Tag Archives: The Facemelter (event)

July 2018 – upcoming rock gigs – A Sudden Burst of Colour, a-tota-so and Theo tear up The Facemelter (6th July); Heldon and Hirvikolari at Café Oto (14th July)

2 Jul

A quick boost for the heavy stuff at the Facemelter this week, and for an avant-rock return at Café Oto mid-month….

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The Facemelter: A Sudden Burst Of Colour + a-tota-so + Theo, 6th July 2018
“Hailing from Motherwell, Scotland, A Sudden Burst Of Colour captures fans of electronic, ambient, dance and rock music with their soundscapes and encapsulating songwriting. Their sound is bright, shimmering and generally uplifting. The instrumental quartet have four globally acclaimed EP releases under their belt, which is evidenced by features from ‘BBC Introducing’, ‘The Scotsman’, ‘Earmilk’ (USA), ‘Arctic Drones’ (Turkey), ‘Stereofox’ (Germany) and many more, so this is a good time to catch them before they break into the wider world. Their recent single ‘I Am The Storm’ was premiered on Daniel P. Carter’s BBC Radio 1 Rock Show and they’re currently in pre-production for their forthcoming album, which is due for release at the end of the year.”


 
Replacing Bristolian mathrockers Hoggs Bison (who, like Barringtone recently, have come down with a bad case of broken wrist) are “noisy math/grunge band a-tota-so (formed by members of Alright the Captain and Cheap Jazz), who we’ve been dying to put on for ages! In their short one-and-a-half-year existence, they’ve already toured the UK and Europe, shared the stage with Tera Melos, Tangled Hair, Alpha Male Tea Party, Chiyoda Ku, Memory of Elephants, VASA and many more, and played at ArcTanGent and StrangeForms Festival. After a successful crowdfunding campaign, the band recently recorded their debut album at Nice Weather For Airstrikes and Snug Recording Co. and are set to release it in September 2018.



 
“To open, there’s a rare appearance from soloist Theo (described as “an extraordinary maelstrom of soundscapes, loops, beats and power” by ‘Louder Than War), who creates layers of tight guitar melodies and riffs by looping them over and over again, before sitting down at his drum kit and smashing out some fantastic rhythms to them. The range of dynamics and changes he achieves, as well as his ability to make the entire piece a coherent tune from start to finish, is astonishing. We’ve seen him perform around the country, including at ArcTanGent and at our late night Facemelter with Poly-Math and EVILLOOKINGBIRD, so we’re glad to see him make a return.”


 
Chaos Theory Music Promotions presents:
The Facemelter: A Sudden Burst of Colour + a-tota-so + Theo
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 6th July 2018, 7.30pm
– information here and here

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Heldon + Hirvikolari, 14th July 2018

The upcoming Heldon and Hirvikolari gig at Café Oto appears to be happily selling itself without my input, partially thanks to Heldon mainstay Richard Pinhas‘ reputation as “the French Robert Fripp”. If that’s a fair comparison (and Richard has readily acknowledged that “Fripp has always been my Hendrix”), he might not have King Crimson’s ability to fill larger theatres but he does seem to have a far less compromised reputation in avant-garde hubs like Oto – for one thing, you wouldn’t generally find Robert Fripp going head-to-head with members of The Boredoms. A former junior philosophy professor, he jumped the academic ship in 1974, inspired by his own comparisons between philosophers and rock stars (and by his own taste for science fiction) to form an electronic rock band with a trans-sonic bent. This was Heldon, one of the very first French bands to use synthesizers, and one which would subsequently fall under the spell of King Crimson, Fripp and Brian Eno and develop their own droning improvisatory rock forms.

While the band originally only lasted for the course of the 1970s, Heldon’s albums are currently being reissued by Bureau B: this year, an archive live album, ‘Live in Metz 77’, was released by Bam Balaam. All of which has prompted a return to live action by Richard under the Heldon name. This is their first London concert for literally decades: expect to see an excited anticipatory audience of prog/avant-rock fans of all ages.



 
Hirvikolari – modular synthesist Mike Bourne and processed-trumpet guy Sam Barton – are more often found being two-fifths of Teeth Of The Sea Last time round, I described them as follows: “while Teeth Of The Sea tend to play great stomping horror-slabs of musical architecture (a flying saucer spitting out rows and rows of heavily-armed tower blocks) Hirvikolari prefer to take the slow path and evolve themselves a great bolus of stewed electronic burble and resonating brass tracks. Ennio Morricone’s been cited as a comparison, as has the long tradition of counter-culture festival techno: both comparisons have some grounding.”

 
There’s about three handfuls-worth of tickets left: if you want to pluck them from the eager grip of Baba Yaga’s Hut, I’m sure they’d be all too willing to let you have your chance.

Baba Yaga’s Hut presents:
Heldon + Hirvikolari
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Saturday 14th July 2018, 8.00pm
– information here, here and here
 

April/May 2017 – upcoming London gigs – across-the-board instrumental progressive – Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain (7th); Piko Cloud Booker + Mein Haus + Matt Baber of Sanguine Hum (April 20th); Mouse On The Keys + Mutiny On The Bounty + Strobes (May 1st)

30 Mar

Three upcoming London gigs across April and leading into the start of May: all of them batting around ideas in the progressive field, whichever particular road they took into it. In early April – a Chaos Theory post-rock show with three bands offering successive palettes of solitary guitar sketches, sombre filmic post-Godspeed tonescapes, and bright-toned romantic futurism. In mid-April – the debut of a brand new progtronic trio alongside an experimental string duo and a humble keyboard star. On May Day, an international rhythmatic threesome at Rich Mix mixing up post-Squarepusher tech-fusion, bursting guitar instrumentals and twenty-first century dual-keyboard/drumkit jazz-rock barrage.

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Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain, 7th April 2017

Chaos Theory Promotions presents:
The Facemelter: Flies Are Spies From Hell + A-Sun Amissa + Only Echoes Remain
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 7th April 7.30pm
information and here

“This month The Facemelter features a glorious night with some truly brilliant veterans of post-rock, drone and ambient sounds, with new and seasoned projects alike.

“Formed thirteen years ago, Flies are Spies from Hell have climbed up from humble beginnings to international fame. The years have seen them move on from small local gigs, to sharing the stage with behemoths such as Russian Circles, And So I Watch You From Afar, *shels, Latitudes and Vessels, to a couple of European tours, and appearances at ArcTanGent and Dunk!festival. Two years after the release of their second album ‘Underdog Underfoot’, they’ll finally grace the stage at The Facemelter.


 
A-Sun Amissa are a powerful (mostly) instrumental collective possessed of “a rusted industrial aesthetic that lurks in the periphery of perception” (‘Rock-A-Rolla’), founded and led by Richard Knox (Shield Patterns, Glissando, The Rustle of the Stars) and Angela Chan (Tomorrow We Sail, Lanterns On The Lake, The Rustle of the Stars) that has featured an array of members and collaborators since its formation in 2011, as well as two albums out on Gizeh Records.

“Producing dense, drone-like atmospheres with evocative, melodic string and woodwind sections, intertwining guitars and field recordings, their live performance is a mixture of recorded output combined with improvisation to explore progressions in the music every time. Their ever-flowing lineup of collaborators have included members of Amenra, Nadja, Gnod, Oiseaux-Tempête and Hundred Year Old Man.


 
Only Echoes Remain serve up incredibly cinematic post-rock, without becoming too cliched thanks to generous smatterings of math, ambient and classic prog influences. They have already played with the likes of Her name Is Calla, TOTORRO, VASA, Poly-Math and Waking Aida, and will be releasing their debut LP early this year.”


 
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Piko Cloud Booker + Mein Haus + Matt Baber, 20th April 2017

Piko Cloud Booker present:
Piko Cloud Booker + Mein Haus + Matt Baber
Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England
Thursday 20 April 2017, 7.00pm
information

Piko Cloud Booker are a modern-day progressive rock trio combining King Crimson-esque cyclical guitar patterns in a mix-up of wacky time signatures with the expansive sequencer-driven explorations of early Tangerine Dream. PCB are guitarist Cameron Piko (mastermind of Australian prog-metal unit Montresor), bassist/violinist Gaz Cloud (one half of dream-technoists Cloud & Owl) and drummer Andrew Booker (no-man, Tim Bowness, Sanguine Hum).”

(This project’s so new that’s there’s no music available to present for it – instead, I’ve had to give you a few ideas via these clips from the member’s other projects, including Andrew’s ten years of undersung work with jamming collective Improvizone:)




 
“Supporting them will be string duo Mein Haus, consisting of Patricia Stepien (violin) and Elliot Murphy (cello, guitar). Their music is by turns creepy and sparse, then intense and dramatic. But whether it’s complex rhythmic interplay, or crunching cello and soaring violin, you feel the humour is never far away. From gigsite ‘Go Out Of Tune‘ – “based in East London but hailing from Poland and Ireland originally, they’ve been making music together since they met on a train in Deptford over a year ago. Their performances are high in energy and musically unpredictable. Their music has been described as: ‘Shostakovich and Arvo Part being kicked down a flight of stairs in an oil barrel’, with influences ranging from the Sex Pistols through Penderecki, Battles and Kraftwerk.”


 
Matt Baber is a co-founding half of the continuing Oxford-based musical journey that is currently Sanguine Hum, having made its way through various earlier incarnations. He has played keyboards throughout, both crafting his unique synth atmospheres plus stamping down complex piano riffs on his Fender Rhodes. Expect more of the latter this time, as he delves into his Jarrett/Emerson-flavoured solo material for his first ever solo keyboard show.”


 
Note that Gaz Cloud – as half of Cloud & Owl – will also be playing this Askarabaskara techno/house gig five days earlier, demonstrating part of the elements-puzzle which makes up his new band.

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Mouse On The Keys + Mutiny On The Bounty + Strobes, 1st May 2017Chaos Theory Promotions presents:
Mouse On The Keys + Mutiny On The Bounty + Strobes
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Monday 1st May 2017, 7.30pm
-information here, here and here

“An ultrasonic mammoth of a lineup, packed with dreamlike jazz, vast math rock, ambient precision and mesmerising polyrhythmic beats!

“The extraordinary Mouse On The Keys trio are back from Japan, armed with fresh material from their new album ‘Out Of Body’, out last January via Topshelf Records. This is a pristine example of blending minimal-phrased piano and dynamic drumming, while creating a live experience composed of visual and audio elements. Formed in 2006, with elements of jazz, funk, post‐rock and electronic music, Mouse On The Keys fits into a genre of their own.

“The trio consists of two former members of the influential Japanese underground band Nine Days Wonder – Akira Kawasaki and Atsushi Kiyota – who teamed up with Daisuke Niitome (who has played drums as well as composed music for countless jazz‐funk and hip hop bands). Their unique sound, comprising two pianos, two keyboards and drums, continues to stand at the forefront of the Japanese music scene.


 
“Luxembourg quartet Mutiny On The Bounty bring a torrent of groovy rhythms, guitar acrobatics and joyous melodies our way. These guys have been showcasing their unique brand of math-rock and instrumental music throughout Europe and have played close to five hundred shows supporting bands such as Biffy Clyro, And So I Watch You From Afar, TTNG and Maps & Atlases as well as playing some of the biggest festivals like Roskilde, Primavera and Fusion festival.

“Following on from their album ‘Trials’, released in 2012 and recorded by producer Matt Bayles, Mutiny On The Bounty released their latest album ‘Digital Tropics’ via Small Pond, which encompasses facets of their personalities ranging from rock, to electro, 80’s pop and even hip-hop. A reverb-infused, pop groove-laden feast of staccato guitar melodies, loops and math rock beats.


 
Strobes‘ triangle of electrified polyrhythms, spaced-out synth jams and off-kilter beats will open the evening. Featuring guitar and synth-work by Matt Calvert (Three Trapped Tigers), drums by Joshua Backmore (Troyka) and keys by Dan Nicholls (who has collaborated with Squarepusher and Matthew Herbert), the trio flickers effortlessly between the worlds of electro-improv, minimalist polyrhythm and distinctively original hooks.

“Like a twisted love child of Aphex Twin, Brainfeeder and Battles, Strobes have been heard individually with the likes of Squarepusher, Matthew Herbert and Three Trapped Tigers. Built from collective composition, studio production, live sampling and improv jams, the band smashes out exhilarating odd-tempo loops, polyphonic synth soundscapes and big headnodding beats. Their new album ‘Brokespeak’, out via Blood And Biscuits, is a true work of genius.


 
“With DJ sets from Bojan Nikolic (The Brain Center At Whipple’s, Battleship Grey), this will be an intensely satisfying feast of jawdropping talent and headnodding beats.”

 

April 2016 – upcoming gigs – three for London – expanded hip hop tag with Beardyman’s Dream Team Sessions (with Bellatrix + Disraeli + LeeN + DJ JFB + Rob Lewis + Emre Ramazanoglu + Ben Sarfas); Poly-Math, Theo & evillookingbird play Chaos Theory’s late-night math-rock Facemelter; a LUME jazz evening with the Dave Kane Quartet and a Corey Mwamba/Cath Roberts/Olie Brice trio at the Vortex.

30 Mar

Three more interesting-looking early April London shows for the coming weekend, from improvisatory hip hop to assorted math rock to jazz. There should still be tickets (or, in the case of the Facemelter gig, free spaces) left for all of these. I’m in a hurry again, so the following is all promoter blurb… and if you’re quick on the Saturday, you could even catch most of the first two.

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Beardyman Dream Team Sessions, 2nd April 2016

Beardyman & Soundcrash present:
Beardyman: The Dream Team Sessions (featuring Beardyman + Bellatrix + Disraeli + LeeN + DJ JFB + Rob Lewis + Emre Ramazanoglu + Ben Sarfas)
Electric Brixton, Town Hall Parade, SW2 1RJ London, United Kingdom
Saturday 2nd April 2016, 7.00pm
more information

“Improvisation. Telepathy. Imagination. Beatboxing. One album. One hour.

Soundcrash are extremely happy to announce that the prodigiously talented Beardyman will be taking to the stage at Electric Brixton along with a mind-blowing ‘dream team’ consisting of some of the finest freestyle MCs and improvisatory talents the world has to offer. This team of extraordinary individuals will be using a mixture of telepathic communication and improvisatory prowess to create a brand new album right in front of the lucky audiences eyes, inspired by that same audience’s dreamt-up song titles.


 
Beardyman has made a name for himself for being one of the most multi-talented musicians on the face of the planet. One minute he’s winning the UK Beatbox competition, twice, next he’s winning best MC at Breakspoll, and then he’s playing a sold-out run of solo comedy shows at the Edinburgh Fringe. As if he didn’t already have enough strings to his beat bow Beardyman outgrew the restrictions of the human mouth and stepped into the world of live looping using Kaoss pads to take his music into the rapturous world of live production.

Beardyman currently performs using the self-designed Beardytron, the world’s most advanced live music production system. This device allows him to improvise studio quality, cutting edge music in realtime. Using the Beardytron has led Beardyman to recently collaborating with Herbie Hancock and led him onto the collaborative path that has ended up with the formation of the ‘Dream Team’.


 
In this brand new show Beardyman will be combining his own improvisatory prowess with some of the leading talents in the UK’s improvisatory scene. Female World Beatbox Championship winner Bellatrix will be bringing her vocal and bass talents to the mix as well as her old band leader Dizraeli on freestyle vocals. Rob Lewis will be providing tantalising string parts on the cello whilst Emre Ramazanoglu shows us how he drummed on the last Michael Jackson record amongst many others.


 
One of the world’s leading freestyle MCs, LeeN, will also be spitting lyrics; whilst 3 times UK DMC champion JFB takes to the decks along with additional strings and saxophone from Ben Sarfas.”


 
(As a further indication of what’s on offer, here’s a previous full-length Dream Team Sessions show, from the Jazz Café…)


 

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Poly-Math + Theo + evillookingbird @ The Facemelter, 2nd April 2016

Chaos Theory presents:
The Facemelter: Poly-Math + Theo + evillookingbird
The Old Blue Last, 38 Great Eastern Street, Shoreditch, London, EC2A 3ES, England
Saturday 2 April 2016, 10.30pm
– free event – more information

“It’s a no-brainer really – a late-night, free entry math-rock party.

Brighton band Poly-Math are an absolute belter of a trio, who have mastered walking the line between complex polyrhythmic math rock and head-noddingly bouncy riffs. In only few short years, they’ve independently amassed a huge following across Europe’s prog and math rock scenes with the release of a few blindingly good early singles, hugely anticipated debut EP ‘Reptiles’, and some carefully chosen gigs, including an early slot at the first ever ArcTanGent, where we discovered them by accident. With new mini-album ‘Melencolia‘ coming out soon via Superstar Destroyer Records, we can expect some new sounds from the Brighton trio.


 
Theo is a one-man riff factory, known for setting up in the middle of the audience, laying down incredible math rock guitar riffs and looping them on top of each other, before sitting down at his drum kit and banging out some incredible rhythms. The fact that he manages to do this, create extraordinary dynamic changes, crescendos and down-tempo sections, while never letting the pace slack too much, explains why his name has rippled across the underground math rock scene all over Europe.


 
evillookingbird are an instrumental project from Belgium, who combine classical music, post-rock, noise and psych, to end up sounding a bit like Mogwai, Chopin and Battles are all fighting over the keys. This may be their first trip out of their home country, but evillookingbird are no stranger to familiar names in the European math rock scene, having supported the likes of Alright The Captain, Bear Makes Ninja, Mannheim, Hibagon, Celestial Wolves and more, as well as having been asked to perform at one of Europe’s biggest street festivals Gentse Feesten. They’ll be heading into the studio to record some new material, which we’ll get to hear at the show, but check out their EP ‘Labyrinth’ for now.


 
Afterwards Chaos Theory curator Kunal will DJ post-hardcore and math rock riffs, and Chaos Theory photographer Magda will DJ classic rock, power ballads, and anything you’ll love dancing to after a few beers at 3am.”

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LUME presents:
Dave Kane Quartet + Corey Mwamba/Cath Roberts/Olie Brice
The Vortex Jazz Club, 11 Gillett Square, Dalston, London, N16 8AZ, England
Sunday 3rd April 2016, 7.30pm
– more information here and here

Dave Kane, 2016“The Dave Kane Quartet – Dave Kane (double bass), James Allsopp (saxophones and clarinet), Alex Bonney (trumpet) and Joost Hendrickx (drums) – will be playing music from their forthcoming album, to be released on Two Rivers Records later this year.

Dave says ‘This music is my own personal reflection and dedication to the jazz lineage, all of the music that I have listened to and the music that has influenced me the most. Each track on the record is a dedication to a composer/person that has influenced me greatly throughout my career. There are tracks dedicated to the following people: Charles Mingus, John Zorn, Hamid Drake, Eric Dolphy and Henry Threadgill. For me “the jazz lineage” means the records that are in my collection… my own personal lineage to the tradition, and my resulting music as a composer influenced and shaped by the music. Most people think of the jazz tradition as jazz standards, etc. This is not what I do, or what I am interested in. I have always listened to more adventurous composers & musicians who always pushed the music forward. This is what I have achieved with my new record. Although this music is still on the contemporary/avant garde side of jazz… I would say it is some of the most accessible music I have ever written.’


 
The improvising trio of Corey Mwamba (vibraphone), Cath Roberts (baritone saxophone) and Olie Brice (double bass) first played together in 2014, bringing together three musicians active on the UK jazz and improvised music scene. Olie Brice leads his own quartet as well as playing in numerous other collaborations including a trio with Toby Delius and Mark Sanders; BABs with Alex Bonney and James Allsopp; Nick Malcolm Quartet; Loz Speyer’s Inner Space Music; and Alex Ward Quintet/Sextet. Cath Roberts leads two groups playing her compositions, Sloth Racket and Quadraceratops, as well as writing and improvising new music with guitarist Anton Hunter as Ripsaw Catfish. She is a member of the Madwort Sax Quartet, Anton Hunter’s Article XI, the eight-piece improvising saxophone group Saxoctopus and the collaborative quartet Word Of Moth. Corey Mwamba leads his own trio, Yana, and is involved in a variety of other groups including Sonsale; duos with Rachel Musson, Orphy Robinson and Robert Mitchell; Martin Archer’s large ensemble Engine Room Favourites; and Nat Birchall’s quintet. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music, as well as a programmer of forward-looking music in his home city of Derby.”

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More shortly on the upcoming Gnod weekender – or on anything else that flits across my radar.
 

August 2015 – upcoming London gigs (Rumour Cubes in Camden on Friday 7th August, Arthur Russell Instrumentals in Bethnal Green on Monday 10th August)

6 Aug

More quick London gig news – art rock, post-rock, electronica, and a dash of classic New York downtown.

Rumour Cubes + Dresda + kontakte @ Facemelter, August 2015

Rumour Cubes + Dresda + kontakte @ The Facemelter (The Black Heart, 2-3 Greenland Place, Camden, London, NW1 0AP, UK, Friday 7th August, 7.30pm – £8.00/£6.00)

Sumptuous instrumental and electronic post-rock from ex-Glastonbury and ArcTanGent Festival performers, plus a UK debut.

Post-rock veterans Rumour Cubes have been spreading tentacles of ambient, soaring soundscapes across the globe, catching people’s attention with their classical and electronic nuances, attention to the finest details and unassuming political statements embedded in their writing. Their work with poets and film-makers has allowed them to create a multi-media experience and has propelled them to performances at Glastonbury, ArcTanGent and a support slot for Sólstafir; while their albums ‘The Narrow State’ (2012) and ‘Appearances Of Collections’ (2014) received wide critical acclaim.

Celebrating their tenth anniversary this year,  Dresda hail from Genova, Italy, and will be driving over to make their UK debut. Their music is intricate, dense and introspective yet gloriously cinematic. They have several well-received releases under their belts, including soundtracks for critically acclaimed Italian independent movie ‘The Krolevsky Case’, and the short movie ‘La lingua del disordine’. In 2009, they were featured on the Italian DVD edition of the Canadian documentary ‘RIP! A remix manifesto’, distributed by Feltrinelli Real Cinema nationwide.

Conceived in 2005 from a string of old 4-track demos and further realized via a labyrinth of digital workstations and computer software, kontakte blend organic instrumentation within an electronic and hypnotic framework of programmed beats and pulsing synths. Pooling influences such as Godspeed You! Black Emperor, Mogwai together with Brian Eno, krautrock and shogaze sounds, this duo manages to perfectly blend shimmering electronics and ethereal melodies. They have too many releases to name and have been remixed by many visionaries including Tim Holmes of Death In Vegas, Chris Olley of Six By Seven and Russell. M. Harmon.

More details here, and tickets available here.

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There might also be tickets remaining for the performance of Arthur Russell’s Instrumentals early in the following week. This is a repeat visit of a show that’s been on and off the road at various points around the world since 2012 and which last visited London via Cecil Sharp House earlier this year… so if you missed it before, now’s your chance.

Visions presents: Arthur Russell’s Instrumentals, directed by Peter Gordon @ Visions Festival (Oval Space, 29-32 The Oval London, Bethnal Green, London, E2 9DT, UK, Monday 10th August, 7.30pm – £21.50 plus booking fee)

For those of you who don’t know about Arthur Russell’s turbulent, productive (and sadly curtailed) life, he was a vigorous participant within the downtown New York music scene between the mid-1970s and early 1990s. Having studied as an avant-garde cellist and composer, he rebelled into Manhattan nightlife, vigorous cross-fertilization and event curation. Russell rubbed up against Fluxus, disco, avant-garde theatre, New Wave and no-wave, making the most of the breadth of the prolonged New York creative ferment of the times, feeding his assorted roots and collisions into music of his own.

During the last decade of his life Russell wrote and performed voice-and-cello songs – predominantly solo but employing loops, echo and sundry effects. In these, he synthesized all that he’d learned into what were perhaps his most personal and accessible works. These are probably what he’s best known for now, thanks to the more prominent releases of albums such as ‘World Of Echo’ and ‘Another Thought’, but they’re only one aspect of his work

A notorious perfectionist reknowned for agonised work gestations (and who left hundreds of pieces uncompleted at his death) Russell nonetheless completed what was, at the time a remarkably bold, broad and modern array of work from orchestral pieces and theatre music to forays into electro-pop and dance music under project names including Dinosaur (for ‘Kiss Me Again’) and Loose Joints (‘Tell You Today’). Today this kind of equivalence and eclecticism is more commonplace in the orchestral or ensemble work of composers such as John Zorn, Django Bates, Anna Meredith or Tansy Davies. In the 1970s, though, Russell was a pioneer, notoriously shocking the staider elements of his avant-garde classical audience with ‘24-24 Music’ (a contemporary classical piece equating the pulses and disciplines of New York minimalism with those of disco music).

Coming from the zone of Russell’s talent which drew most on his contemporary classical roots, ‘Instrumentals’ is an example of his chamber music, Dating from the late ‘70s, it was initially conceived as a forty-eight hour piece, its duration far exceeding even the infamously massy protracted works of Morton Feldman. Versions of the work were performed over the years, and a selection of excerpts appeared on a Disques du Crepuscule release in the mid-‘80s.

The piece as it stands owes much to Russell’s friend Peter Gordon, a fellow eclectician from the 1970s downtown scene and Russell’s bandmate in The Flying Hearts and Gordon’s own ongoing Love Of Life Orchestra. Gordon worked closely on the original performed version, assisting on keyboards, arrangement and notation. Two decades after Russell’s death in 1992, Gordon brought a new version of ‘Instrumentals’ back to The Kitchen (Russell’s old home venue in Manhattan. Following the initial sold-out performance in March 2012, Gordon has periodically revived and toured the new arrangement. The performance at Oval Space will feature several members of Russell’s original ensemble, and will also feature photographs by Yuko Nonomura which were projected during the original 1975/78 Manhattan performances of ‘Instrumentals’.

More information and tickets are available here.

 

Arthur Russell Instrumentals @ Oval Space, August 2015

July/August 2015 – upcoming London gigs for 3rd July (Shiver/The Fierce & The Dead/Alex’s Hand in Camden, and The Spiders of Destiny in Deptford); Tim Bowness tours in August; a release date for Levitation’s ‘Meanwhile Gardens’

30 Jun

More art-rock roars coming up…

Facemelter, 3rd July 2015

Shiver, The Fierce And The Dead, Alex’s Hand @ The Facemelter (The Black Heart, 2-3 Greenland Place, Camden, London, NW1 0AP, UK, Friday 3rd July, 7.30pm – £8.00/£6.00)

A night of insane math rock, prog, jazzcore and experimental riffs from some of Europe’s finest.

Shiver are the latest group from Acoustic Ladyland and TrioVD guitarist and producer Chris Sharkey. The trio have been challenging audiences perceptions of music for just over a year, sitting as comfortably at EFG London Jazz Festival as they have when headlining the PX3 stage at ArcTanGent Festival. Stretching the span of instrumentation and the imagination, this trio flits between solid, head-nodding riffs, ambient spaces and frantic electronic cacophony. Tonight they will be playing new material from their recently released third album.

The Fierce & The Dead are a hugely respected and critically acclaimed noisy pronk four-piece from London. Their precise musicianship and schizophrenic, immensely complex, yet catchy music has earned them headline slots all over the UK. Featuring internationally renowned guitarist, loop artist, blogger and all-round independent music guru Matt Stevens, TFATD have shared the stage with bands including PHILM, Knifeworld, Thumpermonkey, Anathema, Cleft and Lost in the Riots. Tonight they will premiere unheard material from their upcoming EP.

Formed in Seattle a few short years ago, experimental four-piece  Alex’s Hand subsequently relocated to Berlin and have been wreaking havoc on Europe’s DIY noise, post-punk and garage ever since. They’ve shared the stage with MoRkObOt, which must have been a bizarre evening. As at home on stage as they are playing avant garde installations (such as 24 hour festival Avant Garden) in a punk squat in Berlin, this will be their first venture to the UK.

More details here, and tickets available here.

I should put in a particular word for Alex’s Hand here, having watched them grow and sprawl over the past few years along a meandering but inspiring path from arch art-pop parodists to noisy song-brawlers and most recently to a kind of spontaneous noise-prog ensemble. There are a few ‘Misfit City’ reviews of their earlier material – one for ‘Madame Psychosis‘ and one for ‘This Cat Is A Genius‘. Although I’ve not covered Shiver yet, I do also have reviews of early Fierce & The Dead material (here and here), as well as a look at the band’s Matt Stevens playing a solo slot.

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If you’d rather spend a free evening with Uncle Frank, The Spiders of Destiny are playing another London gig of Zappa music on the same day. As ever, expect some of London’s most accomplished art-rockers to work their way back and forth through the Zappa catalogue. The Deptford venue they’re playing this time has plenty of history, whether under its current name, its old monicker of The Oxford Arms or any other title it’s enjoyed over several hundred years. If you don’t spot Frank’s ghost leaning on the sound desk and having an appreciative smoke, you could try looking out for the ghosts of Dire Straits or Christopher Marlowe instead… Up-to-date details here or here, with two-as-yet unnamed bands to be added to the bill.

The Spiders of Destiny (The Birds Nest, 32 Deptford Church Street, London, SE8 4RZ, Friday 3rd July 2015 – 7.30pm, free)

The Spiders of Destiny play Zappa, The Birds Nest, July 5th 2015

********

Tim Bowness live flyer, August 2015Looking further ahead, Tim Bowness is out on a very brief tour in August, playing a handful of dates in England and Poland to promote his imminent album ‘Stupid Things That Mean The World’ as mentioned last month. His band features his usual cohorts of Andrew Booker (drums – also of Sanguine Hum), Michael Bearpark (guitar – Darkroom, Henry Fool), Stephen Bennett (keyboards – Henry Fool) and the more recent recruit Colin Edwin (bass guitar – Porcupine Tree).

The Lousiana, Wapping Road, Bathurst Terrace, Bristol, BS1 6UA, UK, Tuesday 25th August, 7.00pm – tickets here and here.

The Boston Music Room, 178 Junction Road, London, N19 5QQ, UK, Wednesday 26th August, 7.00pm – £17.00 – tickets here and here.

Ino Rock Festival, Theatre Letni, Inoclaw, Poland, Saturday 29th August – 35.94 euros – tickets here (other acts at the festival are Fish, Motorpsycho, State Urge and Millenium).

Playing support at the Bristol and London gigs will be Improvizone, the flexible live-ambient improvising collective led by Bowness band drummer Andrew Booker. The rest of the Improvizone lineup looks as if it will be drawn from the current Bowness band (Michael Bearpark is a frequent Improvizoner) so perhaps you should expect the same band playing in two very different configurations. Up-to-date news will be here.

*****

Levitation: 'Meanwhile Gardens' (2015 issue)

Levitation: ‘Meanwhile Gardens’ (2015 issue)

Another follow-up from last month – there’s now a release date from Flashback Records for the lost Levitation album ‘Meanwhile Gardens’. Mark Burgess of Flashback posted the following on the Facebook fan page for the band’s lost recordings yesterday:

There is at last a provisional release date for ‘Meanwhile Gardens’. 23rd October 2015! Pre-orders will be available in due course from the Bandcamp site and elsewhere. The album is now with the pressing plant, but the lead time on the vinyl is long (pressing plants are straining under the pressure of so much vinyl at the moment, hence the provisional nature of the release date). You should all give yourselves a pat on the back and raise a toast to this group because without this page it might never have happened. Thank you all for your enthusiastic support!

Levitation, circa 1992

June 2015 – upcoming London gigs – prog rock/math rock/post-hardcore @ The Facemelter; electro-pop/drum’n’brass/loops/experimental ambience @ Tuesdays Post; eclectic classical/experimental chamber music/kletzmer & Bulgarian voices @ The Forge

31 May

Some more early June gig previews for London – these would have been in the previous post if I’d picked up on them earlier.

Firstly, a Facemelter promotion (from the experimental rock/post-hardcore wing of the Chaos Theory organisation whose jazz gigs I’ve also enjoyed)…

Facemelter, 5th June 2015

Alright The Captain + Iran Iran + Porshyne @  The Facemelter (The Black Heart, 2-3 Greenland Place, Camden, London, NW1 0AP, Friday 5th June , 7.30pm

Three heroes of math rock, alternative and post-rock travel from different corners of the UK to unite and form this amazing lineup.

Derby-based trio Alright The Captain masterfully combine virtuosic instrumentalism with unabashed musical experimentation and have effortlessly established themselves as a sonic force to be reckoned with, thanks to their increasingly inimitable, uniquely imaginative brand of math-rock. Their sprawling and varied career has seen them sharing stages with post-rock luminaries including Mono, toe, 65daysofstatic, Pelican, Tera Melos, ASIWYFA, Maybeshewill, Adebisi Shank (RIP), This Will Destroy You, ZU and many more. Their new album ‘Contact Fix’ (which ‘Musical Mathematics’ describes as “div(ing)  in and out of math rock, prog and post rock – but, at its heart, it’s different”) has gone down a storm.

Iran Iran are another supremely talented bunch of musicians who stunned and impressed all who saw them at ArcTanGent last year. With insanely complex rhythms and thunderously heavy riffs, the four-piece from Bristol have evolved since their excellent first EP ‘Crystal Math’ and are packing a punch. They’ve played with Future Of The Left, Cleft, Alright The Captain, This Town Needs Guns, You Slut!, Alpha Male Tea Party, Death Pedals and many others. Fans of complex musical wizardry or heavy riffs will love their new EP ‘Milk Time For Spiders’.

Brightoners Porshyne dance between ambient intervals and melodic vocals to intensely intricate, fantastically crunchy  prog rock riffs. With just a few single releases and a session filmed by Small Pond Recordings, they already sold out their first headline show in Brighton. This is your chance to catch the band before their career takes off.

More info here and here, and tickets here (£5.00 advance, £7.00 on the door).

At the end of the same week, Georgina Brett’s Tuesdays Post event returns to Stoke Newington with another evening of ambient/progressive live music, including ‘Misfit City’ favourites Darkroom

event-20150607tuesdayspost

Minny Pops/Spaceheads/Darkroom/Georgina Brett & Hems @ Tuesdays Post, (The Others, 6 Manor Rd, London, N16 5SA, Friday 7th June, 7.00pm)

Formed by vocalist/band leader Wally van Middendorp in Amsterdam in 1978, Dutch electro pioneers Minny Pops took their name from a primitive Korg drum machine. The band released several singles and a debut album, Drastic Measures, Drastic Movement, on independent Dutch label Plurex before joining the legendary Manchester label Factory Records in 1980 (which resulted in them being produced by Martin Hannett, touring with both Joy Division and New Order, and becoming the first Dutch group to record a Peel Session). Singles including Dolphin’s Spurt, Secret Story and Time were followed by the acclaimed album ‘Sparks In A Dark Room’ in 1982. The band released two further albums (‘Poste Restante’ and ‘Fourth Floor’) before splitting in 1985. In 2012, the band reunited for a series of gigs in the UK, the Netherlands and Belgium and recorded a 7-inch single for Tim Burgess’ O Genesis label. After a pause to draw breath, 2014 has seen Minny Pops performing live once again.

Spaceheads are a cosmic duo of trumpet electronics and drums. Formed in 1990, they have developed a blend of electronics and sunshine fanfares over the course of ten albums, three EPs and much touring across Europe and the USA. Andy Diagram (also of James) plays trumpet with a mobile phone stuck to the top with a fish slice and Richard Harrison plays drums with big bendy metal sheets stuck to the top. They create live looped layers of brass driven by flurries of free flowing funky drums. Andy and Richard have achieved an intuition of what each is about to do next which makes their semi-improvised gigs a joy to behold. They release their first studio album in ten years – ‘A Short Ride On The Arrow of Time’ – this Autumn.

Darkroom – the UK-based duo of Michael Bearpark (guitars) and Andrew Ostler (synths)- expertly ride the line between luscious, old-school progressive rock and modern ambient electronics. At times reminiscent of early Tangerine Dream with hints of Fripp and Eno, they create clouds of sequenced synths, chewy grooves, and looped phrases to support a variety of acoustic and electric guitar melodies that twist and turn in surprising, occasionally aggressive, ways.

Hems Aka Henrique Matias will be playing live with Georgina Brett. Henrique is a multi-talented composer, programmer and DJ. He specialises in Multimedia programming (from internet things to Max/MSP and similars), although not all his live music and performances sounds like computer music (sometimes he takes his drum machines and crazy things out of the house). Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, often in an hypnotic style. The point of this music is not only to captivate with extraordinary timing and melodic style but also to help the listener to relax in our ever-increasingly fast world.

Interactive visuals and multimedia projections are by Hanzo and Rucksack Cinema.

More information here – tickets £7.00 on the door.

By all accounts The Forge (in Camden Town) has spent the last few years becoming one of north London’s most interesting small venues for mixed music. I’ve yet to go there and see for myself: but in its full June calendar (also featuring funk, jazz, classical and Cuban music as well as assorted poetry) the following four concerts caught my interest:

Notus Winds & Eliza McCarthy (Wednesday 3nd June, 7.30pm)

Part of the classical monthly series Wednesdays at The Forge, this time featuring award-winning chamber ensemble Notus Winds and solo pianist Eliza McCarthy with a program of contemporary compositions (more information here). Tickets £10.00 to £12.00.

Programme:

Harrison Birtwistle – 5 Distances
György Ligeti – Ten Pieces
Arvo Pärt – Quintettino
Anders Hillborg – Six Pieces for Wind Quintet

Fenella Humphreys: Bach to the Future Part 1 (Tuesday 9th June, 7.30pm)

The first of three concerts presented by violinist Fenella Humphreys, featuring commissions of six new works by six of Britain’s leading composers to accompany Bach’s glorious 6 Sonatas and Partitas for unaccompanied violin. This first concert includes new works by Cheryl Frances-Hoad and Gordon Crosse alongside extraordinary music by Bach, Scott, Westhoff, Hindemith. Tickets £10.00 to £12.00.

Programme:

Cyril Scott – Bumble-Bees (1928)
Johann Paul von Westhoff – Suite no. 5 in D minor (1682)
Gordon Crosse – Orkney Dreaming (2014)
Fritz Kreisler – Recitativo and Scherzo-Caprice op. 6 (1911)
Paul Hindemith – Sonata op. 31 no. 2 ‘Es ist so schönes Wetter draussen’ (1924)
Johann Sebastian Bach – Partita no. 3 in E major BWV 1006 (c. 1720)
Cheryl Frances-Hoad – Suite no. 1 (2014)
Eugene Ysaye – 2nd Sonata op. 27 (1923)

Reciprocity: a new work by Daniel Patrick Cohen (Wednesday 10th June, 7.00pm)

Reciprocity is a 28 minute work for voice, taped narration, eight celli, piano, and percussion. The piece was composed by Daniel Patrick Cohen from six poems by the late Darya Farha, a Canadian poet, therapist, filmmaker and clothing designer. Darya was an extraordinary woman whose sharp intelligence, dry wit, distaste for orthodoxies and boundless empathy fuelled restless journey through her unfinished life. Darya died of breast cancer in 2011 when she was 46, and Reciprocity was commissioned by her sister Juliana Farha, who lives in London. Reciprocity is not about cancer, however. Instead, its human and universal themes of joy, pleasure, fear and anger, along with its intriguing instrumentation are sure to engage a broad audience. You can read more on the project here, and here. Tickets £6.00.

She’Koyokh & Veda Slovena Bulgarian Choir (Thursday 11th June, 8.00pm)

In a unique collaboration, She’Koyokh & Veda Slovena Bulgarian Choir combine the fiery panache of klezmer and Balkan music with the timeless beauty of Bulgarian voices, weaving Jewish, Turkish and Balkan music into the rich tapestry of the Bulgarian choral tradition. Read She’Koyokh’s piece on their Veda Slovena collaboration here. Tickets £10.00 to £12.00.

(All events taking place at The Forge, 3-7 Delancey Street, London, NW1 7NL)

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