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October 2017 – upcoming London classical/experimental gigs – Howard Skempton at 70 (13th October), Rarescale’s New Baroque (14th October)

5 Oct

A couple of quick referred notifications of a pair of upcoming gigs on the classical/experimental cusp – just the blurb…

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Howard Skempton @ 70, 13th October 2017

Club Inégales presents:
Howard Skempton at 70
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Friday 13th October 2017, 10.00pm
– information here and here

“Club Inégales’s live club nights in Euston create the unexpected chemistry that enables the special to happen as brings in the best in new and spontaneous performance. Its house ensemble Notes Inégales was created by two innovators in British music (Peter Wiegold and David Purser) and features some of the finest players in the country, dedicated to improvisation as well as other contemporary repertoire. Peter has been a pioneer of bringing together composition and improvisation, working directly with musicians in the creation of new work.

“Vocalist, accordionist and composer Howard Skempton has made two delightful visits to Club Inégales, performing his solo accordion pieces and singing and playing with the ensemble. In this special concert at Kings Place, Howard will be joining Notes Inégales to improvise and perform new arrangements of pieces including ‘In Cuba They Play With Maracas’, ‘Chorale Inégales’, Show Me The Limelight’, ‘Trapeze’ and a seventieth birthday tribute to American composer Christian Wolff, entitled ‘Forget the Minuet’.”

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rarescale's 'New Baroque', 14th October 2017

rarescale presents:
New Baroque (with Carla Rees & Michael Oliva)
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 14th October 2017, 8.00pm
– information here and here

“The first in a series of concerts combining new and old repertoire for baroque flute, ‘New Baroque’ explores how a historical instrument can be used in modern times through a series of collaborations with imaginative contemporary creators. In this eclectic programme, hear new works for baroque flute solo and with electronics by a range of living composers interspersed with music from the baroque era.

“The performers are rarescale regulars Carla Rees and Michael Oliva. A British-based low flutes player and arranger, Carla is the artistic director of rarescale and runs low-flutes publishing company Tetractys, working frequently in collaboration with composers to develop new repertoire and techniques. Originally trained as a biochemist, Michael is rarescale’s composer-in-residence: an electronic musician, with a fondness for woodwind he lectures in and teaches electroacoustic music and music technology at the Royal College of Music and Imperial College. In addition, he runs and premieres multimedia opera work with madestrange opera, a company dedicated to producing new forms of the genre for modern audiences. Recent works include a requiem commissioned by the choir Mosaic (2010) and a new full length opera, ‘Singularity’ (2015).”

The programme is still to be confirmed, but here’s a double taste of what’s likely to be involved:

&nsbp;

June 2017 – some of London’s more theatrical upcoming gigs – cartoon critters run amok with ‘Cat & Mouse’ (8th & 9th June); plague, trauma and rhythm with Grand Union Orchestra’s ‘Song of Contagion’ (13th-17th June); Debbie Wiseman and The Locrian Ensemble play music from ‘Wolf Hall’ (June 18th)

26 May

Three theatrical/televisual fusion gigs in London for the coming month…

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'Cat and Mouse', 8th/9th June 2017

1927 Theatre Company and Village Underground present:
‘Cat and Mouse’
Village Underground, 54 Holywell Lane, Shoreditch, London, EC2A 3PQ, England
Thursday 8th + Friday 9th June 2017, 7.00pm
– information here and here

“The world premiere of ‘Cat And Mouse’! A theatrical animation experience involving an animated cat and mouse and a band of dogs. Featuring the animations of Paul Bill Barritt (1927) with live music by Officer Pup (composer Laurence Owen and band), introducing Miss Lesley Ewen as The Law.

“You could say we’ve seen it all at VU, but in actual fact there are still plenty of firsts. This’ll be one of them: our debut in-house theatrical production. We’ve been waiting for just the right project to come along for some time, so when Paul said he wanted to do a theatrical animation experience with anthropomorphic animals, we knew we’d waited long enough.


 
“The cultural history of anthropomorphised animals is long and deep, as long and deep as the river of imagination itself. We see ourselves reflected back at ourselves within those furry beings. ‘Cat and Mouse’ is one such development. Taking its germ from the great peddler of anthropomorphised cat and mouse chaos Mr. George Herriman (creator of the ‘Krazy Kat’ stories which in turn inspired ‘Tom & Jerry’), it proceeds in a zigzag line through the gamut of human idiocy from art to war, from technology to industry, from civilisation to love all via the shenanigans of various humanimals mostly of the rodent/feline variety with some notably canine overseers holding court over the proceedings. Sticking within the traditions of artistic purveyance there will be visuals in the form of animations, sets and costume, there will be live music and there will be storytelling. A theatrical animation experience unlike anything seen before, alike to everything seen once upon a time, long ago . . .

“‘Cat and Mouse’ sets up the familiar dichotomy of good and evil, navigating the extremes of human idiocy from art to war, from technology to industry, from civilisation to love all rendered through the shenanigans of a rodent, a feline and the dogs of law. With a band performing the original score live, don’t expect to sit through this – witnessing Cat and Mouse will be like finding yourself inside a television set. “Made of old ‘toons and new tunes, it’s like an arthouse ‘Itchy and Scratchy’ where the action spills out into the audience,” says Paul. “Expect high-octane action, fun and frolics, extreme (cartoon) violence, moments of edification, sadomasochism, a face machine, skeletons, dogs, dancing, and more.”

“As we veer further towards duplicitous times of fake news and alternate facts, the idea that we can define what is purely good or evil becomes a tempting focus. Yet with cartoonish reality TV characters as world leaders, the notion that we’re all made up of these shades of good and evil becomes increasingly obscured. Predator and prey, good and evil, and our instincts to protect those that are vulnerable – ‘Cat and Mouse’ couldn’t be more timely.”


 
Here’s a more in-depth interview with Paul Barritt about the project, from ‘Run Riot‘…

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Grand Union Orchestra, 13th-17th June 2017

Grand Union Orchestra and Wilton’s Music Hall present:
Grand Union Orchestra: ‘Song Of Contagion’
Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Tuesday 13th June to Saturday 17th June 2017, 7:30pm (2:30pm – schools matinee on 15th June, family show on 17th June including “meet the musicians” event)
– information here, here, here and here

“Ever wondered what would happen if you teamed up a distinguished scientist with internationally-acclaimed jazz and world musicians? The answer is ‘Song Of Contagion‘, the brainchild of composer Tony Haynes and epidemiologist Elizabeth Pisani and featuring Grand Union Orchestra, which explores the mismatch between areas where diseases are suffered and those where the money is spent, bringing cold statistics vividly to life on stage.

“It begins in the East End, round the corner from Wilton’s, where cholera raged in Victorian times; eradicated in London by building the sewers, it continues rampant in Kolkata today. A moving series of songs tells the stories of combatants and civilians affected by shell-shock, for which treatment is still scarce. Exuberant dance rhythms describe how dengue and Zika spread unnoticed across Africa and the Caribbean until Zika hit the headlines, threatening to spoil the Rio Olympics. A big-band piece celebrates the activism that brought HIV/AIDS to public attention and an old music hall song dramatises the danger of heart disease posed by the junk food industry.

“‘Song Of Contagion’ features thirty of Grand Union’s finest musicians and singers from musical traditions worldwide, who add immense impact and authenticity to the performance – Indian musicians evoking Kolkata past and present; brilliant jazz soloists giving voice to the trauma of soldiers and refugees; highlife, merengue, soca and samba beats dramatising the spread of Zika.”



 

Thursday 15th June features a schools matinee and a free pre-evening show at 6.00pm in which Sam Johnson and students from Community Music describe their contribution to the project with audio illustrations. There’s also a free post-show discussion at 9.30pm on Friday 16th June in which Elizabeth Pisani talks about ‘Turning health statistics into music and song’. On Saturday 17th June (at 4:15pm) the extra event is ‘King Cholera and the Great Metropolis Walk‘ a two-hour tour with guide Sophie Campbell exploring cholera in London’s East End.

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Anton Lesser as Thomas More

Live at Zédel presents:
‘Wolf Hall live’
Brasserie Zédel, 20 Sherwood Street, Soho, London W1F 7ED, England
Sunday 18th June 2017, 7.00pm
information

“Hilary Mantel’s award-winning novel ‘Wolf Hall’ was transformed into a riveting six-part drama by the BBC to huge acclaim in 2015. Accompanying Thomas Cromwell’s machinations and hushed conversations in shadowy palace corners was original music by Debbie Wiseman, performed by members of The Locrian Ensemble of London; the soundtrack CD reached no.1 in the classical charts.

“Debbie has over two hundred film and television soundtracks to her name including ‘Wilde’, ‘Wolf Hall’ and, more recently, ‘Dickensian’. Consisting of some of the country’s finest musicians, the Locrian Ensemble is at the very top of its game, delivering stunning performances which range from the blisteringly dramatic to the heart-rendingly mournful.

“Tonight, Debbie and the Ensemble perform selections from her acclaimed score, alongside extracts from ‘Wolf Hall’ and its first sequel ‘Bring Up The Bodies’ read by Anton Lesser (who played Thomas More in the BBC series). The concert roughly follows the narrative of the television series with Lesser’s intense readings setting the scene for a musical commentary. The most intense part of the concert must surely be the depiction of Anne Boleyn’s execution, as the impassioned readings leave the audience hanging on every word, with music that is gripping and moving in equal parts.”


 

April 2017 – upcoming London gigs – “wonk rock” with The Display Team + A Sweet Niche + Ham Legion (3rd); Patricia Hammond & Matt Redman’s Edwardian pop (3rd); SOIF Soiree with Society Of Imaginary Friends, David Skinner, The Support Stockings, Cian Binchy, Millie George, I Am Her, Martin Wakefield, Jed Demochowski, Anne Corrigan etc. (7th)

27 Mar

I was moved to jam these three early April gigs together for a preview. On the Wednesday, it’s up to you whether you go for the tangled electric loom of wonky pop/jazz/punk noise or for the hundred-year-old pop hits with the Keep Calm And Carry On teatowels. Either way, you still get to attend the latest mixed-music-and-poetry SOIF cabaret on the following Friday…

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The Display Team + A Sweet Niche + Ham Legion, 3rd April 2017Bad Hedge presents:
The Display Team + A Sweet Niche + Ham Legion
The Birds Nest, 32 Deptford Church Street, Deptford, London, SE8 4RZ, England
Monday 3rd April 2017, 7.00pm
information

“A repulsive onstage three-way shocker! For one night in April, three heavyweights of the widely ignored wonk rock scene will spill off the stage in one of London’s best (and cheapest) small venues. And all for free! The Display Team: nob-bothering high-octave brutalitarians; like a small orchestra with big balls. A Sweet Niche: skronky honkies that bring an ominous twistin’ y’all can’t be resistin’. Ham Legion: kaleidoscopic power-pop rompers with more dinner ideas than you’ve had hot.”

For a little more on these people from back in the ‘Misfit City’ archives, have a peek here, here and here. Meanwhile, here’s the obligatory fistful of tunes.




 
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Patricia Hammond & Matt Redman - 3rd April 2017Wiltons Music Hall presents:
Monday Night Music: Patricia Hammond with Matt Redman
The Mahogany Bar @ Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Monday 3rd April 2017, 8.00pm – free event
– information here and here

“An evening of rousing Edwardian pop! Patricia Hammond and Matt Redman, world-renowned specialists in authentic historical performance, will play an assortment of pop songs from the Edwardian era, including some of the first songs ever written about motorised transport: Willie Had A Motor-Boat, In My Merry Oldsmobile, My Rickenbacker Car, Wait Till You Get Them Up In The Air, Boys, and many, many more delights. If you’re very nice to them, Patricia and Matt also promise some rousing singalongs to gems such as If You Were The Only Girl In The World and, for the WW1 Centenary’s sake, Pack Up Your Troubles In Your Old Kit-Bag.

 
Matt will be performing on piano, guitar, banjo and accordion, and will treat people to instrumentals of some of the new dance crazes of the 1900s and 1910s, such as tango, chorinho, ragtime, Hawaiian and blues. Of course, this being Wilton’s, songs of the great music hall era will also feature. All together now!”

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SOIF Soiree, 7th April 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “For Absent Friends” (featuring Society Of Imaginary Friends + David Skinner + The Support Stockings + Cian Binchy + Millie George + I Am Her + Martin Wakefield + Evie + Jed Demochowski + Anne Corrigan + Dj Onjdrew + others t.b.c.)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 7th April 2017, 8.00pm – free event
information

The latest in Society of Imaginary Friends’ ongoing series of grab-bag gigs, featuring a number of faces which ought to be familiar from recent performances:

“A sunny spring park comes to life crowded with absent friends, friends turned imaginary, walking with the sun, singing and humming, playing rounders, turning summersaults, laughing with the children,climbing trees, smiling into the breeze and as the sun sets we gather round a bandstand at the centre of a green. Vegan ma-nah is brought out by sensual peace-loving Daleks… a gorgeous offering of sound and light a celebration of friendship.

“Performing on 7th is the virtuosic guitarist and velvety voiced singer David Skinner; harmonious vocal stylings from our choir The Support Stockings; fresh from his sold-out national tour, Cian Binchy; the fabulous young poet and star of the Round House and Young Vic Millie George; urban punk from the mighty Julie Riley‘s I Am Her; Martin Wakefield and Evie with inspiring poetry, music and verse; Jed Demochowski (of the VIPs) and his new band; Anne Corrigan delighting us with her poems; DJ Onjdrew, and a couple of super amazing surprise star guests. Plus us, theSociety Of Imaginary Friends.

“Please come and bring a memory, a line or two about your absent friend to say on the night. Looking forward to seeing you there. Don’t forget it is free entry and there is amazing vegan food and award-winning beverages to purchase.”





 

November 2016 – upcoming London jazz gigs (28th) – Alexander Hawkins-Elaine Mitchener Quartet, Michael Janisch and The James Beckwith Trio at the Cockpit; Ping Machine Quartet at the Sitara

26 Nov

Two London jazz-hops for Monday…

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Cockpit Productions present:
Jazz In The Round: Alexander Hawkins/Elaine Mitchener Quartet + Michael Janisch + The James Beckwith Trio
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Monday 28th November 2016, 7.00pm
information

According to their own description, the Alexander Hawkins/Elaine Mitchener Quartet work with “repertoire (which)“fuses Mitchener’s unique way with both melody and abstraction, with Hawkins’ idiosyncratic compositional and pianistic world; as well as spotlighting re-imaginings of a small number of non-original songs which reveal the influence of precursors such as Jeanne Lee and Linda Sharrock.” The project’s still young enough not to have spawned either recordings or video clips, so you’ll have to imagine it from the existing pedigree of its players and movers.

Pianist and composer Alexander Hawkins (a onetime renegade lawyer and youthful church organist who evolved into a jazz keyboard explorer of rare brilliance) has already made marks as a noted collaborator with Louis Moholo, Shabaka Hutchings and plenty of others, plus previous leader/co-leader work with Convergence Quartet, Hammond organ funk-improv trio Decoy and his own de-/free-constructive Trio and Ensemble. He’s been hailed as an exceptional talent within his generation.


 
Vocalist Elaine Mitchener, though she’s been following a decidedly more outre path, is also exceptional: twisting and fusing (or placing in parallel) vocal approaches from jazz, gospel, sound poetry, free improvisations and contemporary classical, and where possible blending it with performance aspects of movement theatre. A collaborator with the likes of Phil Minton and Evan Parker (music), Deborah Warner (theatre) and Christian Marclay (both and neither), she’s as happy with pre-linguistic gabble and the esoteric libretti of David Toop operas as she is with a standard. At least as likely to be found performing in a gallery space as in a jazz club, she’s one of Britain’s most daring singers; balanced conceptually (though not necessarily tonally) between Lauren Newton, Abbey Lincoln, Dagmar Krause and the latterday Scott Walker (as well as the aforementioned avant-jazz vocal trailblazers Lee and Sharrock), but carving out a highly individual expressive space of her own. Below is just one example of what she does.


 
The quartet is completed by double bass player Neil Charles (from Alexander’s existing Trio) and by drummer Steve Davis, who appear to be considerably more than sidemen: “structurally, the group function as complete equals, veering radically from the traditional norm of ‘singer plus rhythm section’, instead treating this as only one possible dynamic amongst many.”

Reknowned émigré-American bass player Michael Janisch (once of TransAtlantic Collective, more recently a member of City of Poets, leader of Paradigm Shift and prime mover of both Whirlwind Recordings and the Whirlwind Festival) is playing a solo set as the middle act. Outside of master classes, this is an unusual scenario for Michael: he’s generally to be found at the hearts of ensembles, pushing them on with inspired work whether on double bass or electric bass guitar. There’s no details on which of these he’s using this time (it might be both).

As opener, pianist James Beckwith brings the trio of himself, rising jazz-pop drummer Harry Pope and bass guitarist Joe Downard (a protégé of the great Herbie Flowers, now one of London’s busiest cross-disciplinary bass players in jazz, blues, country, soul and hip hop). Together they present a London spin on “New York contemporary jazz harmonies, the piano trio lineage, Middle Eastern and Asian folk, to mould strong rhythmic tunes delivered with driving energy”, working from fragmented syncopation to tight funky knots.


 

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Ping Machine Quartet, 28th November 2016Some time ago, I was bemoaning the loss of Archway scratch-deli Forks & Corks (an up-and-coming London jazz venue) to buildings works and gentrification. While I’ve been grumbling, Archway local (and cheerily formidable double bass hero) Jonny Gee, who had some responsibility for the music there) has picked himself up undaunted, and moved proceedings a minute or so’s walk south to the Sitara restaurant. There he’s continued to build plans for an Archway jazz scene with an unfolding series of surprising blink-and-you’ll-miss-them meal-plus-music gigs, of which this is the latest.

Jonny Gee presents:
Ping Machine Quartet
The Sitara, 784 Holloway Road, Archway, London, N19 3JH, England
Monday 28th November 2016, 6.00pm
information

There’s not too much information on this one besides from the words “improv, bebop, jazz” tossed onto the poster like hasty clip-art, so (as with the Hawkins/Mitchener Quartet) you’ll just have to go by the reputations of the people in the band. Nothing to do with the similarly-named polystylistic French ensemble, they’re a more recent alliance of Jonny, Orphy Robinson and two other impressive London musicians.

Jonny’s sideman and MD work for King Salsa, Antonio Forcione, Ravi Shankar and Cleo Laine only scratches the surfaces of a thrillingly animated career on bass, which has stretched from jazz to Latin dance to baroque classical and back again in a ongoing arc of possibilities. Orphy, meanwhile, is a beloved veteran of the ‘90s British jazz boom. Once a Jazz Warrior, subsequently a Blue Note-signed vibraphonist, he’s now firmly fixed at jazz statesman status thanks to diverse work within education and curation as well as his host of ongoing projects as a player (including Nubian Vibes, Bruise, Codefive, Clear Frame and his Black Top duo with pianist Pat Thomas).

Regarding the remaining half of the quartet – drummer Andrea Trillo has played with both Herbie Hancock and Jerry Dammers, as well as with Dave O’Higgins, Jon Toussaint, Simon Purcell and Tim Richards. Long steeped in jazz and Latin music, Shanti Paul Jayasinha’s played trumpet for Brand New Heavies, Jason Yarde, Tim Garland and Buena Vista Social Club as well as leading his own ShantiJazzWorld ensemble. He also plays flugelhorn and, for this gig, might be toting the Slumpet (his custom valve/slide trumpet). In case he doesn’t, this is what it sounds like.


 

November 2016 – upcoming London classical gigs – The Riot Ensemble play Mark Simpson/Jack Sheen/Tigran Mansurian premieres plus Morton Feldman, Mark Bowden and Anna Meredith for ‘The Viola in my Life’ (21st); Clara Rodríguez & TangOpera Duo’s ‘Great Latin American Composers’ featuring Antonio Estévez and Alberto Ginastera, plus Villa-Lobos, Cervantes and Ruiz (24th)

20 Nov

A very quick note on two upcoming shows:

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The Riot Ensemble presents:
The Riot Ensemble: ‘The Viola in my Life’
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Monday 21st November 2016, 7.00pm
information

The Riot Ensemble's 'The Viola In My Life', 21st November 2016“Led by a core group of seven musicians, The Riot Ensemble programme a wide array of the new music from across the globe, connecting people to great contemporary music and collaborating with a prestigious roster of guest artists in musician-led and organised performances. One of the few emerging ensembles in the UK to regularly commission and perform music by international emerging composers, they present the young composers they commission alongside exciting and established music from Bach to Birtwistle.

“This performance – The Viola in my Life’ – features Riot’s new Artistic Board Member Stephen Upshaw, who programmed this concert alongside fellow rioters Sarah Mason & Claudia Maria Racovicean.”

Programme:

Mark Simpson – New Work for Solo Viola (world premiere)
Morton Feldman – The Viola in My Life 3 (for viola and piano)
Mark Bowden – Hoist (for solo percussion)
Jack Sheen – Each One Cancels Out the Last (for viola, piano and tape) (world premiere)
Anna Meredith – Flex (for solo percussion)
Tigran Mansurian – Duet (for viola and percussion) (UK premiere)

Performers:

Stephen Upshaw – viola
Sarah Mason – percussion
Claudia Maria Racovicean – piano

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Clara Rodriguez' 'Great Latin American Composers', 24th November 2016Iberian & Latin American Music Society presents:
Echoes Festival: Clara Rodríguez & Friends – ‘Great Latin American Composers’
Bolívar Hall, 54 Grafton Way, Fitzrovia, London, W1T 5DL, England
Thursday 24th November 2016, 7.30pm
information

“Venezuelan virtuoso pianist Clara Rodríguez joins forces with TangOpera Duo to mark the centenary of her compatriot, composer Antonio Estévez (1916-1988) with a concert showcasing his works for piano and voice as part of a vibrant programme of piano pieces by some of the giants of Latin American classical music, including the seminal Argentine composer Alberto Ginastera (Argentina) (1916-1983), who also celebrates his centenary this year.

“Antonio Estévez is one of the most important Venezuelan composers of the 20th century, known especially for his ‘Cantata criolla’ and ‘Mediodía en el llan’o, recorded by the Simón Bolívar Youth Orchestra in 2008. A leading light of the Parisian-Venezuelan avant garde, Estévez’s music stands out for its rare beauty and profound originality. In Clara Rodríguez, Estévez has a longstanding ambassador for his legacy – her successful campaign to establish his output on the ABRSM 2015-2016 exam syllabus saw his music performed by thousands of pianists in the UK.

Heard here alongside some of Latin America’s most famous composers, such as Villa-Lobos (Brazil) and Cervantes (Cuba), this event places Estévez firmly amongst the panoply of Latin America’s ‘great’ composers. If you are unfamiliar with his music, this programme will be a revelation.”

Programme:

Antonio Estévez – 17 Piezas infantiles
Antonio Estévez – Songs (Selection)
Heitor Villa-Lobos – Bachianas brasileiras No. 4 (Selection)
Heitor Villa-Lobos – Ciclo brasileiro (Selection)
Alberto Ginastera – Three Argentinean Dances
Alberto Ginastera – Dos canciones Op. 3
Ignacio Cervantes – Three Cuban Dances
Federico Ruiz – Encuentro de Antonio y Florentino

Performers:

Clara Rodríguez – piano
TangOpera Duo – soprano & piano
William Roberts – actor
Timothy Adès – translator-poet
 

October 2016 – upcoming London gigs – Vlad Miller’s Notes From Underground at MAP Café (6th); Honeyfeet and Dila V & The Odd Beats at Magic Garden (8th)

4 Oct

A quick note on two London gigs this week, taking place at a couple of London’s more lively out-of-the-way venues in Kentish Town and Battersea, but rooted much further eastward. (No. Not Upminster.)

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Vlad Miller/Notes From Underground, 6th October 2016

Vlad Miller- Notes From Underground
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Thursday 6th October 2016, 8.00pm
information

Jazz quartet Notes From Underground are led by pianist and composer Vlad Miller, London-based musical director of the Moscow Composers Orchestra (providing a meeting point for creative Russian jazz musicians for around two decades now) as well as a key part of London world music ensemble Ancestral Collective. Vlad’s compositions form the foundations of the band – strongly influenced by Russian musical tradition, and steeped in a parallel tradition of narrative. While wordless, each piece draws on fable, history or cryptic jokes to tell a story embellished by colourful collective improvisations. Subject matter has included the Cold War, Diaghelev and The Ballet Russe, the farce and gallows-humour fraughtness of the fraught relationship between artists and the Kremlin, the lives of insects and the travails of a cruise ship in peril in the White Sea.

The band also features Indian-inflected contrabass guitarist Leslee Booth (Branco Stoysin Trio), drummer Dave Rohoman (onetime drummer for Ian Dury in Kilburn & The High Roads, subsequently an explorer on the London improvising scene) and saxophonist-of-a-hundred bands Adrian Northover (currently working with Jazz-Thali, The Custodians, The London Improvisers Orchestra, Trip-Tik, The Remote Viewers, the Thelonious Monk-interpreting Hard Evidence trio and many more).




 

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Honeyfeet + Dila V & The Odd Beats, 8th October 2016

Honeyfeet + Dila V & The Odd Beats + DJ Pony + DJ Joplin Parnell
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Saturday 8th October, 8.00pm
– free event (before 8.00pm; door fee after that) – information

Down at the Magic Garden, ill-kept Mancunian folk/R&B secret Honeyfeet are playing a free gig (well, free if you arrive early enough). Mixing “ethio-trad, barrel-house pop, cowpunk and folk-hop” (I think that only one of those is a typo) and fronted by imposing power-coquette Ríoghnach Connolly, they’ve been storming their way around festivals for nearly ten years now, sharing and showcasing their mixture of jollity, oomph, raunch and macabreness with songs about “eating people, dancing on graves and infidelity… but it’s not all bad news.”


 
It takes quite a band not to be intimidated by the smouldering verve and dark wit of Honeyfeet when on the same bill, but Dila V & The Oddbeats will certainly carry off their support slot with a dynamic vigour of their own. Another band with an earthy and captivating frontwoman – Dila Vardar – they work Mediterranean and Eurasian folk from Turkey, Spain, Greece, Roma culture and the Baltic states (including vigorous dashes of rebetiko and bolero) through flangers and wah-wah. The result’s a sinous turbo-driven take on psychedelic folk, taking it away from its usual Anglo-Afro-Celtic circles and sending it roaring around several thousand years of cultural meeting points from the middle of the world.


 
DJ sets from Joplin Parnell and the mysterious Pony intersperse and round off the evening… and that’s all for now. Should be enough to satisfy.
 

September 2016 – upcoming London jazz gigs – Jonathan Silk and Ben Lee bands at Kings Place (16th); Bitch’n’Monk, Survival Skills and Peter Ehwald at Rich Mix (22nd); free show by Tamas Teszary Quartet at Magic Garden (22nd)

14 Sep

More jazz and jazzlike London gigs for the coming month, presented more or less straight from the press releases (to ensure that the month’s news updates don’t drag too much…)

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Jazz at Kings Place/Stoney Lane Records present:
Jonathan Silk Big Band + Ben Lee Quintet
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Friday 16th September 2016, 8:00pm
information

From Kings Place:

“The third in a series of eclectic performances featuring artists from the burgeoning Stoney Lane Records label – and a special double album launch.

“Drummer and composer Jonathan Silk – dubbed “one To watch” by ‘Jazzwise‘ magazine – leads his dynamic big band, with strong influences from mentors and world renowned composers Maria Schneider and Vince Mendoza, along with contemporary New York improvisors Jim Black and Dave Binney. Playing music from Jonathan’s forthcoming album ‘Fragment’, the big band will perform a suite composed to explore the contrast between the powerful forces of a big band in full cry, and the more delicate touch of orchestral textures.



 
“Young guitarist Ben Lee is tipped as one of the rising stars in the jazz world, and launches his debut album this autumn. His beguiling quintet explore the many sounds and combinations of its unorthodox line-up, featuring guitar, alto sax, trombone, organ and drums. Inspired by a whole host of eclectic musicians, from Nirvana and Radiohead to many of the jazz greats, the Ben Lee Quintet bring punchy horn lines, groove, invention, original melodies and no lack of warmth and technical prowess.”




 

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Chaos Theory Promotions/Jazz Standard/United Artists present:
Bitch ‘n’ Monk + Peter Ehwald + Survival Skills
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Thursday 22nd September 2016, 7.30pm
information

From Chaos Theory:

“This is a special collaboration between ourselves, Tina Edwards of Jazz Standard (one of London’s best promoters of contemporary jazz), Rich Mix (one of London’s hottest hotbeds of contemporary creativity) and daringly experimental duo Bitch ‘n’ Monk, as they launch their new album ‘We Are Peering Over’ in an evening of experimental jazz, improv, art and electronica.

“Described as “a kaleidoscope of musical styles” by the BBC’s ‘Late Junction’ (and by ‘The Quietus‘ as musicians who “will send you into a lovesick coma and give you an electrifying kiss of life all at once”) Bitch’n’Monk are a wayward soprano and screaming flute duo from London and Colombia. They invite you to come to the edge of the music that you know, and peer over into something unpredictable, wild, and new to your ears (the ‘Guardian‘ has observed that “you’ll spend a while pondering how to classify them – prog folk? Operatic post-punk? Gothic reggae? – but they know how to write melodies.” Their new album is a masterpiece, and is a defiant fusion of arts and culture, allowing us each to explore it in our own unique way, with no two people experiencing it quite the same. Tonight ‘We Are Peering Over’ will be premiered live and audience members will have a chance to pre-order the album at a discount, and reserve it for collection at the merch desk ahead of its official release on 30th September.



 
“In support, Survival Skills is an electronic improvisational solo venture by respected contemporary and nu jazz guitarist and producer Chris Sharkey – a fiercely creative individual who is as at home playing the main stages at international festivals, or performing to an intimate audience in a hidden basement venue. Previously known for Acoustic Ladyland and TrioVD, some of you may remember his other projects Shiver at The Facemelter last July, and The Geordie Approach at The Jazz Market last October. Chaos Theory was lucky enough to host the live premiere of Survival Skills almost two years ago, so this will be a great opportunity to see how the solo project has developed.



 
“German musician Peter Ehwald is an adventurous saxophonist with a distinctive sound (described by ‘Jazzwise’ as “an affecting tonal range, moving artfully between Wayne Shorter-type floaty, snaking lines and tougher vocalised timbres.”). He’s known for The Backyard Jazz Orchestra, his collaborative project with the Goethe Institute and Stefan Schultze. He also performs solo with raw energy, creating a remarkably modern sound.”


 
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Tamas Teszary Quartet
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Thursday 22nd September 2016, 9.00pm
free event – information

“If you get the chance to go and listen to the Tamas Teszary Quartet live don’t miss it! This quartet, led by vibraphone wizard Tamas Teszary, brings sizzling new originals to the jazz scene. His compositions invoke sensations from your brain as if traveling from the smoky jazz clubs of New York through the lush landscapes of Canada to the hustling streets of London. With driving bebop lines, funky beats and hip ­hop chills, from melancholic to twisted jazz harmonies, TTQ delivers the mind warp you’ve been thirsty for.”


 

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