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January 2018 – upcoming London experimental rock gigs – Nøught & Dead Days Beyond Hope (17th January), Data Quack + Alex Ward (31st January)

10 Jan

Another quickie – Oxford-rooted avant-rock guitarists James Sedwards and Alex Ward (who’ve been in cahoots for at least twenty years) take their respective bands to the stage at Café Oto this month.

Nøught + Dead Days Beyond Help
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Wednesday 17th January 2018, 7.30pm
– information here and here

Nøught + Dead Days Beyond Help, 17th January 2018

“All-out, high-voltage line-up with James Sedwards’ avant-punk/jazz-prog/noise-rock group Nøught, and Alex Ward and Jem Doulton’s Dead Days Beyond Help project.

“Nøught is a synthesis of the experimental, avant-punk, jazz-prog and noise-rock credos, distilled into the paradoxical confines of a musically volatile, instrumental power-quartet. Originally formed in Oxford in the late ’90s by eminent guitarist James Sedwards (Thurston Moore Group/Guapo/The Devil), the current line-up has been based in London since 2002.

“Their music is profoundly exhilarating when encountered and often provokes an hypnotic sensation from an audience, as their incendiary live performances can easily entice and captivate a listener due to the highly artful, polished and demanding compositions. Pieces span the extremes of short, catchy, three minute eruptions to long, dense and evolving half-hour incantations. Nøught’s music provides an uncommonly refreshing, non-derivative sensibility and approach, and they continually astound as they develop, invoke and deliver their singularly potent blend of sonic diabolism.


 

“Dead Days Beyond Help have honed a compositional approach heard to its fullest extent on their 2014 Believers Roast release ‘Severance Pay’ described by ‘The Wire’ as “a reminder that there are still thrills aplenty to be gained from the pursuit of complexity… as playful as it is heavy, as atmospheric as it is cerebral”.

“In their live performances, these variously intricate, sweeping and violent compositions sit side by side with free-wheeling improvisational excursions (reflecting the members’ work with the likes of Steve Noble, Alan Wilkinson and Thurston Moore) and the whims of the moment, which could involve a leap into either a wall of flattening noise or the most emotionally direct country song. In negotiating this dizzying range of materials, DDBH bypass the pitfalls of irony and the obstacle course of genre by the simple guiding principle: intensity-at-all-costs.”



 
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And Alex is back again at the end of the month, supporting bubbling-under experimental group Data Quack in one of the increasingly interesting gigs being put on at Westminster Kingsway.

Data Quack + Alex Ward, 31st January 2018

Westking Music and Performing Arts presents:
Data Quack + Alex Ward
WKC Theatre @ Westminster Kingsway College, 211 Gray’s Inn Road, Kings Cross, London, WC1X 8RA, England
31st January 2018, 6.30pm
– information here and here

Data Quack is a relatively new group: hanging in the air like a sunny cloud, a silver nitrate window of manly oomph, pronoun prim, joey pouch casually askew. They are likely to blow your mind. Data Quack’s music moves through an array of abstract textures, car chase sequences and violent grooves. Trigger warning: you will be triggered, that’s what music does.

“They are saxophonist and electronics player Ben Vince (who’s been making waves with a series of solo releases and collaborations with Housewives and Mica Levi, threading his way through the London underground like a goods train); drummer Charles Hayward (follower of a 45 year music journey from This Heat to This Is Not This Heat and beyond); keyboard player Merlin Nova (who works in a variety of media, everything changes everything else, no borders, radio, film, song, movement, spoken word, and drawing, and works solo as well as currently gigging with This Is Not This Heat); and guitar/radio/cassette-tape operater Pascal Colman (lifts heavy objects, installations, minimalist funk agogo; a witty, charming, illegible bachelor).


 
Alex Ward will be supporting in his solo guise, blowing your mind with guitar, clarinet and voice sonic magic.”


 

December 2017 – experimental gigs up and down Britain – Kammer Klang plays Mary Jane Leach in London (5th December) plus Mette Rasmussen, Sofia Jernberg and Dawn Scarfe; Gnod R&D on tour with URUK and pals (7th, 8th, 10th); Xposed Club at Cheltenham with Alexander Hawkins, Raymond MacDonald, Sharon Gal, Stuart Wilding, Chris Cundy (8th)

30 Nov

Kammer Klang presents:
Kammer Klang: Ashley Paul & Ensemble (performing Mary Jane Leach) + Mette Rasmussen & Sofia Jernberg + Dawn Scarfe
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Tuesday 5th December 2017, 7.30pm
– information here and here

Kammer Klang, 5th December 2017 The coming month’s Kammer Klang has only a tenuous relationship with contemporary classical, concentrating as it does on musicians who espouse either free improvisation or natural resonance.

The evening centres on an ensemble led by clattering, free-form multi-instrumentalist and composer Ashley Paul (who recently supported Powerdove further north at the Old Dentist) and featuring Hyperion Ensemble bass clarinettist/utility person Yoni Silver, cellist/Kammer Klang organiser Lucy Railton, onetime Sonic Youth guitarist-turned-ubiquitous London art musician Thurston Moore and Charcoal Owls’ multi-instrumentalist Tom James Scott on piano (a man who generally brings a specifically Cumbrian twist to his playing, gizmo fiddling and use of field recordings). They’ll be playing ‘Wolff Tones E-Tude’, a cellular Christian-Wolff-inspired piece by American composer Mary Jane Leach (example performance below).


 
Much of Mary Jane’s work focusses on acoustic properties and how sound environments form in specific spaces with particular resonances and opportunities for difference, combination, and interference tones; in addition, how these may be manipulated by a performer, composer or editor (or by someone who’s a combination of all or some of those things). She herself will be present for the performance, which also includes a stereo-diffused playback of her 1992 radio sound piece/hörspiel ‘Kirchtraum’ (about which she says “Have you ever walked into a church, and it seems as if there is sound rolling around the space that’s been there for a long time? I created ‘Kirchtraum’ to create a sound dreamscape to create that kind of feeling. It uses the phases of a dream, going progressively further back into the past and becoming more chaotic with each phase. I used nightingales to punctuate the different phases of the dream, to differentiate between the dream and the environment…”). In addition, she’ll be present for a pre-concert workshop on Sunday 3rd December from noon until 5.00pm (giving a lecture and offering feedback on pieces any composers care to bring in) and, prior to the concert on the Tuesday, participating in a public talk with Frances Morgan at 7.00pm.

 

Opening in the Fresh Klang slot is Dawn Scarfe, a sound artist preoccupied with “things that seem to sound themselves, such as resonating glasses, Aeolian wires and self-opening swell boxes”, and who’s brought this preoccupation to sound installations between Cumbria and London, Exeter and Estonia, Brussels and Seoul. Her projects include the livestreamed ‘Reveil‘ “an annual crowdsourced live broadcast which “tracks the sound of the sunrise around the world for twenty-four hours” using open microphones provided by streamers around the world: she’s described it as intending “to open a space for listening to something else – especially from places where humans and not humans meet – and in the course of one earth day to provide a sketch of this emerging field.” 2017’s edition included contributions from Maputo, Tehran, New York, Kolkata, Santiago de Cali, nature reserves in Cumbria’s Walney Island and Australia’s Noosa Biosphere Reserve, and even the Fukushima Exclusion Zone. On this occasion, Dawn will be performing ‘Tuning to Spheres’, written for wine glasses, sine tone generators and turntables.

 

Closing the evening out will be a free experimental duet between raw Danish Trio Riot saxophonist Mette Rasmussen (who works with both plain and prepared instruments) and Swedish/Norwegian singer/composer Sofia Jernberg (who works with a twisting barrage of vocal techniques including split tone singing, pitchless singing and distorted singing)



 

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Fresh from some well-publicised collaborations with avant-rock godfathers Faust, countercultural Salford sound wizards Gnod are returning to their ongoing “R&D” tour. For more on their London weekender from last year, click here; at the moment, they’re stripped back down to their core duo of Chris Haslam and Paddy Shine in order to explore the next, as-yet-undecided developments from last year’s seethe of slow, dirty riffage on their bed of dub, urban discontent, psychic reportage and ritual. As part of that development, they’re throwing the stage open to volunteer collaborators on the night, “be it singing , shouting, dancing, bringing an instrument/device to the table or just simply tuning in and coming along for the ride.” Dust off your home-made Azimuth Co-ordinator or pocket Tettix Wave Accumulator; grab that Aztec death whistle from the back of the kitchen drawer; head down and dive in.



 
Gnod + Uruk, 7th December 2017

Following the Italian/Slovenian leg in November (in which they toured with Italian noise-rock guitar/voice/drums duo OvO and Godspeed-associated Montreal wallcrashers Big ‡ Brave), the British tour will see a blurring of support slot and Gnod expansion. The band’s ranks will be pre-swollen in Glasgow by drummer and oscillator king Julian Dicken (from Glaswegian psych-rockers The Cosmic Dead) and in Bristol by murky industral-technoist Tony Child (a.k.a. Surgeon) and drummer Dan Johnson (from jazz-punkers Run Logan Run). In London, they’ll be augmented by a five-strong gang of John Doran (head ‘Quietus‘ ranter), heavy electronicist Mark Dicker (ex-Trencher, Palehorse, Bruxa Maria), Mark O. Pilkington and Michael J. York of synth-and-bagpipe psychonauts Teleplasmiste and Teeth Of The Sea trumpeter Sam Barton. In addition, the London gig has a clearly defined support act in the shape of URUK, a teamup of bass player Massimo Pupillo (of expansive no-wave trio Zu) and synthesist/multi-instrumentalist Thighpaulsandra (Coil, Spiritualized, various Julian Cope bands). URUK originates from 2016 when mutual fans Massimo and Thipe finally got together; the resulting music, debuted on this year’s ‘I Leave A Silver Trail Through Blackness’ album, references both Coil and Zu but sinks deeper into the world of highly textured dark-ambient drones.

Dates:

  • Corsica Studios, 4-5 Elephant Road, Elephant & Castle, London, SE17 1LB, England, Thursday 7th December 2017, 8.00pminformation
  • Broadcast, 427 Sauchiehall Street, Glasgow, G2 3LG, Scotland, Friday 8th December 2017, 7.00pminformation
  • Exchange, 72-73 Old Market Street, Bristol, BS2 0EJ, England, Sunday 10 December 2017, 7.30pminformation

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Xposed Club, 8th December 2017
Just time, too, to mention another Xposed Club incident over in Cheltenham, in which there’ll be a meet-up duo of pianist Alexander Hawkins and saxophonist Raymond MacDonald (who between them have notched up work and/or leadership duties with Convergence Quartet, Glasgow Improvisers Orchestra, Decoy and more – we also recently saw Raymond exploring the art of the graphic score in London). Also on the bill is well-respected London experimental vocalist/Resonance FM founder Sharon Gal, engaging in duo work with Ghost Mind percussionist (and Xposed host) Stuart Wilding; and a solo set from avant-garde bass clarinet virtuoso Chris Cundy who, as mentioned here some time back, “dips into everything from the philosophical experiments of Cornelius Cardew and John Cage to out-and-out improv to theatre work.”

Various tasters below:





 
Xposed Club presents:
Alexander Hawkins & Raymond MacDonald + Sharon Gal & Stuart Wilding + Chris Cundy
The Xposed Club @ Francis Close Hall, University of Gloucestershire, Swindon Road, Cheltenham, GL50 4AZ, England
Friday 8th December 2017, 8.00pm
information
 

June 2017 – upcoming London jazz gigs – Alice Zawadzki & Jamie Safir (24th June); the LUME Festival 2017 (24th & 25th June)

17 Jun

A quick London jazz update, in two contrasting flavours (jazz-pop in a plush Soho brasserie; wild improv and thick sound in a Lambeth art space).

Alice Zawadzki & Jamie Safir, 24th June 2017

Live At Zédel presents:
Alice Zawadzki & Jamie Safir
Brasserie Zédel, 20 Sherwood Street, Soho, London W1F 7ED, England
Saturday 24th December 2016, 7.00pm
information

“Following a sold-out show in January, Alice Zawadzki and Jamie Safir return to their favourite venue for an evening of power-ballads and pop-songs: rearrangements of ’70s, ’80s and ’90s classics stripped bare and drastically re-imagined in this intimate jazz setting. Described by ‘The Guardian’ as “a genuine original” and by ‘MOJO’ magazine as “something of a phenomenon”, Alice truly possesses a unique musical gift on both voice and violin. Tonight she will be ably accompanied by accomplished, young pianist and arranger Jamie Safir, a regular at Zedel, and a creative and virtuosic improviser whose sensitivity and skill when accompanying vocalists has led to him work recently with Will Young, Ian Shaw, Olly Murs and Barb Jungr amongst others.”

I couldn’t find any clips of Alice and Jamie working together (they’ve done this show before at Zédel, but no-one seems to have thought to film it). Still, to give you an idea, here’s Alice’s separate guitar/violin/bass trio cover of Nobody’s Fault But Mine, brought down to a thrumming pitch of apprehension. Not that the original’s a power ballad, but it fits the mould if you stretch the latter beyond belief (and carefully ignore the fact that the original’s actually a Blind Willie Johnson blues moan rather than a crushing Led Zeppelin behemoth), though I’m not sure whether she’ll be applying similar techniques to Hold The Line, Nothing’s Gonna Stop Us Now or other ‘School Disco‘/’Guilty Pleasures’ stalwarts.


 
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LUME Festival, 24th & 25th June 2017

LUME presents
LUME Festival 2017
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 24th June 2017 & Sunday 25th June 2017 (3.00pm to 10.30pm, both days)
– information http://iklectikartlab.com/lume-festival-2017/ here, https://luminouslabel.bandcamp.com/merch here and here https://www.facebook.com/events/539918599729636/

At the same time, London experimental jazz organisation LUME will be throwing a two-day performance party in the shape of their own yearly LUME Festival. Drawing on the success of last year’s event, it brings a selection of old and new faces to town.

Both of the LUME organisers are bringing along their own quintets: Cath Roberts’ growling, exploded free-blues explorers Sloth Racket (with tenorist Sam Andreae, guitarist Anton Hunter, bass player Seth Bennett and drummer Johnny Hunter) and Dee Byrne’s flowing, cosmological, space-jazzing Entropi (with trumpeter Andre Canniere, keyboardist Rebecca Nash, drummer Matt Fisher and bassist Olie Brice). So too is Derby vibraphone theorist Corey Mwamba, playing his extended piece ‘as_the_tex(t): body’ in a band featuring Robert Mitchell, Rachel Musson, Liran Donin, and Richard Olatunde.

Newer to LUME are multi-layered Newcastle trio Archipelago (Christian Alderson, John Pope and Faye MacCalman, who throw piano, tapes, mbiras and handheld Monotron synths into the jazz-meets-garage-rock fusion of their bass/reeds/drums lineup) and the stormy murmuring chants of Laura Cole’s jazz-folk sextet Metamorphic, in which she’s joined by saxophonists John Martin and Chris Williams (the latter also of Led Bib), drummer Tom Greenhalgh, loop vocalist Kerry Andrew (of Juice Vocal Ensemble) and a bass chair that’s filled either by Paul Sandy of The Rude Mechanicals or by Sloth Racket’s Seth Bennett. Also in the mix are solo sets by visually-minded trumpeter and laptop wizard Alex Bonney (of Splice, Loop Collective, Leverton Fox and many others) and by electric trombonist and field recorder Tullis Rennie.

On top of this, there are some new entanglements. There’s the “brutally physical” Manchester/London teamup of David Birchall, Andrew Cheetham, Otto Willberg and Colin Webster; the Ma/ti/om percussion/bass/woodwind teaming of Matilda Rolfsson, Tim Fairhall and Tom Ward; plus whatever the random ensemble shuffle of The Hat Speaks throws up. To round off, there’s the mass blowing of the LUMEkestra as it debuts new work by Sam Andreae, Adam Fairhall, Dee Byrne and others.

Time details and daily lineups below, plus the usual wobbly stack of tunes, snippets and aural collisions to warm you up for the event.

LUME Festival, 24th & 25th June 2017


 

April 2017 – upcoming London gigs – “wonk rock” with The Display Team + A Sweet Niche + Ham Legion (3rd); Patricia Hammond & Matt Redman’s Edwardian pop (3rd); SOIF Soiree with Society Of Imaginary Friends, David Skinner, The Support Stockings, Cian Binchy, Millie George, I Am Her, Martin Wakefield, Jed Demochowski, Anne Corrigan etc. (7th)

27 Mar

I was moved to jam these three early April gigs together for a preview. On the Wednesday, it’s up to you whether you go for the tangled electric loom of wonky pop/jazz/punk noise or for the hundred-year-old pop hits with the Keep Calm And Carry On teatowels. Either way, you still get to attend the latest mixed-music-and-poetry SOIF cabaret on the following Friday…

* * * * * * * *

The Display Team + A Sweet Niche + Ham Legion, 3rd April 2017Bad Hedge presents:
The Display Team + A Sweet Niche + Ham Legion
The Birds Nest, 32 Deptford Church Street, Deptford, London, SE8 4RZ, England
Monday 3rd April 2017, 7.00pm
information

“A repulsive onstage three-way shocker! For one night in April, three heavyweights of the widely ignored wonk rock scene will spill off the stage in one of London’s best (and cheapest) small venues. And all for free! The Display Team: nob-bothering high-octave brutalitarians; like a small orchestra with big balls. A Sweet Niche: skronky honkies that bring an ominous twistin’ y’all can’t be resistin’. Ham Legion: kaleidoscopic power-pop rompers with more dinner ideas than you’ve had hot.”

For a little more on these people from back in the ‘Misfit City’ archives, have a peek here, here and here. Meanwhile, here’s the obligatory fistful of tunes.




 
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Patricia Hammond & Matt Redman - 3rd April 2017Wiltons Music Hall presents:
Monday Night Music: Patricia Hammond with Matt Redman
The Mahogany Bar @ Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Monday 3rd April 2017, 8.00pm – free event
– information here and here

“An evening of rousing Edwardian pop! Patricia Hammond and Matt Redman, world-renowned specialists in authentic historical performance, will play an assortment of pop songs from the Edwardian era, including some of the first songs ever written about motorised transport: Willie Had A Motor-Boat, In My Merry Oldsmobile, My Rickenbacker Car, Wait Till You Get Them Up In The Air, Boys, and many, many more delights. If you’re very nice to them, Patricia and Matt also promise some rousing singalongs to gems such as If You Were The Only Girl In The World and, for the WW1 Centenary’s sake, Pack Up Your Troubles In Your Old Kit-Bag.

 
Matt will be performing on piano, guitar, banjo and accordion, and will treat people to instrumentals of some of the new dance crazes of the 1900s and 1910s, such as tango, chorinho, ragtime, Hawaiian and blues. Of course, this being Wilton’s, songs of the great music hall era will also feature. All together now!”

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SOIF Soiree, 7th April 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “For Absent Friends” (featuring Society Of Imaginary Friends + David Skinner + The Support Stockings + Cian Binchy + Millie George + I Am Her + Martin Wakefield + Evie + Jed Demochowski + Anne Corrigan + Dj Onjdrew + others t.b.c.)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 7th April 2017, 8.00pm – free event
information

The latest in Society of Imaginary Friends’ ongoing series of grab-bag gigs, featuring a number of faces which ought to be familiar from recent performances:

“A sunny spring park comes to life crowded with absent friends, friends turned imaginary, walking with the sun, singing and humming, playing rounders, turning summersaults, laughing with the children,climbing trees, smiling into the breeze and as the sun sets we gather round a bandstand at the centre of a green. Vegan ma-nah is brought out by sensual peace-loving Daleks… a gorgeous offering of sound and light a celebration of friendship.

“Performing on 7th is the virtuosic guitarist and velvety voiced singer David Skinner; harmonious vocal stylings from our choir The Support Stockings; fresh from his sold-out national tour, Cian Binchy; the fabulous young poet and star of the Round House and Young Vic Millie George; urban punk from the mighty Julie Riley‘s I Am Her; Martin Wakefield and Evie with inspiring poetry, music and verse; Jed Demochowski (of the VIPs) and his new band; Anne Corrigan delighting us with her poems; DJ Onjdrew, and a couple of super amazing surprise star guests. Plus us, theSociety Of Imaginary Friends.

“Please come and bring a memory, a line or two about your absent friend to say on the night. Looking forward to seeing you there. Don’t forget it is free entry and there is amazing vegan food and award-winning beverages to purchase.”





 

February to May 2017 – upcoming London jazz gigs – the LUME Lab season with Word of Moth, Julie Kjær, Craig Scott and Anton Hunter

31 Jan

News from London’s LUME jazz organization on their forthcoming season, featuring several of the performers who featured in last year’s LUMEFEST.

LUME Lab, 2017“LUME is back with something new for 2017: LUME Lab. Making a space for artists to create new work, four evenings of brand new composition and improvised music will be accompanied by the LUME Lab project blog, letting the audience in on the creative process.

“LUME Lab marks a change of direction for us: we’re moving away from being a platform for guest artists, rolling up our sleeves and getting involved in creating new music with the community of musicians who have gathered around LUME over the past three-and-a-half years.

“LUME Lab gigs will take place at IKLECTIK, the South London arts space that played host to our inaugural festival last summer and the LUMEkestra’s debut in November. The series opens in February with a new incarnation of our quartet Word Of Moth, then we settle down for the ride and get ready to enjoy new music from three of the most exciting artists on the UK scene right now. We invite you to join us. Tickets are available for individual gigs, and for slightly less you can purchase a season ticket for all four, or a ticket to use at two dates of your choice. Buy tickets now from our Luminous Bandcamp page.”

Word of Moth (photo © Tom Ward)Word Of Moth
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Wednesday 8th February 2017, 8.00pm
information

Word Of Moth’s ‘spontaneous group explorations and tightly-scored, big-booted riffs’ were praised by Daniel Spicer in ‘The Wire’ magazine after their appearance at LUME Festival. The collaborative quartet explores the intersection of freedom and structure, with LUME founders Dee Byrne (alto sax) and Cath Roberts (baritone sax) joined by Seth Bennett on bass and Johnny Hunter on drums.”
 
Julie Kjær © David LaskowskiJulie Kjær
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Thursday 16th March 2017, 8.00pm
information

“Saxophonist Julie Kjær is firmly established on the European stage. Her acclaimed trio with Steve Noble and John Edwards released its debut recording ‘Dobbeltgænger’ on the Clean Feed label in 2016, and she tours with Norwegian drummer Paal Nilssen-Love‘s Large Unit as well as being involved in many other projects in the UK and beyond.”


 
Craig Scott (photo © Josh Crocker)Craig Scott
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Wednesday 19th April 2017, 8.00pm
information

Craig Scott’s music is ‘part human, part machine and revelling the glory and error of both.’ His studio project Craig Scott’s Lobotomy transforms recordings of improvisations by Craig and others using homemade equipment, re-constructing them with digital audio software. He is a member of formidable Leeds quintet Shatner’s Bassoon.”


 
Anton Hunter (photo © Mark Whitaker)Anton Hunter
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Wednesday 24th May 2017, 8.00pm
information

“Improvisation is at the core of Anton Hunter’s work. His Article XI project incorporates the personalities of eleven improvising musicians into the compositional process, exploring the relationship between composer and large ensemble. He leads his own trio with Seth Bennett and Johnny Hunter, and co-founded the long-running Manchester free improvisation night The Noise Upstairs.”


 

September 2016 – upcoming London jazz gigs – Jonathan Silk and Ben Lee bands at Kings Place (16th); Bitch’n’Monk, Survival Skills and Peter Ehwald at Rich Mix (22nd); free show by Tamas Teszary Quartet at Magic Garden (22nd)

14 Sep

More jazz and jazzlike London gigs for the coming month, presented more or less straight from the press releases (to ensure that the month’s news updates don’t drag too much…)

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Jazz at Kings Place/Stoney Lane Records present:
Jonathan Silk Big Band + Ben Lee Quintet
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Friday 16th September 2016, 8:00pm
information

From Kings Place:

“The third in a series of eclectic performances featuring artists from the burgeoning Stoney Lane Records label – and a special double album launch.

“Drummer and composer Jonathan Silk – dubbed “one To watch” by ‘Jazzwise‘ magazine – leads his dynamic big band, with strong influences from mentors and world renowned composers Maria Schneider and Vince Mendoza, along with contemporary New York improvisors Jim Black and Dave Binney. Playing music from Jonathan’s forthcoming album ‘Fragment’, the big band will perform a suite composed to explore the contrast between the powerful forces of a big band in full cry, and the more delicate touch of orchestral textures.



 
“Young guitarist Ben Lee is tipped as one of the rising stars in the jazz world, and launches his debut album this autumn. His beguiling quintet explore the many sounds and combinations of its unorthodox line-up, featuring guitar, alto sax, trombone, organ and drums. Inspired by a whole host of eclectic musicians, from Nirvana and Radiohead to many of the jazz greats, the Ben Lee Quintet bring punchy horn lines, groove, invention, original melodies and no lack of warmth and technical prowess.”




 

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Chaos Theory Promotions/Jazz Standard/United Artists present:
Bitch ‘n’ Monk + Peter Ehwald + Survival Skills
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Thursday 22nd September 2016, 7.30pm
information

From Chaos Theory:

“This is a special collaboration between ourselves, Tina Edwards of Jazz Standard (one of London’s best promoters of contemporary jazz), Rich Mix (one of London’s hottest hotbeds of contemporary creativity) and daringly experimental duo Bitch ‘n’ Monk, as they launch their new album ‘We Are Peering Over’ in an evening of experimental jazz, improv, art and electronica.

“Described as “a kaleidoscope of musical styles” by the BBC’s ‘Late Junction’ (and by ‘The Quietus‘ as musicians who “will send you into a lovesick coma and give you an electrifying kiss of life all at once”) Bitch’n’Monk are a wayward soprano and screaming flute duo from London and Colombia. They invite you to come to the edge of the music that you know, and peer over into something unpredictable, wild, and new to your ears (the ‘Guardian‘ has observed that “you’ll spend a while pondering how to classify them – prog folk? Operatic post-punk? Gothic reggae? – but they know how to write melodies.” Their new album is a masterpiece, and is a defiant fusion of arts and culture, allowing us each to explore it in our own unique way, with no two people experiencing it quite the same. Tonight ‘We Are Peering Over’ will be premiered live and audience members will have a chance to pre-order the album at a discount, and reserve it for collection at the merch desk ahead of its official release on 30th September.



 
“In support, Survival Skills is an electronic improvisational solo venture by respected contemporary and nu jazz guitarist and producer Chris Sharkey – a fiercely creative individual who is as at home playing the main stages at international festivals, or performing to an intimate audience in a hidden basement venue. Previously known for Acoustic Ladyland and TrioVD, some of you may remember his other projects Shiver at The Facemelter last July, and The Geordie Approach at The Jazz Market last October. Chaos Theory was lucky enough to host the live premiere of Survival Skills almost two years ago, so this will be a great opportunity to see how the solo project has developed.



 
“German musician Peter Ehwald is an adventurous saxophonist with a distinctive sound (described by ‘Jazzwise’ as “an affecting tonal range, moving artfully between Wayne Shorter-type floaty, snaking lines and tougher vocalised timbres.”). He’s known for The Backyard Jazz Orchestra, his collaborative project with the Goethe Institute and Stefan Schultze. He also performs solo with raw energy, creating a remarkably modern sound.”


 
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Tamas Teszary Quartet
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Thursday 22nd September 2016, 9.00pm
free event – information

“If you get the chance to go and listen to the Tamas Teszary Quartet live don’t miss it! This quartet, led by vibraphone wizard Tamas Teszary, brings sizzling new originals to the jazz scene. His compositions invoke sensations from your brain as if traveling from the smoky jazz clubs of New York through the lush landscapes of Canada to the hustling streets of London. With driving bebop lines, funky beats and hip ­hop chills, from melancholic to twisted jazz harmonies, TTQ delivers the mind warp you’ve been thirsty for.”


 

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