Archive | Latin dance RSS feed for this section

April 2017 – upcoming London gigs – “wonk rock” with The Display Team + A Sweet Niche + Ham Legion (3rd); Patricia Hammond & Matt Redman’s Edwardian pop (3rd); SOIF Soiree with Society Of Imaginary Friends, David Skinner, The Support Stockings, Cian Binchy, Millie George, I Am Her, Martin Wakefield, Jed Demochowski, Anne Corrigan etc. (7th)

27 Mar

I was moved to jam these three early April gigs together for a preview. On the Wednesday, it’s up to you whether you go for the tangled electric loom of wonky pop/jazz/punk noise or for the hundred-year-old pop hits with the Keep Calm And Carry On teatowels. Either way, you still get to attend the latest mixed-music-and-poetry SOIF cabaret on the following Friday…

* * * * * * * *

The Display Team + A Sweet Niche + Ham Legion, 3rd April 2017Bad Hedge presents:
The Display Team + A Sweet Niche + Ham Legion
The Birds Nest, 32 Deptford Church Street, Deptford, London, SE8 4RZ, England
Monday 3rd April 2017, 7.00pm
information

“A repulsive onstage three-way shocker! For one night in April, three heavyweights of the widely ignored wonk rock scene will spill off the stage in one of London’s best (and cheapest) small venues. And all for free! The Display Team: nob-bothering high-octave brutalitarians; like a small orchestra with big balls. A Sweet Niche: skronky honkies that bring an ominous twistin’ y’all can’t be resistin’. Ham Legion: kaleidoscopic power-pop rompers with more dinner ideas than you’ve had hot.”

For a little more on these people from back in the ‘Misfit City’ archives, have a peek here, here and here. Meanwhile, here’s the obligatory fistful of tunes.




 
* * * * * * * *

Patricia Hammond & Matt Redman - 3rd April 2017Wiltons Music Hall presents:
Monday Night Music: Patricia Hammond with Matt Redman
The Mahogany Bar @ Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Monday 3rd April 2017, 8.00pm – free event
– information here and here

“An evening of rousing Edwardian pop! Patricia Hammond and Matt Redman, world-renowned specialists in authentic historical performance, will play an assortment of pop songs from the Edwardian era, including some of the first songs ever written about motorised transport: Willie Had A Motor-Boat, In My Merry Oldsmobile, My Rickenbacker Car, Wait Till You Get Them Up In The Air, Boys, and many, many more delights. If you’re very nice to them, Patricia and Matt also promise some rousing singalongs to gems such as If You Were The Only Girl In The World and, for the WW1 Centenary’s sake, Pack Up Your Troubles In Your Old Kit-Bag.

 
Matt will be performing on piano, guitar, banjo and accordion, and will treat people to instrumentals of some of the new dance crazes of the 1900s and 1910s, such as tango, chorinho, ragtime, Hawaiian and blues. Of course, this being Wilton’s, songs of the great music hall era will also feature. All together now!”

* * * * * * * *

SOIF Soiree, 7th April 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “For Absent Friends” (featuring Society Of Imaginary Friends + David Skinner + The Support Stockings + Cian Binchy + Millie George + I Am Her + Martin Wakefield + Evie + Jed Demochowski + Anne Corrigan + Dj Onjdrew + others t.b.c.)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 7th April 2017, 8.00pm – free event
information

The latest in Society of Imaginary Friends’ ongoing series of grab-bag gigs, featuring a number of faces which ought to be familiar from recent performances:

“A sunny spring park comes to life crowded with absent friends, friends turned imaginary, walking with the sun, singing and humming, playing rounders, turning summersaults, laughing with the children,climbing trees, smiling into the breeze and as the sun sets we gather round a bandstand at the centre of a green. Vegan ma-nah is brought out by sensual peace-loving Daleks… a gorgeous offering of sound and light a celebration of friendship.

“Performing on 7th is the virtuosic guitarist and velvety voiced singer David Skinner; harmonious vocal stylings from our choir The Support Stockings; fresh from his sold-out national tour, Cian Binchy; the fabulous young poet and star of the Round House and Young Vic Millie George; urban punk from the mighty Julie Riley‘s I Am Her; Martin Wakefield and Evie with inspiring poetry, music and verse; Jed Demochowski (of the VIPs) and his new band; Anne Corrigan delighting us with her poems; DJ Onjdrew, and a couple of super amazing surprise star guests. Plus us, theSociety Of Imaginary Friends.

“Please come and bring a memory, a line or two about your absent friend to say on the night. Looking forward to seeing you there. Don’t forget it is free entry and there is amazing vegan food and award-winning beverages to purchase.”





 

November 2016 – upcoming London jazz gigs (28th) – Alexander Hawkins-Elaine Mitchener Quartet, Michael Janisch and The James Beckwith Trio at the Cockpit; Ping Machine Quartet at the Sitara

26 Nov

Two London jazz-hops for Monday…

* * * * * * * *

Cockpit Productions present:
Jazz In The Round: Alexander Hawkins/Elaine Mitchener Quartet + Michael Janisch + The James Beckwith Trio
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Monday 28th November 2016, 7.00pm
information

According to their own description, the Alexander Hawkins/Elaine Mitchener Quartet work with “repertoire (which)“fuses Mitchener’s unique way with both melody and abstraction, with Hawkins’ idiosyncratic compositional and pianistic world; as well as spotlighting re-imaginings of a small number of non-original songs which reveal the influence of precursors such as Jeanne Lee and Linda Sharrock.” The project’s still young enough not to have spawned either recordings or video clips, so you’ll have to imagine it from the existing pedigree of its players and movers.

Pianist and composer Alexander Hawkins (a onetime renegade lawyer and youthful church organist who evolved into a jazz keyboard explorer of rare brilliance) has already made marks as a noted collaborator with Louis Moholo, Shabaka Hutchings and plenty of others, plus previous leader/co-leader work with Convergence Quartet, Hammond organ funk-improv trio Decoy and his own de-/free-constructive Trio and Ensemble. He’s been hailed as an exceptional talent within his generation.


 
Vocalist Elaine Mitchener, though she’s been following a decidedly more outre path, is also exceptional: twisting and fusing (or placing in parallel) vocal approaches from jazz, gospel, sound poetry, free improvisations and contemporary classical, and where possible blending it with performance aspects of movement theatre. A collaborator with the likes of Phil Minton and Evan Parker (music), Deborah Warner (theatre) and Christian Marclay (both and neither), she’s as happy with pre-linguistic gabble and the esoteric libretti of David Toop operas as she is with a standard. At least as likely to be found performing in a gallery space as in a jazz club, she’s one of Britain’s most daring singers; balanced conceptually (though not necessarily tonally) between Lauren Newton, Abbey Lincoln, Dagmar Krause and the latterday Scott Walker (as well as the aforementioned avant-jazz vocal trailblazers Lee and Sharrock), but carving out a highly individual expressive space of her own. Below is just one example of what she does.


 
The quartet is completed by double bass player Neil Charles (from Alexander’s existing Trio) and by drummer Steve Davis, who appear to be considerably more than sidemen: “structurally, the group function as complete equals, veering radically from the traditional norm of ‘singer plus rhythm section’, instead treating this as only one possible dynamic amongst many.”

Reknowned émigré-American bass player Michael Janisch (once of TransAtlantic Collective, more recently a member of City of Poets, leader of Paradigm Shift and prime mover of both Whirlwind Recordings and the Whirlwind Festival) is playing a solo set as the middle act. Outside of master classes, this is an unusual scenario for Michael: he’s generally to be found at the hearts of ensembles, pushing them on with inspired work whether on double bass or electric bass guitar. There’s no details on which of these he’s using this time (it might be both).

As opener, pianist James Beckwith brings the trio of himself, rising jazz-pop drummer Harry Pope and bass guitarist Joe Downard (a protégé of the great Herbie Flowers, now one of London’s busiest cross-disciplinary bass players in jazz, blues, country, soul and hip hop). Together they present a London spin on “New York contemporary jazz harmonies, the piano trio lineage, Middle Eastern and Asian folk, to mould strong rhythmic tunes delivered with driving energy”, working from fragmented syncopation to tight funky knots.


 

* * * * * * * *

Ping Machine Quartet, 28th November 2016Some time ago, I was bemoaning the loss of Archway scratch-deli Forks & Corks (an up-and-coming London jazz venue) to buildings works and gentrification. While I’ve been grumbling, Archway local (and cheerily formidable double bass hero) Jonny Gee, who had some responsibility for the music there) has picked himself up undaunted, and moved proceedings a minute or so’s walk south to the Sitara restaurant. There he’s continued to build plans for an Archway jazz scene with an unfolding series of surprising blink-and-you’ll-miss-them meal-plus-music gigs, of which this is the latest.

Jonny Gee presents:
Ping Machine Quartet
The Sitara, 784 Holloway Road, Archway, London, N19 3JH, England
Monday 28th November 2016, 6.00pm
information

There’s not too much information on this one besides from the words “improv, bebop, jazz” tossed onto the poster like hasty clip-art, so (as with the Hawkins/Mitchener Quartet) you’ll just have to go by the reputations of the people in the band. Nothing to do with the similarly-named polystylistic French ensemble, they’re a more recent alliance of Jonny, Orphy Robinson and two other impressive London musicians.

Jonny’s sideman and MD work for King Salsa, Antonio Forcione, Ravi Shankar and Cleo Laine only scratches the surfaces of a thrillingly animated career on bass, which has stretched from jazz to Latin dance to baroque classical and back again in a ongoing arc of possibilities. Orphy, meanwhile, is a beloved veteran of the ‘90s British jazz boom. Once a Jazz Warrior, subsequently a Blue Note-signed vibraphonist, he’s now firmly fixed at jazz statesman status thanks to diverse work within education and curation as well as his host of ongoing projects as a player (including Nubian Vibes, Bruise, Codefive, Clear Frame and his Black Top duo with pianist Pat Thomas).

Regarding the remaining half of the quartet – drummer Andrea Trillo has played with both Herbie Hancock and Jerry Dammers, as well as with Dave O’Higgins, Jon Toussaint, Simon Purcell and Tim Richards. Long steeped in jazz and Latin music, Shanti Paul Jayasinha’s played trumpet for Brand New Heavies, Jason Yarde, Tim Garland and Buena Vista Social Club as well as leading his own ShantiJazzWorld ensemble. He also plays flugelhorn and, for this gig, might be toting the Slumpet (his custom valve/slide trumpet). In case he doesn’t, this is what it sounds like.


 

November 2016 – upcoming London classical gigs – The Riot Ensemble play Mark Simpson/Jack Sheen/Tigran Mansurian premieres plus Morton Feldman, Mark Bowden and Anna Meredith for ‘The Viola in my Life’ (21st); Clara Rodríguez & TangOpera Duo’s ‘Great Latin American Composers’ featuring Antonio Estévez and Alberto Ginastera, plus Villa-Lobos, Cervantes and Ruiz (24th)

20 Nov

A very quick note on two upcoming shows:

* * * * * * * *

The Riot Ensemble presents:
The Riot Ensemble: ‘The Viola in my Life’
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Monday 21st November 2016, 7.00pm
information

The Riot Ensemble's 'The Viola In My Life', 21st November 2016“Led by a core group of seven musicians, The Riot Ensemble programme a wide array of the new music from across the globe, connecting people to great contemporary music and collaborating with a prestigious roster of guest artists in musician-led and organised performances. One of the few emerging ensembles in the UK to regularly commission and perform music by international emerging composers, they present the young composers they commission alongside exciting and established music from Bach to Birtwistle.

“This performance – The Viola in my Life’ – features Riot’s new Artistic Board Member Stephen Upshaw, who programmed this concert alongside fellow rioters Sarah Mason & Claudia Maria Racovicean.”

Programme:

Mark Simpson – New Work for Solo Viola (world premiere)
Morton Feldman – The Viola in My Life 3 (for viola and piano)
Mark Bowden – Hoist (for solo percussion)
Jack Sheen – Each One Cancels Out the Last (for viola, piano and tape) (world premiere)
Anna Meredith – Flex (for solo percussion)
Tigran Mansurian – Duet (for viola and percussion) (UK premiere)

Performers:

Stephen Upshaw – viola
Sarah Mason – percussion
Claudia Maria Racovicean – piano

* * * * * * * *

Clara Rodriguez' 'Great Latin American Composers', 24th November 2016Iberian & Latin American Music Society presents:
Echoes Festival: Clara Rodríguez & Friends – ‘Great Latin American Composers’
Bolívar Hall, 54 Grafton Way, Fitzrovia, London, W1T 5DL, England
Thursday 24th November 2016, 7.30pm
information

“Venezuelan virtuoso pianist Clara Rodríguez joins forces with TangOpera Duo to mark the centenary of her compatriot, composer Antonio Estévez (1916-1988) with a concert showcasing his works for piano and voice as part of a vibrant programme of piano pieces by some of the giants of Latin American classical music, including the seminal Argentine composer Alberto Ginastera (Argentina) (1916-1983), who also celebrates his centenary this year.

“Antonio Estévez is one of the most important Venezuelan composers of the 20th century, known especially for his ‘Cantata criolla’ and ‘Mediodía en el llan’o, recorded by the Simón Bolívar Youth Orchestra in 2008. A leading light of the Parisian-Venezuelan avant garde, Estévez’s music stands out for its rare beauty and profound originality. In Clara Rodríguez, Estévez has a longstanding ambassador for his legacy – her successful campaign to establish his output on the ABRSM 2015-2016 exam syllabus saw his music performed by thousands of pianists in the UK.

Heard here alongside some of Latin America’s most famous composers, such as Villa-Lobos (Brazil) and Cervantes (Cuba), this event places Estévez firmly amongst the panoply of Latin America’s ‘great’ composers. If you are unfamiliar with his music, this programme will be a revelation.”

Programme:

Antonio Estévez – 17 Piezas infantiles
Antonio Estévez – Songs (Selection)
Heitor Villa-Lobos – Bachianas brasileiras No. 4 (Selection)
Heitor Villa-Lobos – Ciclo brasileiro (Selection)
Alberto Ginastera – Three Argentinean Dances
Alberto Ginastera – Dos canciones Op. 3
Ignacio Cervantes – Three Cuban Dances
Federico Ruiz – Encuentro de Antonio y Florentino

Performers:

Clara Rodríguez – piano
TangOpera Duo – soprano & piano
William Roberts – actor
Timothy Adès – translator-poet
 

October 2016 – upcoming London gigs – Vlad Miller’s Notes From Underground at MAP Café (6th); Honeyfeet and Dila V & The Odd Beats at Magic Garden (8th)

4 Oct

A quick note on two London gigs this week, taking place at a couple of London’s more lively out-of-the-way venues in Kentish Town and Battersea, but rooted much further eastward. (No. Not Upminster.)

* * * * * * * *

Vlad Miller/Notes From Underground, 6th October 2016

Vlad Miller- Notes From Underground
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Thursday 6th October 2016, 8.00pm
information

Jazz quartet Notes From Underground are led by pianist and composer Vlad Miller, London-based musical director of the Moscow Composers Orchestra (providing a meeting point for creative Russian jazz musicians for around two decades now) as well as a key part of London world music ensemble Ancestral Collective. Vlad’s compositions form the foundations of the band – strongly influenced by Russian musical tradition, and steeped in a parallel tradition of narrative. While wordless, each piece draws on fable, history or cryptic jokes to tell a story embellished by colourful collective improvisations. Subject matter has included the Cold War, Diaghelev and The Ballet Russe, the farce and gallows-humour fraughtness of the fraught relationship between artists and the Kremlin, the lives of insects and the travails of a cruise ship in peril in the White Sea.

The band also features Indian-inflected contrabass guitarist Leslee Booth (Branco Stoysin Trio), drummer Dave Rohoman (onetime drummer for Ian Dury in Kilburn & The High Roads, subsequently an explorer on the London improvising scene) and saxophonist-of-a-hundred bands Adrian Northover (currently working with Jazz-Thali, The Custodians, The London Improvisers Orchestra, Trip-Tik, The Remote Viewers, the Thelonious Monk-interpreting Hard Evidence trio and many more).




 

* * * * * * * *

Honeyfeet + Dila V & The Odd Beats, 8th October 2016

Honeyfeet + Dila V & The Odd Beats + DJ Pony + DJ Joplin Parnell
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Saturday 8th October, 8.00pm
– free event (before 8.00pm; door fee after that) – information

Down at the Magic Garden, ill-kept Mancunian folk/R&B secret Honeyfeet are playing a free gig (well, free if you arrive early enough). Mixing “ethio-trad, barrel-house pop, cowpunk and folk-hop” (I think that only one of those is a typo) and fronted by imposing power-coquette Ríoghnach Connolly, they’ve been storming their way around festivals for nearly ten years now, sharing and showcasing their mixture of jollity, oomph, raunch and macabreness with songs about “eating people, dancing on graves and infidelity… but it’s not all bad news.”


 
It takes quite a band not to be intimidated by the smouldering verve and dark wit of Honeyfeet when on the same bill, but Dila V & The Oddbeats will certainly carry off their support slot with a dynamic vigour of their own. Another band with an earthy and captivating frontwoman – Dila Vardar – they work Mediterranean and Eurasian folk from Turkey, Spain, Greece, Roma culture and the Baltic states (including vigorous dashes of rebetiko and bolero) through flangers and wah-wah. The result’s a sinous turbo-driven take on psychedelic folk, taking it away from its usual Anglo-Afro-Celtic circles and sending it roaring around several thousand years of cultural meeting points from the middle of the world.


 
DJ sets from Joplin Parnell and the mysterious Pony intersperse and round off the evening… and that’s all for now. Should be enough to satisfy.
 

September 2016 – upcoming London jazz gigs – Jonathan Silk and Ben Lee bands at Kings Place (16th); Bitch’n’Monk, Survival Skills and Peter Ehwald at Rich Mix (22nd); free show by Tamas Teszary Quartet at Magic Garden (22nd)

14 Sep

More jazz and jazzlike London gigs for the coming month, presented more or less straight from the press releases (to ensure that the month’s news updates don’t drag too much…)

* * * * * * * *

Jazz at Kings Place/Stoney Lane Records present:
Jonathan Silk Big Band + Ben Lee Quintet
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Friday 16th September 2016, 8:00pm
information

From Kings Place:

“The third in a series of eclectic performances featuring artists from the burgeoning Stoney Lane Records label – and a special double album launch.

“Drummer and composer Jonathan Silk – dubbed “one To watch” by ‘Jazzwise‘ magazine – leads his dynamic big band, with strong influences from mentors and world renowned composers Maria Schneider and Vince Mendoza, along with contemporary New York improvisors Jim Black and Dave Binney. Playing music from Jonathan’s forthcoming album ‘Fragment’, the big band will perform a suite composed to explore the contrast between the powerful forces of a big band in full cry, and the more delicate touch of orchestral textures.



 
“Young guitarist Ben Lee is tipped as one of the rising stars in the jazz world, and launches his debut album this autumn. His beguiling quintet explore the many sounds and combinations of its unorthodox line-up, featuring guitar, alto sax, trombone, organ and drums. Inspired by a whole host of eclectic musicians, from Nirvana and Radiohead to many of the jazz greats, the Ben Lee Quintet bring punchy horn lines, groove, invention, original melodies and no lack of warmth and technical prowess.”




 

* * * * * * * *


Chaos Theory Promotions/Jazz Standard/United Artists present:
Bitch ‘n’ Monk + Peter Ehwald + Survival Skills
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Thursday 22nd September 2016, 7.30pm
information

From Chaos Theory:

“This is a special collaboration between ourselves, Tina Edwards of Jazz Standard (one of London’s best promoters of contemporary jazz), Rich Mix (one of London’s hottest hotbeds of contemporary creativity) and daringly experimental duo Bitch ‘n’ Monk, as they launch their new album ‘We Are Peering Over’ in an evening of experimental jazz, improv, art and electronica.

“Described as “a kaleidoscope of musical styles” by the BBC’s ‘Late Junction’ (and by ‘The Quietus‘ as musicians who “will send you into a lovesick coma and give you an electrifying kiss of life all at once”) Bitch’n’Monk are a wayward soprano and screaming flute duo from London and Colombia. They invite you to come to the edge of the music that you know, and peer over into something unpredictable, wild, and new to your ears (the ‘Guardian‘ has observed that “you’ll spend a while pondering how to classify them – prog folk? Operatic post-punk? Gothic reggae? – but they know how to write melodies.” Their new album is a masterpiece, and is a defiant fusion of arts and culture, allowing us each to explore it in our own unique way, with no two people experiencing it quite the same. Tonight ‘We Are Peering Over’ will be premiered live and audience members will have a chance to pre-order the album at a discount, and reserve it for collection at the merch desk ahead of its official release on 30th September.



 
“In support, Survival Skills is an electronic improvisational solo venture by respected contemporary and nu jazz guitarist and producer Chris Sharkey – a fiercely creative individual who is as at home playing the main stages at international festivals, or performing to an intimate audience in a hidden basement venue. Previously known for Acoustic Ladyland and TrioVD, some of you may remember his other projects Shiver at The Facemelter last July, and The Geordie Approach at The Jazz Market last October. Chaos Theory was lucky enough to host the live premiere of Survival Skills almost two years ago, so this will be a great opportunity to see how the solo project has developed.



 
“German musician Peter Ehwald is an adventurous saxophonist with a distinctive sound (described by ‘Jazzwise’ as “an affecting tonal range, moving artfully between Wayne Shorter-type floaty, snaking lines and tougher vocalised timbres.”). He’s known for The Backyard Jazz Orchestra, his collaborative project with the Goethe Institute and Stefan Schultze. He also performs solo with raw energy, creating a remarkably modern sound.”


 
* * * * * * * * *

Tamas Teszary Quartet
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Thursday 22nd September 2016, 9.00pm
free event – information

“If you get the chance to go and listen to the Tamas Teszary Quartet live don’t miss it! This quartet, led by vibraphone wizard Tamas Teszary, brings sizzling new originals to the jazz scene. His compositions invoke sensations from your brain as if traveling from the smoky jazz clubs of New York through the lush landscapes of Canada to the hustling streets of London. With driving bebop lines, funky beats and hip ­hop chills, from melancholic to twisted jazz harmonies, TTQ delivers the mind warp you’ve been thirsty for.”


 

August 2016 – upcoming gigs – three-date British tour of saz balladry by Aşıq Nargile (plus choral fizz, oddrock and pedal steel strangeness from Tut Vu Vu, Muldoon’s Picnic and Heather Leigh – 2nd-4th); Hackney Colliery Band & Bring Your Own Brass kick off Borderless in London (2nd)

30 Jul

In between appearances at the WOMAD and Supernormal festivals, Georgian saz player and singer Aşıq Nargile is embarking on a three-date British microtour in August, calling in at points in Scotland, Yorkshire and London.

Aşıq Nargile

In case you’re looking at the picture and thinking (lazily) “another girl folk singer”, it’s worth noting that “Aşıq” is an honorific, not a forename. It denotes a particular type of traditional Georgian bard, multilingual and mobile, who travels through the country’s diverse regions as vessels for music, news, concepts and culture both old and new. (A little like a Caucasian version of a West African griot, although perhaps without the satirical upsetter elements).

Originally from the Georgian capital of Tbilisi, Nargile Mehtiyeva has carried the cosmopolitan traditions of her home town with her, but has chosen to base herself in the southern Borcali region. For the moment, she’s the only female aşıq at work there. A trilingual singer and player of the saz lute since her mid-teens, she’s now both a teacher of the traditional forms and (via the Sayat Nova initiative) an ambassador for Georgian culture. Her concerts involve interlocking musicality and literacy – a “vocal recital of epic folk poetry (in) Azerbaijani, Georgian, and Russian… by turns ecstatic and deeply expressive… interspersed with bursts of virtuosic, highly ornamented saz.” in the shape of “moving laments or upbeat folk dances.” For those who don’t speak any of those languages, the shows are still musically sensual experiences – propulsive and silvery cascades of wiry stringwork, accompanied by a vocal like an elastic lassoo and the stately assurance of someone backed up by a couple of thousand years of heritage.


 
Tour dates are as follows:

  • The Old Hairdressers, 23 Renfield Lane, Glasgow G2 6PH, Scotland, Tuesday 2nd August 2016, 7.30pm (supported by Tut Vu Vu + Muldoon’s Picnic) – information
  • Delius Arts & Cultural Centre, 29 Great Horton Road, Bradford, BD7 1AA, England, Wednesday 3rd August 2016…. (+ support act t.b.c.) – information here and here
  • The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England, Thursday 4th August 2016, 7.30pm (with Heather Leigh) – information

While the Bradford gig is solo, the Glasgow show sees Nargile playing as part of a splendidly adventurous and diverse triple bill alongside two very different Glaswegian groups who have next to nothing in common bar their musicality.

Despite their cosy and informal appearance, a name that comes from drunken Irish misadventure, a repertoire reaching from “the sublime to the ridiculous” and their emphasis on fun and friendship in singing, acapella group Muldoon’s Picnic unites a number of very dedicated and talented Glasgow-based singer and scholars. Its six or seven regular members (not least in-house arranger Katy L. Cooper) have already made their mark in a brace of other vocal ensembles – Trembling Bells spin-off Crying Lion, Glasgow Madrigirls, The Four Hoarse Men, Voicebeat, Voicemale, Sang Scule, and “barbershop-prog” group Honey & The Herbs – plus more church, chapel, cathedral, workplace and community choirs than you could shake a stave at. As for that repertoire, it embraces gospel, shanties, Scots ballads, English carols, Afro-American spirituals, sacred harp songs, Victorian parlour music and music hall songs and assorted pieces cast up and circulated by the world music movement. Where other choral groups dabble, this one delves. The songs are sung not just in English but in other tongues of the British Isles (Scots Gaelic, Cornish, Manx and Welsh) and further afield: Breton, southern African Sotho, Ugandan Luganda and eastern European languages (Bulgarian, Croatian and Georgian – in the latter’s polyphonic music, they touch base with Nargile.)


 

The third act on the Glasgow bill, Tut Vu Vu, play their dark-browed and looming electrophonic instrumentals in a cloud of disinformation. When someone compares them to Anaïs Nin and David Lynch and they claim that it’s all a misunderstanding; someone else mentions musique concrète and they respond with askance, amused looks. When given the chances to set things straight, they deliver misleading mission statements filled with science fiction technogabble about phased plasma and hydrogen sulphide. What’s demonstrably true is that they’re an alliance of Glasgow art-punks who’ve already been around a decade’s cycle of experimental groups – Iban Perez in The Sparkling Shadazz, Rags & Feathers and A Rhythmtic) Raydale Dower, Matthew Black and Jamie Bolland in rattling theatricalists Uncle John & Whitelock.

Expect something of an oblique and inscrutable wall between the quartet’s current work and their previous brainy trash-lungings. A band apparently in search of a new dialect (while drawing on assorted shredded utterances from Krautrock, Beefheart, ‘90s rave or ‘80s arsequake) a typical TVV track can be a bizarre collage of muffled falsetto wails and feedback drones, of layered tribal toms and analogue-synth bass-farts, of approaching-horns guitar shapes; all of which is cunningly and immediately sculpted for maximum enigmatic impact, rather than being tossed out of the speakers for someone else to sweep up.




 

In London, Nargile is playing a double header gig with Heather Leigh. One of the most unconventional pedal steel guitarists in contemporary music, Heather belies her traditional country music heritage (a West Virginia birth, a descent from coal miners) and instead reinvents both her instrument and her voice as a conduit for strange and ghostly improvisations. Aided by cruel amplifier tones and strange, skittering, instinctive hand techniques, her compositions emerge like spectral possessions of strings, pedals, larynx and language. Often touching on themes of trauma, abuse and hidden, subjective experience, Heather’s eerie and disturbing work has already led her to collaborations with Peter Brötzmann, Jandek, Thurston Moore and plenty of others since her emergence in the 1990s.




 
* * * * * * * *

August also sees the start of Borderless, a delightfully rambling live music series at Battersea Arts Centre running roughly parallel to the Olympic Games in Rio. Run in collaboration with GOAT Music (set up last year by former Roundhouse music bosses David Gaydon and Lou Birkett) it aim to showcase “the UK’s best homegrown talent and unique artists from around the globe, in the intimate and beautiful setting of the Council Chamber… Borderless will provide an alternative cross-cultural celebration. Samba to tropical beats, dance to Afrobeat legends, skank to reggae and let the new generation of jazz take you to another place. Break down the borders and shuffle your feet to global rhythms to hear the biggest tunes from all over the planet. We’ll also provide a platform for the freshest artists and exciting talent currently taking the UK by storm. Hear the artists sound tracking the underground scene, dominating the airwaves and paving the way for the alternative UK music scene.”

Glad to hear it. Bring it on. What do you have?

GOAT Music and Battersea Arts Centre present:
Borderless: Hackney Colliery Band + Bring Your Own Brass
Battersea Arts Centre, Lavender Hill, Battersea, London, SW11 5TN, England
Tuesday 2nd August 2016, 8.00pm
information

Hearing about Hackney Colliery Band initially caught me between hackles and chuckles. For a moment, I thought it was about taking the piss out of a great and still-living industrial British art form while cynically attempting to replace it. After all, when there are still genuine colliery bands maintaining the tradition across old mining heartlands from Tyneside to Derbyshire, Shropshire to Leicestershire and the Rhondda Valley (and dotted across the Yorkshire pitscape from Grimethorpe to Dinnington, Frickley to Queensbury) why would you want to substitute them with a slick London parody? On the other hand, my sense of the absurd soon kicked in – since Hackney’s been sprouting all kinds of cartoonish artisan features for the past decade (from craft beer to boutique muffins and shoes), why not an ersatz coal mine?

As it happens, HCB have got little to do with any of this. The name’s a little dab of post-modern British showbiz and the band (excellent, by the way) don’t stick to the grand dignity and mournfulness of colliery music, being more of an omnivorous brass beast immersed in and rejigging a variety of horn-party traditions from jazz, r&b, funk and others, including New Orleans tunes from both fun and funerals. Much the same can be said of the support act, Bring Your Own Brass – a band who, as “up-and-coming brass hip-hop ripsnorters”, have been known to parp out a Rakim cover or two. If this makes them sounds like a novelty act, they aren’t. Sound and vision reveal them to be well-scrubbed, well-studied white disciples of a wide span of styles, clambering over Afrobeat, rap, funk and marching-band ideas with head-bopping panache.

Recently, both bands seem to have cornered the market in boutique festivals and showbiz event (between them they’ve got Olympic Games and Brit/Mercury award appearances under their belts, as well as shows at Ally Pally, with slots at Wilderness, Stow and Meatopia to come later in August for BYOB and a hefty European tour for HCB). HCB’s previous set at the MOBO awards suggests that they can impress at a formal roots level as well, unless it was a case of contacts trumping authenticity. Just as long as bands like these aren’t crowding out bands like Kokoroko; although BYOB’s teamup with Bristolian rapper and slam poet Solomon O.B (see below) suggests that, as far as fellow musicians are concerned, there aren’t any practical or philosophical problems.



 

June 2016 – upcoming gigs – jazz and jazzlike –Jungle By Night at Pan Piper and the Forge (Paris/London, 24th/25th); Arcadio’s electro-salsa (London, 29th) and Barry Green Sextet and OTree Trio (London, 30th); and The Spitz returns – just the once – to Spitalfields (London, 24th)

21 Jun

Longer-term readers might remember that I’ve got a soft spot for the old Spitz jazz events near Liverpool Street, so it was particularly nice to hear about the first of these five shows below.

* * * * * * * *

'Return to Spitalfields' - photo by Gideon Mendel

‘Return to Spitalfields’ – photo by Gideon Mendel

The Spitz presents:
Return to Spitalfields (all-dayer)
Bishops Square, Spitalfields, London, E1 6EG, England
Friday 24th June 2016, 10.00am
information

“We voyage to our roots in Spitalfields Market for a day of music and wellbeing in the heart of East London. You will find us under the canopy in Bishops Square, with a rough schedule as follows:

Our stalls will stock unique clothing and books, featuring items from various independent designers including Marvin Browne. Quite aptly, BBC Radio 3 broadcaster Kevin Le Gendre, who wrote the article on the last night of the Spitz, will be compering the event.

We still require volunteers to help us during this event – if you are interested, please get in touch!”

* * * * * * * *

Jungle By Night
Pan Piper, 2-4 impasse Lamier, Paris 75011, France
24 June 2016, 7.30pm
information
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Saturday 25th June 2016, 8.00pm
information

From the press release for the London show:

Afro-Palace Live Sessions is proud to present the official UK album release party of Jungle By Night‘s fourth album. ‘The Traveller’. Jungle By Night consists of nine young swinging musicians from Amsterdam with an eclectic musical upbringing, taste, backgrounds and unstoppable eagerness to produce a unique blend of musical styles. Jungle by Night has turned many dance floors into boiler rooms: from Istanbul to Tokyo and from Paris to the North Sea Jazz Festival via Shambala and Glastonbury. No one can withstand their Ethiobreaks, Middle Eastern psych and syncopated Afro-funk.

“Jungle By Night does not set any musical boundaries: the possibilities are infinite. All influences come down to the musical palette of each individual member. They shine a radiating light that can be felt when the band is on stage, and this glow finds its way from their record into your heart like a source of energy that never seems to end. They have been support act for their musical heroes such as Mulatu Astatke, John Legend & the Roots, Ebo Taylor, Fools Gold and Orchestre Poly Rhytmo.”



 
* * * * * * * *

Arcadio, 29th June 2016

Arcadio
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Wednesday 29th June 2016, 8.00pm
– information here (and here, for concession tickets)

“Electro-salsa meets free improvisation: led by composer-improviser Andrew Hall, Arcadio have been performing since February and bring together London’s finest improvisers and percussionists to create a nomadic exploration of rhythm and movement. The result is a hypnotic music which blends the fierce energy of salsa and cumbia, the delicate unpredictability of improvisation and the cut of modern synths.

“The members of Arcadio are frequent collaborators and performers across the many music scenes of London. They have performed together with the Balkan/funk big band Mimika, and individual members play in bands of free improvisation (White Flower), pop (Charlie Puth), and even Iranian metal (Ali Azimi). Together, inspired by bandleader Andy Hall’s trips to South America, they perform free-wheeling sets of Latin-influenced groove, building spontaneous layers of acoustic and electronic sound. They get deep into the rhythms, and emerge somewhere on the other side of an hour.

“With Andy leading from the keyboard, Arcadio regulars include JJ Stillwell (bass), John Macnaughton (alto saxophone), Rob Milne (tenor saxophone), Seb Silas (baritone saxophone), Tom Atherton (percussion), Paul Love (percussion), Ben Zucker (percussion) and Phil Maguire (electronics).”


 
* * * * * * * *

Jazz Nursery, 30th June 2016

Jazz Nursery presents:
Barry Green Sextet + OTree Trio
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 30th June 2016, 7.30pm
information

Jazz Nursery present another double bill at their recent new home at IKLECTIK.

Flexible post-bop pianist Barry Green leads a sextet featuring Miguel Gorodi (trumpet), Sam Braysher (alto saxophone), Tom Barford (tenor saxophone), Flo Moore (bass) and Will Glaser (drums). They specialize in “spontaneous, melodic” jazz.

Recording for a possible live album this evening, tenor saxophonist Josephine Davies leads OTree, “a brand new trio featuring the remarkable talents of drummer and percussionist Paul Clarvis (frequently heard with Stan Sulzman, Orquestra Mahatma) and bassist Dave Whitford (regular side-man for Christine Tobin and Bobby Wellins). The chord-less line-up features open and playful compositions with plenty of space for improvisation, as well as some choice classics by the tenor greats John Coltrane and Joe Henderson.”
 

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

The Recoup

The 232,359th Most Trusted Voice In Music

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Good Music Speaks

A music blog written by Rich Brown

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A lovingly curated compendium of the world's weirdest music

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

a closer listen

A home for instrumental and experimental music.

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

%d bloggers like this: