Tag Archives: Johannes Brahms

March 2017 – upcoming gigs – selections from the Sheffield Classical Weekend (17th-19th)

6 Mar

There’s plenty going on at the three-day mid-March Sheffield Classical Weekend, with the city permeated with music including many old and new favourites. Among what’s on offer are two different performances of Arvo Pärt’s ‘Fratres’ (one by a wind band, one by a host of strings), two Dreams of China concerts covering formal Chinese classical compositions) and a host of choral shows (the classic monk’s-debauchery of Orff’s ‘Carmina Burana’ via Schubert’s ‘Mirjam’s Siegesgesang’ and Brahms’ ‘Ziguenerlieder’, through to a variety of pops choirs.) Though I’d advise checking out the entire, pleasingly diverse programme, here are my own brief and subjective picks from it, if you’re interested.

* * * * * * * *

Oliver Coates & cellists: ‘Canticles of the Sky’ – Kelham Island Museum, Alma St, Sheffield, S3 8RY, England, Saturday 18th March 2017, 3:30pm & 5.00pminformation

“A UK premiere featuring star cellist Oliver Coates (Radiohead, ‘Under The Skin’ and ‘There Will Be Blood’). Olly and a host of cellists will surround the Kelham Island audience and lift you skyward with this ethereal and dreamy work from Pulitzer and Grammy-winning composer John Luther Adams. Also featuring extracts from J.S Bach’s Cello Suites.”

* * * * * * * *

Five Choirs: Sounds From Heaven – St Marie’s Cathedral, Norfolk Row, Sheffield S1 2JB, England, Sunday 19th March 2017, 2:30pminformation

“Perched around the sides of the excellent acoustic space within the Cathedral Church of St Marie, five Sheffield chamber choirs – Abbeydale Singers, Sheffield Chamber Choir, Sterndale Singers, Sheffield Chorale and Viva Voce – will “create a swoonsome heart-lifting soundscape of song.” As well as old and new choral standbys by John Tavener, Arvo Pärt, Felix Mendelssohn and others, the concert will include the premiere of ‘Kraal’ a commission for five simultaneous choirs written by Jenny Jackson (a member of Sheffield’s own contemporary composer collective, Platform 4).”

* * * * * * * *

More music fostered by Platform 4 will be popping up a few times over the weekend. Flautist Rachel Shirley performs “a selection of colourful and inventive works for flute, piano, blown bottles and saxophone“; there’s an evening date at Yellow Arch Studios with players from Sheffield Music Academy, performing the collective’s own “imaginative cutting-edge compositions”. There’s a “mind-bending” collaboration with Opera On Location in which “stories are turned upside down and endings become beginnings in (a) selection of operatic palindromes, where the music is the same both backwards and forwards… featuring Paul Hindemith’s short opera ‘Hin Und Zurück’ (‘There And Back’), plus new bitesize and puzzling pieces…” Platform 4 also contribute the cello-and-electric keyboard piece ‘Upright Stance’ to be performed alongside Shostakovich’s Cello Concerto at Oliver Coates’ concert with Sheffield Music Hub Senior Schools.

  • Opera On Location with Platform 4 – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 8:30pminformation (contains strong and sexually explicit language – recommended for 18+)
  • Rachel Shirley: ‘Hooting & Drinking’ – Channing Hall @ Upper Chapel, Norfolk Street, Sheffield, S1 2JD, Saturday 18th March 2017, 3.30pminformation
  • Oliver Coates & Sheffield Music Hub Senior Schools: ‘From The Heart: Shostakovich’ – City Hall Ballroom @ Sheffield City Hall, Barkers Pool, Sheffield, S1 2JA, England, Sunday 19th March, 12:00pminformation
  • Platform 4 with Sheffield Music Academy – Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6:30pminformation

* * * * * * * *

On the Friday and the Saturday, there are some thoughtfully programmed Sound Laboratory events centring on the music, ideas and influence of Pierre Boulez. Saturday sees a triple-banked set featuring pianists Beate Toyka and Matthew Odell, violinists Darragh Morgan and Lucy Phillips, clarinettist Sarah Watts and the University of Sheffield New Music Ensemble.

Each of these mini-concerts sets one of Boulez’s first three Piano Sonatas against another piece. ‘The Conflict And The Passion’ pitches ‘Piano Sonata No. 1’ against Beethoven’s Kreutzer Sonata in a study of thwarted passions. ‘Deconstruction & Digitalisation’ presents the classical deconstruction of ‘Piano Sonata No. 2’ and the electro-acoustic contrasts of ‘Anthemes II’. ‘Choice And Chance’ (the only one of the concerts to feature two Boulez compositions) offers ‘Piano Sonata No. 3’ and the clarinet-and-orchestra piece ‘Domaines’, contrasting a piece in which major options are available to the performer and one which is considerably more ordered and regimented.

The series opens on Friday with a special Boulez-inspired concert in which “the avant-garde becomes child’s play… primary school children from across the city explore the curious frontiers of contemporary electronic music and present the results of their musical experimentation.”

Sound Laboratory:

  • ‘Computer Music’ – Firth Hall @ University of Sheffield, Western Bank, Sheffield, S10 2TN, England, Friday 17th March 2017, 1:30pminformation
  • ‘The Conflict & The Passion’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 1:30pminformation
  • ‘Deconstruction & Digitalisation’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 3:30pminformation
  • ‘Choice and Chance’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 5:00pminformation

* * * * * * * *

Among the Chinese-inspired events is one in which Chinese and European chamber music merge as celebrated guzheng zither soloist Xia Jing teams up with The Fidelio Trio (Darragh Morgan on violin, Adi Tal on cello and Mary Dullea on piano). They’ll be presenting a concert of brand-new musical premieres – Gao Ping’s ‘Feng Zheng’ (‘Kite’), Jeroen Speak’s ‘Silk Dialogues 7’, Dylan Lardelli‘s ‘Shells’, and ‘Time Bends In The Rock’ by Sheffield-based composer Dorothy Ker.

Fidelio Trio & Xia Jing: ‘Global Soundtracks: Silk Dialogues’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 9:30pminformation

* * * * * * * *

In addition, there’s a variety of pop-up performances across the three days, featuring abbreviated sets by event headliners plus showings by small instrumental and vocal groups. It’s an open-minded spill moving out from classical forms to embrace folk, alt.chamber and other kinds of music.

One promising set of contributors are Manchester quintet Kabantu, who’ve thankfully dropped their previous name Project Jam Sandwich and who also “throw away the rulebook to bridge countries and cultures, creating an exuberant and joyful soundworld… vocal harmonies from South Africa coalesce with everything from Celtic reels and Brazilian samba to Balkan folk music and beyond.” Featuring violin, guitar, cello, double bass and percussion in addition to voices, they’re playing a pop-up show but also two separate consecutive-but-entirely-different sets at Yellow Arch Studios.

Classical by Night – Kabantu @ Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6.30pm & 9:30pm – information here and here
 

November 2016 – upcoming London classical gigs – Shadwell Opera’s Schoenberg and Turnage one-woman psychodramas (4th, 5th); more contrabass flute from Carla Rees at IKLECTIK (5th); Conway Hall’s London Festival of Bulgarian Culture chamber concerts (6th, 13th)

3 Nov

A quick sprint, and some quicker comments, through some imminent (and not-quite-so-imminent) classical performances about to take place in the Smoke. (One day I’ll get all of this stuff up well in advance. One day…)

* * * * * * * *

Shadwell Opera's ‘Erwartung/Twice Through The Heart’, 4th & 5th November 2016

Shadwell Opera presents:
‘Erwartung/Twice Through The Heart’
Hackney Showroom, Hackney Downs Studios, Amhurst Terrace, Hackney, London, E8 2BT, England
Friday 4th & Saturday 5th November 2016, 7.30pm
– information here

“A disused mine. You mime.

“The same sentence. The sound gets stuck.

“Life. Life.

Shadwell Opera present a dazzling double-bill of one woman psychodramas: ‘Erwartung’ by Arnold Schoenberg and ‘Twice Through The Heart’ by Mark-Anthony Turnage. Separated in the writing by ninety years, these two monodramas (both to words by female librettists, Marie Pappenheim and Jackie Kay) break apart and reconstitute the mind of an isolated woman in extraordinary stream-of-consciousness narrations.

“Directed by Shadwell Opera’s artistic director Jack Furness and associate director Celine Lowenthal, and conducted by musical director Finnegan Downie Dear, this programme will feature the role debuts of the exciting operatic talents Madeleine Pierard and Kate Howden.”

Here’s a little more information, courtesy of the ‘Planet Hugill‘ classical music blog (which tipped me off to the fact that these were being performed).

“Schoenberg’s ‘Erwartung’ was written in 1909 with a libretto by Marie Pappenheim, but had to wait until 1924 to receive its first performance when Alexander Zemlinsky conducted it in Prague. Schoenberg said of the work ‘In ‘Erwartung’ the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour.’

“Mark-Anthony Turnage’s ‘Twice Through The Heart’ was written between 1994 and 1996, and revised subsequently and received its first performance in 1997. The libretto, by Jackie Kay, is based on a 1992 poetry documentary which she had written for the BBC.”

* * * * * * * *

Contraventions, 5th November 2016

rarescale presents:
‘Contraventions – new music for contrabass flute’ with Carla Rees
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 5 November 2016 (workshop 4.00pm-7.00pm; concert 8.00pm)
information

“UK-based low flutes player Carla Rees tours a concert of new music for contrabass flute and electronics. The contrabass flute is a rare instrument, most usually found in flute choirs, but in this programme it takes on a new solo persona. It is both impressive in sound and size, and complimented by electronics this concert will be a sonic delight of rarely heard music. The concert will feature premiere performances of several new pieces, including music by Matthew Whiteside, Piers Tattersall, Benjamin Tassie and Michael Oliva.

“Carla is the artistic director of rarescale (an ensemble which exists to promote chamber music repertoire for low flutes), and director of low flutes publishing company Tetractys. She has been working closely with Michael and Matthew along with other composers who are writing new works for the tour.

“From 4.00pm to 7.00pm there will be a workshop for composers to explore writing for the contrabass flute. Composers are invited to bring sketches or new works to try out (scores can also be submitted to Carla in advance), and all their questions about the instrument will be answered during the afternoon. The entry fee for the workshop includes entry to the concert.”

* * * * * * * *

As part of the fourth London Festival of Bulgarian Culture, the organisers of the Ethical Society and Sunday Concerts at Conway Hall are putting on three chamber music concerts, which they’re calling “a musical journey along the Danube: through Bulgaria and beyond.” Each of these will feature at least one Bulgarian work (alongside other items from the classical repertoire which have at least a glancing connection with the country or the river) and be performed primarily by British-based Bulgarian musicians plus compatriots from abroad and sympathetic colleagues from Britain and elsewhere.

To be honest, if you took the players out of the equation, the Bulgarian connection would be tenuous. Leaving aside the fact that the universality of the Haydn, Schubert, Brahms and Mozart pieces chosen for the programme has almost rendered them a common world possession, the inclusion of works by the Hungarian Dohnányi, the Czechoslovakian Drdla and the intensely Czech Dvořák and Smetana means that the concerts fade into an amorphous Danubian appreciation of late classical and romantic string music, perhaps with some of its attention towards eastern Europe, but with its centre still fixed on Vienna or Prague rather than Sofia. Only two actual Bulgarian composers are having their works performed – lynchpin twentieth-century classicist/folk integrator Pancho Vladigerov (whose conscientious approach and assured pedagogy made him the mentor to most post-war Bulgarian composers) and contemporary British-Bulgarian composer Dobrinka Tabakova (whose 2002 trio ‘Insight’ is being played during the first concert). In other respects, representation of the home side is pretty slim. No Emanuil Manolov, no Alexandra Fol, no Georgi Atanasov or Albena Petrovic-Vratchanska.

Admittedly, these choices are partly down to the instrumentation and tone chosen for the concert – piano and string pieces from duo to quintet; accessible classical-melodicism; the warmer, more positive folk-culture-inspired end of small-state nationalism. Quibbles aside, it’s a good opportunity to hear the Vladigerov pieces (beloved Bulgarian staples which don’t tend to travel much outside the country) and the diverse pedigree of the players contributing to this collective and cooperative effort is encouraging and heartening, as well as impressive. Should be a good set of shows.

London Festival of Bulgarian Culture: Concert 1
Conway Hall, 25 Red Lion Square, Bloomsbury, London, WC1R 4RL, London
Sunday 6th November 2016, 5:30 pm
– information here and here

Programme:

Pre-concert talk by pianist and music commentator Michael Round (at 5.30pm in the Brockway Room)
Franz Joseph Haydn – Piano Trio in G Hob.XV:25 ‘Gypsy’
František Drdla – Souvenir & Serenade in A major
Dobrinka Tabakova – Insight (for string trio)
Fritz Kreisler – La Gitana & Schön Rosmarin (for violin and piano)
Franz Schubert – Quintet in A D667 ‘Trout’ (for string quartet and piano)

Performers:

Julita Fasseva, 2016

Julita Fasseva, 2016

Evgeniy Chevkenov (violin – Professor at Richard Wagner Conservatoire, Vienna)
Devorina Gamalova (viola – Professor at Birmingham Conservatoire)
Alexander Somov (cello – Principal cellist at Strasbourg Philharmonic)
Simon Callaghan (piano – Artistic director of Conway Hall Sunday Concerts)
Julita Fasseva (double bass – member of Royal Flemish Philharmonic)

London Festival of Bulgarian Culture: Concert 2
Conway Hall, 25 Red Lion Square, Bloomsbury, London, WC1R 4RL, London
Sunday 13th November 2016, 6:30 pm
– information here and here

Programme:

Ernö Dohnányi – Serenade for string trio Op.10
Bedřich Smetana – Macbeth and the Witches (for solo piano)
Pancho Vladigerov – Bulgarian Rhapsody ‘Vardar’ Op.16
Johannes Brahms – Piano Quintet in F minor Op.34

Performers:

Ashley Wass, 2016 (photo  © Patrick Allen)

Ashley Wass, 2016 (photo © Patrick Allen)

Pavel Minev (violin- Soloist of Moscow State Philharmonic)
Ivo Stankov (violin – Artistic director of LFBC)
Alexander Zemtsov (viola – Professor at Guildhall School of Music)
Guy Johnston (cello – Winner of ‘BBC Musician of the year’ competition),
Ashley Wass (piano – Laureate at Leeds International Piano Competition)

London Festival of Bulgarian Culture: Concert 3
Conway Hall, 25 Red Lion Square, Bloomsbury, London, WC1R 4RL, London
Sunday 20th November 2016, 6:30 pm
– information here and here

Programme:

Wolfgang Amadeus Mozart – Sonata for Violin and Piano in B flat K454
Pancho Vladigerov – Piano Trio Op.4
Antonín Dvořák – Piano Quintet in A Op.81

Performers:

Ludmil Angelov, 2016

Ludmil Angelov, 2016

Dimitar Burov (violin, Head of Strings at Harrow School, programme supervisor)
Yana Burov (violin, Leader of ‘Inspirity’ String Quartet)
Michael Gieler (viola, Principal at Royal Concertgebouw Orchestra),
Gerard Le Feuvre (cello, Director of Kings Chamber Orchestra)
Ludmil Angelov (piano, Laureate of International Chopin Piano Competition)
 

February 2016 – upcoming gigs – a classical sweep: Britten Sinfonia tour Debussy, Donatoni, Takemitsu, Jolivet and a Daníel Bjarnason premiere; the Hermes Experiment go audio-visual with Bennett, Kate Whitley, Soosan Lolavar, Ed Scolding and Giles Swayne; Busch Piano Trio play Brahms, Schubert and Loevendie; the latest of Susanne Kessel’s ‘250 Piano Pieces For Beethoven’ project brings premieres by Mike Garson, Ivo van Emmerik, Robert HP Platz, Claudio Puntin, Markus Reuter, Klaus Runze, Mateo Soto and Knut Vaage.

11 Feb

Some news on upcoming classical-and-related gigs spanning from Southampton to London to Cambridge to Norwich, and over to Bonn in Germany…

* * * * * * * *

The Hermes Experiment - 'Sonic Visions' @ The Forge, 16th February 2016

The Hermes Experiment presents: Sonic Visions
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Tuesday 16th February 2016, 8:00 pm
more information

“Described as “barmy but brilliant” by ‘Classical Music Magazine’ (and winners of both Park Lane Group Young Artists 2015/16 and of Nonclassical’s Battle of the Bands 2014), The Hermes Experiment is an ensemble of four young professional musicians who are passionate about contemporary and experimental music, and thus inspired to create something innovative and unique. Capitalising on their deliberately idiosyncratic combination of instruments, the ensemble regularly commissions new works, as well as creating their own innovative arrangements and venturing into live free improvisation.

The ensemble has established itself on the London contemporary classical scene with regular performances across the city for organisations including Nonclassical, Kammerklang, Listenpony and Bastard Assignments. Other highlights have included being selected to perform at the 2014 UK Young Artists Festival in Leicester, and giving a concert at Aubazine Abbey in France as part of the L’Aura des Arts festival. The Hermes Experiment is also dedicated to the value of contemporary music in education and community contexts, having taken part in the Wigmore Hall Learning’s ‘Chamber Tots’ and ‘For Crying Out Loud’ 2014/15 schemes.

So far, The Hermes Experiment has commissioned new work from thirty-one composers at various stages of their careers (including Giles Swayne, Stevie Wishart and Misha Mullov-Abbado). The ensemble also strives to create a platform for cross-disciplinary collaboration and has recently created a ‘musical exhibition’ with photographer Thurstan Redding.

The Sonic Visions show will explore ways in which aural experiences have been influenced by visual stimuli. The programme is led by new commissions that respond to a visual element, as interpreted by composers Kate Whitley and Soosan Lolavar; plus a new piece devised in collaboration with Giles Swayne based on a graphic score, and the premiere of an animation by Izabela Barszcz based on Ed Scolding‘s ‘Black Sea’. The Hermes Experiment will also be interpreting three other new graphic scores, devised by Deborah Pritchard, Andy Ingamells and Eloise Gynn as part of a competition linked to the event. The programme will be completed by arrangements that explore three very varied composers/songwriters that have been inspired by the world of visual art: Claude Debussy, Richard Rodney Bennett and Don McLean. This concert is supported by the Britten-Pears Foundation and the Hinrichsen Foundation.

Programme:

Kate Whitley – My Hands (setting of a poem by Nadine Tunasi – world premiere)
Soosan Lolavar – Mah Didam (world premiere)
Ed Scolding – Black Sea (with new animation by Izabela Barszcz)
Claude Debussy – Mandoline and Fantoche
Richard Rodney Bennett – Slow Foxtrot (from ‘A History of Thé Dansant’)
Don McLean – Vincent (new arrangement by The Hermes Experiment)
New semi-improvised piece by Giles Swayne & The Hermes Experiment
New graphic scores by Deborah Pritchard, Andy Ingamells and Eloise Gynn

Performers:

Oliver Pashley – clarinet
Anne Denholm – harp
Marianne Schofield – double bass
Héloïse Werner – soprano/co-director

Supported by
Hanna Grzekiewicz – co-director/marketing/development

Kate Whitley and Soosan Lolavar have both provided blog entries discussing the genesis of their Sonic Visions pieces (based on a poem setting and on an exploration of the links between Iranian music and Renaissance Counterpoint, respectively). The graphic score for Deborah Pritchard’s piece (which is apparently called ‘Kandinsky Studies’) showed up on Twitter recently, so I’ve reproduced it below:

Deborah Pritchard:  score for 'Kandinsky Studies', 2016

Deborah Pritchard: score for ‘Kandinsky Studies’, 2016

Also below are a couple of videos – one of the Hermes Experiment in the flow of free improvisation, the other of them performing William Cole’s ‘me faytz trobar’.



 
* * * * * * * *
The Britten Sinfonia return for the second of this year’s (and the third overall) ‘At Lunch’ concert series of mid-day performances across the east of England, this time managing to stretch as far as the south coast.

Britten Sinfonia presents ‘At Lunch Three’

Daníel Bjarnason (photo by Samantha West)

Daníel Bjarnason (photo by Samantha West)

Programme:

Claude Debussy – Syrinx
Franco Donatoni – Small II
Daníel Bjarnason – new work (world premiere tour)
Franco Donatoni – Marches
Claude Debussy – Sonata for flute, viola and harp (L137)

amended setlist for Southampton adds:

André Jolivet – Petite Suite
Toru Takemitsu – And Then I Knew ‘Twas Wind

Performers:

Emer McDonough (flute)
Clare Finnimore (viola)
Lucy Wakeford (harp)

“The combination of flute, viola and harp may not be the most familiar trio ensemble, but it is one that certainly lends itself to the rich exploration of colour and harmonies that is typical of Debussy’s output. A deeply expressive curiosity in soundscapes and association with visual art also features in the compositions of Icelandic composer Daníel Bjarnason, whose new work features alongside that of Debussy in this programme.”

The London and Cambridge gigs include an “in conversation” event (a pre-concert discussion on Daníel Bjarnason’s new work) before the concert at 12.15pm in London, or after the concert at 2.15pm in Cambridge. Tickets are free but must be booked in advance in London, and are only available to concert ticket holders in Cambridge.

* * * * * * * *

Back in Norwich, there’s a promising trio concert…

Busch Trio, 2016

(Norfolk & Norwich Chamber Music Festival presents:
The Busch Trio
John Innes Centre, Norwich Research Park, Colney Lane, Norwich, NR4 7UH, England
Saturday 20th February 2016, 7.30pm
more information

“Named after the legendary violinist Adolf Busch and inspired by trio member Mathieu van Bellen’s possession of Busch’s 1783 J.B. Guadagnini violin, the London-based Busch Trio – previously The Busch Ensemble – are emerging as one of the leading young piano trios among the new generation, receiving enthusiastic responses from audiences and critics across the UK and Europe. Recognised for their achievements and the “incredible verve” of their playing, they were winners of the 2012 Royal Overseas League Competition and went on to win several prizes including 2nd prize and the recording prize at the 2012 Salieri-Zinetti International Chamber Music Competition and the 3rd prize at the 2013 Pinerolo International Chamber Music Competition in Italy as well as the 2nd prize at the International Schumann Chamber Music Award in Frankfurt.

Since its formation in 2012 highlights of the Trio’s performances in the UK have included the Edinburgh Festival Fringe, Queen Elizabeth Hall, the Sage Gateshead and a critically acclaimed appearance at Wigmore Hall. They have also given concerts in the Netherlands, France, Germany, Switzerland, Italy and Denmark. The trio enjoys the support of the Tunnell Trust, the Kirckman Concert Society, the Park Lane Group and the Cavatina Chamber Music Trust, as well as being awarded the MMSF Philharmonia Orchestra Ensemble Award. Most recently they have completed the prestigious ChamberStudio Mentorship Programme, which has offered them teaching from some of the world’s leading musicians. They are currently receiving guidance from members of the Artemis Quartet at the Queen Elizabeth Music Chapel in Brussels.”

This concert includes a pre-concert discussion with the trio members at 6.30pm. In addition to two familiar Romantic-era classics, the programme includes a performance of ‘Ackermusik’ by jazz/Eastern-cultures-inspired Dutch composer Theo Loevendie (which Loevendie notes is “written in a mosaic form of five repetitive elements” and which possibly, though not explicitly, pays tribute to the low, breathy vibrato clarinet stylings of late British trad-jazzer Acker Bilk).

Programme:

Theo Loevendie – Ackermusik
Johannes Brahms – Piano Trio No. 2 in C major Op. 87
Franz Schubert – Piano Trio No 2 in E flat D929

Performers:

Omri Epstein – piano
Mathieu van Bellen – violin
Ori Epstein – cello

Here’s a recent recording of the Busch Trio performing the third (Poc adagio) movement of Dvorak’s Piano Trio in F minor, op.65, as well as a previous performance of ‘Ackermusic’ by the Van Baerle Trio.


 

 

* * * * * * * *

Finally, news on an ongoing concert and commissioning series…

Susanne Kessel - 250 Pieces For Beethoven

Bonner Kunstverein presents:
Susanne Kessel: ‘250 Piano Pieces for Beethoven’
Klavierhaus Klavins, Auguststrasse 26–28, 53229 Bonn, Germany
Thursday 25th February, 2016, 7.30pm
more information.

“In the year 2020, the world will celebrate the 250th birthday of Ludwig van Beethoven, who was born in Bonn. In partnership with German radio station WDR Köln, pianist and Bonn native Susanne Kessel has begun an international composition project, inviting composers from all over the world to write a short piano piece “for Beethoven” with a duration of four minutes or under.

Since the start of the project, Susanne has been performing all the pieces at a series of concerts in Bonn (with some pieces also being presented at Speicher am Kaufhauskanal in Hamburg). All pieces will subsequently be published in a “precious paper” sheet-music edition by Editions Musica Ferrum of London.”

As of February 5th of this year, Susanne has received fifty-seven of the planned two hundred and fifty pieces. The next of the concerts in the performance series takes place on February 25th, in the Bonn instrument store Klavierhaus Klavins, and will feature premieres of work by the following composers:

  • Ivo van Emmerik – Dutch composer and onetime student of, among others, John Cage, Brian Ferneyhough and Morton Feldman (regarding whom he’s sometimes been suggested as a successor) with a strong interest in multi-media musical staging, electronic music and computer applications.
  • Mike Garson – cross-disciplinary American jazz, rock and experimental pianist and arranger (best known for his mid-‘70s work with David Bowie).
  • Robert HP Platz – German composer and founder/conductor of Ensemble Köln, generally better known for large-scale projects which can include operatic works, children’s music, literature, poetry, audio tapes and visual arts.
  • Claudio Puntin – Swiss composer, clarinettist and loop musician best known for wild, beautiful and moody electronica and post-jazz as a member of ensembles including ambiq and Sepiasonic as well as work for film, television and theatre.
  • Markus Reuter – German cross-disciplinary composer, touch guitarist, teacher and instrument designer, known for his work with centrozoon, Stick Men and others (as well as for his recent full-scale orchestral piece ‘Todmorden 513’).
  • Klaus Runze – German “intermedia” artist, composer, educator and theorist (pursuing, amongst other things, structured improvisation, composition, sonic sculpture, and painting-while-performing)
  • Mateo Soto – award-winning Spanish composer and recent winner of YouTube CODE 2016 Series Call for Scores.
  • Knut Vaage – Norwegian composer and member of the ensembles JKL and Fat Battery, whose work explores the boundaries between composition and improvisations.

Five of the composers (van Emmerik, Platz, Puntin, Reuter and Vaage) will be attending and possibly speaking, as will German percussionist/composer/music professor Dennis Kuhn and Swiss composer-pianist Lars Werdenberg (founder of New Music platform Chaotic Moebius), both of whom have previously contributed pieces to the project.

News on the ongoing project can be followed here.

* * * * * * * *

More gig news shortly, including William D. Drake in Italy and Louis Barrabas on the rampage across Scotland and northern England.

January 2016 – upcoming gigs – Fortuna Pop Winter Sprinter and Repeater alt/indie/noisepop mini-festivals (and Hannah Marshall/Korbik Lucas playing a LUME slot) in London; Britten Sinfonia At Lunch across the east of England (with an Anna Clyne premiere); David Cohen and friends play magical-journey chamber music by Michael Nyman, Schubert and Gavin Higgins in Norwich

3 Jan

Happy New Year everyone. While I sort myself out, put the review of 2015 together and decide which approaches to take with ‘Misfit City’ this year, here’s what I know about so far in terms of January shows. A couple of mini-festivals of indie pop/garage rock/punk/noise rock and indie folk in London; a lunchtime mini-tour of chamber music in London and the east of England; an afternoon of free improvisation in a Kentish Town record shop; plus one more interesting classical concert in unusual surroundings up in Norwich.

* * * * * * * *

Several of the characters who showed up for the Arrivée/Départ II festival last month are also showing up for this next one: it’s a similar aesthetic, and involves many of the same musical and professional friendships.

Fortuna Pop Winter Sprinter, January 2016

The 6th Annual Fortuna POP! Winter Sprinter (2016) (The Lexington, 96-98 Pentonville Road, Islington, London, N1 9JB, England, Tuesday 5th to Friday 8th January 2016, various times) – £10.45 (or £32.70 for four-day pass) – informationtickets

It’s happening again… The 6th Annual Fortuna POP! Winter Sprinter 2016 is Go! Four nights, twelve bands, DJs… the perfect antidote to the post-Christmas blues with the creme de la creme of the Fortuna POP! roster – including former members of Broken Family Band and The Loves – plus special guests.

Tuesday 5th January – Steven James Adams + Simon Love + The Leaf Library plus DJ Paul Wright (The Track & Field Organisation).



Wednesday 6th January – Tigercats + Flowers + Chorusgirl plus DJ Paul Richards (Scared To Dance).



Thursday 7th January – Withered Hand (full band) + Evans The Death + Pete Astor, plus DJ Darren Hayman.



Friday 8th January – Martha + Milky Wimpshake + Bleurgh (a Blur covers band featuring members of Allo Darlin’‎, Fever Dream, Night Flowers and Tigercats) plus DJs Sandy Gill & Karren Gill (Stolen Wine Social Club Night).


* * * * * * * *

Overlapping the Winter Sprinter is something a little noisier, over in Shacklewell…

Repeater Festival, January 2016

Repeater Festival (Bad Vibrations @ The Shacklewell Arms, 71 Shacklewell Lane, Shacklewell, London, E8 2EB, England,
Thursday 7th to Saturday 9th January 2016, various times)
– free entry – information

To break in the new year, Bad Vibrations will be putting on a 3-day residency of free-entry gigs at The Shacklewell Arms featuring a selection of garage, noise-rock and indie-folk bands. People playing include Taman Shud, The Wharves, Strange Cages, Virgin Kids, The Eskimo Chain, Honey Moon, Lucifer’s Sun, Night Shades and St. Serf. The usual strip of soundclips and video is below.








 

* * * * * * * *

A recent trip to Norwich (still a prime ‘Misfit City’ stomping ground, partly thanks to all of those hometown Burning Shed concerts in the past decade or so) brought me into touch with the next set of gigs. The classical ensemble Britten Sinfonia has close links with the east of England and is honouring that with its At Lunch mini-tours, which swing in a loose arc between Norwich, Cambridge and London, bringing sturdy classical repertoire plus new premieres with them. Here’s information on the second of these tours (sorry, I missed the first one) which takes place mid-month:

Anna Clyne (photo by Javier Oddo)

Anna Clyne (photo by Javier Oddo)


Britten Sinfonia presents ‘At Lunch Two’

  • St Andrew’s Hall @ The Halls, St Andrews Plan, Norwich, Norfolk, NR3 1AU, England, Friday 15th January 2016 – £3.00 to £9.00 plus booking fee – tickets
  • West Road Concert Hall, 11 West Road, Cambridge, CB3 9DP, England, Tuesday 19th January 2016, 1.00pm – £3.00 to £9.00 – information & tickets
  • Wigmore Hall, 36 Wigmore Street, Marylebone, London, W1U 2BP, England, Wednesday 20th January 2016, 1.00pm – £11.00 to £13.00 – information & tickets

Programme:

Johann Sebastian Bach – Gott versorget alles Leben (from Cantata BWV187)
Domenico Scarlatti (arr. Salvatore Sciarrino) – Due arie notturne dal campo
Arvo Pärt – Fratres (for string quartet)
Johann Sebastian Bach – Seufzer, Tranen, Kummer, Not (from Cantata BWV21)
György Ligeti – Continuum
Anna Clyne – This Lunar Beauty (world premiere tour)
Johann Sebastian Bach – Tief gebückt und voller Reue (from Cantata BWV199)

Performers:

Julia Doyle (soprano)
Maggie Cole (harpsichord)
Jacqueline Shave, Miranda Dale (violins)
Clare Finnimore (viola)
Caroline Dearnley (cello)
Marios Argiros (oboe)

A pre-occupation with texture permeates this programme, beginning with two arias from the grand master of counterpoint, J. S. Bach. Ligeti’s ‘Continuum’ tests not only the limits of the soloist but also the exhilarating knife-edge between hearing individual notes and continuous sound. A world premiere from Grammy-nominated composer of acoustic and electro-acoustic music, Anna Clyne, whose music seeks to explore resonant soundscapes and propelling textures, completes the journey from the baroque to present day.

* * * * * * * *

LUME, whose London jazz and free improvisation events I tracked during 2015, are continuing to expand their efforts. While they seem to have found themselves a more regular slot at the Vortex, early 2016 shows are taking place at assorted venues around the capital – galleries, shops, any suitable space. The first of these is in a heavy-duty experimental record shop in Kentish Town, which – although it’s only a short walk or bus hop away from the ‘Misfit City’ flat – I’ve not noticed up until now. I should visit it and go through my usual masochistic experience of being intimidated by serried racks of music made by people I’ve not heard of before; or perhaps I should just go to this show.

Hannah Marshall + Kordik Lucas (LUME @ Electric Knife Records, 16b Fortess Road, Kentish Town, London, NW5 2EU, England, Saturday 16th January 2016, 1.30pm) – pay-what-you-like, £5.00 minimum

The first LUME gig of the year features a solo set from improvising cellist Hannah Marshall (whose collaborators have included Veryan Weston, Evan Parker, Lauren Kinsalle, Alex Ward and former Henry Cow members Tim Hodgkinson and Fred Frith), followed by a performance by the improvising duo Kordik Lucas duo (Slovakian analogue synth player Daniel Kordik and trombonist Edward Lucas, who also run the Earshots concert series and record label). This will be an in-store show so space is limited. There’s not much more information available on the evening at present, so keep an eye on the LUME and Electric Knife sites for updates (if anything new shows up, I’ll add it in here…)


* * * * * * * *

David Cohen (photo by Daniel Herendi)

David Cohen (photo by Daniel Herendi)

Finally, back to Norwich to drop in on a classical chamber music series assembled by acclaimed Belgian cellist David Cohen and assorted friends. Usually when I cover classical or modern classical concerts it’s because they feature premieres of new pieces or intriguing new interpretations and juxtapositions. While this one does feature a premiere (Gavin Higgins’ ‘Howl’) as well as a recent Michael Nyman string quartet from 2011, in this case I was intrigued by the venue – the John Innes Centre, a long-established plant and microbial research centre which lends its lecture theatre for these concerts. If you’re of an intellectual, associative and site-specific mindset, you can listen to the structures in the music unfold while simultaneously considering that you’re surrounded by the echoes of people thinking about – and unravelling the shape of – vegetable genomes.

Cello Con Brio ‘Magical Journeys’ (Norfolk & Norwich Chamber Music @ John Innes Centre, Norwich Research Park, Colney Lane, Norwich, NR4 7UH, England, Sunday 17th January 2016, 7.30pm) – £1.50 to £25.50 – informationtickets

Programme:

Michael Nyman – String Quartet No. 5 (‘Let’s not make a song and dance out of this’)
Gavin Higgins – Howl (for solo cello & string quartet) – world premiere
Franz Schubert – String Quintet in C

Performers:

David Cohen (cello)
Henri Sigfridsson (piano)
Corinne Chapelle (violin)
The Smith Quartet (strings)

Music performed by the ensemble on the other two days of the residency (15th and 16th January) includes chamber works by Brahms, Arensky, Schnittke, Beethoven and Paganini – the full listing is here.

* * * * * * * *

More gig news next time, including shows by Laura Cannell, Ichi and Tom Slatter.
 

December 2015 – upcoming gigs, London & elsewhere – Serafina Steer & Bas Jan at Kings Place; assorted Others cabaret from punk to accordiana with The Bohemianauts and Bad Fractals; a Lost Map afternoon with The Pictish Trail/Seamus Fogarty/Tuff Love/Kid Canaveral at Daylight Music; Thumpermonkey, The Mayors Of Miyazaki and Lolita Laytex hit The Albany in Deptford; and the 2015 London Contemporary Music Festival part 1 (sounds for and from London, West Coast America and the time continuum). Plus the return of Mark Mulholland and Craig Ward in a Scottish village hall; Olga Stezhko in a Staffordshire chapel; and Rocket From The Tombs in London and Leeds.

6 Dec

The end of the month, and the year, is nigh – so what are we looking forward to this week?

Mulholland, Ward, Sissoko & D'Hoine @ Ford Village Hall, 8th December 2015

Mark Mulholland, Craig Ward, Yacouba Sissoko & Hannes D’Hoine (Ford Village Hall, Ford, Argyll, Scotland, Tuesday 8th December 2015, 7.30pm) – £5.00 minimum – information – tickets on the door

Back in 2012, two wandering Scottish singer-songwriter-guitarists – Mark Mulholland (ex-Two Dollar Bash) and onetime dEUS member Craig Ward – quietly released one of the finest records of the year. A compelling murmur of acoustic guitar folk, ‘Waiting For The Storm’ was soaked in the Scottish and British folk-baroque of Davey Graham, Pentangle and John Martyn but, in its settings of moist heat, tin roofs, typhoons and dark forces, it was also informed by the Haitian setting of Port-au-Prince, Mark’s home for the previous two years. Some of you may remember that I liked it.

With Mark now relocated to Mali and Craig settled in the little Argyll village of Ford, the duo are collaborating on a follow-up (provisionally called ‘The Darkness Between The Leaves’) on which they’ll be joined by Flemish double bass player Hannes D’Hoine – who played the Danny Thompson anchor-cable role on ‘Waiting For The Storm’ – and by Mark’s newest collaborator, the Malian djely and multi-instrumentalist Yacouba Sissoko, a master kora and ngoni player. The quartet have been preparing and recording in a number of different countries, and the end of the Scottish sessions will be marked by a Ford performance both taking place in and raising funds for Ford Village Hall, with prices set on a pay-what-you-like basis starting from five pounds.

In its quiet way this should be one of the gigs of the year, so if you’re in western Scotland and have a free Tuesday evening, consider heading over to Ford (at the south-western end of Loch Awe, north-west of Glasgow, with the nearest substantial town being Kilmartin.) If you miss this one, they’re playing again in Glasgow at 7.00pm on Wednesday 9th; a low-key gig at the Hidden Lane Gallery in Finnieston.

* * * * * * * *

After that – for me – the week doesn’t pick up until a very busy Friday and weekend. Too subjective, probably. Here we go, anyway.

Serafina Steer & Bas Jan (Hall Two @ (Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England, Friday 11th December 2015, 8.00pm) – £9.50-£12.50 – information & tickets

The hitherto independent worlds of contemporary harp music and experimental kraut-pop will collide – or at least bump each other – in this concert of two halves by harpist/songwriter Serafina Steer and her new band Bas Jan.

After a few years of mainly only using the harp for her own writings, Serafina went on a roadtrip around Eastern Europe busking, discovering and rediscovering pieces along the way. The result of this experience will form the first half of the programme, which will feature compositions by Richard Barratt (‘tendril’), Benjamin Britten (‘Suite For Harp’), Stephen Dodgson (‘Fantasy’), Rhodri Davies (‘Aqcua Alta’) and Serafina’s own father Michael Maxwell Steer (‘Grovelly Wood’)

The second half of the show will be a performance by Bas Jan, Serafina’s latest collaborative project in which she plays bass guitar and keyboards and writes minimally arranged songs about the Essex coast, the Anglo-Saxons, sex, part-time work and love; with sound artist Sarah Anderson playing violin and OP1 mini-synthesizer and performance visual artist Jenny Moore playing drums (all three women also sing). Bas Jan’s first gig was to six thousand people at Brixton Academy and since then they have gone on – via support slots for Xylouris White and The Decemberists – to entertain smaller and smaller audiences.


 

On the same night, one of ‘Misfit City’s favourite classical musicians is spreading her own particular musical gospel up in Staffordshire:

Olga Stezhko (Abbotsholme Arts Society @ Abbotsholme School Chapel, Rocester, Uttoxeter, Staffordshire, ST14 5BS, England, Friday 11th December 2015, 8.00pm)information – limited number of tickets available, phone 01543 263 304 for details

Olga Stezhko, 2015Following up her recent debut performances at both the Wigmore and Bridgewater Halls (at which she performed full or partial versions of her ‘Lucid Dreams‘ assemblage, a programme of music exploring people’s changing perception of reality from childhood through to adulthood), classical pianist and multi-disciplinary thinker Olga Stezhko is bringing her sophisticated, metaphysical perspective and repertoire to the audience at Abbotsholme.

On this occasion, her choice of music is a little more conventional (leaning on well-established favourites by Mozart, Bach and Prokofiev rather then stretching to the Sophia Gubaidulina pieces she was playing last month). However, there’s still room in the programme for work by one of her compositional touchstones, Alexandr Scriabin; and you can be assured that whichever pieces Olga plays will have been carefully thought out and put into context as part of a programme intended to inspire thought and broader conceptual connections as well as straightforward musical enjoyment.

Programme:

Wolfgang Amadeus Mozart – Sonata in B flat major, K.570
Johannes Brahms – Six Pieces, Op.118
Alexandr Scriabin – Two Dances Op.73; Five Preludes Op.74; Vers la flamme Op.72,
John Adams – China Gates
Sergei Prokofiev – Sonata no.4 in C minor, Op.29

Back in London, meanwhile, there’s cabaret afoot, plus breathless press releases.

Bad Fractals vs Bohemianauts @ The Others, 11th December 2015

The Bohemianauts + Bad Fractals (Bohemiocracy @ The Others, 6-8 Manor Road, Stoke Newington, London, N16 5SA, England, Friday 11th December 2015, 8.00pm) – £8.00-£10.00 –  information & tickets here and here

An epic face-off between two amazing, unique and bizarre bands.

Bad Fractals are shaman gangsters shooting bullets of love, tearing their way through acid punk, malevolent music hall and trailer-trash blues in a world gone mad. Join us at the crossroads, in a theatre of the absurd: hear story and song shift with the wild wonder of fractals! Watch psychedelic punks get drunk with clown kings! Glare at artificial angels dancing with deadbeat demons! Gasp as astral travellers gather in galactic taverns!

The Bohemianauts are decadent divas of demi-monde carnivalism, playing weird waltzes, pithy polkas and rollicking rhumbas: they will take you on a theatrical musical journey through strange landscapes with absurd humour, exquisite noise and songs of unrequited dread. Tonight they will unleash their female alter-egos, as they parade in their geezer-bird finery, performing for your pleasure as the rarely-seen Bohemianauts – Drag-ed on Stage. (Trigger warning: Bearded Drag.)

PLUS – Visuals and projections from Jaime Rory Lucy‘s Rucksack Cinema and half-time performance interventions from Oleg the Mystic.


 

Friday also sees the start of the London Contemporary Music Festival, which (as if it were part of a conspiracy theory) is lurking in a giant underground bunker near Baker Street…

LCMF 2015: ‘Collective Capital’

LCMF 2015: ‘Collective Capital’ (London Contemporary Music Festival 2015 @ Ambika P3, University of Westminster, 35 Marylebone Road, London, NW1 5LS, England, Friday 11th December 2015, 6.30pm) – £11.25 – information – tickets

London takes centre stage in our opening night, as we celebrate the exploratory fringes of the city’s music scene and the collective imperative that has been a spur to some of the capital’s greatest experiments. The proliferation of collectives among young musician-composers is reflected in new commissions from some of the most adventurous of these musical laboratories. The night will include premieres from Charlie Hope and Jamie Hamilton   (a.k.a. Topophobia), Neil Luck (performing with his Squib Box ensemble) and John Wall & Tom Mudd (Utterpsalm and Contingent Events). We hear recent work by composers Edward Henderson (Bastard Assignments), Shelley Parker and the artist duo Claudia Hunte. We welcome an iconic figure and chronicler of London’s musical edgelands, David Toop, and offer a live improvisation from Poulomi Desai (Usurp), who started the Hounslow Arts Co-op at the age of 14.

We also offer a world premiere from artists Richard Wilson and Anne Bean. In the 1980s, Anne, Richard and Paul Burwell formed the legendary Bow Gamelan Ensemble, enthralled by the aural poetry and parallel visions of the Thames. Now, Wilson and Bean enter the territory as W0B. Theirs is a world that cracks and splinters and grinds into being as it races backwards and forwards through friendships of forty years. ‘NALEMAG’ becomes the totemic incarnation of their endless scrabbling around boat-yards, scrap-yards, gas depots, pyrotechnic munitions, voyages on many rivers in countless vessels and a frenzy of carrying, welding, investigating and making across the planet. The trajectory culminates with a landmark new AV performance from south London’s Visionist, whose singular language emerges from the fragmentation of dubstep and grime.

Programme:

David Toop – Many Private Concerts
Anne Bean/Richard Wilson – NALEMAG (world premiere)
Poulomi Desai – Vermillion Sands (world premiere)
Neil Luck – Via Gut (world premiere – LCMF commission)
Jamie Hamilton/Charlie Hope – New work (world premiere)
Edward Henderson – Tape Piece
Claudia Hunte – The Elephant In The Room Is Afraid Of Dying
Shelley Parker – Live set
John Wall – Live set
Tom Mudd – Live set
Visionist – Live set (AV)

* * * * * * * *

On Saturday, there’s what looks like a particularly engaging Daylight Music afternoon, with the return of a familiar face…

The Pictish Trail & other Lost Map artists at Daylight Music, 12th December 2015

Daylight Music 210 – The Pictish Trail + artists from the Lost Map label: Seamus Fogarty + Tuff Love + Kid Canaveral (Union Chapel, Saturday 12th November 2015, 12.00pm) – free (suggested donation £5.00) – information

Wrapping up this season of Daylight Music are Lost Map; a loose-knit DIY label/collective from the Hebrides founded by alt-folk troubadour, Johnny Lynch, a.k.a. The Pictish Trail. For this special Christmas show, Johnny will be ice-skating back to the mainland, bringing a selection box of pals from his Lost Map roster, for a cosy festive afternoon of stripped back acoustic merriment, frost-bitten Casio hymns, and mulled-tea fuelled carols.

While The Pictish Trail often comes across on record as an eerie digifolk creation (like a Scottish oil-town-and-fishing-port David Lynch, with that surreal supernatural undertow suffused by Gaelic angst rather than Americana), anyone who’s caught one of the live acoustic shows will know that Johnny has an altogether more joyous side as unplugged strummer. Many of his tales may be based on shyness, grief and confusion, but I’ve seen few people who take such unalloyed pleasure in warming up and including an audience the way he does. For a reminder of this, have a read of my review of his last Daylight Music appearance back in January… and see below.

Mayo-born but London-based, Seamus Fogarty plays and sings his own soulful version of contemporary Irish folk, dabbled with electronic found sound. His output’s been described as “songs about mountains that steal T-shirts, women who look like dinosaurs and various other unfortunate incidents” and as “summoning all manner of odd noises and audio ghosts”. Taken from his current album ‘God Damn You Mountain’, here’s Rita Jack’s Lament, which showcases all of his various tendencies to the maximum.


 

Glaswegian fuzzy-pop duo Tuff Love represent Lost Map’s more-out-and-out indie rock side, although their cottage-industry approach (recording and producing everything at home themselves rather than chasing studios and jaded professional engineers) reflects the label’s d-i-y philosophy. Julie Eisenstein and Suse Bear (augmented for concerts by Phantom Band drummer Iain Stewart deliver “dazzling, sun-streaked guitar pop songs with mesmerising lyrics, heart-wrenching vocals and dreamy melodies like the sound of pure summer.” Over a scant few years of existence, they’ve already supported Paulo Nutini and Ride and played several overflowing handfuls of rock festivals. ‘Resort’ – a not-quite-debut album pulling together the three EPs that Tuff Love have put out so far – is out in January, but meanwhile here’s what will either be a reminder of their existing delights or an introduction to their world: somewhat shoegaze-y but with mischievous glimpses up through the eyelashes.

Edinburgh four-piece Kid Canaveral (whom Lost Map described as “ADHD pop splendour”) met at university in St Andrews and have been playing together ever since. Imaginative alternative pop, they manage to recall the early-‘80s cleverness of Postcard Records pop or the ramshackle poignancy of Belle & Sebastian without actually sounding much like either. It’s more a matter of spirit, a discreet but inclusive sophistication which reaches out, brushes your arm and invites you along. Two albums in, with a third in preparation, they’re a delightful discovery whenever you happen to encounter them. Their clever videos are a treat, too – here are a couple of tastes below, the first of which had my four-year-old son continually tapping the replay button.


(For anyone who wants a more substantial dose of Kid Canaveral, note that they’re playing a full set at the Shacklewell Arms on the evening of the same day.)

* * * * * * * *

On the Saturday evening, you’ve got your pick of twisty London rock and West Coast American art music (plus Rocket From The Tombs, but I’ll come to them shortly…)

Thumpermonkey @ The Islington, 30th July 2015

Thumpermonkey + Mayors Of Miyazaki + Lolita Laytex (Something’s Gonna Happen @ The AlbanyDouglas Way, Deptford, London, SE8 4AG, England, Saturday 12th December 2015, 7.30pm) – £3.00-£5.00 – information – tickets on the door

Welcome back everybody: and once again we have two superb outfits centre stage, Thumpermonkey (heavy progressive music) and Mayors Of Miyazaki (DIY 3-piece based in south London, guaranteed to spit and sweat on us at close quarters). The lovely Lolita Laytex will be joining us to add the flavour of burlesque. Yes, people of the universe, with all those ingredients in store, you know the score: £3.00 concessions and a fiver on the door. Bring ya skin!

I’ve said quite a bit about Thumpermonkey over the course of the year. Grand, clever and atmospheric, they also have enough sly, self-aware wit and humour to undercut all of the previous. They’re also tricky to pigeonhole – a band who create intricate catastrophe epics (part Radiohead, part Van der Graff Generator) but also trill the occasional Mastodon cover in the style of early Kate Bush; a prog band with a singer who sounds like an old-time theatrical knight, but also a noise band who happen to wrap their wildness into tightly-composed structures; geeky popcorn information omnivores drawing from Jodorowsky to Lovecraft to William Gibson, but salting it with Chomsky and science magazines before whipping it up into artful tornados of song. This little sample here is both characteristic and unique within what Thumpermonkey do, which in itself probably tells you all you need to know.


 

I don’t think Mayors Of Miyazaki have been in here before, but they should have been. In their way, their music’s as grand and complex as that of Thumpermonkey and even more enthused by its options. It’s punk with all the chains blown off, joyriding math-rock, de-Ritalined bratprog. A typical song sounds like both chase sequence and protracted explosion: spiky, switch-and-swap assemblages of guitar parts doubling back through alleys and charging halfway up walls, over which sibling team Gareth and Claire Thomas declaim a punky boy-girl barkathon, a speaky-drawl of sparking thoughts. Fugazi and The Fall both might be in there, though you could also pull Bis and long-lost ‘90s psych tanglers The Monsoon Bassoon out of the root cluster.


 

I don’t know much about Lolita Laytex except that she’s a fetish model as well as an alternative burlesque performer and fetish model. Not much information about a third-stream digression into music: so perhaps you should expect something sensual and mobile, which squeaks a little when it flexes. (UPDATE, 10th December – Well, that’s that laboured gag wasted. Lolita’s off the bill, replaced by Deptford punk-poppers The Kill Raimi’s. Some video evidence below…

* * * * * * * *

The second London Contemporary Music Festival night sees the series take a broad stylistic and historical sweep across twentieth and twenty-first century California (with one digression to Alaska, so it’s not all sun.)

LCMF 2015: ‘West Coast Night’

LCMF 2015: ‘West Coast Night’ (London Contemporary Music Festival 2015 @ Ambika P3, University of Westminster, 35 Marylebone Road, London, NW1 5LS, England, Saturday 12th December 2015, 6.30pm) – £11.75 – information – tickets 

The second night of LCMF 2015 is dedicated to the music of the American West Coast, an exploration of 100 years of musical non-conformism, from the piano insurrections of Henry Cowell to the deep listening of Pauline Oliveros (performing her own music on v-accordion). Oliveros is joined by another founding legend of the pioneering San Francisco Tape Music Center, Morton Subotnick, who presents a solo Buchla set and the UK premiere of a 1960s Tape Center composition with a film by Tony Martin. Another composer associated with the Tape Center was Terry Riley, whose ‘Keyboard Study No. 2’ gets a rare outing.

Alongside this we zig-zag through the experimental landscape, calling on John Cage‘s concussive ‘First Construction (In Metal)’, which premiered in Seattle in 1939, John Luther Adams‘s monumental ‘Among Red Mountains’ and Catherine Lamb‘s subterranean ‘Frames’. We excavate two gems from California’s 1980s computer music scene, Maggi Payne‘s ‘Flights Of Fancy’ and Carl Stone‘s ‘Wall Me Do’. On the fiftieth anniversary of the Watts Uprising we present an extremely rare performance from Otis O’Solomon, whose collective The Watts Prophets emerged from the rubble of that uprising and helped lay the foundations for hip-hop.

Programme:

Henry Cowell – The Banshee (for piano) – performed by Gwenaëlle Rouger
John Cage – First Construction (in Metal) (for percussion ensemble) – performed by PERC’M and Serge Vuille
Morton Subotnick/Tony Martin – PLAY! No. 3 (1965) (UK premiere)
Terry Riley – Keyboard Study No. 2
Maggi Payne – Flights of Fancy
Carl Stone – Wall Me Do
John Luther Adams – Among Red Mountains (for piano) – performed by Gwenaëlle Rouger
Catherine Lamb – Frames for cello & bass recorder (UK premiere) – performed by Anton Lukoszevieze/Lucia Mense
Otis O’Solomon – Selected poems
Pauline Oliveros – Pauline’s Solo (1992)
Morton Subotnick – solo Buchla set

 

 

* * * * * * * *

On Sunday, the third LCMF event has a polycultured and temporal feel:

LCMF 2015: ‘Five Ways to Kill Time’

LCMF 2015: ‘Five Ways To Kill Time’ (London Contemporary Music Festival 2015 @ Ambika P3, University of Westminster, 35 Marylebone Road, London, NW1 5LS, England, Sunday 13th December 2015, 6.30pm) – £11.75 – information – tickets 

Time is stretched, bent and finally dissolved in ‘Five Ways To Kill Time’. Sound artist Ellen Fullman opens the night with a UK premiere of The Watch Reprise, which will be performed on her 50-foot Long String instrument that one writer compared to “standing inside a giant grand piano.” Ethiopian composer, pianist and nun Emahoy Tsegué-Maryam Guèbrou makes her first visit to the UK to perform a selection of her intimate piano miniatures that seem to drift through space. Plus Minus Ensemble, meanwhile, offers up the intricate and disorientating world of Bryn Harrison‘s ‘Repetitions In Extended Time’ (conducted by Mark Knoop and featuring strings, organs, piano, guitar and clarinet). Mixing spoken text and music, theatre maker Tim Etchells (Forced Entertainment) and violinist Aisha Orazbayeva offer a set of fragmentary improvisations in ‘Seeping Through’, a work fresh from a critically acclaimed run at the Edinburgh Fringe. We end with a time-obliterating live set from doom pioneer Stephen O’Malley, whose work within and beyond his seminal group Sunn O))) exists in a kind of transcendent stasis.

Programme:

Emahoy Tsegué-Maryam Guèbrou – selected piano works
Bryn Harrison – Repetitions in Extended Time
Tim Etchells/Aisha Orazbayeva – Seeping Through
Ellen Fullman – The Watch Reprise (world premiere)
Stephen O’Malley – live set


 
* * * * * * * *

And finally…

Rocket From The Tombs, 2015

Rocket From The Tombs + Luminous Bodies (Baba Yaga’s Hut @ The Brewhouse, @ London Fields Brewery, 369-370 Helmsley Place, South Hackney, London, E8 3SB, England, Saturday 12th December 2015, 8.00pm) – £19.25 – informationtickets

Rocket From The Tombs (Brudenell Social Club, 17 Brudenell Road, Leeds, LS6 1HA, England, Sunday 13th December 2015, 8.00pm) – £17.60 – informationtickets

In their initial lifetime they never got past a series of scorching mid-‘70s gigs in their Cleveland hometown (plus a handful of demos and radio sessions). Yet Rocket From The Tombs have long been counted as proto-punk ancestors, kicking up a frumious Velvets-and-Stooges racket long before every other garage band was doing it. These days, onstage rock rage is quotidian; when Rocket From The Tombs brought it to the gig, it was a revelation. Following a headstrong and punchy split, they even spawned several other key bands. Main ranter David Thomas, doomed-and-driven guitarist Peter Laughner and soundman-turned-bass-player Tim Wright would create the first lineup of Pere Ubu. Second guitarist Cheetah Chrome and drummer Johnny Blitz hooked up with Stiv Bators and others to form hardcore punk pioneers Dead Boys. The rest was bootlegs and rumbling mythology. Rocket From The Tombs became one of the ur-bands, a surviving impression holding its ghostly mark but pushing onwards, providing inspiration above and beyond its initial ideals.

Rocket From The Tombs/Luminous Bodies @ Baba Yaga's Hut, December 2015By the ex-members’ accounts, being in the band had been a short, brutal and vivid experience; but it seems that there may also have been an unspoken, slow-burning sense of unfinished business. Twenty-eight years later, in their grizzled early fifties, and with plenty of other experience clocked up, most of the surviving band members (minus the retired Blitz and the long-dead Laughner) reunited for piss-and-vinegar-fuelled gigs, a long-delayed debut album and an actual afterlife. Although Laughner’s initial replacement (ex-Television guitar star Richard Lloyd), left in 2011 and a tour-burned Cheetah Chrome is now opting to sit out the live gigs, Rocket From The Tombs are still going – very much the garage end of Cleveland’s infamous avant-garage, making the most of this ornery self-driven second shot while bleeding in lessons learned from Pere Ubu and elsewhere.

The band have never played in Britain before, something which is being remedied with these two gigs in Leeds and London. In an interview with ‘The Guardian’ earlier this year, a currently chair-bound David Thomas growled “I’m approaching the end of my life, I’ve got my foot to the floor and I’m going to be going full speed ahead when I hit the wall.” It’s probably worth your while coming to one of these shows to check out his main accelerant.

There’ll be no support band at the Leeds gig, but in London things will be warmed up by Luminous Bodies, a “knuckle-dragging rock & roll” supergroup stealing members from Part Chimp, Terminal Cheesecake, Ikara Colt and others. See below.

* * * * * * * *

And that’s that. More coming shortly with the remaining December gigs and the seasonal parties… keep warm…

 

End-of-May gigs (mostly London) – Bank Holiday weekenders from Daylight Music and SmileAcoustic; a mixed-classical benefit for Nepal; Knifeworld again; fun and frolics underneath the arches with John Ellis and co.

22 May

Just because I’m likely to be stuck indoors for the next fortnight doesn’t mean that you have to be. Some interesting gigs are coming up in – mostly in London, I’m afraid – but just in case any of you are London-based, here are some ideas to see you through until June.

First of all, there are two free Daylight Music events over the weekend. Running eclectic free gigs that span from cosy to experimental, and from classical to folk to noise-pop, Daylight Music have been a Misfit City favourite for a long time. See here for reviews of previous events in September and October 2013 and in January 2014; and see below for details on the upcoming concerts…

Join us for a weekend of music with artist travelling from Los Angeles, Wales and Spain to dazzle you. And while you’re reading this, have a listen to a special mix by Ex-Easter Island Head.

Daylight Music 190: Winter Villains + Poppy Ackroyd + Jon DeRosa (Union Chapel – Saturday 23rd May, midday to 2pm)

The new Spring Season kicks off with a name to watch; Poppy Ackroyd is a classically trained pianist and violinist who weaves delicate, atmosphere music by manipulating and multi-tracking sounds from just those two instruments. On the same week, you can hear Cardiff’s Winter Villains and their intricate chamber pop music (the duo were nominated for the Welsh Music Prize in 2013) and Jon DeRosa from the USA, whose new album ‘Black Halo’ is out via Rocket Girl on 25 May. Hannah Lawrence plays some usual and some unusual melodies on the Henry Willis organ in between this week. Full details here.

Colleen with Ex-Easter Island Head (LSO St Luke’s – Sunday 24th May 7.30pm)

A double bill of musicians renowned for manipulating your expectations as much as they do their instruments; creating hypnotic minimalist music from simple arrays of strings, percussion and even just vocals. Colleen mixes acoustic instruments with electronic sampling techniques to create rhythmic, lyrical folk-pop songs. Her new album Captain of None will focus on a melodic repertoire, with fast-paced tracks rooted by prominent bass lines and her instruments of choice, the treble viola da gamba and her voice. Liverpool-based Ex-Easter Island Head turn the electric guitar on its head, to compose physical, droning soundscapes.

Next up, on Bank Holiday Monday there’s an afternoon-and-evening free concert in Bethnal Green, promoted by unplugged specialists Smile Acoustic (who are new to me, but seem very welcoming). Far too many different acts to summarize quickly – although I do recognise Matt Finucane, who first came to my attention doing anti-pop with Empty Vessels years ago and who’s now matured (though he probably wouldn’t use the word) into a sinister songwriter and a horror/science fiction writer. Read on…

SmileAcoustic: Tasting Menu Bank Holiday Special (Rich Mix – Monday 25th May, 4pm onwards)

Smile Acoustic has been making many friends, and all our friends seem to make great music… so we thought it high time for a get together. An extra long weekend requires extra entertainment after all! So we present a feast of flavours, in our first ever Tasting Menu. Full information here.

4pm – Prash Gor, Kirsten McClure, Lauren Lucille, Matt Finucane, Dave Santos, Gian Luca, Mark Harrison, Jeremy of The Green Rock River Band, Horatio James

7pm – Bellatrix, Camilo Menjura, Arthur Lea

Yes we’re cramming in a ridiculous amount of talent into an additional late afternoon show, as well as our usual evening gig. An incredible array of original songsters will be gracing the stage, with a line up that takes us all the way from banjo to beatbox. Free entry as ever, as is the cake. See you there!

On Friday 29th May, in west London, UK Music for Nepal are putting on a classical music benefit aiming to raise ten thousand pounds for the victims of the earthquake. It’s mostly performances of Romantic and Baroque work (by Chopin, Rachmaninoff, Brahms, Bach, Liszt and Fauré), but with a few outbreaks of early twentieth century modernism via some Scriabin pieces, plus a world premiere of a new piano work by composer Keith Burstein (a onetime Romantic Futurist and still an ongoing champion of latterday tonal music – see here for a long-ago review of his first String Quartet). It’s also got a striking array of performance talent – see below…

Gala Concert for Nepal @ St Barnabas Church, Ealing, May 29th 2015
Gala Concert for Nepal (St Barnabas Church, Ealing, London, Friday 29th May, 7.30pm)

Programme:

Johann Sebastian Bach – Chorale Prelude “Nun Komm die Heiden Heiland” BMV 659
Frédéric Chopin – Polonaise-fantaisie in A flat major, Op.61
Gabriel Fauré – Sicilienne, Op.78
Gabriel Fauré – Élégie, Op.24
Aleksandr Scriabin – Etude in D# minor Op.8 No12
Aleksandr Scriabin – Nocturne for Left Hand
Sergei Rachmaninov – Cello Sonata in G minor, Op.19
Franz Liszt – Consolations, S.172
Sergei Rachmaninov – Prelude in G minor Op. 23 No. 5
Johannes Brahms – Variations on a theme by Paganini (Book 1)
(and a world premiere by composer Keith Burstein)

Performers:

Alicja Fiderkiewicz, Carlo Grante, Artur Pizarro, Murray McLachlan, Viv McLean, Nico de Villiers, Keith Burstein – piano
Corinne Morris – cello

Tickets available here – prices from £20.00 to £50.00.

Also on Friday 29th May there’s the latest London gig by Knifeworld, part of a five-date English tour also taking in Manchester, York, Bristol and Brighton (as mentioned a few posts back). Expect an evening of explosive, tuneful and corrugated art rock played with the vigour of a soul revue and the complexities of a ’70s prog band. For the York gig, they’re supported by motorik rockers Muttley Crew and for the London gig by bounding art-rockers Barringtone (ex-Clor) and Cesarians. The Brighton gig is a Tim Smith benefit gig at which they’re supported by prog-poppers Ham Legion, the mysterious M U M M Y (a brand new project by Cardiacs affiliates Jo Spratley and Bic Hayes) and self-styled bitter and twisted songwriter Stephen Evens (who says of himself that “the songs are beautiful and the words are horrible. I don’t know why you don’t think that’s a good thing…”).

Knifeworld on tour, May 2015

Finally, on Saturday 30th May at 8pm there’s what’s billed as “a night of fun and frolics” at the Wanstead Tap (a craft beer shop in Forest Gate which doubles – or quadruples – as café, bar and performance space). The main attraction is John Ellis (the former Peter Hammill, Stranglers and Peter Gabriel guitarist whom ‘Misfit City’ last encountered via his ‘Sly Guitar‘ album). John’s solo gigs are rare, but he’s something of a master of post-punk art-rock guitar, so well worth seeing. Also on the bill are “post-punk electronic balladeers” Cult With No Name and Kamelia Ivanova (who’s either highly mysterious or needs to fix his or her Facebook page). See below for the flyer.

John Ellis concert @ The Wanstead Tap, 30th May 2015

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A search for the world's weirdest music, in handy blog form

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

songs from so deep

Songs and sound. Guitars and stuff.

%d bloggers like this: