Tag Archives: The Blue Aeroplanes

October/November/December 2017 – upcoming British rock gigs – Matt Finucane’s on-off tourprowl (14th October to 17th December various); The Many Few’s album launch in London with Flying Tailor, The Squares, Money And Family and No Direction (2nd November)

9 Oct

I’m less and less inclined to cover anything which could be described as standard indie rock. In spite of that, some things do slip under my guard.

Matt Finucane on tour, October-December 2017Between October and December, Matt Finucane’s making periodic ventures out from his Brighton cave in order to bring his sardonic solo songs to a grateful nation. I think it’s the first time he’s gone this far afield, so probably most of them won’t have heard of him yet. Hailed by ‘Ringmaster Review‘ as “happy to be an explorer and purveyor of the wonderfully unconventional and confrontational”, Matt takes his influences “from Lou Reed, Mark E. Smith and horrible electronic noise (despite primarily performing on acoustic guitar).”

If Matt’s got a keynote as a songwriter, it’s his knack for seamlessly juxtaposing the macabre with the ordinary (as befits someone who’s a horror fan and occasional horror author). Don’t expect Cave-ian Southern Gothic, though. Though he’s not above using the mythic or the Biblical as a lyrical springboard, Matt leans more towards a sly, wilful British irreverence – a mocking vein of low/no-budget bungalow-bizarre. Something like a blunted Bowie if the latter had never hit the big time but had carried on regardless, sitting on the sidelines chopping out dryly acerbic guitar songs; or like the workmate who suddenly and joltingly reveals that not only is he smart but he also thinks very differently to you; or like the abrupt weirdness in the eleven a.m coffee cup.

At one time, Matt was the driving force behind luckless indie rockers Empty Vessels, who were full of good ideas but had all the strategy of a severed brake cable. These days he’s a little wiser and friendlier, but just as stubborn; and still worth spending time with.


 
Dates below – more info available nearer the time.

  • Bar Metro, 109/111 Bradshawgate, Bolton, BL1 1QD, England, Saturday 14th October 2017
  • Fab Cafe, 109 Portland Street, Manchester, M1 6DN, England, Sunday 15th October 2017
  • Dulcimer, 567 Wilbraham Rd, Chorlton, Manchester, M21 0AE, England, 26th October 2017
  • The Palmeira, 70-71 Cromwell Road, Hove, East Sussex, BN3 3ES, England, Sunday 29th October 2017
  • Market Bar, 32 Church Street, Inverness, IV1 1EH, Scotland, 31st October 2017
  • The Alleycat, 4 Denmark Street, St Giles, London, WC2H 8LP, England, 7th November 2017
  • The Brunswick, 3 Holland Road, Hove, East Sussex, BN3 1JF, England, Thursday 16th November 2017
  • The Hope & Anchor, 207 Upper Street, Islington, London, N1 1RL, England, 23rd November 2017
  • Mr Wolf’s, 32 St Nicholas Street, Bristol, Avon, BS1 1TG, England, 11th December 2017
  • Blue Man, 8 Queens Road, Brighton, East Sussex, BN1 3WA, England, Sunday 17th December 2017

* * * * * * * *
About five years ago, The Many Few‘s wobbly but appealing demo, with its boy/girl vocal fencing and its shaggy-dog pop fumbles made its way to ‘Misfit City’. I was rude about their guitar playing, and about other things (the phrase “a thorough fucking shambles” popped up at one point) but nice about their appealing rubbery songs and the flashes of insight which showed through their gangling home-made pop throws. The band took both the slapping and the stroking with robust good humour, and have swung in and out of my blog orbit ever since. Now they’ve finally completed their debut album ‘Sharkenfreude’ (sometimes it takes a while for a plan to come together) and have a launch gig lined up.

The Many Few, 2017While The Many Few have retained their band-in-next-door’s-garage feel (though the guitar’s less wobbly now, they’ve never entirely lost that shambling gait, nor their habit of being distracted by gags), they continue to bowl shots down the art-pop alleys of bands such as XTC or B52s – artists who thrived on crowd-pleasing quirk and the odd cheery subversion. They’re still likely to go cute, lolloping after a list song or a moment of lyrical parody, but when they’re on course they can produce thoughtful suburban songs populated by interesting, flawed characters engaged with the day-to-day business of staying alive and staying functional. Hopefully ‘Sharkenfreude’ is well packed with these; it might be less close to the band’s heart than is the freedom to roam and wrangle, but it’s where their particular talent flowers.

https://soundcloud.com/manyfew/human-bean

https://soundcloud.com/manyfew/jill-stuarts-dark-days-are-over
 
To ease the delivery of ‘Sharkenfreude’, the launch gig sees The Many Few “backed by our fabulous and talented friends who share our passion for real original music, quirks, grooves and eccentricities… Flying Tailor (hyperactive sweet dreams, modern introspective folk with touches of trip hop); the spiky spontaneous blended art pop, folk and blues of The Squares (featuring ex-Blue Aeroplanes-ers Caroline Trettine and Nick Jacobs); the top-notch synthy indie alt-pop of Money And Family; and the stage debut of folk trio No Direction. With more t.b.a., this will be the art pop party of the year!”

Note also that the ticket gets you a discount on the album. As for the support, watch and listen below:



 
The Many Few present:
‘Sharkenfreude’: The Many Few + Flying Tailor + The Squares + Money And Family + No Direction + Stew Whoo DJ set
The Alleycat, 4 Denmark Street, St Giles, London, WC2H 8LP, England
Thursday 2nd November 2017, 7.00pm
information
 

October 1998 – EP reviews – Dark Star’s ‘Graceadelica’ (“a fistful of brilliant flares criss-crossed with human fragility”)

28 Oct

Dark Star: 'Graceadelica' EP

Dark Star: ‘Graceadelica’ EP

Hallelujah. David Francolini, Laurence O’Keefe and Christian “Bic” Hayes – refugees from the indie/prog/psych collision of Levitation – have quietly regrouped as Dark Star. Listening to their superb debut EP somehow makes the whole painful Levitation saga (all those spats, frustrations and blown hopes) worthwhile. But while Levitation ran, jumped, shook rooms, dazzled, and finally shattered, Dark Star – a power’n’glory trio that’ll rip off your head and return it to you all lit up and twice the size – take every bit of that energy, aim it, and channel it on course.

So what would happen if someone took British underground psych-rock as a foundation, then scanned the heights of British ’90s indie for what it had to offer? If they took Primal Scream’s panoramic hallucinatory peak, the funky drummer grace of The Stone Roses on ‘Fool’s Gold’, Radiohead’s lacerating skill and intensity, Spiritualized‘s on-off blinks of revelation, the waves of transporting guitar frenzy The Verve dealt in when Ashcroft cut out the rock-god schtick, and then fused it all together? And – unbelievably – got it right? They’d get this.

‘Graceadelica’ itself storms right out at you full-tilt, laced with detail, power and adrenalin quakes. Bic’s ghostly guitars are everywhere – chittering in the midground, weaving sensuous smoky patterns and Cocteaus star-clusters beyond, sketching spare cascading melodies upfront, then suddenly exploding into your ear in a storm of shocked echo over Francolini’s immaculate power-funk drumming. And it’s about memory barbed and refracted by mystery: someone stalking the city with a incredible secret to recover. “I must have hit the floor, / some dark uncertain hours before /…Those half familiar streets / were swimming underneath my cobwebbed feet. / My aching bones were dry, / a skeleton beneath the lead-grey sky. / Yeah, it’s all coming back to me now… maybe too late.” Pounding the pavement, finding a pathway to the key. “Feels like I’m walking over water, / subhuman urban messiah. / Slow-bound for church of the neon, / my resurrection’s in a glass on the bar…”


 
The title track carries off the prize for grace and scope, but the whole EP is a fistful of brilliant flares criss-crossed with human fragility. The heavy-metal bullet of ‘Crow Song’ – like PJ Harvey fucking Ted Hughes on Metallica’s drum riser – is haunted, a hapless killer’s nightmare. O’Keefe’s supple, astonishing basswork oozes power, but the song itself is flinching from guilt (“Hope you don’t mind, but if I let you in – no-one must know, no-one must know”) and the unfolding of terrible rituals: “You see, he speaks to me in sleep: and I don’t like what he says. And when I wake I find another feather, just next to me on the pillow…”

On ‘New Model Worker’, Bic’s voice is both tannoy-sneer and humble plea, the guitars a cataclysmic swing between grinding industrial filth and tiny, tender, praying filaments. “Season’s cycle’s turning overtime, and I’m a new model worker with too much on the mind. / There’s nothing to decide, there’s nowhere here to hide. / And just to breath in; the future becomes what’s left behind.” ‘Solitude Song’, hovering over a huge depressive plunge, refuses to deny anything – “There’s nothing wrong with you / (“I’m sorry, Doctor”) / You’re acting like a fool (“Well, someone’s got to…”) “. Instead, it’s braved out, and they jerk your tears out while they howl for strength “until the cloud’s gone, and we’re through… / Laugh when it’s over.”

Dark Star have only just started, and already they’re way better than Levitation ever were. Unless they blow out that revealing light again. Like Levitation, Dark Star are possessed of such power that they could as easily shake the world or tear the muscles off their own bones. Top marks for effort and promise, lads, but don’t let the frenzy buck you off this time. ‘Gracedelica’, at least, is an object lesson in how to ride the bastard over the horizon and back.

Dark Star: ‘Gracedelica’
EMI Records Ltd/Harvest Records, CDEM523/10EM523 (724388615822)
CD/vinyl EP
Released: 26th October 1998
Get it from:
(2020 update – best obtained second-hand)
Dark Star online:
Facebook MySpace Last FM Apple Music YouTube Deezer Spotify Amazon Music
 

SWOONAGE

Swoon. /swo͞on/ A verb. To be emotionally affected by someone or something that one admires; become ecstatic. Here are some people and things that make me swoon. #swoon #swoonage

Post-Punk Monk

Searching for divinity in records from '78-'85 or so…

theartyassassin

...wandering through music...

Get In Her Ears

Promoting and Supporting Women in Music

Die or D.I.Y.?

...wandering through music...

The Music Aficionado

Quality articles about the golden age of music

THE ACTIVE LISTENER

...wandering through music...

Planet Hugill

...wandering through music...

Listening to Ladies

...wandering through music...

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

The Quietus | All Articles

...wandering through music...

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

furia log

...wandering through music...

A jumped-up pantry boy

To say the least, oh truly disappointed

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Organized sounds. If you like.

Gapplegate Classical-Modern Music Review

...wandering through music...

When The Horn Blows

...wandering through music...

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

FLIPSIDE REVIEWS

...wandering through music...

Headphone Commute

honest words on honest music

The One-Liner Miner

...wandering through music...

Yeah I Know It Sucks

an absurdist review blog

Obat Kanker Payudara Ginseng RH 2

...wandering through music...

poplifer.wordpress.com/

Waiting for the gift of sound and vision

Good Music Speaks

A music blog written by Rich Brown

Do The Math

...wandering through music...

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The World's Worst Records

...wandering through music...

Soundscapes

...wandering through music...

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

FRIDAY NIGHT BOYS

...wandering through music...

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

...wandering through music...

Life Just Bounces

...wandering through music...

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Aquarium Drunkard

...wandering through music...

eyesplinters

Just another WordPress.com site

NewFrontEars

...wandering through music...