ponder.” While previous records have revelled in a certain literary playfulness, each song on this one is based on Tom’s own life and friendships. It’s in keeping with Tom’s decision not to hide behind kooky project names any longer: he’s never likely to create a standard-issue confessional album, but this is explicitly “a celebration of human interaction” in all its richness. Judging by the tone of start-up single The Ones, it’s predominantly positive.

Tom was originally providing his own support as half of his other band Beetles, but they’ve had to pull out. Fortunately, a more-than-worthy replacement’s been found in the shape of singer-songwriter Kept Cairns, a mysterious pseudonymous friend and fellow traveller from Tom’s Bristol days. His songs (which he himself describes as “gradually accret(ing)” rather than being written) “sketch and explore the unseen world of interiority: mental health, transcendence, relationship breakdown, the limits of communication, ambiguity, time and love.” Generally that’s a recipe for broken-handed strumming and murky lo-fi mumbles; so it’s surprising to find percussive, intricate acoustic guitarwork (recalling Michael Hedges and John Martyn) and carefully-drawn lyrics and vocal lines as crisp as new book pages (detailing complicated and frequently unresolved situations but describing them with an immaculate grace and economy). To see what I mean, you’ll need to take a trip over to his music page: bar a quiet presence on Spotify, he’s so far underground that gigs like these are the only other chance to get the measure of him.

Appropriately for an evening of literary pop, the middle act on the bill is a writer. Eley Williams is an acclaimed prose-poet of confusions, mental transformations and fairytales whose stories sweep across their settings like an investigating light passed over text. Here she is in action:

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The following day, Chaos Theory will be vibrating the rafters as they take over St Pancras Old Church and shake out its more shadowy corners for a particularly ambitious gig. Expect an evening of dark drones and noises, Euro-American cloister-folk and cinematic/industrial music textures, filled with dark-refracted Catholicism and a decidedly ecclesiastical tone.

Jarboe + Father Murphy + Metalogue, 23rd October 2017Chaos Theory Promotions presents:
Jarboe + Father Murphy + Metalogue
St Pancras Old Church, Pancras Road, Camden Town, London, NW1 1UL, England
Monday 23rd October 2017, 8.00pm
-information here and here

From the Chaos Theory blurb:

“Original Swans member Jarboe joins forces with Italian occult propagators of insight-through-terror Father Murphy, as they perform a single set in three parts. Father Murphy will open with their avant-garde dark creations, to be joined by Jarboe to perform their new collaborative EP (which came out on Consouling Sounds on 22nd September). Jarboe will then perform her own material, with Father Murphy providing their own twist to her sounds as her backing band.

“Ambient darkness will be provided before and after the performance by producer Metalogue, who will create a whole new set for the evening and release it as a new album. This will be an experience like no other.”




 

November/December 2017 – more assorted Smithery – BarmyFiveseveN play Tim Smith at Connector V, Amsterdam (2nd November); Spratleys Japs’ Wonderful Winter Wonderland tour of England (14th-17th December)

15 Oct

Coverage of the complex, perverse and joyful musical work of the sadly incapacitated Tim Smith – whether inside or outside his mothership Cardiacs band – frequently figures in here. It’s good to bring you all more about his continued crossover from cult status to something wider: this time, with news of a conservatory jazz gig in Amsterdam and of the continued afterlife of Spratleys Japs.

Connector V, 2nd November 2017

Broedplaats Lely & Steim present:
Connector V
Steim, Schipluidenlaan 12-3E, 1062HE Amsterdam, Netherlands
Thursday 2nd November 2017, 8.00pm
information

“Composers are not necessarily dead. They also do not necessarily write symphonies in D flat minor in a 4/4 time signature.

“Tim Smith, frontman of the British band called Cardiacs, is a great composer who wrote lots of music permeated with energy, humour, beauty, Britishness. By people who only partly open their ears (or their minds for that matter), his music has been defined as being “chaotic”. The opposite is true, however: it is strongly organised music and all one needs to be able to do is count past four (and not forget about prime numbers). This challenging mix of punk, prog rock, orchestral and live electronic music (also known as “pronk”) will be performed by BarmyFiveseveN, a “small big band” ensemble of around fifteen players from the Conservatorium van Amsterdam, armed with live electronic extensions.”

Connector V is part of a monthly series at Steim: regular readers should recognise this particular one as a follow-up to the Smith-covering set by Alex Brajkovic Ensemble at Amsterdam’s Jazz Ensemble Festival back in April, and it does in fact feature most or all of the same players, put together by rebel prog professor Jos Zwaanenburg. No-one seems to have recorded/posted evidence from the last time, so I can’t show you how it went – but as before, I can give you some very loose indications as to how this concert might might turn out by referring you to English Rose Orchestrations’ string quartet version of one of the featured pieces, The Duck And Roger The Horse.


 

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Spratleys Japs, 14th-17th December 2017The following month, Spratleys Japs consolidate the success of their Brighton and London reunion shows over the last couple of years by setting out on a bigger, broader English tour taking in Yorkshire and the West as well as the south east, with a mass of current/former Cardiacs and friends coalescing as support around the tour dates.

Read more about SJ here: in brief, though, they’re a short-lived and swampy alternate-universe pop project (part alien folk maunderings, part glam-punk punch and part spindly antiprog) which Tim put together in the mid-’90s with then-girlfriend/muse Jo Spratley. Now revived by Jo and a collection of Brighton art rockers, they’ve got a second wind and have been rattling through fresh gigs partially in tribute to Tim and partially because the enthralling, infuriating puzzle-box songs have a peculiar life of their own.


As regards the backup, looming raconteur Stephen Evens brings his scowling, sardonic British pop along to the London, Brighton and Bristol shows (possibly with full band in tow for all of them). In a similar vein, Yorkshire dark-melodrama rockers The Scaramanga Six pile in at the Huddersfield date, while the Brighton show also sports vigorous dream poppers Hurtling and noisy art-rock goons Ham Legion (the latter performing their Syd Barrett tribute as “Vegetable Men” (plus another acoustic set from Kavus Torabi, squeezing in time in between fronting Gong, Knifeworld and his radio broadcasts). At Bristol there’s another onetime Cardiacs guitarist, Jon Poole, possibly bringing both solo stuff and one-man versions of his clever-pop work with The Dowling Poole; plus ZOFFF (the reverberant south coast kosmische/deep-psych band featuring Crayola Lectern‘s Chris Anderson and yet another ex-Cardiac six-stringer, Bic Hayes).

As with most Cardiacs-related events, these give you a cross-section of a under-celebrated ongoing British sub-scene; stretching from surprisingly accessible, sharply written latter-day take on Britpop right through to mantric pedal noise and squirts of lysergic space-cadet juice. Here’s a selection of sundries from all concerned:









 
Full dates:

  • The Parish, 28 Kirksgate, Huddersfield, Yorkshire, HD1 1QQ, England, Thursday 14th December 2017, 7.30pm (with The Scaramanga Six) – information here and here
  • Exchange, 72-73 Old Market, Bristol, Avon, BS2 0EJ, England, Friday 15th December 2017, 7.30pm (with Jon Poole + ZOFFF + Stephen Evens) – information here and here
  • The Green Door Store, 2-4 Trafalgar Arches, Lower Goods Yard, Brighton Train Station, Brighton BN1 4FQ, England, Saturday 16th December 2017, 6.00pm (with Kavus Torabi + Stephen Evens (full band) + Hurtling + Ham Legion As Vegetable Men) – information here and here
  • The Windmill, 22 Blenheim Gardens, Brixton, London, SW2 5BZ, England, Sunday 17th December 2017 (with Stephen Evens + others tbc) – information t.b.c.

UPDATE, 18th October – apparently we can also expect a couple of imminent fundraising Cardiacs cover versions from Spratleys Japs and Stephen Evens (Odd Even and Two Bites of Cherry), plus other surprises they’re keeping a little tightlipped about for the moment.

Meanwhile, Cornish psychedelic folkie Emily Jones (another Spratleys friend from previous gigs) has been added to the Brighton concert, which now also features a Torabi/Steve Davis DJ set. Support for the Brixton Windmill show in London is going to be thrashy prog-pop stuntmeisters The Display Team and rapidly rising Windmill favourites Black Midi. Below are a couple of moments from Emily and the ‘Team. (There’s not much more I can give you about Black MIDI. They’re so new that the paint’s hardly dry on them, and their Soundcloud page is still empty; but I did manage to establish that they’re an experimental/instrumental rock five-piece of teenage Croydonians and that they’re “purveyors of the darkest dreamscapes”…)



 

April 2017 – upcoming London experimental gigs – very messy play with the Lone Taxidermist plus Martin Tomlinson and Heart Years (25th); Myth-O-Rama evening with Eleventh Hour Adventists, Seven-Headed Raven, Miss Roberts and Rotten Bliss (28th April)

20 Apr

A couple of imminent gigs from the dark-cabaret end of experimental music:

Lone Taxidermist, 25th April 2017
Homemade Disco presents:
Lone Taxidermist + Martin Tomlinson + Heart Years
Paper Dress Vintage, 352A Mare Street, Hackney, London, E8 1HR, England
Tuesday 25th April 2017, 7.30pm
– information here, here & here

Homemade Disco put on a Laura Cannell/Hirvikolari double bill back in March, which I managed to miss but which set out their wide-ranging experimental stall. Headlining this next effort is Lone Taxidermist, the multi-media-friendly project helmed by Natalie Sharp, who’s been variously described as a “cosmic Cumbrian synth artist”, an “all-round creative explosion”, a “synth-eating powerhouse with a voice that rolls like hot thunder” and “a cavewoman crossed with an urban Ava Gardner.”. Aided by Tunng bassist Philip Winter and electronicist Will Kwerk (part of a shifting backline of collaborators) she’s using this gig to showcase her current, brand-new Lone Taxidermist project ‘Trifle’ which explores “the murky, intertwined depths of sexual fetishes and food (including) the shadowy worlds of sploshing, cake-sitting and crush fetish.”

Expect ‘Trifle’s fittings and features to include spongecake-rubber/full-fat plastic costumes, “giant cream-squirting custard vaginas” and “extreme female grooming techniques”, plus projections from audiovisual artist Ross Blake intercut with footage from obliging YouTube cake fetishists. For a dripping taste of the Ross-eye view of the project, see below; for other peeks at ‘Trifle’, see this ‘Manchester Metalheads’ review of the performance at this month’s Fat Out Fest or this interview/preview in ‘The Quietus’.

 
Squelch.

For more on the world of Lone Taxidermist, have a read of this ‘onepointfour’ interview, and below is a Soundclouding of an earlier, unrelated live set:


 

Support comes from spangly but spiteful Martin Tomlinson, former clown-suited lead provocateur with Selfish Cunt (the trans/ag/gressive electronic noise-rock project with London’s most family-friendly bandname, even if Shitwife are mounting a latterday challenge).

The evening opens (presumably in a dastardly attempt to soften us up) with wispy-boy-vulnerable London dream-poppers Heart Years. Their twang-echoed synthscapes deal in “lost thoughts, hopeless ideals and ‘80s fade outs” and sound like a determined teenage mope in the Balearics; and whose new single ‘The Great Fades’ has been out for a month or so.



 
John Doran from ‘The Quietus’ will also be contributing a DJ set…

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Myth-O-Rama, 28th April 2017

The Light & Shadow Salon presents:
Myth-O-Rama: Eleventh Hour Adventists + Seven-Headed Raven + Miss Roberts + Rotten Bliss
The Horse HospitalThe Colonnade, Bloomsbury, London, WC1N 1JD, England
Friday 28th Apr 2017, 7.00pm
information

“An evening of sonic adventures… featuring various exciting collaborations between the various performers.

Eleventh Hour Adventists are a collaboration between Jasmine Pender (who is a vocalist and electric cellist), and Jowe Head (ex-Swell Maps, Television Personalities, The Demi-Monde), who contributes vocals, slide guitar and mandocello. They usually operate as a duo, with guest Ravi Low-Beer contributing his unique deft skills on drums and percussion. Between them, they weave a tense and terse sound-world. Jasmine’s electronically treated cello emits deep hypnotic drones and bursts of uncanny minimal melody. Jowe’s clipped manipulation of stringed instruments usually providing the pulse, and interjections of top-end shards of shiny noise. Their vocals tend to blend together in close harmonies, their voices twisting together in a sensual struggle.

“Their work is mainly self-composed, some of it referring to ancient mythological themes. Material includes Jasmine’s reflective and often profane imagery on one hand, and Jowe’s more quirky lyrics on the other. The material includes an eerie ballad about Tempelhof airfield in Berlin and a series of mythological tableaux. There is also an ancient murder ballad that’s undergone gender reversal, and a radical arrangement of a song by blues pioneer Skip James. This is their first headlining performance since returning from their first overseas concert, in Berlin.


 
Seven-Headed Raven are an international, multi-national folk ensemble, performing, performing both traditional and contemporary music, featuring cello, kookie (Latvian dulcimer), and bowed saw. Their sound suffused in nature worship, melancholy and nature. This weird band has a pagan feel, and features multi-instrumentalist and singer Catherine Gerbrands (Valerie & Her Week of Wonders, An Infernal Contraption) and cellist/vocalist Tim Bowen (Chrome Hoof), both former members of Jowe Head’s band The Demi-Monde, who shall be leading a multi-national band playing their own arrangements of traditional tunes and their own material.

“The mysterious and ethereal Miss Roberts (chanteuse with the decadent surreal Rude Mechanicals) presents a performance called ‘Curious Contraption’, which shall weave a sinister web of surreal intrigue featuring surreal stories, dramatic monologues, poetry and song in a visual whirlwind of bizarre costumes, audience interactions and gestures, with sound effects and ambient music provided by Jowe Head.

“Jasmine Pender has described her solo project, Rotten Bliss, as a research project into the outer limits of the electric cello and voice. Part exploration and part revelation, Rotten Bliss builds up sonic storms of exploratory textures with FX-laden cello, giving way to brutally bare arrangements made from haunting vocals sung over sparse bass riffs. Jasmine defies expectations of the cello her abrasive playing style, evoking the possession and freedom of rock and roll, deconstruction and decay. The result is a hypnotic, seasick voyage that takes in elements of folk, noise, surrealism and drone, referencing dystopian harbours, amorous fishes, nightwatchmen and transcendence.”

 

April/May 2017 – upcoming London gigs – across-the-board instrumental progressive – Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain (7th); Piko Cloud Booker + Mein Haus + Matt Baber of Sanguine Hum (April 20th); Mouse On The Keys + Mutiny On The Bounty + Strobes (May 1st)

30 Mar

Three upcoming London gigs across April and leading into the start of May: all of them batting around ideas in the progressive field, whichever particular road they took into it. In early April – a Chaos Theory post-rock show with three bands offering successive palettes of solitary guitar sketches, sombre filmic post-Godspeed tonescapes, and bright-toned romantic futurism. In mid-April – the debut of a brand new progtronic trio alongside an experimental string duo and a humble keyboard star. On May Day, an international rhythmatic threesome at Rich Mix mixing up post-Squarepusher tech-fusion, bursting guitar instrumentals and twenty-first century dual-keyboard/drumkit jazz-rock barrage.

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Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain, 7th April 2017

Chaos Theory Promotions presents:
The Facemelter: Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 7th April 7.30pm
information and here

“This month The Facemelter features a glorious night with some truly brilliant veterans of post-rock, drone and ambient sounds, with new and seasoned projects alike.

“Formed thirteen years ago, Flies are Spies from Hell have climbed up from humble beginnings to international fame. The years have seen them move on from small local gigs, to sharing the stage with behemoths such as Russian Circles, And So I Watch You From Afar, *shels, Latitudes and Vessels, to a couple of European tours, and appearances at ArcTanGent and Dunk!festival. Two years after the release of their second album ‘Underdog Underfoot’, they’ll finally grace the stage at The Facemelter.


 
A-Sun Amissa are a powerful (mostly) instrumental collective possessed of “a rusted industrial aesthetic that lurks in the periphery of perception” (‘Rock-A-Rolla’), founded and led by Richard Knox (Shield Patterns, Glissando, The Rustle of the Stars) and Angela Chan (Tomorrow We Sail, Lanterns On The Lake, The Rustle of the Stars) that has featured an array of members and collaborators since its formation in 2011, as well as two albums out on Gizeh Records.

“Producing dense, drone-like atmospheres with evocative, melodic string and woodwind sections, intertwining guitars and field recordings, their live performance is a mixture of recorded output combined with improvisation to explore progressions in the music every time. Their ever-flowing lineup of collaborators have included members of Amenra, Nadja, Gnod, Oiseaux-Tempête and Hundred Year Old Man.


 
Only Echoes Remain serve up incredibly cinematic post-rock, without becoming too cliched thanks to generous smatterings of math, ambient and classic prog influences. They have already played with the likes of Her name Is Calla, TOTORRO, VASA, Poly-Math and Waking Aida, and will be releasing their debut LP early this year.”


 
* * * * * * * *

Piko Cloud Booker + Mein Haus + Matt Baber, 20th April 2017

Piko Cloud Booker present:
Piko Cloud Booker + Mein Haus + Matt Baber
Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England
Thursday 20 April 2017, 7.00pm
information

Piko Cloud Booker are a modern-day progressive rock trio combining King Crimson-esque cyclical guitar patterns in a mix-up of wacky time signatures with the expansive sequencer-driven explorations of early Tangerine Dream. PCB are guitarist Cameron Piko (mastermind of Australian prog-metal unit Montresor), bassist/violinist Gaz Cloud (one half of dream-technoists Cloud & Owl) and drummer Andrew Booker (no-man, Tim Bowness, Sanguine Hum).”

(This project’s so new that’s there’s no music available to present for it – instead, I’ve had to give you a few ideas via these clips from the member’s other projects, including Andrew’s ten years of undersung work with jamming collective Improvizone:)




 
“Supporting them will be string duo Mein Haus, consisting of Patricia Stepien (violin) and Elliot Murphy (cello, guitar). Their music is by turns creepy and sparse, then intense and dramatic. But whether it’s complex rhythmic interplay, or crunching cello and soaring violin, you feel the humour is never far away. From gigsite ‘Go Out Of Tune‘ – “based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable. Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk.”


 
Matt Baber is a co-founding half of the continuing Oxford-based musical journey that is currently Sanguine Hum, having made its way through various earlier incarnations. He has played keyboards throughout, both crafting his unique synth atmospheres plus stamping down complex piano riffs on his Fender Rhodes. Expect more of the latter this time, as he delves into his Jarrett/Emerson-flavoured solo material for his first ever solo keyboard show.”


 
Note that Gaz Cloud – as half of Cloud & Owl – will also be playing this Askarabaskara techno/house gig five days earlier, demonstrating part of the elements-puzzle which makes up his new band.

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Mouse On The Keys + Mutiny On The Bounty + Strobes, 1st May 2017Chaos Theory Promotions presents:
Mouse On The Keys + Mutiny On The Bounty + Strobes
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Monday 1st May 2017, 7.30pm
-information here, here and here

“An ultrasonic mammoth of a lineup, packed with dreamlike jazz, vast math rock, ambient precision and mesmerising polyrhythmic beats!

“The extraordinary Mouse On The Keys trio are back from Japan, armed with fresh material from their new album ‘Out Of Body’, out last January via Topshelf Records. This is a pristine example of blending minimal-phrased piano and dynamic drumming, while creating a live experience composed of visual and audio elements. Formed in 2006, with elements of jazz, funk, post‐rock and electronic music, Mouse On The Keys fits into a genre of their own.

“The trio consists of two former members of the influential Japanese underground band Nine Days Wonder – Akira Kawasaki and Atsushi Kiyota – who teamed up with Daisuke Niitome (who has played drums as well as composed music for countless jazz‐funk and hip hop bands). Their unique sound, comprising two pianos, two keyboards and drums, continues to stand at the forefront of the Japanese music scene.


 
“Luxembourg quartet Mutiny On The Bounty bring a torrent of groovy rhythms, guitar acrobatics and joyous melodies our way. These guys have been showcasing their unique brand of math-rock and instrumental music throughout Europe and have played close to five hundred shows supporting bands such as Biffy Clyro, And So I Watch You From Afar, TTNG and Maps & Atlases as well as playing some of the biggest festivals like Roskilde, Primavera and Fusion festival.

“Following on from their album ‘Trials’, released in 2012 and recorded by producer Matt Bayles, Mutiny On The Bounty released their latest album ‘Digital Tropics’ via Small Pond, which encompasses facets of their personalities ranging from rock, to electro, 80’s pop and even hip-hop. A reverb-infused, pop groove-laden feast of staccato guitar melodies, loops and math rock beats.


 
Strobes‘ triangle of electrified polyrhythms, spaced-out synth jams and off-kilter beats will open the evening. Featuring guitar and synth-work by Matt Calvert (Three Trapped Tigers), drums by Joshua Backmore (Troyka) and keys by Dan Nicholls (who has collaborated with Squarepusher and Matthew Herbert), the trio flickers effortlessly between the worlds of electro-improv, minimalist polyrhythm and distinctively original hooks.

“Like a twisted love child of Aphex Twin, Brainfeeder and Battles, Strobes have been heard individually with the likes of Squarepusher, Matthew Herbert and Three Trapped Tigers. Built from collective composition, studio production, live sampling and improv jams, the band smashes out exhilarating odd-tempo loops, polyphonic synth soundscapes and big headnodding beats. Their new album ‘Brokespeak’, out via Blood And Biscuits, is a true work of genius.


 
“With DJ sets from Bojan Nikolic (The Brain Center At Whipple’s, Battleship Grey), this will be an intensely satisfying feast of jawdropping talent and headnodding beats.”

 

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