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August 2018 – upcoming hip hop and dance gigs in London – ‘Ear Shots’ with Brother Portrait, Shunaji, Paul White, Confucius MC and Chris P Cuts (30th August); resistance worldbeat ladygrooves, grunge-soul, grigri and more with GRRRL, Sounds Of Harlowe, Bamako Overground and DJ Hot Bread (31st August)

28 Aug

Notes on two imminent beats-and-words gigs in south London…

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Peckham’s Ghost Notes offers up an end-of-August hip hop evening “bringing together lyricists from all corners to create something positive” – all available for free, it’s strictly a “no bad vibes” evening. It’s hosted by Irish/British/Grenadian-rooted rapper and Con+Kwake member Confucius MC (whose London-toned post-Wu Tang/Tribe/Dilla approach has been keeping him occupied and appreciated for the last few years, most recently via his EPs ‘The Highest Order’ and ‘The Artform’) and by busy DJ Chris P Cuts.

 
This particular show features two rapper/writers. The first – Brother Portrait – is a member of Deptford’s Steam Down collective and one-third of Black/Other, a mood creator and wordsmith positor who (according to this ‘Gal Dem’ interview from two years ago) is primarily interested in “identifying what those boxes are [that make me, me]: community, diaspora, family… a process of opening them to start going inside and see what’s in there.” The second – Lagos-born, London-living, Rome-raised Shunaji – is a protege of beat-talent developers Future Bubblers, whose assured, slinky, cinema-inspired and code-switching flow ranges between the varied languages and dialects of her upbringing and travels, embracing multiplicity of perspective personae and while maintaining a muscle-solid sense of self.

Also on hand is music producer and Golden Rules member Paul White (whose contemporary broken beats and synths have backed and illuminated the likes of Open Mike Eagle, Obongjayar, Jamie Woon and Jamie Isaac).





 
‘Ear Shots – A New Kind of Cypher’: featuring Brother Portrait + Shunaji + Paul White + Confucius MC + Chris P Cuts
Ghost Notes, 95a Rye Lane, Peckham, London, SE15 4ST, England
Thursday 30th August 2018, 9.00pm
– free event – information here and here

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The following night, Woodburner (responsible for all of those Dalston Eastern Curve gigs I’ve been posting about over summer) hits Brixton with the following:

“Woodburner is proud to present an all-night party at Hootananny Brixton, featuring global females GRRRL, Bristol power-unit Sounds Of Harlowe, and London-based Afro-inspiration from Bamako Overground.

GRRRL is an electronic music collaboration between revolutionary women, brought together by In Place of War (a global organisation that supports artistic creativity in places of conflict as a tool for positive change). GRRRL is directed by Brazil’s Laima Leyton (Mixhell, Soulwax), and features an exhilarating mix of influential artists including Zimbabwe’s rapper queen Awa Khiwe, queen of Brazilian dancehall Lei Di Dai, the Ghanaian lioness of Africa Noella Wiyaala, UK/Bangladeshi vocalist Sohini Alam, and Caracan DJ/ percussionist María “MABE” Betania. GRRRL fuses together sounds of dark techno, ghetto bass, hip-hop, dancehall, reggae, soul and electronica.



 
“Dubbed “incendiary live hip-hop/soul rabble rousers packing deep lyrics, subterranean grooves and stratospheric brass” by ‘Sounddhism’ (and as “an almost erotic experience.” by ‘Yack Magazine Fat City’, Sounds Of Harlowe are a grunge-soul collective with a wide range of influences who blend elements of soul, hip-hop, metal and jazz to create their own signature brand of music. The Bristol-based group’s infectious live performances have allowed them to headline shows around the UK, as well as perform at a variety of festivals from the likes of Boomtown and Bestival, to Soundwave Croatia and Nozstock. This culminated in their first UK tour at the end of 2016 after a limited release the debut EP ‘Change Of Disposition’ which, after having some finishing tweaks made, received a full online release in January 2018.


 
Bamako Overground bring grigri grooves and rocking desert blues from London via Bamako. The trio are irresistibly seduced by the music of West Africa, blending its influences overtly and covertly with their own carefully-selected flavours. Deep and soulful rhythms meet soaring melodies, while crunching three-part vocal harmonies speak of pilgrimage and placelessness to complete a brew that’s compelling and utterly unique.


 
“In between, DJ Hot Bread will spin afro and tropical bangers, nice and fresh.”

 
Woodburner & GRRRL present:
GRRRL + Sounds Of Harlowe + Bamako Overground, DJ Hot Bread (Woodburner)
Hootananny Brixton, 95 Effra Road, Brixton, London, SW2 1DF, England
Friday 31st August 2018, 8.00pm
(free before 9.00pm) – information here and here
 

August 2018 – more Woodburner world-acoustica sessions at Dalston Eastern Curve Gardens – Solomon’s Garden, The Hungry Mothers and Miranda Joy (7th August); Sannie Fox, Harvey Causon and Gus Harvey (14th August); Whiskey Moon Face, Meïkhâneh and Tommy Ashby (21st August); Gnawa Blues All Stars, James Riley and Michael Sebastian (28th August)

2 Aug

More outdoor summer Woodburner gigs at Dalston Eastern Curve Garden, as the season moves into its third and penultimate month.

Here’s what they say they’re offering…

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The 7th August show features neo-soul collective Solomon’s Garden, Brighton-based Americana band The Hungry Mothers, and the singer-songwriter Miranda Joy.

Solomon’s Garden is a collective of three university friends who came together to make music with cleverly worded and thought-provoking lyrics, and soulful, catchy, head-bopping beats. After spontaneously releasing their first song ‘Sand Dunes’ in January 2016, the group had an incredible reaction from the general public and within a short period of time the song hit its first thousand plays. It was then that the group knew they were on to something special. Two years, one hiatus and three EPs later the band continues to thrive as a dynamic four piece. Between landing a slot at Latitude festival ‘17, being chosen for BBC Introducing’s record of the week, and becoming a favourite with Sofar Sounds London; the band are fast becoming a name to be recognised on the emerging music scene, with a distinct and resonant sound that continues to evolve.


 
“Producers of feelgood Americana residing within the south-east of the UK, The Hungry Mothers immediately began winning fans since their birth last year as a four-piece comprised of warming harmonies, laid-back roots and country blues. Their debut single Tiger Song (released on At The Helm Records) is the confident and mature start for a band who are inviting everyone on their journey.


 
Miranda Joy is a twenty-two-year-old singer-songwriter currently based in London. She performs her meaningfully-written songs with a powerful and soulful voice with moving piano accompaniment. She has performed at many venues, festivals and events, including the Vortex Jazz Club, The Village Underground, Rye International Jazz and Blues festival, the Great Escape Festival and Nasty Women UK. Last year one of her original songs, The Fall, was featured on BBC1’s coverage of the NFL Super Bowl highlights. Currently, she is continuing to perform at venues across the UK and working on releasing her first EP.”


 
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The 14th August show features South African blues artist Sannie Fox, electronic/jazz from Harvey Causon, and trip hop act Gus Harvey.

Sannie Fox is a singer and guitarist who has released two critically acclaimed albums and will release her third studio album ‘My Soul Got Stranger’ this year. With her voracious voice, and her fingers to her electric guitar, Fox sways across an evolving sonic tapestry of desert blues, soul and psychedelic rock sounds. Last decade, Fox formed the blues-rock 3-piece Machineri and released a self-titled album in 2010; in 2015 she released her debut solo album ‘Serpente Masjien’. She has toured South Africa, the UK and Asia and is currently based between the UK and South Africa.


 

“Calm and understated, Bristol’s Harvey Causon is turning heads with his deft take on contemporary R&B and percussive electronica, and with the powerful, brooding vocal that sounds far more world-wearied than his twenty years. After moving to Bristol last year, Harvey quickly released his ‘Introspect’ EP’, a collection of songs that he had been sitting on for a while. Eclectic but polished, the stand out song from the release, ‘Systems’ was given a remix from rising hip hop duo Cabrakid (earning Harvey an appearance at Cabra’s support slot with Loyle Carner after the rapper heard the track).

“In October, Harvey released his single ‘Frisson’ with local Bristol label Leisure Records: ‘Worn You’, his most recent release with production collaborator Gabriel Gifford, was playlisted by Radio 1 as the BBC Introducing Track of the Week and added to the Burberry and Radio 1 Spotify playlists. With nods to other contemporary artists the ambient piano ballad has a nervous energy but its dub tinged rhythm, clever lyrical content and fragile yet soothing vocal set it apart. Having already played sold-out shows supporting Tokio Myers, Puma Blue and Porches as well as Dot to Dot and 2000 Trees festivals, the summer bookings are shaping up to be just as imposing with The Great Escape, The Downs Festival and All Points East all in the pipeline. His impressive live set features both Gabriel Gifford and drummer Ben Toon.


 
Gus Harvey is a London-born soul singer with roots in hip hop and jazz. This August she releases debut EP ‘? History (1 of 4)’ on her own label. Her first single – Witches – was pure hip hop and received radio acclaim from DJs including Lauren Laverne and Nemone on BBC Radio 6 Music, as well as being Clash Music’s Track of the Day. The new EP exhibits four different styles; acoustic soul, jazz-hip hop, trip hop and bi gbeat (from collaborations with Audiobullys’ Tom Dinsdale). ‘? History’ is Harvey’s self-portrait and DIY protest against an industry squashing emerging artists into one genre. As sole mistress of all her ships, Harvey creates her visuals with close friend and London visionary Netti Hurley. Tonight she performs a unique, stripped acoustic soul set especially for Woodburner.”


 
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The 21st August show features transcontinental jazz-folkers Whiskey Moon Face, Persia/Mongolia/Eastern Europe-influenced folk trio Meikhaneh and sessioneer-turned-ancestral-folkie Tommy Ashby.

“The result of a thousand drunken nights, countless dreamy days, and years of musical adventuring, Whiskey Moon Face take you on a voyage into a bohemian underworld which you never knew existed. Born into a puddle of whiskey beneath a stark winter moon and raised by cold winds, schooled in the warming spirits and hungry for more, Whiskey Moon Face manage a natural, graceful sound built from many ports. Always innovating and improvising with stark originality, Louisa Jones’ troupe of underground musicians play with a virtuosity you could never expect. Songs which speak of the unspeakable, with understated humour, captivating storytelling and a transcendent spirituality. ‘Folk Radio UK’ compared them to “having been at one of those wild and joyous youthful parties in somebody else’s parents’ house that you’ll remember for years.”


 
Meïkhâneh’s compositions are fed by imagination, improvisation and traditional music from Europe, Mongolia and Iran. The luminous and captivating voices carry the power of East European singings, the aerial melodies of the great spaces, as well as the depth of the khöömii, Mongolian overtone singing. One can hear traveling cords recalling the steppes of Asia and Andalusia. The chiseled rhythms of percussion draw on the Persian tradition. Meïkhâneh takes us to the heart of a music without borders that caresses the soul. Its name borrowed from Persian poetry means the «House of Intoxication». We let ourselves be carried…


 

Tommy Ashby’s childhood was always going to be musical. Travelling the country playing guitar in his father’s traditional blues band and raised on the Scottish pub singaround culture, his initial musical experiences were immersive and natural. His teens were spent pouring over his parents record collections of American songwriters such as Neil Young, Simon and Garfunkel, Gillian Welch and Dave Rawlings and Jeff Buckley. The eclectic mix of American roots, blues and country, combined with his Scottish folk roots, all seeped into his music.

“After acquiring a PhD focussed on studying and modelling the human perception of sound, Tommy cut his teeth behind the scenes as a session musician for the likes of Nina Nesbitt and Holly Macve, toured the UK and Europe as support act for Rhodes and Tom Speight as well as playing a number of headline sell-out shows in London this year including events curated by Communion, Never Fade and the Southbank Centre. His debut EP, produced by Chris Bond (Ben Howard) was self-released in late November 2016 and entered at No.5 in the iTunes singer-songwriter chart. His new EP, Restless Love, was recorded and mixed with Grammy award winner Sam Okell in his home studio near the wild North Cornwall coast.”


 
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The 28th August show features Moroccan guimbri sensations Gnawa Blues All Stars, Anglo-American guitarist James Riley, and improvisation/loop wizard Michael Sebastian.

“Simo Lagnawi is an ambassador of Gnawa culture in the UK. This charismatic creator is the leader of Gnawa Blues All Stars and has featured on BBC World service, CNN World, BBC 3, Vox Africa, & many more radio shows and magazines around the world. He has performed at a host of festivals including Glastonbury, Secret Garden Party, Latitude and Boom Town. Playing traditional Gnawa music from Morocco, this sacred trance music forms the core of his work with his bands Electric Jalaba, Gnawa Griot, and Gnawa Blues Allstars. Simo continuously pushes new boundaries fusing Gnawa with music from countries such as Gambia, Burkina Faso, Senegal, Guinea, Mali, India, Japan, Venezuela and the Caribbean. Look out for special guest musicians playing with the band!


 
Born of a transatlantic relationship, James Riley grew up in south-east London listening to the folk and soul sound of ‘70s America and wrote his first melody at the age of four. His first guitar, acquired at the age of nine, became the tool for surviving the tumult of a nowhere place, and helped James find somewhere he felt he belonged. In his early twenties, he took off, alone once again, hitchhiking and busking through Europe from Amsterdam to Istanbul, writing songs along the way. Back in the UK, these songs became a band, but eventually James had to shed another skin, and disembarked in Nashville, Tennessee. Here he found his producer and they set about making the album which had travelled with him to his maternal homeland, where it could finally get free.


 
South African-born, Edinburgh-educated, and living in London, Michael Sebastian is a musician and loop-artist who improvises to uplift the capital. Whenever possible, Sebastian is on the streets of London, improvising with a loop-pedal, a mic and a bright pink guitar. He will attest that this has been the most important part of his musical education, and has taught him to speak to people through his instrument. he creates music from a broad range of experience and styles. His affinity for groove and feel allows for conflicting styles to fluidly co-exist, feeling human and natural. His most recent album, ‘Kayanda’ demonstrates him harnessing live, improvised looping onto record. After developing the recording software himself, Sebastian went into a shed in the country for two weeks to improvise an album, and came out with fourteen tracks. The album is written with the sensibilities of modern dance and electronic music, and retains the freedom, rawness and depth of world music and jazz, while still creating melodies that are hard to forget.”


 
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All events are at Dalston Eastern Curve Garden, 13 Dalston Lane, Dalston, London, E8 3DF, England on Tuesday evenings. Dates below:

  • Solomon’s Garden + The Hungry Mothers + Miranda Joy – Tuesday 7th August 2018, 7.00pm – information here and here
  • Sannie Fox + Harvey Causon + Gus Harvey – Tuesday 14th August 2018, 7.00pm – information here and here
  • Whiskey Moon Face + Meïkhâneh + Tommy Ashby – Tuesday 21st August 2018, 7.00pm – information here and here
  • Gnawa Blues All Stars + James Riley + Michael Sebastian – Tuesday 28th August 2018, 7.00pm – information here and here

 

July 2018 – upcoming gigs – V Ä L V Ē, Stef Ketteringham and Lily Buchanan (of The Graphites) in Margate (29th July)

24 Jul

V A L V E + Stef Kettering + Lily of The Graphites, 29th July 2018Details on a show this coming Sunday in one of the smallest, most enchanting venues in Kent (Margate’s Tom Thumb Theatre), featuring an mostly-female bill with three different projects (all adventurous; all, in their way, visionary).

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I feel as if I’ve covered V Ä L V E what seems like innumerable times this year. Reedswoman/composer Chlöe Herington’s synaesthesia-slanted experimental music project has spent a year or so evolving into a live collective trio of herself, harpist Elen Evans and bass/synth player Emma Sullivan. Previously known for her bassoon, clarinet and saxophone contributions to Chrome Hoof and Knifeworld (and more recently to The Lindsay Cooper Songbook and Hirvikolari), Chlöe’s solo work has involved shed-tinkering as she builds unlikely instruments from scratch and scrap; and the pulling in of compositional ideas from medical charts, found patterns and (literal) rubbish.

On record, the results have percolated around the realms of electric art-rock experimentalism (post-Zappa, post-Henry Cow), parping chamber wind music intimacy, playfully baffling bouts of improv and bewildering schematics. Live, V Ä L V E has mutated further, drawn on by Chloe’s interest in finding out how to trigger her audience’s minds with an evolving toolkit of sensory input, and by the different dynamic of three women involved in discovery together (happy bouts of lateral thinking, plus moments when they combine in obliquely touching bouts of harmonizing song). It’s a winning combination that’s taken the band all the way to airplay on BBC Radio 3’s ‘Late Junction’ – care of ‘The Quietus’s John Doran – and to the Barn stage at the Supernormal festival.



 
Formerly with abstract noise-blues trio Shield Your Eyes, guitarist/bass-drum booter/occasional vocalist Stef Ketteringham now works alone. His improvised solo music is a guttering, chattering, restlessly emotive take on exploded electro-acoustic blues, integral to which is his brawling, brutal and fearless guitar technique.

Elastic and vocal, with a gutting-knife timbre, its passing similarities to the pitch-bend avant-howls and tremolo-purrs of Henry Kaiser and David Torn is probably pure coincidence. Stef’s wildly gestural guitar-playing sounds like an instinctive discovery: more punk than professorial, bursting from his gut via his heart to tell its shattered, hollered, mostly wordless stories and personal bulletins without the constraint of manners or moderation. For all that, it’s still got the skeleton of blues rules – the existential moan, the bent pitches and percussive protest that demand attention and serve notice of presence.


 
Guitar in hand, Scottish singer-songwriter Lily Buchanan usually fronts and voices interesting south London pop-punkers The Graphites (who in turn were formerly her solo project The Graphite Set). The Graphites’ lilting jig rhythms, their echoes of girl groups and Lily’s subtly unorthodox song-structures (recalling both Chrissie Hynde and Nico, but with an understated elliptical focus that’s all Lily’s own) put them several cuts above the competition.

This is hardly surprising: Lily’s work springs out of both folk music and a life spent painting. But while many art-school music spinoffs are happy to lose themselves in arrogant vagueness, vacuity and sonic scurf, Lily’s half-spoken songs make much of their clarity of line; their deceptive ability to digress and orbit while never truly losing sight of the core matter, casting new light on it with each pass.

All by herself this evening, Lily will be performing something new – “a series of folk songs inspired by her recent intrigue into collecting sea fauna.” She’s being billed here as “Lily Of The Graphites”. Such a shame that’s not the actual project name. There’s not enough courtly allotropic geology in the world.

Meanwhile, here are a couple of Graphites songs…



 
NFA presents:
V Ä L V Ē + Stef Ketteringham + Lily of The Graphites
Tom Thumb Theatre, 2 Eastern Esplanade, Cliftonville, Margate, Kent, CT9 2LB, England
Sunday 29th July 2018, 7:00 pm
– information here, here and here
 

July 2018 – upcoming London gigs – Léscines, Oscar Mic, Crooked Weather and Rivers Johansson & The Deemed Unrighteous at Paper Dress Vintage Takeover (26th July); Alexia Chambi, Charlie Draper, Jared Rood, Johnny Crooks, Tom Bright and William. at BOX Live (27th July)

22 Jul

A couple more London gigs in small places…

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Paper Dress Vintage Takeover: Léscines + Oscar Mic + Crooked Weather + Rivers Johansson & The Deemed Unrighteous, 26th July 2018

A distorted rootsy evening, first, at Paper Dress in east London. Léscines have been stirring up and churning out mongrel reggae-rock, cartoon Americana and scrawny blues licks for about five years now, throwing in a touch of psychobilly noir and webbed folk. Jay Fraser’s joyously unhinged songwriting pulls in a palette of people and extra instrumentation from banjo to brass, Wurlitzer organ to djembe, and songs about wolves, crows, border country, assorted dooms. If Ted Hughes and Nick Cave had run away to be cowboys, shared a bottle of toxic mescal together and then co-written a stark children’s book a couple of days later, it might have ended up a little like this. With a new album in the can and expected soon, they’re headlining with gusto.


 
Expansive rock-tinged folk group Crooked Weather hail from east Yorkshire. Their multi-instrumentalism, and their willingness to take a song idea for an introspective yet expansive run, has seen them compared to The Incredible String Band; but perhaps that’s a bit of a stretch in the wrong direction. For better or for worse, Crooked Weather conspicuously lack several of the ISB’s more outrageous qualities, both good and bad (the saucer-eyed eclectic musical grabbing, the eccentric psychedelic perspective, the baffling sectional song-mozaics… the poisonous family antagonism).

Instead, they’re a soberer breed of folk mystics – content not to burn out their inspirations, and to be diverse while being careful with their craft. It’s difficult to imagine them vanishing down the Scientology manhole, or losing shedloads on money on theatre dance projects. Searchers they may be, but they keep their vision handy and controlled; like a lens tucked away into a pocket, always available to focus in on a subject.Though they’re prepared to pursue a history or a batch of intimations to the horizon, Crooked Weather are less inclined to drop over the edge into another country.


 
Crooked Weather’s fellow east Yorkshire band, “deathblues collective” Rivers Johansson & The Deemed Unrighteous (at one time “compiled of a villain, a heathen, and a velvet doll” and apparently still “God-fearin’ nectophiles”), are coming down from Hull, bringing their gutter slide, buzzsaw punk bass and preacher warnings of imminent doom. Also racing into place is Seamus Hayes, a.k.a Oscar Mic dubbed “the freakish love-child of The Beastie Boys and Little Richard, birthed at a grunge orgy” and bringing assorted busker-hip-hop ideas to the stage with his verbal flow, his cartoon-spattered guitar, his pedal-board and his beatboxing.


https://www.youtube.com/channel/UCtNU4ZhhsiunEN711FHY2ow

 
Roundtable Collective presents:
Paper Dress Vintage Takeover: Léscines + Oscar Mic + Crooked Weather + Rivers Johansson & The Deemed Unrighteous
Paper Dress Vintage Bar & Boutique, 352a Mare Street, Hackney, London, E8 1HR, England
Thursday 26th July 2018, 7.45pm
– information here and here

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BOX Live: Alexia Chambi + Charlie Draper + Jared Rood + Johnny Crooks + Tom Bright + William., 27th July 2018About twenty minutes walk from ‘Misfit City’, Crouch End-based recorders and artist developers BOX Recording Studios are coaxing their clients out into the nearby, freshly-refurbished pub for performances this coming Friday.

London-based Danish-Cypriot singer-songwriter Alexia Chambi is just twenty years old, but has already fitted in six years of round-the-world travel, This in turn inspires her footloose songs, with their tussles between fluid freedom and rooting oneself, and her dark-toned jazz guitar. Following previous collaborations with Ralph Taylor and Hotel Avra, Alexia will be releasing her debut solo EP, ‘Bolivia’ in the autumn. Juice You (below) may well be on it. Meanwhile, Tommy Hill (a.k.a. William.) floats in the space between singer-songwriter guitar rock and contemporary R&B, his beat-slink punctuated by bursts of flammable fretboard. He, too, has an EP due for release later this year.



 

Two members of London urban rockers Tom Bright & The Dynamite – lead singer/songwriter Tom Bright and lead guitarist Jared Rood are also playing. It’s unclear whether they’re going to be working separately or whether this is going to be a two-piece Dynamite: meanwhile here’s the parent band playing a couple of their pieces, demonstrating their upfront protest songs and their growling skimming of the edge of folk punk. A grain of Rory McLeod, a dash of Richard Thompson or Tom Robinson; perhaps a twist of Jason Feddy.



 
A key member of Bruce Wooley and Andy Visser’s “modular space-age pop ensemble” Radio Science Orchestra, Charlie Draper is a British specialist in the gestures and techniques needed to control the antique electronic whoops of theremin and ondes Martenot. He’s played with just about every theremin/ondes-requiring orchestra and ensemble in the country. Come and hear him extract various classical and pop tones from each of the instruments. German-based beatmaker Johnny Crooks is also going to be playing a separate set of his own aural confections.

 
BOX Recording Studios presents
BOX Live: Alexia Chambi + Charlie Draper + Jared Rood + Johnny Crooks + Tom Bright + William.
The Harringay Arms, 153 Crouch Hill, Crouch End, London, N8 9QH, England,
Friday 27th July 2018, 7.30pm
– information here and here
 

July/October/November 2018 – upcoming jazz gigs – Eddie Parker’s Debussy Mirrored Ensemble make their live debut in Cheltenham (13th July) and play York, Bristol and London in the autumn (24th & 26th October, 20th November); Algerian-influenced world shapes from the Seddik Zebiri Trio in London (13th July); Tori Handsley’s ‘Afro-Harping with Dorothy Ashby & Alice Coltrane’ in London (28th July)

5 Jul

Quick news on three upcoming jazz gigs… well, three gigs and a tour. An impressionist jazz ensemble takes its first assured steps around the country, an Algerian/Parisian veteran brings his trio to the deep East End, and there’s a jazz tribute gig that’s unusual enough for me to drop my usual reluctance to cover such things.

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“Former Loose Tubes flautist and composer Eddie Parker and his Debussy Mirrored Ensemble take cues from the important French composer Claude Debussy in a new show.

“2018 is the centenary of the death of Debussy. Eddie Parker’s Debussy Mirrored Ensemble is both a celebration of and a creative response to the composer. Famously, Debussy never wanted followers or imitators, and yet his music is enormously influential and has gone deep into our sensibilities.

“Eddie Parker has spent his life immersed in music – absorbing, creating , teaching, inspiring, and building trust and respect in a wide range of musical genres as a musician and composer. He also has a life-long passion for Debussy’s music. Building on previous Debussy transformations(2013’s ‘Windgames’ for solo piano and 2015’s ‘Snowsteps’, written for the Will Gregory Moog Ensemble, Eddie has now handpicked a unique new twelve-piece ensemble to turn his creative vision into reality.

“These musicians, from classical, jazz and improvisation disciplines, collaborate to transform a dozen of Debussy’s pieces into something incredibly unique, powerful and contemporary whilst capturing the composer’s revolutionary spirit – leading our ears on a fascinating journey while showing how important this influence is, not only for composers but for improvisers too.

“The high-order ensemble features Rowland Sutherland, Gareth Lockrane and Eddie himself on flutes, Jan Hendrickse on vocals and Turkish ney flute, James Allsopp on clarinet and bass clarinet, Alcyona Mick on piano
Imogen Ridge on harp, percussionist/vibraphonist Simon Limbrick and Loose Tubes drum-and-bass team Steve Watts and Martin France, with vocals by classical tenor James Gilchrist and jazz singer Brigitte Beraha.”


 
When presenting ‘Windgames’ four years ago, Eddie reflected as follows:

“My dad, Frank Parker, concert pianist manqué – whose professional career consisted of performing music for variety theatre, musicals and ice skating shows – used to play Debussy on the piano to me when I was a child… then as a teenager my school music teacher Len Sartin would hold one spellbound not only with his prodigious pianistic abilities (he performed ‘Feux D’Artifice’, the notoriously difficult final Prelude of Book 2, in a school speech night, to the utter bewilderment of assembled parents), but his comprehensive knowledge of the art, poetry and literature that each Prelude was alluding to: Baudelaire, Mallarme, chinoiserie, Arthur Rackham, etc. This in a comprehensive school for boys in Liverpool.

“Debussy’s music for piano, especially from the two books of Preludes, went in deep for me and stayed there. The feeling of a kind of kinetic sculpture in sound, involving a synthesis of harmony and sonority, a precise choreography of pianistic gesture, all bound together by an amniotic envelope created by the subtle use of the pedals – “like a kind of breathing”, as Debussy himself described it – these are the alchemical elements that have been infusing in my mind over the decades… One could foresee a series of Debussy transformations (or ‘Busygames’!): ‘Snowgames’, based on ‘The Snow Is Dancing’ from ‘Children’s Corner’; ‘Raingames’, based on ‘Jardins Sous La Pluie’; ‘Soundgames’, based on ‘Les Sons Et Les Parfumes…’ from ‘Preludes Book 1’; ‘Chordgames’, based on ‘Pour Les Chordes’ from ‘Pour Le Piano’… It may take me a while.”

Sounds as if he’s got there.

The Debussy Mirrored Ensemble project debuts at the Cheltenham Festival next week, with further dates in York, Bristol and London in the autumn. Details below:

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This in from Poplar Union in the east of London…

“You’re in for a treat this month! We have the brilliant Seddik Zebiri Trio with us for Live in the Library – Seddik Zebiri on vocals and Algerian mandole, Oli Arlotto on saxophone and Paolo Forcellati on percussion.

“Seddik Zebiri defines himself as a “music activist.” He’s a seasoned and experienced musician – a pioneer and a trailblazer. Since beginning his musical journey in the Parisian scene of the ‘60s, the cultural scenario has deeply changed. But, as he likes to affirm, he is “always the same: for me music is always the same thing, there is no difference between the one which I played during the ‘70s, the ‘80s or the one I’m playing today”.


 
“His sound is closely related to his Algerian roots, fused with modern influences. Seddik continues, “When you listen to my music you can initially define it as traditional, Algerian or Berber, but is has also some classic Middle Eastern elements. Then, when you listen further you can also identify other ingredients coming from rock, reggae, Latin or funk.” The trio will offer a distinctive take on jazz, drawing on Arabic and Afro-blues influences, and creating an absorbing, compulsively danceable sound: a fusion of traditional North African combined with funk, reggae and beyond.”…”

Poplar Union presents:
Live In The Library: Seddik Zebiri Trio
Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England
Friday 13 July 2018, 7.30pm
– information here and here

* * * * * * * *

“The sound of the harp has always held a special place in the world of jazz, and that’s down to the work of two artists alone; Dorothy Ashby and Alice Coltrane. Despite both using the same instrument, their music could have hardly been more different. Ashby’s sound ranged from the trad to the plaintive, with standout albums ‘Hip Harp’, ‘Afro Harping’ (celebrating its fiftieth anniversary this year) and ‘Django/Misty’ across her oeuvre showcasing the harp’s versatility. By contrast, the harp for Coltrane worked as an extension of her profound spirituality whilst also indulging her avant-garde tendencies (as heard on her magnum opus, ‘Journey In Satchidananda’).



 
“Putting together the bespoke show will be London based harpist Tori Handsley, who has played with everyone from Nigel Kennedy and Orphy Robinson to Shabaka Hutchings and Moses Boyd and who’s been called “an essential music force that needs to be experienced by as many thinking musicians and audiences as possible” by Orphy Robinson, who’s also noted that she is “without doubt steadily becoming one of the most exciting and original musicians on the UK scene.”

Tori Handsley: Afro-Harping with Dorothy Ashby & Alice Coltrane
The Jazz Cafe, 5 Parkway, Camden, NW1 7PG London, United Kingdom
Saturday 28th July 2018, 7.00pm
– information here, here and here


 

July 2018 – upcoming London folk and world gigs – Nest Collective’s Campfire Club shows – Chris Wood (6th July); Fire Choir’s ‘Sing The Change’ (9th July); Ewan McLennan and Twelve Dead In Everett (13th July); London Bulgarian Choir and Harbottle & Jonas (20th July)

1 Jul

Following the previous two months of successful unamplified outdoor folk gigs in May and June, here’s a rundown of Nest Collective’s Campfire Club shows for July. (Well, the first four, anyway, to avoid making the post too long).

What’s on offer for the first half of July involves Bulgarian and civil rights chorale, contemporary English folk, seditious workers’ songs and Devonian stomp. As ever, it’s taking place in London’s playgrounds, garden projects and small artist studios (as well as the odd secret location…)

* * * * * * * *

The first concert, on 6th July, features Chris Wood.

“A self-taught musician, composer and songwriter, Chris Wood is a lifelong autodidact whose independent streak shines through everything he does. Always direct and unafraid to speak his mind, his song writing has been praised for its surgical clarity. An uncompromising writer (who cites his major influence as “Anon”), his music reveals his love for the un-official history of the English speaking people: with gentle intelligence, he weaves the tradition with his own contemporary parables.

“Hollow Point, Chris’ chilling ballad of the shooting of Jean Charles Menezez, won a BBC Folk Award (he’s won six). This year’s eagerly awaited new album ‘So Much To Defend’ was previewed at Cambridge Folk Festival last summer and includes reflections on minor league football, empty nest syndrome, learning to swim, Cook-in Sauce and, not least, the gecko as a metaphor for contemporary society.”


 
* * * * * * * *

The second concert – ‘Sing the Change’, on 9th July, is a particularly personal endeavour for folk singer/songwriter/curator (and Nest Collective/Campfire Club promoter) Sam Lee. It’s the inaugural concert of the Fire Choir which he runs in partnership with The Foundling Museum“(a) new, “open to all” community choir… dedicated to revitalising communal singing with political empowerment and a sonorous means to protest at its heart. If you want to channel your love for this world or discontent with it through singing, or just discover your voice with like-minded (or unlike-minded) others, then Fire Choir is for you.

“Highlighting social and environmental injustice, Fire Choir builds on the Museum’s centuries-old legacy of social change, campaigning and creativity. Singers tap into the enormous and ancient international repertoire of songs rooted in social change, justice and emancipation. Material includes folk songs, modern songs, anti-war songs, songs of resistance and struggle, the natural world, songs of love and lost worlds.

“A generous aspect of the Fire Choir repertoire has been specially commissioned from the perspective of contemporary communities struggling for a louder voice in society, written by some of the UK’s best songwriters and composers. Plus to keep the spirits high there is of course lots of good old rabble-rousing, soul-lifting chants and hollers! The choir is a vehicle to take these songs to the streets, the auditoria, the recording studio and many other as yet unknown places.

“‘Sing the Change’ will feature protest songs highlighting social injustice and calling for change, and including the world premiere of a special commission by Dizraeli, and Ayanna Witter Johnson‘s ‘Ain’t I A Woman’ (a setting of a speech by Sojourner Truth). It will also contain contributions from special guests and choir leaders Blythe Pepino (Vaults, Mesadorm), Ben See, Alex Etchart, and Sam Lee.”

If you want to sing with the Fire Choir yourself, they usually rehearse at the Museum on a Monday evening and welcome “absolute beginners” – here’s the link again.

Campfire Club: Fire Choir, 9th July 2018

* * * * * * * *

The third concert, on 13th July, features Ewan McLennan and Twelve Dead In Everett.

Ewan McLennan has come to be known as a guitarist at the very forefront of his generation; a troubadour, balladeer and storyteller cut in the old style; a singer that can move audiences with his passion and pathos; and a songwriter for whom social justice is still a burning issue. From a BBC Horizon Award for his debut album to his performances on the iconic Transatlantic Sessions, recent years have been marked by numerous awards and accolades for his music.


 
“The reception offered to Ewan’s latest solo album, ‘Stories Still Untold’, continued this tradition, while his most recent project – ‘Breaking The Spell Of Loneliness’, a collaboration with renowned author and journalist George Monbiot – seeks to use music and word to open up the issue of loneliness (their UK tour and concept album have received wide acclaim and been featured widely, including live appearances on BBC Two’s Newsnight, BBC Radio 4’s Front Row and BBC Radio 3’s In Tune.)


 
“All of them being members of the Industrial Workers Of The World (a.k.a. the Wobblies), Twelve Dead In Everett are a low-down, seditious trio unearthing contemporary political resonances in the traditional music of England, Ireland, Scotland and the United States. Sweet harmonies of reason in a world deaf to exploitation. Songs to fan the flames of discontent and tell your boss to go to hell.”


 
* * * * * * * *

The fourth concert, on 20th July, features London Bulgarian Choir and Harbottle & Jonas.

“The award-winning London Bulgarian Choir is a vibrant, sociable and open-hearted group of singers embracing all nationalities, ages and abilities. The choir was founded in 2000 by Dessi Stefanova, a former singer with the legendary Philip Koutev Bulgarian National Folk Ensemble in Sofia. Thanks to her patience and dedication this group of largely non-Bulgarian singers has become a performing tour de force, winning hearts and minds from the Welsh valleys to Bulgaria’s mountain villages. From its early days as a handful of singers, the choir has grown into an extended ensemble bringing its repertoire of traditional Bulgarian songs to concert halls, churches, nightclubs, galleries, festivals, embassies, village squares and even a barge on the River Thames.


 
“The songs performed by the London Bulgarian Choir are arrangements of traditional and ancient Bulgarian songs. Some tell powerful tales of love and loss, fighting and celebration, while others are inspired by the daily fabric of life. Sung in a complex and unique vocal style, these folk songs have survived five hundred years of Ottoman rule and fifty years of communist indoctrination to emerge with their extraordinary dissonant harmonies, exotic scales, compelling rhythms and exuberant trills and hiccups virtually intact. The choir’s spine-tingling performance of the songs transcends language barriers, and often moves audiences to tears.

Harbottle & Jonas are a stunning young folk duo based in Totnes, Devon. Their music is eclectic and is always accompanied with a great story. Together the husband-and-wife duo combine the rich traditions of folk music with original and contemporary interpretations, through a blend of closely intertwined vocal harmonies. Their music is performed with integrity and on instruments that include the concertina, harmonium, banjo, stompbox, acoustic and resonator guitars. They can sometimes be found playing alongside their full band – eight members in total (cello, fiddle, mandolin, trumpet, drums, bass). Well-travelled across the UK and playing up to 200 gigs each year, Harbottle & Jonas have managed to establish themselves as one of the most exciting prospects on the folk circuit.”


 
* * * * * * * *

Full dates and links:

  • Campfire Club: Chris Wood – Lumpy Hill Adventure Playground, 15 Market Road, Lower Holloway, London, N7 9PL, England, Friday 6th July 2018, 7.00pm – information here and here
  • Campfire Club: Fire Choir – The Calthorpe Project, 258-274 Gray’s Inn Road, St Pancras, London, WC1X 8LH, England, Monday 9th July 2018, 7.00pm – information here
  • Campfire Club: Ewan McLennan + Twelve Dead In Everett – (secret location t.b.c.), Friday 13th July 2018, 7.00pm – information here and here
  • Campfire Club: London Bulgarian Choir + Harbottle & Jonas – Phytology, Bethnal Green Nature Reserve, Middleton Street, Bethnal Green, London, E2 9RR, England, Friday 20th July 2018, 7.00pm – information here and here

* * * * * * * *

More on the last two July concerts later….
 

July 2018 – more Woodburner world-acoustica sessions at Dalston Eastern Curve Gardens – Laura Perrudin and Garance & The Mitochondries (3rd July); Muntu Valdo, Dahlia Sleeps and O Matæus (10th July); David Keenan, Lilla Vargen and Stephen James Smith (17th July); Rachel K. Collier, Marble Empire and Alexander Carson (24th July); Roscius, Three Laws and Zoë Phillips (31st July)

27 Jun

With the June sessions of the summer Woodburner season at Dalston Eastern Curve Garden now complete, here’s details on the upcoming July set (bringing further doses of world/international music, acoustic singer-songwriters and bubbling-under internet music sensations to the London summer nights).


 
Occasionally-tweaked official blurbs below.

* * * * * * * *

“The 3rd July show features sensational French harpist, singer and composer Laura Perrudin, and London’s eccentric genius Garance Louis & The Mitochondries.

“Seeing her harp as both an orchestra and a drum kit, Laura Perrudin creates a powerful personal universe in her compelling live performances utilizing an arsenal of laptop, sound-effect pedals and multitrack loops. Using her voice like an instrument, she believes that harp and voice are each an extension of the other. Brought up on a diet of jazz, she studied classical music in addition to composing and producing music using her home studio (influenced by a wide array of genres including electronic and traditional music, soul and hip-hop), and trained with many musicians from her birth region of Brittany to New York and Paris. A harpist from childhood, her mission became to open up the possibilities of the instrument to a richer harmonic language: she plays a custom-built electric chromatic/pedal-less harp with a single row of strings, constructed by harpmaker Philippe Volant and allowing her to give free rein to the sinuous harmonies and rich soundscapes of her unclassifiable compositions.​

“Upon the release of Laura’s debut album ‘Impressions’ in 2015, ‘Les Inrockuptibles’ proclaimed her a “young iconoclast blends jazz (playing) the thousand games of a tightrope artist (with) cheerful and spontaneous radicalism, definitely modern.” while ‘France Inter Paris Radio’ wrote “it’s rather as if Björk had chanced upon Herbie Hancock in a Dublin pub. Laura Perrudin is only at the beginning of her artistic career, but she has already redefined the framework of the harp and we are sure that her singular universe will become an example.” Laura recently released her sophomore album ‘Poisons & Antidotes’ on Volatine Records.


 
“Since moving to London from Perpignan in 2010, extrovert, eccentric composer, singer and accordionist Garance Louis (now usually seen fronting Garance & The Mitochondries) has established herself as a powerhouse of the underground live music scene. Her surreal performances have featured bizarre costumes and otherworldly themes, perfectly complementing songs about absurd abstraction, procrastination, star-crossed open relationships; intoxicating love, plus rebirth in the Amazonian forest. The playful Garance always wears a smile, finding humour in physical theatre, funny faces and the clown inside us all.

“Growing up in the independent ‘Cinémaginaire’ in the South of France, Garance spent her childhood travelling the world, her head filled with the sights and sounds of the movies. The nomadic spirit stays strong with her, with an impulsive trip to New Orleans on the cards, and her past history of running away with the circus. Continuing the creative journey, her current record ‘Balance L’Aurore’ shows off Garance’s discovery of music production, bringing a new vitality and direction to her sound, while staying rooted in French chanson, psychedelic folk and old Venezuelan mambo.


 
* * * * * * * *

“The 10th July concert features Cameroonian blues-and-jazz player Muntu Valdo and melancholic electronic group Dahlia Sleeps, plus the moody electric guitar stylings of O MATÆUS.

“Hailed as “the prince of Sawa blues”, Muntu Valdo says “my passion is African history; its past glory, present fragility and diverse riches. My ambition is to increase awareness, enlighten, empower people and invoke a positive future for Africa with the rest of the world. My music is a result of all of this; rooted in the blues, mixing African traditions with striking modernity and technical mastery.” The Cameroonian is indeed a master and his performance will be a rare treat for those present to experience his music.


 
“Over the last couple of years Dahlia Sleeps have risen from being Soundcloud sweethearts with over half a million plays on the platform to the UK’s next big pop band, stacking up almost 1.7 million Spotify streams and three million YouTube views in that time. Their second EP ‘After It All’ showcases their increasing pop sensibilities whilst retaining the intimacy and endearing fragility of their original Soundcloud demos. They continue to show a willingness to tackle difficult subject matter with grace and poise. Lucy Hill’s song writing is even more poignant than ever before, with the record covering deep and personal themes from grief and loss, to love and homophobia.

“Despite the EP’s tough subjects, the band delivers some of its most upbeat efforts to date. Rise – a future LGBTQ+ anthem saw success on Spotify when released as a single last year, which has as much to do with its addictive chorus and epic guitar melodies as its important message. Only You, an intoxicating fall into luscious synth arrangements and furiously catchy vocal samples, shows a band hurtling full speed towards mainstream success.


 
“Operating as O Matæus, Mat Roberts is a young singer-songwriter from Canterbury, an ex-chorister and classically trained cellist, exploring and developing his emotional connection to a life surrounded by music. Influenced by the likes of Daughter, Ben Howard, Marika Hackman, Lucy Rose, Enter Shikari, Bring Me The Horizon and a wide range of classical composers, O Matæus wishes to create a unique style of material to hear, whether it be heard in a small bedroom or echoing concert venue, music is his life, and he wants to share it with the rest of the world. Dark undertones and words filled with passion and trouble rule his creative style with every note being connected to a moment in time that has passed. He wants to make you feel what he has felt, and with soaring falsetto lines, simple yet intricate guitar licks and raw intensity he brings those feelings back to life in the short time-span a song gives.

 
* * * * * * * *

“The 17th July concert features an all-Irish lineup featuring rising star David Keenan, electronic/acoustic songwriter Lilla Vargen, and poet Stephen James Smith.

“An obsession with words and melody took hold of David Keenan at a very early age. Exposed to the writings of Behan, Yeats and Wilde (with a soundtrack of Dylan, Buckley and The Dubliners), his formative years were inspired by the storytelling and character creations of his grandfather. Later he took the boat over the water and gathered tales and tunes of his own, learning his craft and to express his love of language. Having been asked to play alongside the likes of Mick Flannery, Hothouse Flowers, Damien Dempsey and Glen Hansard, David is fast becoming one of Ireland’s most talked-about young artists.


 
Lilla Vargen is a singer-songwriter from Northern Ireland. Her name means “little wolf” in Swedish – an alias which encapsulates both her strong, soulful, evocative voice and the vulnerability in those honest, minimal songs of love and loss. Two years after her first couple of demos emerged online, she returned with her debut EP – the three-track ‘Hold On’, including an astonishing cover of Downtown (by Majical Cloudz) and the quietly memorable torch song title track (which showcases her beautiful vocal, offset against producer Nick Rayner’s warm, gently-building production). The critically acclaimed EP racked up just under a million listens online in a month, alongside plays from KCRW and further support from BBCR1. Live, she plays as a two piece alongside Derry composer and electronic musician Ryan Vail. Recent shows include supports for Lisa Hannigan and Newton Faulkner, with her debut UK dates happening in February 2018.


 
Stephen James Smith is a Dublin poet and playwright central to the rise of the vibrant spoken word scene in Ireland today. His poetry videos have amassed over 2.5 million views and he has performed at high profile events and venues such as the Oscar Wilde Awards in Los Angeles, Electric Picnic, other voices, Glastonbury Festival, the National Concert Hall in Dublin, the Barbican in London, Vicar Street and the London Palladium (alongside Oscar winner Glen Hansard). Stephen facilitates poetry workshops in schools around Ireland and is artist in residence with Dunamaise arts centre & Laois arts office. His poetry is included on the syllabus at Western Connecticut State University and his work has been translated into multiple languages. His debut collection, ‘Fear Not’, is published by Arlen House and will be launched on 14 June 2018 in Dublin at Poetry Ireland on Parnell Square.


 
* * * * * * * *

“The 24th July show features singer/producer Rachel K. Collier, synth collective Marble Empire, and downtempo songwriter Alexander Carson.

“A one-woman electronic production machine and die-hard Ableton enthusiast, Rachel K. Collier is known for using a multi-instrument technical setup to enable her to perform her song-focused, high-energy studio productions in a live setting. Performing on stage together with a live percussionist and interactive visuals, Collier has built and refined her live show throughout 2017 including sold-out shows at KOKO, Camden and 93 Feet East, headlining the Beats For Love Festival in the Czech Republic and participating in the Ableton Loop event in Berlin. With a string of high profile shows line up this year (including SXSW and BBC Radio 1’s Big Weekend as well as The Great Escape) Collier will follow up with her debut album, set for release in autumn 2018.


 
Marble Empire is twenty-one-year-old singer/songwriter/producer Matt Berry from north London: a multi instrumentalist who writes and produces all his own material, which he describes as a blend of “gritty bass-lines, jazz harmony and guitar lines soaked in effects.” Influenced by the likes of Ben Khan, Jungle, SG Lewis and Frank Ocean, tentative early single releases last year quickly gained him much attention. He invites you to celebrate the upcoming release of ‘Marble Empire & Friends’ a seven-track compilation mixtapes written and produced by Marble Empire himself with six featured artists. He will be welcoming many collaborators onstage with him and his band throughout the evening, including Katya DJ, KarimThaPeasant, Milo Gore, Kate Lomas, Tchengiz and Natalie Green.


 
Alexander Carson is a neoclassical/downtempo composer and songwriter, based in London, who has spent the better part of seven years as the lead singer, and songwriter for genre-fluid quintet Wooden Arms. Since Wooden Arms went on Hiatus in March of 2018, Carson has embraced solo work, with his debut single ‘Lovers’ being released on 4th May and being hailed as “a perfect blend of modern songwriting and classical musicianship” by ‘The Line Of Best Fit’, as “sounding at times like an Irish prayer and others a bit Bowie-ish, but never dull or less challenging” by ‘Where The Music Meets’, and by ‘Outline Magazine’ as possessing “a distinctive timbre and delicate working of the keys that always reminds slightly of Anthony and the Johnsons… the fragile vocals and piano playing are unmistakably Alex.”


 
* * * * * * * *

“The 31st July show features live producer Roscius, electronic/classical ensemble Three Laws, and singer/pianist Zoë Phillips.

“French-born/London-based underground composer, producer and live performer Roscius has spent the last year building an enviable reputation with the release of his debut EPs ‘WMD#1’ and ‘WMD#2’, as well as successful tours in France, the UK, the Middle East and Asia. Composing through improvisation, personal recording, live vocal sampling, bass looping, special percussion and piano skills, Roscius creates a unique and absorbing soundscape, genuinely innovative and emotional; a mixture of acoustic and intelligent dance music, organic techno and ethnic deep house.


 
“An electronic band from the Big Smoke, Three Laws draw inspiration from the city, art, science, nature and the people they meet. Their first EP, ‘Convalescence’, combined haunting female vocals with classical piano, cinematic/military percussion and electronica. Three Laws have been compared to outfits such as Daughter, The XX, and London Grammar.


 
“Distinguished by haunting vocals and emotive sounds, Zoë Phillips is a vocalist and songwriter from Hertford. Her music is hard to box up, as she has dabbled in dance music but her ambient piano-based approach can nod towards the likes of Birdy and Rae Morris. Now gigging live with a full backing band, her music has previously been supported by BBC Introducing and BBC 6 Music, whilst live performances include Glastonbury Festival.”


 
* * * * * * * *

All events are at Dalston Eastern Curve Garden, 13 Dalston Lane, Dalston, London, E8 3DF, England on Tuesday evenings. Dates below:

  • Laura Perrudin + Garance & The Mitochondries, Tuesday 3rd July 2018, 7.00pm – information here and here
  • Muntu Valdo + Dahlia Sleeps + O Matæus, Tuesday 10th July 2018, 7.00pm – information here and here
  • David Keenan + Lilla Vargen + Stephen James Smith, Tuesday 17th July 2018, 7.00pm – information here and here
  • Rachel K. Collier + Marble Empire + Alexander Carson, Tuesday 24th July 2018, 7.00pm – information here and here
  • Roscius + Three Laws + Zoë Phillips, Tuesday 31st July 2018, 7.00pm – information here and here

 

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