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August 2018 – more Woodburner world-acoustica sessions at Dalston Eastern Curve Gardens – Solomon’s Garden, The Hungry Mothers and Miranda Joy (7th August); Sannie Fox, Harvey Causon and Gus Harvey (14th August); Whiskey Moon Face, Meïkhâneh and Tommy Ashby (21st August); Gnawa Blues All Stars, James Riley and Michael Sebastian (28th August)

2 Aug

More outdoor summer Woodburner gigs at Dalston Eastern Curve Garden, as the season moves into its third and penultimate month.

Here’s what they say they’re offering…

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The 7th August show features neo-soul collective Solomon’s Garden, Brighton-based Americana band The Hungry Mothers, and the singer-songwriter Miranda Joy.

Solomon’s Garden is a collective of three university friends who came together to make music with cleverly worded and thought-provoking lyrics, and soulful, catchy, head-bopping beats. After spontaneously releasing their first song ‘Sand Dunes’ in January 2016, the group had an incredible reaction from the general public and within a short period of time the song hit its first thousand plays. It was then that the group knew they were on to something special. Two years, one hiatus and three EPs later the band continues to thrive as a dynamic four piece. Between landing a slot at Latitude festival ‘17, being chosen for BBC Introducing’s record of the week, and becoming a favourite with Sofar Sounds London; the band are fast becoming a name to be recognised on the emerging music scene, with a distinct and resonant sound that continues to evolve.


 
“Producers of feelgood Americana residing within the south-east of the UK, The Hungry Mothers immediately began winning fans since their birth last year as a four-piece comprised of warming harmonies, laid-back roots and country blues. Their debut single Tiger Song (released on At The Helm Records) is the confident and mature start for a band who are inviting everyone on their journey.


 
Miranda Joy is a twenty-two-year-old singer-songwriter currently based in London. She performs her meaningfully-written songs with a powerful and soulful voice with moving piano accompaniment. She has performed at many venues, festivals and events, including the Vortex Jazz Club, The Village Underground, Rye International Jazz and Blues festival, the Great Escape Festival and Nasty Women UK. Last year one of her original songs, The Fall, was featured on BBC1’s coverage of the NFL Super Bowl highlights. Currently, she is continuing to perform at venues across the UK and working on releasing her first EP.”


 
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The 14th August show features South African blues artist Sannie Fox, electronic/jazz from Harvey Causon, and trip hop act Gus Harvey.

Sannie Fox is a singer and guitarist who has released two critically acclaimed albums and will release her third studio album ‘My Soul Got Stranger’ this year. With her voracious voice, and her fingers to her electric guitar, Fox sways across an evolving sonic tapestry of desert blues, soul and psychedelic rock sounds. Last decade, Fox formed the blues-rock 3-piece Machineri and released a self-titled album in 2010; in 2015 she released her debut solo album ‘Serpente Masjien’. She has toured South Africa, the UK and Asia and is currently based between the UK and South Africa.


 

“Calm and understated, Bristol’s Harvey Causon is turning heads with his deft take on contemporary R&B and percussive electronica, and with the powerful, brooding vocal that sounds far more world-wearied than his twenty years. After moving to Bristol last year, Harvey quickly released his ‘Introspect’ EP’, a collection of songs that he had been sitting on for a while. Eclectic but polished, the stand out song from the release, ‘Systems’ was given a remix from rising hip hop duo Cabrakid (earning Harvey an appearance at Cabra’s support slot with Loyle Carner after the rapper heard the track).

“In October, Harvey released his single ‘Frisson’ with local Bristol label Leisure Records: ‘Worn You’, his most recent release with production collaborator Gabriel Gifford, was playlisted by Radio 1 as the BBC Introducing Track of the Week and added to the Burberry and Radio 1 Spotify playlists. With nods to other contemporary artists the ambient piano ballad has a nervous energy but its dub tinged rhythm, clever lyrical content and fragile yet soothing vocal set it apart. Having already played sold-out shows supporting Tokio Myers, Puma Blue and Porches as well as Dot to Dot and 2000 Trees festivals, the summer bookings are shaping up to be just as imposing with The Great Escape, The Downs Festival and All Points East all in the pipeline. His impressive live set features both Gabriel Gifford and drummer Ben Toon.


 
Gus Harvey is a London-born soul singer with roots in hip hop and jazz. This August she releases debut EP ‘? History (1 of 4)’ on her own label. Her first single – Witches – was pure hip hop and received radio acclaim from DJs including Lauren Laverne and Nemone on BBC Radio 6 Music, as well as being Clash Music’s Track of the Day. The new EP exhibits four different styles; acoustic soul, jazz-hip hop, trip hop and bi gbeat (from collaborations with Audiobullys’ Tom Dinsdale). ‘? History’ is Harvey’s self-portrait and DIY protest against an industry squashing emerging artists into one genre. As sole mistress of all her ships, Harvey creates her visuals with close friend and London visionary Netti Hurley. Tonight she performs a unique, stripped acoustic soul set especially for Woodburner.”


 
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The 21st August show features transcontinental jazz-folkers Whiskey Moon Face, Persia/Mongolia/Eastern Europe-influenced folk trio Meikhaneh and sessioneer-turned-ancestral-folkie Tommy Ashby.

“The result of a thousand drunken nights, countless dreamy days, and years of musical adventuring, Whiskey Moon Face take you on a voyage into a bohemian underworld which you never knew existed. Born into a puddle of whiskey beneath a stark winter moon and raised by cold winds, schooled in the warming spirits and hungry for more, Whiskey Moon Face manage a natural, graceful sound built from many ports. Always innovating and improvising with stark originality, Louisa Jones’ troupe of underground musicians play with a virtuosity you could never expect. Songs which speak of the unspeakable, with understated humour, captivating storytelling and a transcendent spirituality. ‘Folk Radio UK’ compared them to “having been at one of those wild and joyous youthful parties in somebody else’s parents’ house that you’ll remember for years.”


 
Meïkhâneh’s compositions are fed by imagination, improvisation and traditional music from Europe, Mongolia and Iran. The luminous and captivating voices carry the power of East European singings, the aerial melodies of the great spaces, as well as the depth of the khöömii, Mongolian overtone singing. One can hear traveling cords recalling the steppes of Asia and Andalusia. The chiseled rhythms of percussion draw on the Persian tradition. Meïkhâneh takes us to the heart of a music without borders that caresses the soul. Its name borrowed from Persian poetry means the «House of Intoxication». We let ourselves be carried…


 

Tommy Ashby’s childhood was always going to be musical. Travelling the country playing guitar in his father’s traditional blues band and raised on the Scottish pub singaround culture, his initial musical experiences were immersive and natural. His teens were spent pouring over his parents record collections of American songwriters such as Neil Young, Simon and Garfunkel, Gillian Welch and Dave Rawlings and Jeff Buckley. The eclectic mix of American roots, blues and country, combined with his Scottish folk roots, all seeped into his music.

“After acquiring a PhD focussed on studying and modelling the human perception of sound, Tommy cut his teeth behind the scenes as a session musician for the likes of Nina Nesbitt and Holly Macve, toured the UK and Europe as support act for Rhodes and Tom Speight as well as playing a number of headline sell-out shows in London this year including events curated by Communion, Never Fade and the Southbank Centre. His debut EP, produced by Chris Bond (Ben Howard) was self-released in late November 2016 and entered at No.5 in the iTunes singer-songwriter chart. His new EP, Restless Love, was recorded and mixed with Grammy award winner Sam Okell in his home studio near the wild North Cornwall coast.”


 
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The 28th August show features Moroccan guimbri sensations Gnawa Blues All Stars, Anglo-American guitarist James Riley, and improvisation/loop wizard Michael Sebastian.

“Simo Lagnawi is an ambassador of Gnawa culture in the UK. This charismatic creator is the leader of Gnawa Blues All Stars and has featured on BBC World service, CNN World, BBC 3, Vox Africa, & many more radio shows and magazines around the world. He has performed at a host of festivals including Glastonbury, Secret Garden Party, Latitude and Boom Town. Playing traditional Gnawa music from Morocco, this sacred trance music forms the core of his work with his bands Electric Jalaba, Gnawa Griot, and Gnawa Blues Allstars. Simo continuously pushes new boundaries fusing Gnawa with music from countries such as Gambia, Burkina Faso, Senegal, Guinea, Mali, India, Japan, Venezuela and the Caribbean. Look out for special guest musicians playing with the band!


 
Born of a transatlantic relationship, James Riley grew up in south-east London listening to the folk and soul sound of ‘70s America and wrote his first melody at the age of four. His first guitar, acquired at the age of nine, became the tool for surviving the tumult of a nowhere place, and helped James find somewhere he felt he belonged. In his early twenties, he took off, alone once again, hitchhiking and busking through Europe from Amsterdam to Istanbul, writing songs along the way. Back in the UK, these songs became a band, but eventually James had to shed another skin, and disembarked in Nashville, Tennessee. Here he found his producer and they set about making the album which had travelled with him to his maternal homeland, where it could finally get free.


 
South African-born, Edinburgh-educated, and living in London, Michael Sebastian is a musician and loop-artist who improvises to uplift the capital. Whenever possible, Sebastian is on the streets of London, improvising with a loop-pedal, a mic and a bright pink guitar. He will attest that this has been the most important part of his musical education, and has taught him to speak to people through his instrument. he creates music from a broad range of experience and styles. His affinity for groove and feel allows for conflicting styles to fluidly co-exist, feeling human and natural. His most recent album, ‘Kayanda’ demonstrates him harnessing live, improvised looping onto record. After developing the recording software himself, Sebastian went into a shed in the country for two weeks to improvise an album, and came out with fourteen tracks. The album is written with the sensibilities of modern dance and electronic music, and retains the freedom, rawness and depth of world music and jazz, while still creating melodies that are hard to forget.”


 
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All events are at Dalston Eastern Curve Garden, 13 Dalston Lane, Dalston, London, E8 3DF, England on Tuesday evenings. Dates below:

  • Solomon’s Garden + The Hungry Mothers + Miranda Joy – Tuesday 7th August 2018, 7.00pm – information here and here
  • Sannie Fox + Harvey Causon + Gus Harvey – Tuesday 14th August 2018, 7.00pm – information here and here
  • Whiskey Moon Face + Meïkhâneh + Tommy Ashby – Tuesday 21st August 2018, 7.00pm – information here and here
  • Gnawa Blues All Stars + James Riley + Michael Sebastian – Tuesday 28th August 2018, 7.00pm – information here and here

 

August 2018 – upcoming London gigs – flexi-clectica at Apple Tree: The Live Lounge Vol II with Rudi Douglas, J. Aria, Awkward Ndure, DJ Sonikku, Martell O’Neill, Daryl Fox-Huxley and DJ Kevin Morosky (2nd August)

31 Jul

Apple Tree: The Live Loung Vol. II, 2nd August 2018Since its launch earlier this year, broad-based London music-and-performance event Apple Tree has set itself a bold framework. Curated by tireless promoter and club personality Mark-Ashley Dupé and by cross-disciplinary designer/film-maker Samuel Douek, its Live Lounge event is dedicated to celebrating LGBTQIA musicians and artists from across the city (that’s lesbian, gay, bisexual, trans, queer, intersex and asexual/allies, for those having trouble keeping up with those ever-burgeoning inclusive acronyms). It’s also happily intersectional in both intent and in entertainment. The convergence of queerness and blackness already seems to be a specialty, offsetting the compressive grinding of racism and the bristling aggression of homophobes by providing a stage for some fiery and assertive performers.

If this is starting to sound too specialised, too academic, or too much like a sexual/political cul-de-sac, I should reign things in a bit. In fact, the backbone of the debut Apple Tree evening back in June (which I only caught up and heard about recently, several months after the event) seems to have been electric/eclectic soul, provided by singer-songwriters Miggy Dela Rosa, Albert Gold and Awkward Ndure. Gay electro-acoustic composer Daniel McBride was also on hand, his work bridging that gap between the capital’s young classical scene, its queer-arts scene and the electronic music continuum which unites (in both work and play) pop, dance culture and high-art experimentalism. Bringing the words was topical poet and fervent discursor Black Ops Poetry; bringing the costumes and personae was queer cabaret sensation Rhys Holis (performer of Rhys’ Pieces and founder of Dalston cabaret night Queefy); and bringing damn near everything was operatic/discursive costumed electro-acoustic performance artist Oberon White (who considers himself “part of an eclectic tradition incorporating shamans, clowns, automata, cyborgs and drag artists”).

In other words, Apple Tree’s shaping up to be an event that’s equally comfortable with party pop and far-out high art concepts, unifying them through a flexible, diverse queer lens. There aren’t that many places where you can see a happy, possibly camp singalong immediately followed by a text-spouting man dressed as a mythical Greek bird-god.

The upcoming second Apple Tree Live Lounge show at the beginning of August is perhaps a tad less adventurous than the debut was, but it’s all part of the ebb and flow, and comes packaged with dinner care of Shoreditch’s Hoi Polloi brasserie and a DJ set from photographer/film director Kevin Morosky. As for the performers, Awkward makes a return from the launch event with her Latin-tinged folk-soul – at least I think it’s her, since some of the publicity suggests that it might be Evan Williams from MTV teen comedy ‘Awkward’ (which in turn makes me feel as if I’m slipping down some rabbit hole of an involved in-joke). Assuming that I do have the right Awkward, here’s a clip of her performing with guitarist Sim Chappelle a couple of years ago. I’m on more solid ground with the billing for accomplished soul’n’stage singer Martell O’Neil (whose past and current work includes the travelling Motown revue ‘How Sweet It Is’); and for Daryl Fox-Huxley, the current/former guitarist for house-tinged indie pop act The Hook, now concentrating on solo work with a folk-pop base, “his own East London twist and lyrics to match” and probably at least a few other hints and approaches brought in from his abiding love for reggae, techno and techhouse.



 
Headliner Rudi Douglas is a onetime ‘X Factor’ contestant (he was in the 2006 series when he was nineteen) but don’t hold that against him, or allow it to constrain him. Instead, take a look at and have a listen to this – ‘He Won’t Swim In My Ocean’, a four-year-old but evergreen song which proves that Rudi doesn’t need the Cowell circus to help him make grand heartbursting pop, with a gay theme but a universal touch.


 
For this session, the more experimental kudos is provided by DJ Sonikku (who mashes ‘80s house into chiptune with the aid of the purloined and repurposed guts of Sega Mega Drive consoles) and even more so by Jacob Aria – a.k.a non-binary soundscaper J. Aria. Interested in “tension, desolation, morbidity and eroticism”, J. creates intricate, absorbing musical washes, beats and tapestries via sampler, turntable and voice in which hauntology, psychedelic ambience and hints of house engage in a spectral, full-bodied mysterious dance: a ghostly neighbourhood of percolating histories for “a world of heterotopic ‘otherness’, pushing senses of horror and psychosis within queerdom and the incidental beauty of the fractured”.

 
Apple Tree Live presents:
Apple Tree – The Live Lounge – Vol. 2: Rudi Douglas + Jacob Aria + Awkward Ndure + DJ Sonikku + Martell O’Neill + Daryl Fox-Huxley + DJ Kevin Morosky
Miranda @ Ace Hotel London Shoreditch, 100 Shoreditch High Street, Shoreditch, London, E1 6JQ, England
Thursday 2nd August 2018, 6.00pm
– information here and here
 

July-September 2018 – upcoming London jazz gigs – part three of the Jazz Herstory series at Poplar Union with Shirley Smart (22nd July), Francesca Ter-Berg (16th August, with Poppy Edwards, Ashley Paul and Simon Roth) and Cassie Kinoshi’s SEED Ensemble 5tet (20th September)

16 Jul

More shows for jazzwomen as the third set of gigs for Jazz Herstory come up at east London’s Poplar Union (following the Nerija, Laura Jurd and Yazz Ahmed gigs at the start of the year, and the Ruth Goller, Cath Roberts and Alison Rayner shows during spring and early summer).

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“The July gig is provided by Shirley Smart, one of the UK’s most versatile and creative cellists, and a rare exponent of jazz cello. She draws on a unique background that incorporates classical music, jazz and world music from North Africa, the Middle East, Balkans, and South America. As well as original compositions, she presents a fresh, new approach to the cello. Originally trained in classical cello Shirley subsequently moved to Jerusalem, where she stayed for ten years, studying and performing a wide variety of world music from the Mediterranean and Middle East, as well as being highly involved with the jazz and improvised music scene. Since returning to the UK, she has quickly become known as one of the most creative cellists on the music scene and has worked with many leading jazz and world music groups, including Antonio Forcione, Gilad Atzmon, Neil Cowley, Julian Ferraretto, Robert Mitchell, Kosmos Ensemble, Shekoyokh, Maciek Pysz, Maurizio Minardi, and Alice Zawadski, as well as leading her own projects.

For this concert (a late afternoon performance), Shirley’s bringing her own trio with pianist John Crawford and Demi Garcia Sabat on drums and percussion.


 
“For the August gig, cellist Francesca Ter-Berg (one half of Fran & Flora) takes influences from Eastern Europe (including Klezmer, Transylvanian and Romanian music) and blends them with experimentation in order to explore a world of sound, improvisation and live electronics. Her collaborative experience and diverse musical background has led Francesca to be one of the most versatile and in demand session and studio musicians in the UK. She has collaborated and performed with artists including Sam Lee, Talvin Singh, Floating Points, Portico, Sophie Solomon, Cosmo Sheldrake, Tanita Tikaram, Roger O’Donnell, Riz Ahmed, Hejira, Katy Carr, Lisa Knapp, Gerry Diver, The Unthanks, Kate Young, Bombay Dub Orchestra, Frank London, London Klezmer Quartet, Soumik Datta, Jyotsna Srikanth, Ahmed Mukhtar, Maverick Sabre and the BBC Symphony Orchestra.

“Francesca will be inviting some musical friends on to the stage to perform two sets for this Jazz Herstory special. For the first set, she’ll meld her cello, voice and electronics in an improvisation with London-based songwriter, sound designer and Poppy Edwards on electronics, voice and keyboard (Poppy’s own main project, CRØM/LUS, should be releasing its own debut EP ‘Altered States’ shortly). For the second set, Francesca will be joined by jazz drummer Simon Roth (Sephiroth, Land Of If) and by American émigré and free-form wildcard Ashley Paul on saxophone, guitar and vocals.


 
“For September’s Jazz Herstory performance, Cassie Kinoshi brings the quintet version of her SEED Ensemble to Polar Union. A London-based composer, arranger and alto saxophonist also known for her work with all-female jazz septet Nérija and Afrobeat band Kokoroko, Cassie uses SEED to combine jazz with inner-city London, West African and Caribbean-influenced groove, exploring a blend of genres through both original compositions and arrangements.

“Usually performing as a ten-piece, SEED Ensemble presents a stellar line-up featuring some of London’s most up-and-coming young jazz musicians and has been making waves in the contemporary British jazz scene. The quintet lineup is Cassie on alto saxophone, Sheila Maurice Grey on trumpet, Shirley Tetteh on guitar, Rio Kai on bass and Patrick Boyle on drums.”


 

All concerts are at Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England. Dates as follows:

  • Shirley Smart – Sunday 22nd July 2018, 4.30pm – information here and here
  • Francesca Ter-Berg – Thursday 16th August 2018, 7.00pm – information here and here
  • SEED Ensemble 5tet, Thursday 20th September 2018, 7.30pm – information here and here

 

July 2018 – more Woodburner world-acoustica sessions at Dalston Eastern Curve Gardens – Laura Perrudin and Garance & The Mitochondries (3rd July); Muntu Valdo, Dahlia Sleeps and O Matæus (10th July); David Keenan, Lilla Vargen and Stephen James Smith (17th July); Rachel K. Collier, Marble Empire and Alexander Carson (24th July); Roscius, Three Laws and Zoë Phillips (31st July)

27 Jun

With the June sessions of the summer Woodburner season at Dalston Eastern Curve Garden now complete, here’s details on the upcoming July set (bringing further doses of world/international music, acoustic singer-songwriters and bubbling-under internet music sensations to the London summer nights).


 
Occasionally-tweaked official blurbs below.

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“The 3rd July show features sensational French harpist, singer and composer Laura Perrudin, and London’s eccentric genius Garance Louis & The Mitochondries.

“Seeing her harp as both an orchestra and a drum kit, Laura Perrudin creates a powerful personal universe in her compelling live performances utilizing an arsenal of laptop, sound-effect pedals and multitrack loops. Using her voice like an instrument, she believes that harp and voice are each an extension of the other. Brought up on a diet of jazz, she studied classical music in addition to composing and producing music using her home studio (influenced by a wide array of genres including electronic and traditional music, soul and hip-hop), and trained with many musicians from her birth region of Brittany to New York and Paris. A harpist from childhood, her mission became to open up the possibilities of the instrument to a richer harmonic language: she plays a custom-built electric chromatic/pedal-less harp with a single row of strings, constructed by harpmaker Philippe Volant and allowing her to give free rein to the sinuous harmonies and rich soundscapes of her unclassifiable compositions.​

“Upon the release of Laura’s debut album ‘Impressions’ in 2015, ‘Les Inrockuptibles’ proclaimed her a “young iconoclast blends jazz (playing) the thousand games of a tightrope artist (with) cheerful and spontaneous radicalism, definitely modern.” while ‘France Inter Paris Radio’ wrote “it’s rather as if Björk had chanced upon Herbie Hancock in a Dublin pub. Laura Perrudin is only at the beginning of her artistic career, but she has already redefined the framework of the harp and we are sure that her singular universe will become an example.” Laura recently released her sophomore album ‘Poisons & Antidotes’ on Volatine Records.


 
“Since moving to London from Perpignan in 2010, extrovert, eccentric composer, singer and accordionist Garance Louis (now usually seen fronting Garance & The Mitochondries) has established herself as a powerhouse of the underground live music scene. Her surreal performances have featured bizarre costumes and otherworldly themes, perfectly complementing songs about absurd abstraction, procrastination, star-crossed open relationships; intoxicating love, plus rebirth in the Amazonian forest. The playful Garance always wears a smile, finding humour in physical theatre, funny faces and the clown inside us all.

“Growing up in the independent ‘Cinémaginaire’ in the South of France, Garance spent her childhood travelling the world, her head filled with the sights and sounds of the movies. The nomadic spirit stays strong with her, with an impulsive trip to New Orleans on the cards, and her past history of running away with the circus. Continuing the creative journey, her current record ‘Balance L’Aurore’ shows off Garance’s discovery of music production, bringing a new vitality and direction to her sound, while staying rooted in French chanson, psychedelic folk and old Venezuelan mambo.


 
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“The 10th July concert features Cameroonian blues-and-jazz player Muntu Valdo and melancholic electronic group Dahlia Sleeps, plus the moody electric guitar stylings of O MATÆUS.

“Hailed as “the prince of Sawa blues”, Muntu Valdo says “my passion is African history; its past glory, present fragility and diverse riches. My ambition is to increase awareness, enlighten, empower people and invoke a positive future for Africa with the rest of the world. My music is a result of all of this; rooted in the blues, mixing African traditions with striking modernity and technical mastery.” The Cameroonian is indeed a master and his performance will be a rare treat for those present to experience his music.


 
“Over the last couple of years Dahlia Sleeps have risen from being Soundcloud sweethearts with over half a million plays on the platform to the UK’s next big pop band, stacking up almost 1.7 million Spotify streams and three million YouTube views in that time. Their second EP ‘After It All’ showcases their increasing pop sensibilities whilst retaining the intimacy and endearing fragility of their original Soundcloud demos. They continue to show a willingness to tackle difficult subject matter with grace and poise. Lucy Hill’s song writing is even more poignant than ever before, with the record covering deep and personal themes from grief and loss, to love and homophobia.

“Despite the EP’s tough subjects, the band delivers some of its most upbeat efforts to date. Rise – a future LGBTQ+ anthem saw success on Spotify when released as a single last year, which has as much to do with its addictive chorus and epic guitar melodies as its important message. Only You, an intoxicating fall into luscious synth arrangements and furiously catchy vocal samples, shows a band hurtling full speed towards mainstream success.


 
“Operating as O Matæus, Mat Roberts is a young singer-songwriter from Canterbury, an ex-chorister and classically trained cellist, exploring and developing his emotional connection to a life surrounded by music. Influenced by the likes of Daughter, Ben Howard, Marika Hackman, Lucy Rose, Enter Shikari, Bring Me The Horizon and a wide range of classical composers, O Matæus wishes to create a unique style of material to hear, whether it be heard in a small bedroom or echoing concert venue, music is his life, and he wants to share it with the rest of the world. Dark undertones and words filled with passion and trouble rule his creative style with every note being connected to a moment in time that has passed. He wants to make you feel what he has felt, and with soaring falsetto lines, simple yet intricate guitar licks and raw intensity he brings those feelings back to life in the short time-span a song gives.

 
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“The 17th July concert features an all-Irish lineup featuring rising star David Keenan, electronic/acoustic songwriter Lilla Vargen, and poet Stephen James Smith.

“An obsession with words and melody took hold of David Keenan at a very early age. Exposed to the writings of Behan, Yeats and Wilde (with a soundtrack of Dylan, Buckley and The Dubliners), his formative years were inspired by the storytelling and character creations of his grandfather. Later he took the boat over the water and gathered tales and tunes of his own, learning his craft and to express his love of language. Having been asked to play alongside the likes of Mick Flannery, Hothouse Flowers, Damien Dempsey and Glen Hansard, David is fast becoming one of Ireland’s most talked-about young artists.


 
Lilla Vargen is a singer-songwriter from Northern Ireland. Her name means “little wolf” in Swedish – an alias which encapsulates both her strong, soulful, evocative voice and the vulnerability in those honest, minimal songs of love and loss. Two years after her first couple of demos emerged online, she returned with her debut EP – the three-track ‘Hold On’, including an astonishing cover of Downtown (by Majical Cloudz) and the quietly memorable torch song title track (which showcases her beautiful vocal, offset against producer Nick Rayner’s warm, gently-building production). The critically acclaimed EP racked up just under a million listens online in a month, alongside plays from KCRW and further support from BBCR1. Live, she plays as a two piece alongside Derry composer and electronic musician Ryan Vail. Recent shows include supports for Lisa Hannigan and Newton Faulkner, with her debut UK dates happening in February 2018.


 
Stephen James Smith is a Dublin poet and playwright central to the rise of the vibrant spoken word scene in Ireland today. His poetry videos have amassed over 2.5 million views and he has performed at high profile events and venues such as the Oscar Wilde Awards in Los Angeles, Electric Picnic, other voices, Glastonbury Festival, the National Concert Hall in Dublin, the Barbican in London, Vicar Street and the London Palladium (alongside Oscar winner Glen Hansard). Stephen facilitates poetry workshops in schools around Ireland and is artist in residence with Dunamaise arts centre & Laois arts office. His poetry is included on the syllabus at Western Connecticut State University and his work has been translated into multiple languages. His debut collection, ‘Fear Not’, is published by Arlen House and will be launched on 14 June 2018 in Dublin at Poetry Ireland on Parnell Square.


 
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“The 24th July show features singer/producer Rachel K. Collier, synth collective Marble Empire, and downtempo songwriter Alexander Carson.

“A one-woman electronic production machine and die-hard Ableton enthusiast, Rachel K. Collier is known for using a multi-instrument technical setup to enable her to perform her song-focused, high-energy studio productions in a live setting. Performing on stage together with a live percussionist and interactive visuals, Collier has built and refined her live show throughout 2017 including sold-out shows at KOKO, Camden and 93 Feet East, headlining the Beats For Love Festival in the Czech Republic and participating in the Ableton Loop event in Berlin. With a string of high profile shows line up this year (including SXSW and BBC Radio 1’s Big Weekend as well as The Great Escape) Collier will follow up with her debut album, set for release in autumn 2018.


 
Marble Empire is twenty-one-year-old singer/songwriter/producer Matt Berry from north London: a multi instrumentalist who writes and produces all his own material, which he describes as a blend of “gritty bass-lines, jazz harmony and guitar lines soaked in effects.” Influenced by the likes of Ben Khan, Jungle, SG Lewis and Frank Ocean, tentative early single releases last year quickly gained him much attention. He invites you to celebrate the upcoming release of ‘Marble Empire & Friends’ a seven-track compilation mixtapes written and produced by Marble Empire himself with six featured artists. He will be welcoming many collaborators onstage with him and his band throughout the evening, including Katya DJ, KarimThaPeasant, Milo Gore, Kate Lomas, Tchengiz and Natalie Green.


 
Alexander Carson is a neoclassical/downtempo composer and songwriter, based in London, who has spent the better part of seven years as the lead singer, and songwriter for genre-fluid quintet Wooden Arms. Since Wooden Arms went on Hiatus in March of 2018, Carson has embraced solo work, with his debut single ‘Lovers’ being released on 4th May and being hailed as “a perfect blend of modern songwriting and classical musicianship” by ‘The Line Of Best Fit’, as “sounding at times like an Irish prayer and others a bit Bowie-ish, but never dull or less challenging” by ‘Where The Music Meets’, and by ‘Outline Magazine’ as possessing “a distinctive timbre and delicate working of the keys that always reminds slightly of Anthony and the Johnsons… the fragile vocals and piano playing are unmistakably Alex.”


 
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“The 31st July show features live producer Roscius, electronic/classical ensemble Three Laws, and singer/pianist Zoë Phillips.

“French-born/London-based underground composer, producer and live performer Roscius has spent the last year building an enviable reputation with the release of his debut EPs ‘WMD#1’ and ‘WMD#2’, as well as successful tours in France, the UK, the Middle East and Asia. Composing through improvisation, personal recording, live vocal sampling, bass looping, special percussion and piano skills, Roscius creates a unique and absorbing soundscape, genuinely innovative and emotional; a mixture of acoustic and intelligent dance music, organic techno and ethnic deep house.


 
“An electronic band from the Big Smoke, Three Laws draw inspiration from the city, art, science, nature and the people they meet. Their first EP, ‘Convalescence’, combined haunting female vocals with classical piano, cinematic/military percussion and electronica. Three Laws have been compared to outfits such as Daughter, The XX, and London Grammar.


 
“Distinguished by haunting vocals and emotive sounds, Zoë Phillips is a vocalist and songwriter from Hertford. Her music is hard to box up, as she has dabbled in dance music but her ambient piano-based approach can nod towards the likes of Birdy and Rae Morris. Now gigging live with a full backing band, her music has previously been supported by BBC Introducing and BBC 6 Music, whilst live performances include Glastonbury Festival.”


 
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All events are at Dalston Eastern Curve Garden, 13 Dalston Lane, Dalston, London, E8 3DF, England on Tuesday evenings. Dates below:

  • Laura Perrudin + Garance & The Mitochondries, Tuesday 3rd July 2018, 7.00pm – information here and here
  • Muntu Valdo + Dahlia Sleeps + O Matæus, Tuesday 10th July 2018, 7.00pm – information here and here
  • David Keenan + Lilla Vargen + Stephen James Smith, Tuesday 17th July 2018, 7.00pm – information here and here
  • Rachel K. Collier + Marble Empire + Alexander Carson, Tuesday 24th July 2018, 7.00pm – information here and here
  • Roscius + Three Laws + Zoë Phillips, Tuesday 31st July 2018, 7.00pm – information here and here

 

June 2018 – upcoming London experimental gigs – Run Logan Run, Il Santo Bevitore and Minus Pilots at Champion Version’s Edition 3 (21st June); Mother Disorder, Laurel Smith-Pardue, Lucia Naidu, Blanc Sceol with Richard Wilson plus sound installations and homemade instrumentation at Hackoustic (23rd June)

15 Jun

Two imminent IKLECTIK shows…

* * * * * * * *

Champion Version Edition 3, 21st June 2018

Champion Version-hosted three-in-one experimental music gig Edition returns to London on 21st June, hosting the usual trio of acts.

Run Logan Run are Andrew Neil Hayes (saxophones and effects pedals) and Dan Johnson (drum kit and percussion): inspired by spiritual jazz and heavy experimental improv, they’re tagged as “a head-on collision of pounding tribal drums and screaming guttural saxophone” and “architects of intense contrast.” They popped up in here a couple of years ago supporting Iyabe in Bristol, when I described them as “navigat(ing) by the brassy light of Colin Stetson (to whom they’ve played support), Pharoah Sanders, Can, Sons of Kemet and Lightning Bolt”, and have made a name and an underground murmur for themselves as a unit with remarkable powers of synchronisation and improvisation, a strong compositional sense, and a mastery of circular breathing and sound processing.



 
Sardinian drummer and percussionist Nicola Serra works under the name of IlSantoBevitore and investigates “ethnomusicological research on ethnic electronics.” Drawing on ancient shamanic ritual and its modern-day equivalents in dance and avant-garde electronic cultures, his music merges deep grating power-electronic sound-buzzes and drones with vivacious, purposeful Latin rhythms – a kind of industrial trance-samba aiming to “blur the distance between practitioner and listener”.



 
Bassist Adam Barringer and percussionist Matt Pittori, a.k.a. Minus Pilots, last featured in this blog while playing at the More News From Nowhere all-dayer in March Gentle souls, their lustrous and open-ended post-rock approach is filled with shuffling, sliding dream rhythms and murmuring tidal-surface guitar echo as well as sheen-clouds of softly visionary noise. While jazz, drone and psychedelia have all had their part to play in Minus Pilot music, more recent work has also incorporated string parts and a connection to the holy minimalist feel of certain contemporary classical pieces.




 
As with all Edition events, an exclusive to-the-event 7″ single in a limited edition of five, featuring music by the performing artists, will be given away via random draw as part of the evening.

Champion Version presents:
Edition 3: Run Logan Run + Il Santo Bevitore + Minus Pilots
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 21st June 2018, 7.30pm
– information here and here

* * * * * * * *

Hackoustic, 23rd June 2018

I’ve not come across the regular Hackoustic evening before, which surprises me: its mixture of technology and body politics raises the kind of questions which interest me. It’s billed as “a night of hacked sound – experimental performances, instruments and installations featuring some of the most exciting makers, musicians and artists in London (with an) incredibly diverse array of artists performing and talking about their work, as well as some wonderful installations.”

Future-minded researcher, violinist and instrument builder Laurel Smith-Pardue (who made an appearance at IKLECTIK’s Augmented Instruments Lab last month) will be performing a set on augmented violin “using custom sensor arrangements to detect natural playing techniques and highlight musical and technical expression” while composer /electronics hobbyist/musical repurposer Lucia Naidu will be digging into her box of oddments and projects to play musical motors, computer fans, assorted sparking high voltage devices, and her work-in-progress as she builds towards a current ambition of creating a musical instrument based around neon oscillators.


 
“Psychosonographic” investigators and musicians Blanc Sceol (Hannah White & Stephen Shiell) “map spaces with sound” and improvise “performances of their experience of a place, using found objects and beautiful self-created acoustic instruments.”) For this Hackoustic evening, they’ll work as a improvising trio with sculptor/musician Richard Wilson, former founder member of ’80s performance ensemble Bow Gamelan (among Blanc Sceol’s spiritual precursors, thanks to their own yen for inventing and constructing their own instruments for use in their own sound/light/performance events).



 

There’ll be a talk by artist/coder Tim Murray-Browne about his own immersive/interactive work, which “often responds to the movement of the body and draws on embodied experience — preverbal sensations of place, significance and understanding (- and) looks for new contexts for human connection and creativity, places that challenge our assumptions of who we are and what we do.” Also on display will be ‘SoundObject’ by Random International collective member Shobhan Shah (a communication designer who also creates artworks) which “uses cameras, hands and colours for making different sounds”.

 
Probably the most challenging and unsettling performance (if you’re prepared to enter its world) is likely to be offered by genderfluid performer/enactor Laura/Frank Bowman – a.k.a. Mother Disorder – who creates live gestural compositions via “contact microphones incorporated onto the body, to merge performance art and improvised dark and ethereal electronic music”, often using crystals as a visual metaphor. Featuring themes and reflections on Laura/Frank’s own experiences of transsexuality, therapy and mental health disorders (and on the pressures to conform which they’ve undergone during the process), the Disorder set looks set to be ambiguous, painful and angry but with its own stubborn beauty. Current project ‘Crystalline’ (the most likely to be performed) involves attaching mics at “points of previous self harm” and acting out a process of rage, acceptance and re-formation; in the parallel (and dormant) project ‘Disoria’, Laura/Frank presents themselves as a crystalline avatar “drawing comparisons between the formation of crystals in the earth and the development of a mental disorder.”. Both projects form part of a literal body of work that aims to be “alien yet organic, pointed yet static, a subject of beauty and of horror… tying together the ephemeral and the visceral.”



 
In addition, instrument maker Tom Fox of Vulpestruments will be running a small pop-up workshop (allowing attendees to create something to take home with them and broaden the pool) and there’ll be a DJ set from #BarrysLounge.

 
Hackoustic presents:
Hackoustic: Tim Murray-Browne + Mother Disorder + Laurel Smith-Pardue + Blanc Sceol & Richard Wilson + Shobhan Shah + Lucia Naidu + Tom Fox workshop + DJ #BarrysLounge
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 23rd June 2018, 7.30pm
– information here, here and here
 

June 2018 – the first of the year’s Woodburner world-acoustica sessions at Dalston Eastern Curve Gardens – Faith Mussa and Jally Kebba Susso (5th June); Blue Lab Beats, The Dylema Collective and DemiMa (12th June); K.O.G, Bamako Overground and Eckoes (19th June); Meadowlark, Only Girl and Amy & The Calamities (26th June)

1 Jun

Adding to the long list of London things I’ve previously missed…

For five years, acoustic music promoters Woodburner have been regularly hosting a summertime session in the Dalston Eastern Curve Garden. Each year they strive to “(capture) the essence of a weekend rural festival in the centre of Dalston… The phenomenal surrounds of the garden combine with delicious pizzas from David Latto, and a supreme and ever-evolving roster of acts, to create a magical atmosphere which brings people together in a friendly and welcoming space. It’s a community of music-lovers, summer-lovers and life-lovers, brought together to celebrate the warm months in a carefree and supportive atmosphere, with a compelling live soundtrack.”


 
This happens every Tuesday evening between June and September – here’s details on the June shows. All blurb is from Woodburner and the artists themselves; all inevitable judicious and finicky edits are mine. If you sometimes tire of the art-rock cubbyholes, peculiar modern classical or experimental sounds covered in here, or just find the entire damn blog too white (I feel that way sometimes myself), some of these gigs might appeal to you a little more.

* * * * * * * *

“The 5th June launch show features Malawian superstar Faith Mussa, and London-based kora master Jally Kebba Susso.

Faith Mussa is an Afro-soul singer, songwriter and guitarist, currently Malawi’s first and only “electronic one-man band” combining traditional African vibes with modern sounds. He is an energetic music performer and excellent music writer who has performed at some of the world most respected festivals, earned several awards (including the prestigious Malawi Special Achievers Award in the UK) worked with a variety of charity initiatives and is currently an ambassador for Oxfam and music writer for Girl Effect Malawi. His second album is set to be released early this year, and will contain music recorded from all over the world with some of the best talent he has collaborated with along the way.


 
“Gambian kora master Jally Kebba Susso expands on West African griot musical tradition, whether solo or with his band Manding Sabu. Jally comes from a very long line of Manding griots from the Gambia. He started playing the kora, the emblematic instrument of the griots at the age of seven, learning its delicate flowing intricacies from his father and older brothers. By the age of thirteen, Susso was touring Europe with a number of Gambian stars including Baatou Askan Wi, Maslabii and his sister Sambou Susso’s group. Over recent years Susso has been experimenting with blends of traditional griot music mixing hip hop, jazz, blues and now funk.”


 
* * * * * * * *

“The 12th June concert features London-based production duo Blue Lab Beats, love-jazz sensation The Dylema Collective and spoken word songstress DemiMa.

Blue Lab Beats is the brainchild of NK-OK and Mr D.M, who met at the WAC weekend arts club in Belsize Park and began making music in the now Infamous Blue Lab Studios. Many production rooms that produce a lot of good music historically are tiny – Motown in Detroit was one, Sun Studios was another such studio and Blue Lab boasts a shortage of space that would leave scratch marks on many an elbow. Still the music is hot – and that’s what counts. It’s the musical mishmash of Mr DM’s instrumental wizardry and a whole lotta NK-OK bottom end and programming knowhow (from a production journey which started with grime) that gives Blue Lab Beats the edge and takes it out of straight jazz format, whilst paying full respect to the art form (with influences including Mad Lib, Herbie Hancock, Thelonious Monk, Knxwledge, J. Dilla, Milt Jackson, Ahmad Jamal, Oscar Peterson and A Tribe Called Quest).

Blue Lab Beats are now the engine room behind many of the freshest new acts (Age Of Luna, Ruby Francis, Louis VI) and also remixers for Jodie Abacus, Dua Lipa, Rag’n’Bone man to name a few. Their production style is raw but also sophisticated – musical but not introvert. Their recent ‘Blue Skies’ EP intro video caught the attention of ‘Dazed and Confused’ and has been clocking up views ever since. They’re currently in the process of making their own album.


 
“Sweet spoken neo-soul. Dope-ass funk. Multi-sensory killa jazz. The kinda music that makes your brain and booty dance. This is the infectious blend of groove, swag and often disarming fragility that confronts you as The Dylema Collective oozes their way through their young yet hypnotic set. Drawing on a smorgasbord of musical influences (inevitable, considering the diverse backgrounds of its members) you find Russian classicism and Nigerian Afrobeat meeting Latin-American rhythms and old-school soul, all woven into London’s contemporary jazz sound. The inspiring, empowering poetry that flows from Dylema’s lips and effortlessly between these poly-rhythms and sounds makes for an overall magnetic experience: one full of trembling crescendos, tingling intimacy and simpering sexuality.”


 

(Um… “simpering”? Anyway…)

“Demi “DemiMa” Mseleku is an Anglo-Zulu word and sound artist from south-west London – a singer, songwriter and poet – who creates soulful multi-sensorial performances to provoke conscious dialogue. Inspired by themes of identity, spirituality, social dynamics, divine femininity and Afrofuturism, DemiMa’s passion for improvisation enables her to freely channel sounds as a canvas for her poetry.She is the co-creator of A L C H E M Y (a monthly event honouring the art of word, sound, soul).


 
* * * * * * * *

“The 19th June concert features spoken word dynamo K.O.G, Afro-folk from Bamako Overground, and electronic songstress Eckoes.

“Born in Ghana, resident in Sheffield, K.O.G. (Kweku of Ghana) is a prolific writer and virtuosic performer, comfortable across a wide range of styles from house and Afrobeats to Afro-funk, dancehall and jungle, electrifying live audiences with his wildly energetic stage presence. Though known for his incredible vocal performances, K.O.G is also a talented arranger and percussionist, from balafon and djembe to his trademark dinner tray!

“As well as being the frontman for much-loved eight-piece Afro-funk outfit K.O.G & The Zongo Brigade, Kweku is the front man for the new Onipa project (with Nubiyan Twist MD Tom Excell) and is working on collaborations with Afriquoi, Congo Natty, Umoja, iZem, Jus Now and The Busy Twist. On the night, he will be joined by Tom Excell himself for a very special duo performance.


 
“Born in the inspired mind of London’s own Malian rhythm buff Hans Sutton, Bamako Overground have been busy forging a new sound. The trio are irresistibly seduced by the music of West Africa, blending its influences overtly and covertly with their own carefully-selected flavours to settle into mystical dance grooves and desert blues. Deep and soulful rhythms meet soaring melodies, while smooth three-part vocal harmonies spin allegories in Bamanakan and English to complete a brew that’s compelling and utterly unique. Hans plays his distinctive hybrid drum kit (which has previously brought Mandé styles to artists such as Nick Mulvey and Cocos Lovers), while at his flanks are the sparkling guitar of Yaaba Funk co-founder Tobias Sturmer and the hypnotic, heavy bass of folk maestro and Woodburner impresario Theo Bard.


 
“British musician Eckoes merges cutting-edge textures with soulful hooks to entice you into her sublime and unmistakeable sonic world. Possessed of a voice that will “make the hairs on the back of your neck stand up” (according to BBC Radio) she’s one of the most intriguing and emotive new outpourings to emerge from the London circuit. Naturally, tastemakers’ praise has come in thick and fast from BBC 6 Music, Clash Magazine, Q, Wonderland, BBC Introducing, Indie Shuffle, Afropunk, and the MOBO Awards amongst others. A prolific songwriter outside of her solo project, she has penned songs for many other artists, hitting #13 in the UK Club Charts last summer with Deeper (a track she co wrote and featured on, produced by Le Visiteur). At the helm of her project she stands, a six-foot statuesque weaver of hypnotic sounds taking the industry by storm.


 
* * * * * * * *

“The 26th June show features “viral songwriters” Meadowlark, rising star Only Girl, and blues champions Amy & The Calamities.

“Delicate, emotional, yet current and powerful songs, delivered beautifully from the minds of two extraordinary musicians, Meadowlark are nothing short of incredible. Their debut single ‘Eyes Wide’ in 2015 was added to BBC Radio 1’s Introducing playlist, XFM’s evening playlist and featured on Hype Machine’s Top 20. This led to sessions on Dermot O’Leary’s BBC Radio 2 show, playing Glastonbury’s Introducing stage as well as the Alt Escape, the MAMA festival in Paris, and Dot to Dot. The song also appeared on episodes of ‘Vampire Diaries’ and ‘Made in Chelsea’.

“In 2016 Meadowlark were embraced into the UK touring circuit to support the release of their second EP ‘Paraffin’ and the incredibly well received most recent single Headlights. Their summer Bushstock performance in 2016 received a glowing review from ‘Popped Music’ who said “their vocals never ever miss a note and you could hear a pin drop.” The band’s debut album was released this year through Believe Records and their recent tour across the UK sold incredibly well, with sellouts in Bristol and London.


 
Only Girl is the pseudonym of Ellen Murphy, a soulful young artist emerging from the DIY music scene of south-east London. To date she has released several independent singles, gaining widespread support across BBC Introducing, Spotify, BBC Radio 1 and 2, BBC6 Music and online tastemakers including ‘The Fader’, ‘Notion’, ‘Clash’, ‘Mahogany’ and Red Bull Music.
The past eighteen months have seen her feature on releases with Zero 7, Kultur, Kitty Cash’s ‘Love The Free’ mixtape, her debut performance on UK TV on ‘The Nightly Show’ (ITV), and playing sold-out headline shows in London at the Courtyard Theatre and The Borderline.

“Her debut EP ‘Bittersweet’ (produced by long term collaborator Henry Binns of Zero 7) was released in early April – a swirl of soulful R&B harmonies with heart-aching lyrics set over a warm bed of rich organ sounds and bassy beats. She’s currently working on new music for release later on in the year.



 
Amy & The Calamities is the vehicle for Amy Wawn, a musician and singer-songwriter from Bulawayo, Zimbabwe. As a solo performer, Amy’s style ranges from lively foot-stomping folk rhythms to the dirty-delicious sounds of delta blues on the slide guitar, accompanied by a dark, brooding vocal range, lilting melodies and thoughtful lyrics. Amy studied piano from a young age, and began learning guitar and violin in her teens. After being accepted to the University of Cape Town for a music degree, she decided to take a break from classical training and instead studied a degree in languages and translation whilst focusing more on the guitar and songwriting. She began performing in her hometown of Bulawayo after a brief stint of travelling on her own and working her way around Europe in 2014.

“Over the last three years, Amy has performed at several major festivals and events around Zimbabwe and is now living and performing full time as a solo artist in Camden Town, London. She released her debut EP ‘The Suspects’ in February 2018, in collaboration with exquisitely talented violinist, Georgina Leach.”


 
* * * * * * * *

All events are at Dalston Eastern Curve Garden, 13 Dalston Lane, Dalston, London, E8 3DF, England. Dates below:

  • Faith Mussa + Jally Kebba Susso, Tuesday 5th June 2018, 7.00pm – information here and here
  • Blue Lab Beats + The Dylema Collective + DemiMa, Tuesday 12th June 2018, 7.00pm – information here and here
  • K.O.G + Bamako Overground + Eckoes, Tuesday 19th June 2018, 7.00pm – information here and here
  • Meadowlark + Only Girl + Amy Wawn, Tuesday 26th June 2018, 7.00pm – information here and here

 

June 2018 – more Daylight Music sessions in London – Pieter Nooten, Moon Gangs and Blasio Kavuma (2nd June); She Makes War, Garance & The Mitochondries and Chaouche (16th June); Sans Soucis Experience, Alisha Sufit and Malin Andersson (23rd June); Henning Fuchs, Takeo Toyama and Kate Ellis (30th June)

26 May

With the cake-crumbs and echoes just settling on the last of Daylight Music’s May shows, it’s time to look forward to their June ones – a treasure-trove of contemporary folk, pop, drones, chamber music, mambo, samplescapes, chanson, and classical and soul fusions. Dip deep.

* * * * * * * *

Daylight Music 283: 283: Pieter Nooten + Moon Gangs + Blasio Kavuma, 2nd June 2018“The 2nd June show features Pieter Nooten, Moon Gangs and Blasio Kavuma.

Pieter Nooten is a Dutch musician and composer best known for his work with the legendary Clan Of Xymox. Over the course of his varied career in music, he has produced numerous dance, ambient and avant garde records. He will perform songs from his long-awaited new album ‘Stem’.


 
Moon Gangs is the solo project of BEAK>’s keyboardist William Young. His music mixes analogue synth loops with foreboding, cinematic drones, heavily influenced by teenage years spent playing Commodore 64 games and listening to film scores like ‘Terminator’.

 
Blasio Kavuma is a London-based composer, arranger and curator. He has recently completed a collaboration with visual artist Gina Southgate involving live visual responses to his music, and he currently has a residency with dance company Wayward Thread. Drawing from a range of musical traditions, his music is full of rhythmic vitality and stylistic versatility, and is committed to championing forward-thinking music that is accessible to a wide audience.

 
* * * * * * * *

Daylight Music 284: She Makes War + Garance & The Mitochondries + Chaouche, 16th June 2018

“The 16th June show features She Makes War, Garance & The Mitochondries and Chaouche.

“Making a welcome return to Daylight Music, She Makes War (a.k.a. multi-instrumentalist, producer and visual artist Laura Kidd, blending urgent indie rock with melancholy torch songs) previews new material from her fourth album, which is due for release in September 2018.


 
Garance & The Mitochondries pairs Garance Louis (an extrovert, eccentric composer, singer and accordionist) with a band who mix Venezuelan mambo and psychedelic folk with the melancholy softness of post-musette songwriting. The result is a fresh, new way of interpreting the tradition of French chanson. Garance has busked her way across the world, travelling through New Orleans, Brazil, Portugal and Italy with her accordion in hand, and her adventures are documented in her songs.


 
“The music of Bristol-based singer/musician/producer Chaouche has been described as “heartbreaking and spine tingling hymns” by ‘Wonderland’ magazine. Her delicate piano playing features prominently and is bolstered by balanced production of her own massed vocals, programmed drums, sub-bass, cello, violin and an obsession with reverb and delay.

 
* * * * * * * *

Daylight Music 285: Sans Soucis Experience + Alisha Sufit + Malin Andersson, 23rd June 2018“The 23rd June show features Sans Soucis Experience, Alisha Sufit and Malin Andersson.

Sans Soucis Experience is a fusion soul collective of musicians based in London. Coming from different countries and meeting in the heart of Europe, they bring together a shared love for their own folk music, blending Central African and European influences and border interests in hip-hop, jazz and soul for this acoustic performance.


 
Alisha Sufit was the singer/songwriter with the pioneering British psychedelic folk band Magic Carpet, who released an album of the same name in 1972 on the Mushroom label. The album is now highly sought after. British guitarist Davey Graham wrote “her voice, full of love, soars and swoops, her lyrics full of keen observation and tender comment.” Alisha also sang and recorded with Amorphous Androgynous, and has recorded four solo albums.

 
“Swedish singer-songwriter Malin Andersson grew up close to nature, and her songs reflect the sound of the wilderness and honest Scandinavian simplicity. Her style of gentle fingerpicking guitar playing, mixed with contemplative lyrics and evocative melodies, has gained considerable support outside her homeland.


 
* * * * * * * *

Daylight Music 286: Henning Fuchs + Takeo Toyama + Kate Ellis, 30th June 2018

“The final June show, on the 29th, features Henning Fuchs, Takeo Toyama and Kate Ellis.

“Film composer Henning Fuchs will perform ‘A New Beginning’, a performance that combines live music and live sampling together with sound artist Patrick Muller and visual artist Sven Mücke. This bewitching performance celebrates silence and stillness of the mind. Silence is never solely the end. It is also always the beginning of something new. This idea is reflected throughout the composition.

 
“Discordant harmonies and fast-changing beats are the trademark of the sound variations of pianist Takeo Toyama. His innovative digital compositions for analogue instruments have attracted considerable attention. After recording five full-length albums, he has now started to arrange tracks for various artists, TV shows and animations. He is also in great demand as a composer for modern dance choreographies.


 
“Cellist Kate Ellis is dedicated to the performance and exploration of all things with the shiny label of new music. Kate is the Artistic Director of Crash Ensemble, and a member of the Taquin Experiments, Yurodny and Fovea Hex.”


 
* * * * * * * *

As usual, all gigs are at Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England and are free, though it’s good form to donate a fiver on the way in or out. Dates below:

  • Daylight Music 283: Pieter Nooten + Moon Gangs + Blasio Kavuma, Saturday 2nd June 2018, 12:00pminformation
  • Daylight Music 284: She Makes War + Garance & The Mitochondries + Chaouche, Saturday 16th June 2018, 12:00pminformation
  • Daylight Music 285: Sans Soucis Experience + Alisha Sufit + Malin Andersson, Saturday 23rd June 2018, 12:00pminformation
  • Daylight Music 286: Henning Fuchs + Takeo Toyama + Kate Ellis, Saturday 30th June 2018, 12:00pminformation

 

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