Archive | vocal music RSS feed for this section

October-December 2017 – opera and musical theatre – the ‘Rough For Opera’ scratch night in London (9th October); Lucy Steven’s Kathleen Ferrier bio-show tours England (21st/26th/27th September, 3rd December)

2 Oct

Next week in London, a window on some nascent opera work…

'Rough For Opera' #16

Second Movement present:
Rough For Opera #16: A Scratch Night For New Opera
Cockpit Theatre, Gateforth Street, London NW8 8EH
Monday 9th October 2017, 7.30pm
information

“…’Rough For Opera is a performance platform for composers to share new work and opera in progress. Each event is a snapshot and celebration of contemporary opera making, with most work being brought from page to stage for the very first time. With an informal and intimate atmosphere and a Q&A following each performance, Rough For Opera is a great way for audiences to engage directly with opera makers and for composers to get invaluable feedback about their work at an early stage in its development.” 

This month’s edition features the following short opera performances (between ten minutes and half and hour apiece):

Michael-Jon Mizra – ‘Can you Give Up Your Seat Please?’ 
Georgina Bowden – ‘Radium’ (libretto by Eleanor Knight, directed by Ruth Knight)
Voicings Collective – ‘Voicings’ (composed by Michael Betteridge, written by Rebecca Hurst, directed and performed by Freya Wynn-Jones)

Post-performance Q&As will be led by Professor Paul Barker (RCSSD).

* * * * * * * *

Over the course of October (and at the beginning of December), a labour-of-love musical staging of the life of classical and folk singing legend Kathleen Ferrier is touring some of the more out-of-the-way venues in England. From the sound of it, it’s a pretty portable show, so if you’re interested in booking it for your own venue, drop the production company a line.

Dramatic Solutions presents:
Kathleen Ferrier: Whattalife!

Lucy Stevens (as Kathleen Ferrier)

Lucy Stevens (as Kathleen Ferrier)

“This new one-woman play with music tells the story of the great English contralto, whose voice and recordings are treasured to this day. Kathleen Ferrier was one of Britain’s phenomenal women of the twentieth Century. ‘Whattalife!‘ tells her story from her debut as a singer in 1940, her meteoric rise and her tragic death in 1953. ‘Whattalife!’ is the first staged dramatisation of Ferrier’s life, evoking the spirit of the war and post war years. Just like Kathleen during her short but full life, the show has a great sense of fun and talks straight from the heart. 

“Professional actress and contralto Lucy Stevens has researched and created a unique and totally engaging performance. The play is written in Kathleen’s own words taken from her letters and diaries. Sung music with piano accompaniment from her repertoire is woven through the text.”

There’s a ‘Guardian’ article on the piece here, in which Lucy reveals how the piece was put together and throws light on the life, moods and artistry of a strong-minded and talented woman who went her own way during a time when such things weren’t so readily accepted.


 
Dates:

  • Holy Trinity Church, New Road, Bengeo, Hertfordshire, SG14 3JJ, England, Saturday 21st October 2017, 7.30pmemail for details
  • Cooper Hall, Selwood Manor, Frome, Somerset, BA11 3NL, England, Thursday 26th October 2017, 7.30pminformation
  • Anthony Minghella Theatre @ Quay Arts, Sea Street, Newport Harbour, Isle of Wight, PO30 5BD, England, Friday 27th October 2017, 7.30pminformation
  • Dorchester Arts, Corn Exchange, High East Street, Dorchester, Dorset, DT1 1HF, England, Sunday 3rd December 2017, 2.30pm information

And purely to indulge myself, here’s Jocelyn Pook‘s mid-’90s setting of a Ferrier loop as part of her minimalist song-cycle ‘Deluge’: best known as the theme for a mobile phone advert (and, as the video image shows, as fodder for numerous new-age compilations), it’s a little classic of minimalist fusion.


 

June 2017 – upcoming London gigs – Scandinavian and British folk and sea-songs with Åkervinda and The Ballina Whalers (June 13th)

28 May

A quick note about what looks as if it’ll be an enchanting concert-for-voices in one of north London’s most atmospheric venues. This is also the first show presented by London folk/acapella label LaLaLa Records, who got in touch recently claiming to have been following and picking up on new music via this blog (it’s always encouraging to hear that that’s happening). I’m happy to give them their own opportunity to be found in turn…

Åkervinda + The Ballina Whalers, 13th June 2017

LaLaLa Records presents:
Åkervinda + The Ballina Whalers
The Old Church, Stoke Newington Church Street (corner of Clissold Park opposite St Mary’s New Church), Stoke Newington, London, N16 9ES, England
Tuesday 13th June 2017, 7.30pm
– information here and here

“An evening of new vocal music curated by LaLaLa. Both Åkervinda and The Ballina Whalers will take your breath away with their contemporary interpretations of traditional folk songs.

“Jazz singers at heart, Linda Bergström, Agnes Åhlund, Lise Kroner and Iris Bergcrantz (the four singers of Swedish/Danish vocal quartet Åkervinda) give new life to ancient Scandinavian folk music and stories of women throughout the ages, through improvisation and their own original arrangements: beautiful, vivid and engaging. The group’s name is inspired by a Swedish wildflower whose roots spread far and wide like rivers under the ground. Like the flower, gracefully entwining melodies, rock solid groove, and ever-intriguing harmonies take root in your mind. Like the flower, they will be impossible to remove. Iris, Lise, Linda and Agnes share a deep love of folk music. They released their debut album ‘Kära Mor’ (Dear Mother) in 2014 and have been touring in Sweden, Denmark, the USA and Canada ever since.



 
“The Ballina Whalers (Pete Truin, Jamie Doe and Sam Brookes) are three musical barnacles clinging to the creaking hull of a vocal tradition stretching back hundreds of years. Using just their voices they explore ballads, shanties and seafaring songs in hearty three-part harmony. They’ve become one of the most sort after shanty bands around, playing folk clubs, harbour sides, beaches, boat sheds and festivals up and down the country. Between December 2012 and April 2015, they released a series of three EPs (‘Lowlands’, ‘Haul The Bowline’ and ‘Pull Down Below’ the last of which was recorded in the rolling belly of the bright red Lightship95). Having already charmed the Nest Collective, Mark Radcliffe and Late Junction, they’ve taken a couple of years away from live performance, but reunited in November 2016 to continue their adventures.”



 

May 2017 – upcoming gigs – Brian Madigan’s ‘Think Of A Song’ experiment in Bath (May 31st)

22 May

Former members of cult ’90s psychedelic folk band The Wise Wound always tend to have gone on to do something interesting. Their musing percussionist/flautist/interjector Brian Madigan’s been no exception, but for this show (for this year’s Bath Fringe Festival) he’s excelled himself…

'Think Of A Song', 31st May 2017

Brian Madigan: ‘Think of a Song’ (+ Paul Bradley)
The Old Theatre Royal, 12 Old Orchard Street, Bath, Somerset, BA1 1JU, England
Wednesday 31st May 2017, 7.30pm
– information here, here and here

“When we go to a show or concert, what are our expectations? To what extent do we, the audience, create the performance? How does the space affect us? How do other audience members impact on our experience? ‘Think Of A Song‘ sets out to explore these and other questions in a unique, collective, experimental-theatre experience.

“Singer-songwriter Brian Madigan is famed for his lengthy, spoken intros. Indeed, during a previous Fringe Festival performance, he got the biggest cheer of the night when he introduced his last song but ran out of time to perform it. So what if he were to remove the songs altogether – only thinking them “out loud” as the audience were invited to imagine them? Would that be deeply uncomfortable? Transcendental? A brief moment of sanity amid the cacophony of everyday madness? Or an evening wasted?

“There is, of course, only one way to find out. If you only go to one high-risk, experimental, participatory, silent-music performance this Fringe, make it ‘Think Of A Song’. One thing is for certain: you won’t forget it in a hurry… A unique journey – not only into the mind of a performer but also into the audience’s own. Inspired by the works of John Cage and Marina Abramovic, this is powerful, immersive and unforgettable experimental performance at its experimentalist!”

If you’re planning to attend, note that ‘Think Of A Song’ is also going to be recorded by filmmaker Martin Tomkins. Brian: “The show comprises two performances: one with and one without audience. The first will take place in advance of the public show on May 31st, in the empty space, before it is set up for the Fringe. This will be filmed and recorded, the audio then presented to audience members after the live show on a complementary CD. The film will capture and blend the two parts. In the first , I will be thinking the intros and singing the songs out loud in the empty space. In the second, I will be speaking the intros, then thinking the songs “out loud” in front of an audience (including you, hopefully…) As well as providing a document of this unique event, the filming will serve to underline the role of audience as participants. In essence, you are the show.”

Support comes from “the incomparable Paul Bradley – right-strung left-handed guitarist, bandleader, composer, triple-octave singer, improviser, sessioneer, collaborator, children’s musician and multi-instrumental livelooper-cum-raconteur. If you have never encountered Paul before, you are in for a real treat. It would be no exaggeration to say that he alone is worth the ticket price.”



 

May 2017 – upcoming London classical gigs – polygender opera with ‘Binary Optional’ at CPT (May 25th & 26th)

21 May

One of the month’s more interesting London opera events…

'Binary Optional', 25th & 26th May 2017

Oedipa & Lucia Lucas present:
‘Binary Optional’
Camden People’s Theatre, 58-60 Hampstead Road, Euston, London, NW1 2PY, England
Thurday 25th & Friday 26th May 2017, 9.00pm
information

From the press release, spliced with a little more research:

Oedipa collaborates with the extraordinary female baritone Lucia Lucas (Wuppertaler Bühnen, Deutsche Oper, Chicago Opera Theatre) on an evening of song in transition: from masc to femme, classical to queer and oppression to freedom.

“A freelance opera singer based in Germany (who has previously held full-time contracts with the Badisches Staatstheater, Kalsruhe, Theater und Orchester Heidelberg and the Deutsche Oper, Berlin), Lucia Lucas is a strong dramatic baritone specializing in Verdi roles, and has sung roles including Ford in ‘Falstaff’, Iago in ‘Otello’, Escamillo in ‘Carmen’, Le Grand-Prêtre in ‘Samson et Dalilah’, Jochanaan in ‘Salome’, Alberich in ‘Das Rheingold’, Thoas in ‘Iphigenie en Tauride’, Figaro in ‘Le nozze di Figaro’, Leporello and Giovanni in ‘Don Giovanni’, Mephistopheles in ‘Faust’, Don Pizzaro in ‘Fidelio’ and Nick Shadow in ‘The Rake’s Progress’.

“Beyond this, Lucia is one of the small but growing number of transgender woman performing significant operatic roles (a list of singers which includes Breanna Sinclairé and Emily De Salvo, whose own unusual range covers baritone to soprano). As Lucia commented in an interview in ‘Slipped Disc’ a couple of years ago, “I am performing all of the same things. Still singing angry old men on stage, but fringe projects have also started appearing as possibilities”. ‘Binary Optional’ is one such project – singing Bizet, Britten, Wagner, Purcell and Adams, flirting with Sarah Vaughan and ‘Rocky Horror’, Lucia draws on her experience singing classical repertoire across the world to tell her incredible story and celebrate the fluidity and plurality of gender in opera.


 
“Oedipa is the alter ego of writer/director Finn Beames (who’s dedicated himself to working “against the male perspective”) and a diverse range of varying collaborators. As Oedipa, groups of artists create and produce live performances in theatre, opera and related forms, often with an emphasis on music.

“Based in London and working internationally, Finn won the 2015 Genesis Future Directors Award at the Young Vic for his production of Man: 3 Plays by Tennessee Williams in the Clare theatre. He also holds the 2015 Lina Bo Bardi Fellowship, granted by the British Council for research into the eponymous Brazilian architect and the creation of a piece of theatre. For his own company, bodycorps, he recently directed a sold-out run of a new opera about depression, funded by The Wellcome Trust and ACE. Finn has commissioned further new work for bodycorps, including a musical based on The Sorrows of Young Werther. In 2014 Finn wrote, directed and designed a new music theatre work for the London Sinfonietta with composer Gavin Higgins, which they are currently expanding into a triptych. Finn is a director/librettist on the Jerwood Opera Writing Programme at Aldeburgh Music, and a member of the Young Vic Directors Network and Lincoln Center Theater Directors Lab in New York.”
 

April 2017 – upcoming London jazz gigs – Ella Hohnen-Ford Quartet (8th), The Delegation (22nd), TEXTURE (28th)

3 Apr

Three upcoming jazz gigs this month – shimmering vibes-and-voice-led songwork; large-scale and purposeful big-band abstractions like a collapsing city; cartoon-coloured Weather Report-ish synth and drum grooves…

* * * * * * * *

MAP Studio Café presents:
Ella Hohnen-Ford Quartet
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 8th April 2017, 7.30pm
information

Ella Hohnen-Ford Quartet, 8th April 2017“The unusual line up of bass, drums, voice and vibraphone adds to the unique sound created by the Ella Hohnen-Ford Quartet, a vibrant jazz/cross-genre quartet of passionate young players, currently studying at the Royal Academy of Music and Guildhall. With influences ranging from the jazz greats (such as Ella Fitzgerald and Shirley Horn), to modern composers (including Kenny Wheeler and Marius Neset) and singer-songwriters such as Nora Jones and James Taylor, the group have a truly individual and confident sound. A debut performance not to missed, featuring arrangements of songs we love and compositions written by and for this specific line up.

“The band features Ella Hohnen-Ford (currently the only singer studying at the Royal Academy of Music’s jazz course), vibraphonist/composer Jonny Mansfield, drummer Boz Martin-Jones and bassist Will Sach (who currently holds the world record for playing the highest altitude bass line, at 40,000 feet). Ella and Boz also play in Johnny’s hotly-tipped Elftet band.”

I couldn’t find anything by the whole band, let alone any sneak previews of their original tunes, but here’s what sounds like Jonny and Ella at work on an old standard:


 
* * * * * * * *

MAP Studio Café presents:
The Delegation
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 22nd April 2017, 7.30pm
information

Gabriel ZuckerGabriel Zucker’s indie jazz orchestra The Delegation was founded in 2013, and has already broken new ground in New York’s dynamic music scene. Combining an array of disparate influences into a unique and emotionally immediate sound, The Delegation has performed throughout the Northeast and Canada, and Zucker’s compositions for the group have received awards from ASCAP and the American Composers Forum JFund grant. The group’s singular musical philosophy has been profiled at length by the Ottawa Citizen, Jazz Gallery, and the American Composers Forum.

“Last autumn, The Delegation brought its unique concept to life with the release of ‘Evergreen (Canceled World)’, Zucker’s maximalist 12-movement composition that serves as the band’s sprawlingly ambitious debut record. In ‘World Music Report’, Raul da Gama wrote “in Zucker’s almost confrontational writing I find the vision of one who is hugely expressive. Here is a young man with a profound sense of tone and colour and how it can be wrought from diverse instrumentation to be affectingly “cantorial”, expressive and hugely symphonic too.”

“‘Evergreen’ also received 4.5 stars in ‘Downbeat’ and 4 stars in ‘All About Jazz’. With protean production by Zucker and pop producer Chris Connors, the nearly-two-hour record features everything from angular rhythmic grooves to Radiohead-inspired soundscapes to jarring electronics-infused chamber music to enigmatic lullabies, and is one of the year’s only contemporary releases on the prestigious ESP-Disk label.


 

 

“Support comes from Introspection, a new seven-piece contemporary modal jazz and jazz-rock ensemble, soon to release their eponymous debut EP. The group plays the original compositions and arrangements of its bandleader and guitarist Julian Woods, which explore colourful modal harmony, open improvisation, dense textures, contemporary through-composition, and rock-like timbres.”

* * * * * * * *

IKLECTIK Art Lab presents:
TEXTURE
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Friday 28th April 2017, 8:00 pm
information

TEXTURE, 2014“TEXTURE is an original drums/keyboards duo project of drummer, percussionist and composer Adam Teixeira, featuring Chris Pruden on analogue keyboards and synthesizers. Based in South London and Berlin, the two musicians began playing together in Toronto, Canada in 2012 and have since performed across North America and Europe collaborating with a variety of international musicians.

“Adam has recently released this music on his debut album (also called ‘TEXTURE’), which features hypnotic and infectious drumset grooves, kalimba melodies, atmospheric synth landscapes; exploring a unique blend of folkloric rhythmic traditions stemming from African, Caribbean and Indian classical roots with modern jazz and electronic influences, and providing the perfect setting for the musicians to launch into energetic improvisations.”



 

April 2017 – upcoming London gigs – “wonk rock” with The Display Team + A Sweet Niche + Ham Legion (3rd); Patricia Hammond & Matt Redman’s Edwardian pop (3rd); SOIF Soiree with Society Of Imaginary Friends, David Skinner, The Support Stockings, Cian Binchy, Millie George, I Am Her, Martin Wakefield, Jed Demochowski, Anne Corrigan etc. (7th)

27 Mar

I was moved to jam these three early April gigs together for a preview. On the Wednesday, it’s up to you whether you go for the tangled electric loom of wonky pop/jazz/punk noise or for the hundred-year-old pop hits with the Keep Calm And Carry On teatowels. Either way, you still get to attend the latest mixed-music-and-poetry SOIF cabaret on the following Friday…

* * * * * * * *

The Display Team + A Sweet Niche + Ham Legion, 3rd April 2017Bad Hedge presents:
The Display Team + A Sweet Niche + Ham Legion
The Birds Nest, 32 Deptford Church Street, Deptford, London, SE8 4RZ, England
Monday 3rd April 2017, 7.00pm
information

“A repulsive onstage three-way shocker! For one night in April, three heavyweights of the widely ignored wonk rock scene will spill off the stage in one of London’s best (and cheapest) small venues. And all for free! The Display Team: nob-bothering high-octave brutalitarians; like a small orchestra with big balls. A Sweet Niche: skronky honkies that bring an ominous twistin’ y’all can’t be resistin’. Ham Legion: kaleidoscopic power-pop rompers with more dinner ideas than you’ve had hot.”

For a little more on these people from back in the ‘Misfit City’ archives, have a peek here, here and here. Meanwhile, here’s the obligatory fistful of tunes.




 
* * * * * * * *

Patricia Hammond & Matt Redman - 3rd April 2017Wiltons Music Hall presents:
Monday Night Music: Patricia Hammond with Matt Redman
The Mahogany Bar @ Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Monday 3rd April 2017, 8.00pm – free event
– information here and here

“An evening of rousing Edwardian pop! Patricia Hammond and Matt Redman, world-renowned specialists in authentic historical performance, will play an assortment of pop songs from the Edwardian era, including some of the first songs ever written about motorised transport: Willie Had A Motor-Boat, In My Merry Oldsmobile, My Rickenbacker Car, Wait Till You Get Them Up In The Air, Boys, and many, many more delights. If you’re very nice to them, Patricia and Matt also promise some rousing singalongs to gems such as If You Were The Only Girl In The World and, for the WW1 Centenary’s sake, Pack Up Your Troubles In Your Old Kit-Bag.

 
Matt will be performing on piano, guitar, banjo and accordion, and will treat people to instrumentals of some of the new dance crazes of the 1900s and 1910s, such as tango, chorinho, ragtime, Hawaiian and blues. Of course, this being Wilton’s, songs of the great music hall era will also feature. All together now!”

* * * * * * * *

SOIF Soiree, 7th April 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “For Absent Friends” (featuring Society Of Imaginary Friends + David Skinner + The Support Stockings + Cian Binchy + Millie George + I Am Her + Martin Wakefield + Evie + Jed Demochowski + Anne Corrigan + Dj Onjdrew + others t.b.c.)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 7th April 2017, 8.00pm – free event
information

The latest in Society of Imaginary Friends’ ongoing series of grab-bag gigs, featuring a number of faces which ought to be familiar from recent performances:

“A sunny spring park comes to life crowded with absent friends, friends turned imaginary, walking with the sun, singing and humming, playing rounders, turning summersaults, laughing with the children,climbing trees, smiling into the breeze and as the sun sets we gather round a bandstand at the centre of a green. Vegan ma-nah is brought out by sensual peace-loving Daleks… a gorgeous offering of sound and light a celebration of friendship.

“Performing on 7th is the virtuosic guitarist and velvety voiced singer David Skinner; harmonious vocal stylings from our choir The Support Stockings; fresh from his sold-out national tour, Cian Binchy; the fabulous young poet and star of the Round House and Young Vic Millie George; urban punk from the mighty Julie Riley‘s I Am Her; Martin Wakefield and Evie with inspiring poetry, music and verse; Jed Demochowski (of the VIPs) and his new band; Anne Corrigan delighting us with her poems; DJ Onjdrew, and a couple of super amazing surprise star guests. Plus us, theSociety Of Imaginary Friends.

“Please come and bring a memory, a line or two about your absent friend to say on the night. Looking forward to seeing you there. Don’t forget it is free entry and there is amazing vegan food and award-winning beverages to purchase.”





 

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A lovingly curated compendium of the world's weirdest music

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

A home for instrumental and experimental music.

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

%d bloggers like this: