Tag Archives: Arvo Pärt

March 2017 – upcoming gigs – selections from the Sheffield Classical Weekend (17th-19th)

6 Mar

There’s plenty going on at the three-day mid-March Sheffield Classical Weekend, with the city permeated with music including many old and new favourites. Among what’s on offer are two different performances of Arvo Pärt’s ‘Fratres’ (one by a wind band, one by a host of strings), two Dreams of China concerts covering formal Chinese classical compositions) and a host of choral shows (the classic monk’s-debauchery of Orff’s ‘Carmina Burana’ via Schubert’s ‘Mirjam’s Siegesgesang’ and Brahms’ ‘Ziguenerlieder’, through to a variety of pops choirs.) Though I’d advise checking out the entire, pleasingly diverse programme, here are my own brief and subjective picks from it, if you’re interested.

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Oliver Coates & cellists: ‘Canticles of the Sky’ – Kelham Island Museum, Alma St, Sheffield, S3 8RY, England, Saturday 18th March 2017, 3:30pm & 5.00pminformation

“A UK premiere featuring star cellist Oliver Coates (Radiohead, ‘Under The Skin’ and ‘There Will Be Blood’). Olly and a host of cellists will surround the Kelham Island audience and lift you skyward with this ethereal and dreamy work from Pulitzer and Grammy-winning composer John Luther Adams. Also featuring extracts from J.S Bach’s Cello Suites.”

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Five Choirs: Sounds From Heaven – St Marie’s Cathedral, Norfolk Row, Sheffield S1 2JB, England, Sunday 19th March 2017, 2:30pminformation

“Perched around the sides of the excellent acoustic space within the Cathedral Church of St Marie, five Sheffield chamber choirs – Abbeydale Singers, Sheffield Chamber Choir, Sterndale Singers, Sheffield Chorale and Viva Voce – will “create a swoonsome heart-lifting soundscape of song.” As well as old and new choral standbys by John Tavener, Arvo Pärt, Felix Mendelssohn and others, the concert will include the premiere of ‘Kraal’ a commission for five simultaneous choirs written by Jenny Jackson (a member of Sheffield’s own contemporary composer collective, Platform 4).”

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More music fostered by Platform 4 will be popping up a few times over the weekend. Flautist Rachel Shirley performs “a selection of colourful and inventive works for flute, piano, blown bottles and saxophone“; there’s an evening date at Yellow Arch Studios with players from Sheffield Music Academy, performing the collective’s own “imaginative cutting-edge compositions”. There’s a “mind-bending” collaboration with Opera On Location in which “stories are turned upside down and endings become beginnings in (a) selection of operatic palindromes, where the music is the same both backwards and forwards… featuring Paul Hindemith’s short opera ‘Hin Und Zurück’ (‘There And Back’), plus new bitesize and puzzling pieces…” Platform 4 also contribute the cello-and-electric keyboard piece ‘Upright Stance’ to be performed alongside Shostakovich’s Cello Concerto at Oliver Coates’ concert with Sheffield Music Hub Senior Schools.

  • Opera On Location with Platform 4 – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 8:30pminformation (contains strong and sexually explicit language – recommended for 18+)
  • Rachel Shirley: ‘Hooting & Drinking’ – Channing Hall @ Upper Chapel, Norfolk Street, Sheffield, S1 2JD, Saturday 18th March 2017, 3.30pminformation
  • Oliver Coates & Sheffield Music Hub Senior Schools: ‘From The Heart: Shostakovich’ – City Hall Ballroom @ Sheffield City Hall, Barkers Pool, Sheffield, S1 2JA, England, Sunday 19th March, 12:00pminformation
  • Platform 4 with Sheffield Music Academy – Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6:30pminformation

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On the Friday and the Saturday, there are some thoughtfully programmed Sound Laboratory events centring on the music, ideas and influence of Pierre Boulez. Saturday sees a triple-banked set featuring pianists Beate Toyka and Matthew Odell, violinists Darragh Morgan and Lucy Phillips, clarinettist Sarah Watts and the University of Sheffield New Music Ensemble.

Each of these mini-concerts sets one of Boulez’s first three Piano Sonatas against another piece. ‘The Conflict And The Passion’ pitches ‘Piano Sonata No. 1’ against Beethoven’s Kreutzer Sonata in a study of thwarted passions. ‘Deconstruction & Digitalisation’ presents the classical deconstruction of ‘Piano Sonata No. 2’ and the electro-acoustic contrasts of ‘Anthemes II’. ‘Choice And Chance’ (the only one of the concerts to feature two Boulez compositions) offers ‘Piano Sonata No. 3’ and the clarinet-and-orchestra piece ‘Domaines’, contrasting a piece in which major options are available to the performer and one which is considerably more ordered and regimented.

The series opens on Friday with a special Boulez-inspired concert in which “the avant-garde becomes child’s play… primary school children from across the city explore the curious frontiers of contemporary electronic music and present the results of their musical experimentation.”

Sound Laboratory:

  • ‘Computer Music’ – Firth Hall @ University of Sheffield, Western Bank, Sheffield, S10 2TN, England, Friday 17th March 2017, 1:30pminformation
  • ‘The Conflict & The Passion’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 1:30pminformation
  • ‘Deconstruction & Digitalisation’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 3:30pminformation
  • ‘Choice and Chance’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 5:00pminformation

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Among the Chinese-inspired events is one in which Chinese and European chamber music merge as celebrated guzheng zither soloist Xia Jing teams up with The Fidelio Trio (Darragh Morgan on violin, Adi Tal on cello and Mary Dullea on piano). They’ll be presenting a concert of brand-new musical premieres – Gao Ping’s ‘Feng Zheng’ (‘Kite’), Jeroen Speak’s ‘Silk Dialogues 7’, Dylan Lardelli‘s ‘Shells’, and ‘Time Bends In The Rock’ by Sheffield-based composer Dorothy Ker.

Fidelio Trio & Xia Jing: ‘Global Soundtracks: Silk Dialogues’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 9:30pminformation

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In addition, there’s a variety of pop-up performances across the three days, featuring abbreviated sets by event headliners plus showings by small instrumental and vocal groups. It’s an open-minded spill moving out from classical forms to embrace folk, alt.chamber and other kinds of music.

One promising set of contributors are Manchester quintet Kabantu, who’ve thankfully dropped their previous name Project Jam Sandwich and who also “throw away the rulebook to bridge countries and cultures, creating an exuberant and joyful soundworld… vocal harmonies from South Africa coalesce with everything from Celtic reels and Brazilian samba to Balkan folk music and beyond.” Featuring violin, guitar, cello, double bass and percussion in addition to voices, they’re playing a pop-up show but also two separate consecutive-but-entirely-different sets at Yellow Arch Studios.

Classical by Night – Kabantu @ Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6.30pm & 9:30pm – information here and here
 

January 2016 – upcoming gigs – Fortuna Pop Winter Sprinter and Repeater alt/indie/noisepop mini-festivals (and Hannah Marshall/Korbik Lucas playing a LUME slot) in London; Britten Sinfonia At Lunch across the east of England (with an Anna Clyne premiere); David Cohen and friends play magical-journey chamber music by Michael Nyman, Schubert and Gavin Higgins in Norwich

3 Jan

Happy New Year everyone. While I sort myself out, put the review of 2015 together and decide which approaches to take with ‘Misfit City’ this year, here’s what I know about so far in terms of January shows. A couple of mini-festivals of indie pop/garage rock/punk/noise rock and indie folk in London; a lunchtime mini-tour of chamber music in London and the east of England; an afternoon of free improvisation in a Kentish Town record shop; plus one more interesting classical concert in unusual surroundings up in Norwich.

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Several of the characters who showed up for the Arrivée/Départ II festival last month are also showing up for this next one: it’s a similar aesthetic, and involves many of the same musical and professional friendships.

Fortuna Pop Winter Sprinter, January 2016

The 6th Annual Fortuna POP! Winter Sprinter (2016) (The Lexington, 96-98 Pentonville Road, Islington, London, N1 9JB, England, Tuesday 5th to Friday 8th January 2016, various times) – £10.45 (or £32.70 for four-day pass) – informationtickets

It’s happening again… The 6th Annual Fortuna POP! Winter Sprinter 2016 is Go! Four nights, twelve bands, DJs… the perfect antidote to the post-Christmas blues with the creme de la creme of the Fortuna POP! roster – including former members of Broken Family Band and The Loves – plus special guests.

Tuesday 5th January – Steven James Adams + Simon Love + The Leaf Library plus DJ Paul Wright (The Track & Field Organisation).



Wednesday 6th January – Tigercats + Flowers + Chorusgirl plus DJ Paul Richards (Scared To Dance).



Thursday 7th January – Withered Hand (full band) + Evans The Death + Pete Astor, plus DJ Darren Hayman.



Friday 8th January – Martha + Milky Wimpshake + Bleurgh (a Blur covers band featuring members of Allo Darlin’‎, Fever Dream, Night Flowers and Tigercats) plus DJs Sandy Gill & Karren Gill (Stolen Wine Social Club Night).


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Overlapping the Winter Sprinter is something a little noisier, over in Shacklewell…

Repeater Festival, January 2016

Repeater Festival (Bad Vibrations @ The Shacklewell Arms, 71 Shacklewell Lane, Shacklewell, London, E8 2EB, England,
Thursday 7th to Saturday 9th January 2016, various times)
– free entry – information

To break in the new year, Bad Vibrations will be putting on a 3-day residency of free-entry gigs at The Shacklewell Arms featuring a selection of garage, noise-rock and indie-folk bands. People playing include Taman Shud, The Wharves, Strange Cages, Virgin Kids, The Eskimo Chain, Honey Moon, Lucifer’s Sun, Night Shades and St. Serf. The usual strip of soundclips and video is below.








 

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A recent trip to Norwich (still a prime ‘Misfit City’ stomping ground, partly thanks to all of those hometown Burning Shed concerts in the past decade or so) brought me into touch with the next set of gigs. The classical ensemble Britten Sinfonia has close links with the east of England and is honouring that with its At Lunch mini-tours, which swing in a loose arc between Norwich, Cambridge and London, bringing sturdy classical repertoire plus new premieres with them. Here’s information on the second of these tours (sorry, I missed the first one) which takes place mid-month:

Anna Clyne (photo by Javier Oddo)

Anna Clyne (photo by Javier Oddo)


Britten Sinfonia presents ‘At Lunch Two’

  • St Andrew’s Hall @ The Halls, St Andrews Plan, Norwich, Norfolk, NR3 1AU, England, Friday 15th January 2016 – £3.00 to £9.00 plus booking fee – tickets
  • West Road Concert Hall, 11 West Road, Cambridge, CB3 9DP, England, Tuesday 19th January 2016, 1.00pm – £3.00 to £9.00 – information & tickets
  • Wigmore Hall, 36 Wigmore Street, Marylebone, London, W1U 2BP, England, Wednesday 20th January 2016, 1.00pm – £11.00 to £13.00 – information & tickets

Programme:

Johann Sebastian Bach – Gott versorget alles Leben (from Cantata BWV187)
Domenico Scarlatti (arr. Salvatore Sciarrino) – Due arie notturne dal campo
Arvo Pärt – Fratres (for string quartet)
Johann Sebastian Bach – Seufzer, Tranen, Kummer, Not (from Cantata BWV21)
György Ligeti – Continuum
Anna Clyne – This Lunar Beauty (world premiere tour)
Johann Sebastian Bach – Tief gebückt und voller Reue (from Cantata BWV199)

Performers:

Julia Doyle (soprano)
Maggie Cole (harpsichord)
Jacqueline Shave, Miranda Dale (violins)
Clare Finnimore (viola)
Caroline Dearnley (cello)
Marios Argiros (oboe)

A pre-occupation with texture permeates this programme, beginning with two arias from the grand master of counterpoint, J. S. Bach. Ligeti’s ‘Continuum’ tests not only the limits of the soloist but also the exhilarating knife-edge between hearing individual notes and continuous sound. A world premiere from Grammy-nominated composer of acoustic and electro-acoustic music, Anna Clyne, whose music seeks to explore resonant soundscapes and propelling textures, completes the journey from the baroque to present day.

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LUME, whose London jazz and free improvisation events I tracked during 2015, are continuing to expand their efforts. While they seem to have found themselves a more regular slot at the Vortex, early 2016 shows are taking place at assorted venues around the capital – galleries, shops, any suitable space. The first of these is in a heavy-duty experimental record shop in Kentish Town, which – although it’s only a short walk or bus hop away from the ‘Misfit City’ flat – I’ve not noticed up until now. I should visit it and go through my usual masochistic experience of being intimidated by serried racks of music made by people I’ve not heard of before; or perhaps I should just go to this show.

Hannah Marshall + Kordik Lucas (LUME @ Electric Knife Records, 16b Fortess Road, Kentish Town, London, NW5 2EU, England, Saturday 16th January 2016, 1.30pm) – pay-what-you-like, £5.00 minimum

The first LUME gig of the year features a solo set from improvising cellist Hannah Marshall (whose collaborators have included Veryan Weston, Evan Parker, Lauren Kinsalle, Alex Ward and former Henry Cow members Tim Hodgkinson and Fred Frith), followed by a performance by the improvising duo Kordik Lucas duo (Slovakian analogue synth player Daniel Kordik and trombonist Edward Lucas, who also run the Earshots concert series and record label). This will be an in-store show so space is limited. There’s not much more information available on the evening at present, so keep an eye on the LUME and Electric Knife sites for updates (if anything new shows up, I’ll add it in here…)


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David Cohen (photo by Daniel Herendi)

David Cohen (photo by Daniel Herendi)

Finally, back to Norwich to drop in on a classical chamber music series assembled by acclaimed Belgian cellist David Cohen and assorted friends. Usually when I cover classical or modern classical concerts it’s because they feature premieres of new pieces or intriguing new interpretations and juxtapositions. While this one does feature a premiere (Gavin Higgins’ ‘Howl’) as well as a recent Michael Nyman string quartet from 2011, in this case I was intrigued by the venue – the John Innes Centre, a long-established plant and microbial research centre which lends its lecture theatre for these concerts. If you’re of an intellectual, associative and site-specific mindset, you can listen to the structures in the music unfold while simultaneously considering that you’re surrounded by the echoes of people thinking about – and unravelling the shape of – vegetable genomes.

Cello Con Brio ‘Magical Journeys’ (Norfolk & Norwich Chamber Music @ John Innes Centre, Norwich Research Park, Colney Lane, Norwich, NR4 7UH, England, Sunday 17th January 2016, 7.30pm) – £1.50 to £25.50 – informationtickets

Programme:

Michael Nyman – String Quartet No. 5 (‘Let’s not make a song and dance out of this’)
Gavin Higgins – Howl (for solo cello & string quartet) – world premiere
Franz Schubert – String Quintet in C

Performers:

David Cohen (cello)
Henri Sigfridsson (piano)
Corinne Chapelle (violin)
The Smith Quartet (strings)

Music performed by the ensemble on the other two days of the residency (15th and 16th January) includes chamber works by Brahms, Arensky, Schnittke, Beethoven and Paganini – the full listing is here.

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More gig news next time, including shows by Laura Cannell, Ichi and Tom Slatter.
 

December 2015 – upcoming gigs, London and elsewhere – another Forge flurry (Boccherini and Schubert quintets with Arensky Chamber Orchestra, sample pop from Cosmo Sheldrake, tango nuevo from The Deco Ensemble); the Ghosts At Our Shoulders folk meet (with Martin Carthy, Alasdair Roberts, Chris Wood, Kirsty Potts, The Devil’s Interval and Stick In The Wheel); and Project Instrumental’s Pärt/Fokkens post-classical passacaglia at Hackney Attic. Plus Anawan’s Brooklyn chamber pop double-night and New York farewell.

28 Nov

Straight into December, then (I’m ignoring the last day of November – it’s done me no favours this year) and before the splurge of upcoming musical Christmas parties, here are some assorted one-off gigs. Classical, post-classical and tango nuevo chamber concerts; Brooklyn art-pop; a small but significant folk festival; and a man battering experimental songs out of a piece of beef. That’ll do. As ever, these are mostly London shows, although as mentioned New York does get a look in at the end. Over the coming weekend – a man in a top hat sings songs of Victorian-Edwardian never-weres, wild noise in Hackney and Yorkshire, and a couple of spells of jazz… but more on that later.

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The Arensky Chamber Orchestra presents ‘Surround Sound II’ (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Tuesday 1st December 2015, 8.00pm) – £12.00 – information & tickets

Since its debut in 2009, The Arensky Chamber Orchestra has established itself as one of London’s most exciting young ensembles, dedicated to revitalising the concert experience with theatrical and brilliant productions of classical music. Led by international prize-winning conductor William Kunhardt, the orchestra’s performances fuse electric performance with lighting design, ‘live’ programme notes delivered from the stage and unusual venue use. The ACO also regularly combine their performances with specially created food and drink menus and commissioned work from other artists, including video DJs, artists, actors and dancers. This will be the Forge’s second immersive ‘in the round’ performance from the Arensky Chamber Orchestra’s brilliant principal players; and on the menu are performances of two of the great string quintets.

Luigi Boccherini’s String Quintet in E major is one of the most famous quintets in the classical repertoire. The timeless melody of its third movement, ‘The Celebrated Minuet’, is woven into popular culture (appearing in ‘The Blues Brothers’ and ‘This is Spinal Tap’ as well as many other contexts). Tonight’s performance is in the original configuration (a conventional string quartet of two violins, viola and cello, plus a second cello as the fifth instrument) but over the years the piece has been rescored for a startling breadth of instruments including organ, mandolin duo, accordion and saxophone.

Franz Schubert’s String Quintet in C was the composer’s last instrumental work (composed during the final weeks of his life) and possibly his greatest accomplishment. It’s most iconic movement is the Adagio – a piece of such sublime tranquility that time seems to stand still throughout. Yet every other movement lives up to this extraordinary standard as well – from the expanse of the opening Allegro to the dazzling scherzo, it is a work of endless invention, radiant and rich sound-worlds and infinite varieties of texture and colour.

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The Deco Ensemble (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Wednesday 2nd December 2015, 7.30pm) – £10.00 – information & tickets here and here

Established in 2013, The Deco Ensemble performs an eclectic and colourful combination of classical masterpieces, little-known gems and new avant-garde works. Rich in poignant harmonies, bold rhythms and elaborate ornamentations, their exuberant and glamorous repertoire includes works by Gustavo Beytelmann, Yannis Constantinidis, Frédéric Devreese, Ramiro Gallo, Graham Lynch, Astor Piazzolla, Sergei Prokofiev, Maurice Ravel and Anibal Troilo. A quintet of Sabina Rakcheyeva (violin), Bartosz Glowacki (accordion), Ricardo Gosalbo (piano), Rob Luft (electric guitar) and Elena Marigómez (double bass), they also collaborate with many of the world’s most promising and intriguing composers and performers, and write their own arrangements.

The ensemble’s adventurous approach and spirit of fearless exploration has its origins in the music of Piazzolla, re-imagining the Tango Nuevo Quintet which the composer formed during the 1960s in order to lay down the foundations of modern tango writing and to combine classical, jazz and traditional influences. Already the veterans of extensive European touring, Deco Ensemble have performed sellout concerts across Britain and across the breadth of Europe from west to east. Their critically-acclaimed debut album ‘Encuentro’ was released in July 2015.

Programme:

Ramiro Gallo – El último kurdo
Gustavo Beytelmann – Travesía
Astor Piazzolla – Muerte del ángel
Astor Piazzolla – Milonga del ángel
Astor Piazzolla – Tango del diablo
Frédéric Devreese – Passage à 5
Frédéric Devreese – Dream & Tango
Gustavo Beytelmann – Encuentro
Astor Piazzolla – Triunfal
Astor Piazzolla – Oblivion
Ramiro Gallo – Las malenas

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Now here’s something interesting…

Cosmo Sheldrake (Rockfeedback Concerts @ The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Thursday 3rd December 2015, 7.30pm) – £11.00 – information & tickets

A multi-instrumentalist, an improvising sampler/looper and the crafter of sweet unorthodox earworms, Cosmo Sheldrake has been described as “a relentlessly experimental artist taking organic samples from the world and turning them into dreamy songs.” Certainly his best-known single, ‘Rich’, is a case in point. Its tripping, sunny melodies – apparently moulded from stray chunks of both English folk and contemporary R&B – bob over a rhythm made by tearing meat from a cow carcass.

This kind of experimentation and juxtaposition (the cute tunes and the occasionally slightly-sinister underpinning; the initiation of whimsical but multi-layered musical questions; the rough-and-ready play across a huge musical vocabulary) seems to lie at the heart of what Cosmo does. He’s certainly steeped in music – aside from the wide-spanning instrumentalism (beginning with early days on piano at age four, building upwards and outwards and somehow never stopping), he’s been a founder member of nine-piece polygenre band Gentle Mystics since 2007, and also runs assorted instrumental and beatboxing workshops, plus a choir, in his Brighton hometown. He’s also known for performances in unusual locations including boats, farmyards, laundrettes and public swimming pools; and takes inspiration from the world around him with unfiltered, undifferentiated spontaneity; being as likely to turn out a song about pelicans as he is one about humans.

This week’s show promises to be mostly improvised, intimate and has a pretty small number of tickets, so move fast if you’re interested.

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Moving on to some purer folk…

Martin Carthy @ Ghosts At Our Shoulders, December 2015

‘Ghosts At Our Shoulders – The Tradition Unfolds’ featuring Chris Wood + Alasdair Roberts + Kirsty Potts + Stick In The Wheel + Martin Carthy + The Devil’s Interval (Kings Place, 90 York Way, Kings Cross, London, N1 9AG, UK, Thursday 3rd to Saturday 5th December 2015, various times) – various prices (£9.50-£22.50) – information & tickets

“The men have withdrawn and left me alone in a roomful of relics / But they gave me the song, so I carry the song that all men inherit.” – Alasdair Roberts

A series of songwriters and song interpreters inspired by tradition. The rich folk song tradition in these isles is a never-ending well of ideas and sensibilities as well as source material. The traditional canon is often attributed to ‘Anon.’ – a ghost perched on the shoulders of contemporary performers, who carry tradition forward and forge their own paths inspired by that legacy. This series of concerts features some of the most thoughtful and creative interpreters of song, whose unifying focus is the telling of the song. Voices close to the source, acting as a link from the then to the now.

With his work sometimes compared to that of Richard Thompson (though he cites his major influence as ‘Anon.’), Chris Wood is an uncompromising singer, multi-instrumentalist and songwriter whose music reveals his love for the un-official history of the English-speaking peoples, weaving his own contemporary parables into the tradition. His lateral take on the modern world follows an ideological thread from the likes of John Clare and William Blake, and as well as humble hymns and wry observations of the small things in life, his songs have included Hollow Point (a chilling ballad of the shooting of Jean Charles Menezez).

The twenty-year, eleven-album career of Scottish singer-songwriter and guitarist Alasdair Roberts has taken him from the early alt.folk of his Appendix Out project via mingled traditional and self-penned work to his latest, self-titled solo recording, featuring a span of Glaswegian folk talent. He performs songs which are “elliptical and gnomic, direct and personal, romantic and tender” and which have moved from an early economical style (partially inspired by the sparse aesthetic of indie rock) to the complex, esoteric and spiritual work of more recent albums. An enthusiastic and generous collaborator, he’ll be sharing the stage with Kirsty Potts, a singer of traditional Scottish folk for thirty years. Having recorded six albums with the famous folk duo of Alison McMorland (Kirsty’s mother) and Geordie McIntrye, she’s recently released her own long-delayed debut solo album ‘The Seeds of Life’.

Raw and uncompromising London folk quintet Stick In The Wheel record to the sound of sirens and birdsong in their long-rented East End front rooms. Brought up in the thriving culture of working class London and cutting their teeth in its diverse musical landscape, they now bring those influences and attitudes to their traditional music. Across three EPs, multiple festivals and award nominations and the release of their debut album in September this year, their music is as authentic as it comes, capturing a culture that is rapidly disappearing, and is at times brutally honest and grabbing.

Over five decades of a varied career (with Waterson Carthy, Steeleye Span, solo and beyond), Martin Carthy has been one of folk music’s greatest innovators, one of its best loved, most enthusiastic and, at times, most quietly controversial of figures. He’s a ballad singer, a ground-breaking acoustic and electric-guitarist and an authoritative interpreter of newly composed material; always preferring to follow an insatiable musical curiosity rather than cash in on his unrivalled position.

Playing in support of Martin are some of his regular tourmates: recently-reunited vocal group The Devil’s Interval (the teaming of singers Jim Causley, Emily Portman and Lauren McCormick, each of them solo artists in their own right). The group are well-loved for their spell-binding harmonies and passion for captivating story-telling through the medium of traditional song: their three distinctive voices blend beautifully, bringing new life to some of the old jewels of the folk-song canon.

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Project Instrumental's Built on Bass, 4th December 2015

Project Instrumental + Tpongle + Zach Walker + DJ Jesse Bescoby present ‘Built On Bass’ (Hackney Attic 2170 Mare Street, Hackney, London, E8 1HE, UK, Friday 4th December 2015, 7:30pm) – £6.00 – information here and heretickets

Project Instrumental bring thrilling performances to unbounded audiences. Bold, imaginative and boundary defying, this virtuosic ensemble strips back the peripherals with their straightforward contemporary approach to create not just concerts, but experiences. For ‘Built On Bass’, they bring together a composer, a sound artist and a visual artist to create a multi-sensory musical environment using sound, electronics and cymatics. Taking a four-hundred year-old form defined by variations against a bass motif, they connect a passacaglia-inspired programme of music written within the last fifty years and create a twenty-first century experience, responding to the written repertoire through live collaborations that explore the physical sensation of sound and auditory-visual interactions.

The world premiere of a commission from composer Robert Fokkens features in an irresistible confluence of timelessness, change, cycles and variance alongside Arvo Pärt’s mesmeric Passacaglia in its version for 2 violins and Dmitri Shostakovich’s powerful Chamber Symphony op.118a. Inspired by and sampling the programmed repertoire, sound artist, producer and DJ Tpongle creates a ‘passacaglia for the present’, weaving a bass thread through the night, culminating in a live electronic set. Zack Walker‘s striking projections will extend the sound experience in space using his live liquid cymatics sculpture, original film content and analog feedback projections to respond to the live musical performance. Ace Hotel Guest DJ Jesse Bescoby rounds the night off with a set exploring the gap between contemporary classical and experimental, independent music. All can be taken with locally produced craft beers and food available to order throughout the evening.

Programme:

Arvo Pärt – Passacaglia
Robert Fokkens – New Commission World Premiere
Dmitri Shostakovich – Chamber Symphony op.118a
Tpongle – Live electronic set
Zach Walker – Live cymatics sculpture

For a glimpse of Zach’s cymatic sculpture work, see below.

 

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Finally, something for readers in New York who like their art pop. Trevor Wilson of Anawan has been in touch with a welcoming Christmas message as cute, rambling, perky and openhearted as his band is. See below.

Anawan – ‘Having Fun’ show (Briscoe Music Space, 3 Sackett Street, Red Hook, Brooklyn, New York, New York State, USA, Friday 4th and Saturday 5th December 2015, 8.00pm) – $5.00-$15.00 (pay-what-you-want) – information and tickets

We are doing a huge show on two nights, December 4th and 5th, at our music space in Red Hook, Brooklyn! At the intersection of danger and confidence comes, perhaps, one of the most important reasons for being alive. Sometimes ‘having fun’ is outwardly bold and courageous- motosports – skydiving. Sometimes just going out on a limb and making a joke is the boldest thing you can do in a day- just cracking a smile can take years for some! Love is more bold than any physical challenge- hearts are huge, sometimes mountains, with hiking trails to be lost in, make plans, need more, need less- as my friend Ethan Woods says, “love takes time”. But also, man, love is the funnest thing of all… what’s around the corner? You don’t know!

The “sound” of fun is loose and electric, sometimes passionate, sometimes flippant. The songs for this very special show include new songs inspired by fun – but don’t expect them to all sound like it… that would be too easy, and what’s the fun in that? In addition to working with my dear historical Anawan members, we’re working with some new folks and doing things in a new way, and that in and of itself is the most palpably fun element of this whole production. It’s going to be a huge ten-piece ensemble playing songs old and new; a rhythm section, string trio, electronics, and the usual Anawan gang. We’ll round the show off with some Anawan standbys as well as a supremely fun song from wa-a-ay back when. I really hope to see you there! I leave NYC at the end of the year to live elsewhere! This is it, guys! Let’s do it! I’m not gonna say it again!

Jesse Rifkin (a.ka. Jesse R. Berlin) will play electric guitar (one of my oldest and bestest musical pals – we met each other on Myspace in 2005 – such a beautiful guitar player). Tom Montagliano (of Maudlin Maladies) will provide the soundtrack to an experimental universe that will begin the night! Also involved – singing and more by Maia Friedman (Uni Ika Ai, Toebow), Alice Tolan-Mee (True Lucy) and Ethan Woods (Rokenri), percussion by Sandy Gordon (Silent Isle, Causings), violin by Elori Kramer (Alpenglow), keyboard and more by Judith Shimer (The Sneaky Mister), violin by Sarah Tolan-Mee (who is awesome) and elemental forces by Andrew Wells Ryder (True Lucy).

Tickets are donation based- we won’t turn anyone away- but this will go towards paying the performers and keeping the space warm. Make sure to come by 8.00pm so you do not miss anything. This could make a huge difference in your life! Or it may go on the same as always! See you there!

* * * * * * * *

More shortly, as we take on the weekend…

 

North-eastern classical – a London debut for the Baltic Music Society

17 Jun

Baltic Music Society, London - inaugural concert

Baltic Music Society – Inaugural Concert (All Saints Church,, Clydesdale Road, Notting Hill, London W11 1JE, UK, Saturday 20th June, 7.00pm)

The newly-formed Baltic Music Society in London hosts its debut concert of classical chamber music this coming Saturday, in Notting Hill.

This first concert features music by Erkii Sven-Tuur, Jāzeps Vītols and a host of living composers including Arvo Part. It includes the world premiere of a specially commissioned new work – ‘Memories of Lithuania’ by Keith Burstein, a British composer of Lithuanian descent – and music by a wide range of Baltic state composers including Zita Bružaitė, Bronius Kutavičius, Anatolijus Šenderovas, and Ariel Anenburg.

The Baltic states of Lithuania, Latvia and Estonia lie on one of the critical geopolitical faultlines of the world and yet still little is known of their culture in the West. However the burgeoning creativity of the region now promises a new wave of cultural riches. The Baltic Music Society exists to explore, present and introduce music from or inspired by the Baltic region. The world refracted through the amber stone of the Baltic – a new light from a new music. Join us at the beginning of this pathway of discovery.

Programme:

Zita Bružaite – Novelette

Bronius Kutavičius – Three Metamorphoses

Jāzeps Vītols – Romance

Erkki-Sven Tüür – Piano Sonata

Keith Burstein – Trio for Viola, Clarinet and Piano, “Memories of Lithuania” (world premiere)

Anatolijus Šenderovas – Cantus in memoriam Jascha Heifetz

Arvo Pärt – Spiegel im Spiegel

Keith Burstein – PianoWorks

Ariel Anenburg – Images

Performers:

Jelena Makarova, Rimantas Vingras, Kristiina Rokashevich, Keith Burstein – piano
Antanas Makštutis – clarinet
Orpheus Papafilippou – violin,
Barbara Gumėnaitė – viola.

Expect a broad range of musical voices, from folk-inspired pieces to torrid, fractured flights of neo-romantic piano through to Pärt’s familiar “holy minimalism”. More information is here, and tickets are available here – price £10.00.

For a few tastes of what’s on offer, I’ve tracked down a few YouTube performances of some of the pieces on the programme – see below:

More upcoming London gigs in early June – prog rock/math rock/post-hardcore @ The Facemelter; electro-pop/drum’n’brass/loops/experimental ambience @ Tuesdays Post; eclectic classical/experimental chamber music/kletzmer & Bulgarian voices @ The Forge

31 May

Some more early June gig previews for London – these would have been in the previous post if I’d picked up on them earlier.

Firstly, a Facemelter promotion (from the experimental rock/post-hardcore wing of the Chaos Theory organisation whose jazz gigs I’ve also enjoyed)…

Facemelter, 5th June 2015

Alright The Captain + Iran Iran + Porshyne @  The Facemelter (The Black Heart, 2-3 Greenland Place, Camden, London, NW1 0AP, Friday 5th June , 7.30pm

Three heroes of math rock, alternative and post-rock travel from different corners of the UK to unite and form this amazing lineup.

Derby-based trio Alright The Captain masterfully combine virtuosic instrumentalism with unabashed musical experimentation and have effortlessly established themselves as a sonic force to be reckoned with, thanks to their increasingly inimitable, uniquely imaginative brand of math-rock. Their sprawling and varied career has seen them sharing stages with post-rock luminaries including Mono, toe, 65daysofstatic, Pelican, Tera Melos, ASIWYFA, Maybeshewill, Adebisi Shank (RIP), This Will Destroy You, ZU and many more. Their new album ‘Contact Fix’ (which ‘Musical Mathematics’ describes as “div(ing)  in and out of math rock, prog and post rock – but, at its heart, it’s different”) has gone down a storm.

Iran Iran are another supremely talented bunch of musicians who stunned and impressed all who saw them at ArcTanGent last year. With insanely complex rhythms and thunderously heavy riffs, the four-piece from Bristol have evolved since their excellent first EP ‘Crystal Math’ and are packing a punch. They’ve played with Future Of The Left, Cleft, Alright The Captain, This Town Needs Guns, You Slut!, Alpha Male Tea Party, Death Pedals and many others. Fans of complex musical wizardry or heavy riffs will love their new EP ‘Milk Time For Spiders’.

Brightoners Porshyne dance between ambient intervals and melodic vocals to intensely intricate, fantastically crunchy  prog rock riffs. With just a few single releases and a session filmed by Small Pond Recordings, they already sold out their first headline show in Brighton. This is your chance to catch the band before their career takes off.

More info here and here, and tickets here (£5.00 advance, £7.00 on the door).

At the end of the same week, Georgina Brett’s Tuesdays Post event returns to Stoke Newington with another evening of ambient/progressive live music, including ‘Misfit City’ favourites Darkroom

event-20150607tuesdayspost

Minny Pops/Spaceheads/Darkroom/Georgina Brett & Hems @ Tuesdays Post, (The Others, 6 Manor Rd, London, N16 5SA, Friday 7th June, 7.00pm)

Formed by vocalist/band leader Wally van Middendorp in Amsterdam in 1978, Dutch electro pioneers Minny Pops took their name from a primitive Korg drum machine. The band released several singles and a debut album, Drastic Measures, Drastic Movement, on independent Dutch label Plurex before joining the legendary Manchester label Factory Records in 1980 (which resulted in them being produced by Martin Hannett, touring with both Joy Division and New Order, and becoming the first Dutch group to record a Peel Session). Singles including Dolphin’s Spurt, Secret Story and Time were followed by the acclaimed album ‘Sparks In A Dark Room’ in 1982. The band released two further albums (‘Poste Restante’ and ‘Fourth Floor’) before splitting in 1985. In 2012, the band reunited for a series of gigs in the UK, the Netherlands and Belgium and recorded a 7-inch single for Tim Burgess’ O Genesis label. After a pause to draw breath, 2014 has seen Minny Pops performing live once again.

Spaceheads are a cosmic duo of trumpet electronics and drums. Formed in 1990, they have developed a blend of electronics and sunshine fanfares over the course of ten albums, three EPs and much touring across Europe and the USA. Andy Diagram (also of James) plays trumpet with a mobile phone stuck to the top with a fish slice and Richard Harrison plays drums with big bendy metal sheets stuck to the top. They create live looped layers of brass driven by flurries of free flowing funky drums. Andy and Richard have achieved an intuition of what each is about to do next which makes their semi-improvised gigs a joy to behold. They release their first studio album in ten years – ‘A Short Ride On The Arrow of Time’ – this Autumn.

Darkroom – the UK-based duo of Michael Bearpark (guitars) and Andrew Ostler (synths)- expertly ride the line between luscious, old-school progressive rock and modern ambient electronics. At times reminiscent of early Tangerine Dream with hints of Fripp and Eno, they create clouds of sequenced synths, chewy grooves, and looped phrases to support a variety of acoustic and electric guitar melodies that twist and turn in surprising, occasionally aggressive, ways.

Hems Aka Henrique Matias will be playing live with Georgina Brett. Henrique is a multi-talented composer, programmer and DJ. He specialises in Multimedia programming (from internet things to Max/MSP and similars), although not all his live music and performances sounds like computer music (sometimes he takes his drum machines and crazy things out of the house). Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, often in an hypnotic style. The point of this music is not only to captivate with extraordinary timing and melodic style but also to help the listener to relax in our ever-increasingly fast world.

Interactive visuals and multimedia projections are by Hanzo and Rucksack Cinema.

More information here – tickets £7.00 on the door.

By all accounts The Forge (in Camden Town) has spent the last few years becoming one of north London’s most interesting small venues for mixed music. I’ve yet to go there and see for myself: but in its full June calendar (also featuring funk, jazz, classical and Cuban music as well as assorted poetry) the following four concerts caught my interest:

Notus Winds & Eliza McCarthy (Wednesday 3nd June, 7.30pm)

Part of the classical monthly series Wednesdays at The Forge, this time featuring award-winning chamber ensemble Notus Winds and solo pianist Eliza McCarthy with a program of contemporary compositions (more information here). Tickets £10.00 to £12.00.

Programme:

Harrison Birtwistle – 5 Distances
György Ligeti – Ten Pieces
Arvo Pärt – Quintettino
Anders Hillborg – Six Pieces for Wind Quintet

Fenella Humphreys: Bach to the Future Part 1 (Tuesday 9th June, 7.30pm)

The first of three concerts presented by violinist Fenella Humphreys, featuring commissions of six new works by six of Britain’s leading composers to accompany Bach’s glorious 6 Sonatas and Partitas for unaccompanied violin. This first concert includes new works by Cheryl Frances-Hoad and Gordon Crosse alongside extraordinary music by Bach, Scott, Westhoff, Hindemith. Tickets £10.00 to £12.00.

Programme:

Cyril Scott – Bumble-Bees (1928)
Johann Paul von Westhoff – Suite no. 5 in D minor (1682)
Gordon Crosse – Orkney Dreaming (2014)
Fritz Kreisler – Recitativo and Scherzo-Caprice op. 6 (1911)
Paul Hindemith – Sonata op. 31 no. 2 ‘Es ist so schönes Wetter draussen’ (1924)
Johann Sebastian Bach – Partita no. 3 in E major BWV 1006 (c. 1720)
Cheryl Frances-Hoad – Suite no. 1 (2014)
Eugene Ysaye – 2nd Sonata op. 27 (1923)

Reciprocity: a new work by Daniel Patrick Cohen (Wednesday 10th June, 7.00pm)

Reciprocity is a 28 minute work for voice, taped narration, eight celli, piano, and percussion. The piece was composed by Daniel Patrick Cohen from six poems by the late Darya Farha, a Canadian poet, therapist, filmmaker and clothing designer. Darya was an extraordinary woman whose sharp intelligence, dry wit, distaste for orthodoxies and boundless empathy fuelled restless journey through her unfinished life. Darya died of breast cancer in 2011 when she was 46, and Reciprocity was commissioned by her sister Juliana Farha, who lives in London. Reciprocity is not about cancer, however. Instead, its human and universal themes of joy, pleasure, fear and anger, along with its intriguing instrumentation are sure to engage a broad audience. You can read more on the project here, and here. Tickets £6.00.

She’Koyokh & Veda Slovena Bulgarian Choir (Thursday 11th June, 8.00pm)

In a unique collaboration, She’Koyokh & Veda Slovena Bulgarian Choir combine the fiery panache of klezmer and Balkan music with the timeless beauty of Bulgarian voices, weaving Jewish, Turkish and Balkan music into the rich tapestry of the Bulgarian choral tradition. Read She’Koyokh’s piece on their Veda Slovena collaboration here. Tickets £10.00 to £12.00.

(All events taking place at The Forge, 3-7 Delancey Street, London, NW1 7NL)

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