Tag Archives: Arvo Pärt

November/December 2017 – upcoming London classical gigs – City of London Sinfonia’s ‘Modern Mystics’ series (9th & 22nd November, 2nd December)

30 Oct

From early November to early December, City of London Sinfonia are putting on a “trilogy” of concerts exploring “how music and sound can link us to spiritual experiences”, featuring various contemporary classical pieces; many of which are drawn from the fields of Eastern European holy minimalism, or from musical strands involving contemporary takes on spiritual or environmental matters. At least two of the concerts feature added meditational or projected-image aspects; which might sound gimmicky, but it can’t be denied that this particular music lends itself to psychedelic or synaesthesic experiences.

* * * * * * * *

Modern Mystics: 'The Fruit of Silence', 9th November 2017

Modern Mystics: ‘The Fruit of Silence’
Southwark Cathedral, London Bridge, Southwark, London, SE1 9DA, England
Thursday 9th November 2017, 7.30pm
– information here and here

In the first concert, the Sinfonia are joined by violinist/evening director Alexandra Wood, conductor Michael Collins and the Epiphoni Consort, promising “music that draws you in with its purity, clarity and tranquillity… the music of Pärt, Vasks and Tabakova evoke the transcendental, with chant-like washes of colour and spellbinding soundscapes.” The concert also features projected visuals by Jack James Projections.

Programme:

Pēteris Vasks – The Fruit Of Silence
Arvo Pärt – Seven Magnificat Antiphons
Arvo Pärt – Summa
Arvo Pärt – Fratres
Arvo Pärt – Magnificat
Dobrinka Tabakova – Organum Light
Arvo Pärt – Tabula Rasa

This concert also features a brief pre-concert “mindful meditation” event in the cathedral’s retrochoir at 7.00pm, guided by CLS violinist and alternative healer Ann Morphee, with a plan to “explore the deeply contemplative second movement of Part’s ‘Tabula Rasa’, and enhance our self-awareness and openness ahead of the performance by employing mindfulness techniques… the art of focusing on the present moment. It is a fundamental strategy for dealing with stress, helping us to relax and be uninfluenced by habitual behaviour that we experience in our day-to-day activities”. No previous experience is required, but there are only fifty places available (for event ticketholders only).

* * * * * * * *

Modern Mystics: 'The Book of Hours', 22nd November 2017

Modern Mystics: ‘The Book of Hours’
Village Underground, 54 Holywell Lane, Shoreditch, London, EC2A 3PQ, England
Wednesday 22nd November 2017, 7.30pm
– information here, here and here

The second concert, conducted by Jessica Cottis, features “new music which evokes the sounds of ancient worlds… Music is timeless – it links the modern-day to forgotten eras, stretches seconds into minutes and makes hours dissolve in a moment. Combining live orchestra, recordings and lighting, the second concert in City of London Sinfonia’s Modern Mystics Sonic Trilogy conjures up the past through music, light and amplification.” Again, Jack James provides the projections and visuals.

Programme:

Howard Skempton – Only the Sound Remains
Jonathan Harvey – Mythic Figures
Guillaume de Machaut/Richard Causton – Kyrie/Sanctus from ‘Messe de Nostre Dame’
Julian Anderson – Book of Hours

Again, there’s a strongly ecclesiastical aspect to this one, with the Anderson piece being a modern reexamination of ancient Christian monk rituals, the Harvey originating from an IRCAM taped work with Tibetan temple bell, and the Causton being a reworking of part of a de Machuat mass (with its two instrumental groups separated as far from each other as the venue will allow). While not directly religious in its roots, the Skempton is a musical evaluation of cultural and temporal loss centred around the decay and demolition of an old mill, and the gap left by its absence.

* * * * * * * *

Modern Mystics: 'The Protecting Veil', 2nd December 2017

Modern Mystics: ‘The Protecting Veil’
St John’s Smith Square, Smith Square, Westminster, London, SW1P 3HA, England
Saturday 2nd December 2017, 7.30pm
– information here, here and here

Alexandra Wood returns as orchestra leader and event director for the third and final concert (which is also part of the Southbank Centre’s ‘Belief and Beyond Belief‘ series). This will be a presentation of John Tavener‘s ‘The Protecting Veil’ with cellist Matthew Barley sharing the load as both featured soloist and presenter. The event’s described as “an ecstatic vision of devotion revealed by cello and orchestra… ‘The Protecting Veil’ is music which blurs the line between humanity and divinity – a glimpse into otherworldliness through the Eastern Orthodox rituals celebrated around Mary, Mother of God. We invite you on a journey to the centre of the music through living programme notes – and get close enough to touch as we transform St John’s Smith Square with intimate seating.”

Programme:

John Tavener/Matthew Barley – Living programme notes on ‘The Protecting Veil’
John Tavener – The Protecting Veil
 

October 2017 – upcoming London classical gigs – Music-in-Motion & Gildas Quartet immersive show, and the Ligeti Quartet’s ‘Remembering the Future’ (both 28th October)

8 Oct

There’s a couple of classical concerts at the end of the month: not necessarily groundbreaking in what they play (although there is one premiere involved) but interesting in how they arrange their programme or in how they perform it.

* * * * * * * *

Music-in-Motion, 28th October 2017

Conway Hall Ethical Society presents:
Music-in-Motion Ensemble & Gildas Quartet, directed by John Landor
Conway Hall, 25 Red Lion Square, Bloomsbury, London, WC1R 4RL, London
Saturday 28th October 2017, 3.30 pm & 7.30pm; Tuesday 31 October 2017, 7.30pm
information

“Following his powerful staging of Janáček’s ‘Kreutzer Sonata’ with the Gildas Quartet at Conway Hall last May, John Landor returns with the quartet and the newly-formed Music-in-Motion Ensemble of thirteen string players to present an eclectic programme of music from Purcell to Pärt.

“Immersive, visual and theatrical, Music-in-Motion brings a bold new aesthetic approach to the traditional classical concert. Turning the whole auditorium into a “theatre of music”, the musicians become embodied channels of the musical drama, dissolving boundaries between performers and audience. You are welcome to sit, stand, or even lie down pretty much anywhere during the performance, so you can bring your own cushion or mat, or use ours. It’s a social event too! At the evening concerts, you can bring in drinks from the bar, and everyone is invited to the ‘after-party’ where audience and performers can mingle and discuss the performance, or indeed anything else!”

What this means in practise is the exploding of the orchestral positioning and of orchestral uniformity – while retaining the hidden discipline of the orchestral units, the musicians wander out on their own across the performance space and through the audience as individuals rather than remaining en bloc, with each performer free (and encouraged) to act out the emotionality of the music. The set’s a selection of well-known repertoire war horses: the presentation and implications are less familiar.

Programme:

Johann Sebastian Bach – Brandenburg Concerto No. 3 in G BWV1048
Antonio Vivaldi – Sinfonia al Santo Sepolcro in B minor RV169
Arvo Pärt – Fratres
Leoš Janáček – String Quartet No. 1 ‘Kreutzer Sonata’
Henry Purcell – Chacony in G minor
Edward Elgar – Introduction and Allegro Op. 47

* * * * * * * *

The Ligeti Quartet present “Remembering the Future: Tradition and the Contemporary String Quartet”
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 28th October 2017, 7:30pm
information

Since their formation in 2010, Ligeti Quartet, 2017The Ligeti Quartet (violinists Mandhira de Saram and Patrick Dawkins, viola player Richard Jones and cellist Val Welbanks) have commissioned multiple new works and collaborated with artists from all types of musical backgrounds including Anna Meredith, Elliot Galvin, Kerry Andrew (Juice Vocal Ensemble, You Are Wolf), Laura Jurd, Meilyr Jones, Neil Hannon (The Divine Comedy), Seb Rochford (Polar Bear), Shabaka Hutchings (Sons of Kemet, The Comet is Coming), Shed 7 and Submotion Orchestra. They are currently working on a long-term project with Ernst von Siemens prize-winning composer Christian Mason to create a series of ‘Songbooks’ for string quartet, based on overtone singing traditions from around the world.

For this performance, the Ligeti Quartet are performing traditional (20th century) and contemporary pieces. These include two Bach related works (a Sofia Gubaidulina tribute and a Birtwistle rearrangement of fugues, , a revival of the debut composition by http://www.plusminusensemble.com Plus-Minus Ensemble co-leader/Cut and Splice curator Joanna Baillie (originally written for Apartment House, and performed here in its 2006 string quartet version) and a brand new piece by former Unthanks member/ Streetwise Opera composer-in-residence/Timeline Songs director Stef Conner (whose body of work as a composer has revealed her as a walker and crosser of fine lines between classical, folk, jazz and antiquity).

Programme:

Johann Sebastian Bach (arr. Harrison Birtwistle) – Three Fugues from the Art of Fugue
Anton Webern – String Quartet, Op. 28
Joanna Baillie – Five Famous Adagios (2006 string quartet version)
Stef Conner – (LQ Commission, title tbc) (premiere)
Igor Stravinsky – Concertino for String Quartet
Sofia Gubaidulina – Reflections on a Theme B-A-C-H
Georg Friedrich Haas – String Quartet No. 2
 

March 2017 – upcoming gigs – selections from the Sheffield Classical Weekend (17th-19th)

6 Mar

There’s plenty going on at the three-day mid-March Sheffield Classical Weekend, with the city permeated with music including many old and new favourites. Among what’s on offer are two different performances of Arvo Pärt’s ‘Fratres’ (one by a wind band, one by a host of strings), two Dreams of China concerts covering formal Chinese classical compositions) and a host of choral shows (the classic monk’s-debauchery of Orff’s ‘Carmina Burana’ via Schubert’s ‘Mirjam’s Siegesgesang’ and Brahms’ ‘Ziguenerlieder’, through to a variety of pops choirs.) Though I’d advise checking out the entire, pleasingly diverse programme, here are my own brief and subjective picks from it, if you’re interested.

* * * * * * * *

Oliver Coates & cellists: ‘Canticles of the Sky’ – Kelham Island Museum, Alma St, Sheffield, S3 8RY, England, Saturday 18th March 2017, 3:30pm & 5.00pminformation

“A UK premiere featuring star cellist Oliver Coates (Radiohead, ‘Under The Skin’ and ‘There Will Be Blood’). Olly and a host of cellists will surround the Kelham Island audience and lift you skyward with this ethereal and dreamy work from Pulitzer and Grammy-winning composer John Luther Adams. Also featuring extracts from J.S Bach’s Cello Suites.”

* * * * * * * *

Five Choirs: Sounds From Heaven – St Marie’s Cathedral, Norfolk Row, Sheffield S1 2JB, England, Sunday 19th March 2017, 2:30pminformation

“Perched around the sides of the excellent acoustic space within the Cathedral Church of St Marie, five Sheffield chamber choirs – Abbeydale Singers, Sheffield Chamber Choir, Sterndale Singers, Sheffield Chorale and Viva Voce – will “create a swoonsome heart-lifting soundscape of song.” As well as old and new choral standbys by John Tavener, Arvo Pärt, Felix Mendelssohn and others, the concert will include the premiere of ‘Kraal’ a commission for five simultaneous choirs written by Jenny Jackson (a member of Sheffield’s own contemporary composer collective, Platform 4).”

* * * * * * * *

More music fostered by Platform 4 will be popping up a few times over the weekend. Flautist Rachel Shirley performs “a selection of colourful and inventive works for flute, piano, blown bottles and saxophone“; there’s an evening date at Yellow Arch Studios with players from Sheffield Music Academy, performing the collective’s own “imaginative cutting-edge compositions”. There’s a “mind-bending” collaboration with Opera On Location in which “stories are turned upside down and endings become beginnings in (a) selection of operatic palindromes, where the music is the same both backwards and forwards… featuring Paul Hindemith’s short opera ‘Hin Und Zurück’ (‘There And Back’), plus new bitesize and puzzling pieces…” Platform 4 also contribute the cello-and-electric keyboard piece ‘Upright Stance’ to be performed alongside Shostakovich’s Cello Concerto at Oliver Coates’ concert with Sheffield Music Hub Senior Schools.

  • Opera On Location with Platform 4 – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 8:30pminformation (contains strong and sexually explicit language – recommended for 18+)
  • Rachel Shirley: ‘Hooting & Drinking’ – Channing Hall @ Upper Chapel, Norfolk Street, Sheffield, S1 2JD, Saturday 18th March 2017, 3.30pminformation
  • Oliver Coates & Sheffield Music Hub Senior Schools: ‘From The Heart: Shostakovich’ – City Hall Ballroom @ Sheffield City Hall, Barkers Pool, Sheffield, S1 2JA, England, Sunday 19th March, 12:00pminformation
  • Platform 4 with Sheffield Music Academy – Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6:30pminformation

* * * * * * * *

On the Friday and the Saturday, there are some thoughtfully programmed Sound Laboratory events centring on the music, ideas and influence of Pierre Boulez. Saturday sees a triple-banked set featuring pianists Beate Toyka and Matthew Odell, violinists Darragh Morgan and Lucy Phillips, clarinettist Sarah Watts and the University of Sheffield New Music Ensemble.

Each of these mini-concerts sets one of Boulez’s first three Piano Sonatas against another piece. ‘The Conflict And The Passion’ pitches ‘Piano Sonata No. 1’ against Beethoven’s Kreutzer Sonata in a study of thwarted passions. ‘Deconstruction & Digitalisation’ presents the classical deconstruction of ‘Piano Sonata No. 2’ and the electro-acoustic contrasts of ‘Anthemes II’. ‘Choice And Chance’ (the only one of the concerts to feature two Boulez compositions) offers ‘Piano Sonata No. 3’ and the clarinet-and-orchestra piece ‘Domaines’, contrasting a piece in which major options are available to the performer and one which is considerably more ordered and regimented.

The series opens on Friday with a special Boulez-inspired concert in which “the avant-garde becomes child’s play… primary school children from across the city explore the curious frontiers of contemporary electronic music and present the results of their musical experimentation.”

Sound Laboratory:

  • ‘Computer Music’ – Firth Hall @ University of Sheffield, Western Bank, Sheffield, S10 2TN, England, Friday 17th March 2017, 1:30pminformation
  • ‘The Conflict & The Passion’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 1:30pminformation
  • ‘Deconstruction & Digitalisation’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 3:30pminformation
  • ‘Choice and Chance’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Saturday 18th March 5:00pminformation

* * * * * * * *

Among the Chinese-inspired events is one in which Chinese and European chamber music merge as celebrated guzheng zither soloist Xia Jing teams up with The Fidelio Trio (Darragh Morgan on violin, Adi Tal on cello and Mary Dullea on piano). They’ll be presenting a concert of brand-new musical premieres – Gao Ping’s ‘Feng Zheng’ (‘Kite’), Jeroen Speak’s ‘Silk Dialogues 7’, Dylan Lardelli‘s ‘Shells’, and ‘Time Bends In The Rock’ by Sheffield-based composer Dorothy Ker.

Fidelio Trio & Xia Jing: ‘Global Soundtracks: Silk Dialogues’ – Upper Chapel, Norfolk Street, Sheffield, S1 2JD, England, Friday 17th March 2017, 9:30pminformation

* * * * * * * *

In addition, there’s a variety of pop-up performances across the three days, featuring abbreviated sets by event headliners plus showings by small instrumental and vocal groups. It’s an open-minded spill moving out from classical forms to embrace folk, alt.chamber and other kinds of music.

One promising set of contributors are Manchester quintet Kabantu, who’ve thankfully dropped their previous name Project Jam Sandwich and who also “throw away the rulebook to bridge countries and cultures, creating an exuberant and joyful soundworld… vocal harmonies from South Africa coalesce with everything from Celtic reels and Brazilian samba to Balkan folk music and beyond.” Featuring violin, guitar, cello, double bass and percussion in addition to voices, they’re playing a pop-up show but also two separate consecutive-but-entirely-different sets at Yellow Arch Studios.

Classical by Night – Kabantu @ Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England, Sunday 19th March 2017, 6.30pm & 9:30pm – information here and here
 

January 2016 – upcoming gigs – Fortuna Pop Winter Sprinter and Repeater alt/indie/noisepop mini-festivals (and Hannah Marshall/Korbik Lucas playing a LUME slot) in London; Britten Sinfonia At Lunch across the east of England (with an Anna Clyne premiere); David Cohen and friends play magical-journey chamber music by Michael Nyman, Schubert and Gavin Higgins in Norwich

3 Jan

Happy New Year everyone. While I sort myself out, put the review of 2015 together and decide which approaches to take with ‘Misfit City’ this year, here’s what I know about so far in terms of January shows. A couple of mini-festivals of indie pop/garage rock/punk/noise rock and indie folk in London; a lunchtime mini-tour of chamber music in London and the east of England; an afternoon of free improvisation in a Kentish Town record shop; plus one more interesting classical concert in unusual surroundings up in Norwich.

* * * * * * * *

Several of the characters who showed up for the Arrivée/Départ II festival last month are also showing up for this next one: it’s a similar aesthetic, and involves many of the same musical and professional friendships.

Fortuna Pop Winter Sprinter, January 2016

The 6th Annual Fortuna POP! Winter Sprinter (2016) (The Lexington, 96-98 Pentonville Road, Islington, London, N1 9JB, England, Tuesday 5th to Friday 8th January 2016, various times) – £10.45 (or £32.70 for four-day pass) – informationtickets

It’s happening again… The 6th Annual Fortuna POP! Winter Sprinter 2016 is Go! Four nights, twelve bands, DJs… the perfect antidote to the post-Christmas blues with the creme de la creme of the Fortuna POP! roster – including former members of Broken Family Band and The Loves – plus special guests.

Tuesday 5th January – Steven James Adams + Simon Love + The Leaf Library plus DJ Paul Wright (The Track & Field Organisation).



Wednesday 6th January – Tigercats + Flowers + Chorusgirl plus DJ Paul Richards (Scared To Dance).



Thursday 7th January – Withered Hand (full band) + Evans The Death + Pete Astor, plus DJ Darren Hayman.



Friday 8th January – Martha + Milky Wimpshake + Bleurgh (a Blur covers band featuring members of Allo Darlin’‎, Fever Dream, Night Flowers and Tigercats) plus DJs Sandy Gill & Karren Gill (Stolen Wine Social Club Night).


* * * * * * * *

Overlapping the Winter Sprinter is something a little noisier, over in Shacklewell…

Repeater Festival, January 2016

Repeater Festival (Bad Vibrations @ The Shacklewell Arms, 71 Shacklewell Lane, Shacklewell, London, E8 2EB, England,
Thursday 7th to Saturday 9th January 2016, various times)
– free entry – information

To break in the new year, Bad Vibrations will be putting on a 3-day residency of free-entry gigs at The Shacklewell Arms featuring a selection of garage, noise-rock and indie-folk bands. People playing include Taman Shud, The Wharves, Strange Cages, Virgin Kids, The Eskimo Chain, Honey Moon, Lucifer’s Sun, Night Shades and St. Serf. The usual strip of soundclips and video is below.








 

* * * * * * * *

A recent trip to Norwich (still a prime ‘Misfit City’ stomping ground, partly thanks to all of those hometown Burning Shed concerts in the past decade or so) brought me into touch with the next set of gigs. The classical ensemble Britten Sinfonia has close links with the east of England and is honouring that with its At Lunch mini-tours, which swing in a loose arc between Norwich, Cambridge and London, bringing sturdy classical repertoire plus new premieres with them. Here’s information on the second of these tours (sorry, I missed the first one) which takes place mid-month:

Anna Clyne (photo by Javier Oddo)

Anna Clyne (photo by Javier Oddo)


Britten Sinfonia presents ‘At Lunch Two’

  • St Andrew’s Hall @ The Halls, St Andrews Plan, Norwich, Norfolk, NR3 1AU, England, Friday 15th January 2016 – £3.00 to £9.00 plus booking fee – tickets
  • West Road Concert Hall, 11 West Road, Cambridge, CB3 9DP, England, Tuesday 19th January 2016, 1.00pm – £3.00 to £9.00 – information & tickets
  • Wigmore Hall, 36 Wigmore Street, Marylebone, London, W1U 2BP, England, Wednesday 20th January 2016, 1.00pm – £11.00 to £13.00 – information & tickets

Programme:

Johann Sebastian Bach – Gott versorget alles Leben (from Cantata BWV187)
Domenico Scarlatti (arr. Salvatore Sciarrino) – Due arie notturne dal campo
Arvo Pärt – Fratres (for string quartet)
Johann Sebastian Bach – Seufzer, Tranen, Kummer, Not (from Cantata BWV21)
György Ligeti – Continuum
Anna Clyne – This Lunar Beauty (world premiere tour)
Johann Sebastian Bach – Tief gebückt und voller Reue (from Cantata BWV199)

Performers:

Julia Doyle (soprano)
Maggie Cole (harpsichord)
Jacqueline Shave, Miranda Dale (violins)
Clare Finnimore (viola)
Caroline Dearnley (cello)
Marios Argiros (oboe)

A pre-occupation with texture permeates this programme, beginning with two arias from the grand master of counterpoint, J. S. Bach. Ligeti’s ‘Continuum’ tests not only the limits of the soloist but also the exhilarating knife-edge between hearing individual notes and continuous sound. A world premiere from Grammy-nominated composer of acoustic and electro-acoustic music, Anna Clyne, whose music seeks to explore resonant soundscapes and propelling textures, completes the journey from the baroque to present day.

* * * * * * * *

LUME, whose London jazz and free improvisation events I tracked during 2015, are continuing to expand their efforts. While they seem to have found themselves a more regular slot at the Vortex, early 2016 shows are taking place at assorted venues around the capital – galleries, shops, any suitable space. The first of these is in a heavy-duty experimental record shop in Kentish Town, which – although it’s only a short walk or bus hop away from the ‘Misfit City’ flat – I’ve not noticed up until now. I should visit it and go through my usual masochistic experience of being intimidated by serried racks of music made by people I’ve not heard of before; or perhaps I should just go to this show.

Hannah Marshall + Kordik Lucas (LUME @ Electric Knife Records, 16b Fortess Road, Kentish Town, London, NW5 2EU, England, Saturday 16th January 2016, 1.30pm) – pay-what-you-like, £5.00 minimum

The first LUME gig of the year features a solo set from improvising cellist Hannah Marshall (whose collaborators have included Veryan Weston, Evan Parker, Lauren Kinsalle, Alex Ward and former Henry Cow members Tim Hodgkinson and Fred Frith), followed by a performance by the improvising duo Kordik Lucas duo (Slovakian analogue synth player Daniel Kordik and trombonist Edward Lucas, who also run the Earshots concert series and record label). This will be an in-store show so space is limited. There’s not much more information available on the evening at present, so keep an eye on the LUME and Electric Knife sites for updates (if anything new shows up, I’ll add it in here…)


* * * * * * * *

David Cohen (photo by Daniel Herendi)

David Cohen (photo by Daniel Herendi)

Finally, back to Norwich to drop in on a classical chamber music series assembled by acclaimed Belgian cellist David Cohen and assorted friends. Usually when I cover classical or modern classical concerts it’s because they feature premieres of new pieces or intriguing new interpretations and juxtapositions. While this one does feature a premiere (Gavin Higgins’ ‘Howl’) as well as a recent Michael Nyman string quartet from 2011, in this case I was intrigued by the venue – the John Innes Centre, a long-established plant and microbial research centre which lends its lecture theatre for these concerts. If you’re of an intellectual, associative and site-specific mindset, you can listen to the structures in the music unfold while simultaneously considering that you’re surrounded by the echoes of people thinking about – and unravelling the shape of – vegetable genomes.

Cello Con Brio ‘Magical Journeys’ (Norfolk & Norwich Chamber Music @ John Innes Centre, Norwich Research Park, Colney Lane, Norwich, NR4 7UH, England, Sunday 17th January 2016, 7.30pm) – £1.50 to £25.50 – informationtickets

Programme:

Michael Nyman – String Quartet No. 5 (‘Let’s not make a song and dance out of this’)
Gavin Higgins – Howl (for solo cello & string quartet) – world premiere
Franz Schubert – String Quintet in C

Performers:

David Cohen (cello)
Henri Sigfridsson (piano)
Corinne Chapelle (violin)
The Smith Quartet (strings)

Music performed by the ensemble on the other two days of the residency (15th and 16th January) includes chamber works by Brahms, Arensky, Schnittke, Beethoven and Paganini – the full listing is here.

* * * * * * * *

More gig news next time, including shows by Laura Cannell, Ichi and Tom Slatter.
 

June 2015 – upcoming London gigs – North-eastern classical – a London debut for the Baltic Music Society

17 Jun

Baltic Music Society, London - inaugural concert

Baltic Music Society – Inaugural Concert (All Saints Church,, Clydesdale Road, Notting Hill, London W11 1JE, UK, Saturday 20th June, 7.00pm)

The newly-formed Baltic Music Society in London hosts its debut concert of classical chamber music this coming Saturday, in Notting Hill.

This first concert features music by Erkii Sven-Tuur, Jāzeps Vītols and a host of living composers including Arvo Part. It includes the world premiere of a specially commissioned new work – ‘Memories of Lithuania’ by Keith Burstein, a British composer of Lithuanian descent – and music by a wide range of Baltic state composers including Zita Bružaitė, Bronius Kutavičius, Anatolijus Šenderovas, and Ariel Anenburg.

The Baltic states of Lithuania, Latvia and Estonia lie on one of the critical geopolitical faultlines of the world and yet still little is known of their culture in the West. However the burgeoning creativity of the region now promises a new wave of cultural riches. The Baltic Music Society exists to explore, present and introduce music from or inspired by the Baltic region. The world refracted through the amber stone of the Baltic – a new light from a new music. Join us at the beginning of this pathway of discovery.

Programme:

Zita Bružaite – Novelette

Bronius Kutavičius – Three Metamorphoses

Jāzeps Vītols – Romance

Erkki-Sven Tüür – Piano Sonata

Keith Burstein – Trio for Viola, Clarinet and Piano, “Memories of Lithuania” (world premiere)

Anatolijus Šenderovas – Cantus in memoriam Jascha Heifetz

Arvo Pärt – Spiegel im Spiegel

Keith Burstein – PianoWorks

Ariel Anenburg – Images

Performers:

Jelena Makarova, Rimantas Vingras, Kristiina Rokashevich, Keith Burstein – piano
Antanas Makštutis – clarinet
Orpheus Papafilippou – violin,
Barbara Gumėnaitė – viola.

Expect a broad range of musical voices, from folk-inspired pieces to torrid, fractured flights of neo-romantic piano through to Pärt’s familiar “holy minimalism”. More information is here, and tickets are available here – price £10.00.

For a few tastes of what’s on offer, I’ve tracked down a few YouTube performances of some of the pieces on the programme – see below:

June 2015 – upcoming London gigs – prog rock/math rock/post-hardcore @ The Facemelter; electro-pop/drum’n’brass/loops/experimental ambience @ Tuesdays Post; eclectic classical/experimental chamber music/kletzmer & Bulgarian voices @ The Forge

31 May

Some more early June gig previews for London – these would have been in the previous post if I’d picked up on them earlier.

Firstly, a Facemelter promotion (from the experimental rock/post-hardcore wing of the Chaos Theory organisation whose jazz gigs I’ve also enjoyed)…

Facemelter, 5th June 2015

Alright The Captain + Iran Iran + Porshyne @  The Facemelter (The Black Heart, 2-3 Greenland Place, Camden, London, NW1 0AP, Friday 5th June , 7.30pm

Three heroes of math rock, alternative and post-rock travel from different corners of the UK to unite and form this amazing lineup.

Derby-based trio Alright The Captain masterfully combine virtuosic instrumentalism with unabashed musical experimentation and have effortlessly established themselves as a sonic force to be reckoned with, thanks to their increasingly inimitable, uniquely imaginative brand of math-rock. Their sprawling and varied career has seen them sharing stages with post-rock luminaries including Mono, toe, 65daysofstatic, Pelican, Tera Melos, ASIWYFA, Maybeshewill, Adebisi Shank (RIP), This Will Destroy You, ZU and many more. Their new album ‘Contact Fix’ (which ‘Musical Mathematics’ describes as “div(ing)  in and out of math rock, prog and post rock – but, at its heart, it’s different”) has gone down a storm.

Iran Iran are another supremely talented bunch of musicians who stunned and impressed all who saw them at ArcTanGent last year. With insanely complex rhythms and thunderously heavy riffs, the four-piece from Bristol have evolved since their excellent first EP ‘Crystal Math’ and are packing a punch. They’ve played with Future Of The Left, Cleft, Alright The Captain, This Town Needs Guns, You Slut!, Alpha Male Tea Party, Death Pedals and many others. Fans of complex musical wizardry or heavy riffs will love their new EP ‘Milk Time For Spiders’.

Brightoners Porshyne dance between ambient intervals and melodic vocals to intensely intricate, fantastically crunchy  prog rock riffs. With just a few single releases and a session filmed by Small Pond Recordings, they already sold out their first headline show in Brighton. This is your chance to catch the band before their career takes off.

More info here and here, and tickets here (£5.00 advance, £7.00 on the door).

At the end of the same week, Georgina Brett’s Tuesdays Post event returns to Stoke Newington with another evening of ambient/progressive live music, including ‘Misfit City’ favourites Darkroom

event-20150607tuesdayspost

Minny Pops/Spaceheads/Darkroom/Georgina Brett & Hems @ Tuesdays Post, (The Others, 6 Manor Rd, London, N16 5SA, Friday 7th June, 7.00pm)

Formed by vocalist/band leader Wally van Middendorp in Amsterdam in 1978, Dutch electro pioneers Minny Pops took their name from a primitive Korg drum machine. The band released several singles and a debut album, Drastic Measures, Drastic Movement, on independent Dutch label Plurex before joining the legendary Manchester label Factory Records in 1980 (which resulted in them being produced by Martin Hannett, touring with both Joy Division and New Order, and becoming the first Dutch group to record a Peel Session). Singles including Dolphin’s Spurt, Secret Story and Time were followed by the acclaimed album ‘Sparks In A Dark Room’ in 1982. The band released two further albums (‘Poste Restante’ and ‘Fourth Floor’) before splitting in 1985. In 2012, the band reunited for a series of gigs in the UK, the Netherlands and Belgium and recorded a 7-inch single for Tim Burgess’ O Genesis label. After a pause to draw breath, 2014 has seen Minny Pops performing live once again.

Spaceheads are a cosmic duo of trumpet electronics and drums. Formed in 1990, they have developed a blend of electronics and sunshine fanfares over the course of ten albums, three EPs and much touring across Europe and the USA. Andy Diagram (also of James) plays trumpet with a mobile phone stuck to the top with a fish slice and Richard Harrison plays drums with big bendy metal sheets stuck to the top. They create live looped layers of brass driven by flurries of free flowing funky drums. Andy and Richard have achieved an intuition of what each is about to do next which makes their semi-improvised gigs a joy to behold. They release their first studio album in ten years – ‘A Short Ride On The Arrow of Time’ – this Autumn.

Darkroom – the UK-based duo of Michael Bearpark (guitars) and Andrew Ostler (synths)- expertly ride the line between luscious, old-school progressive rock and modern ambient electronics. At times reminiscent of early Tangerine Dream with hints of Fripp and Eno, they create clouds of sequenced synths, chewy grooves, and looped phrases to support a variety of acoustic and electric guitar melodies that twist and turn in surprising, occasionally aggressive, ways.

Hems Aka Henrique Matias will be playing live with Georgina Brett. Henrique is a multi-talented composer, programmer and DJ. He specialises in Multimedia programming (from internet things to Max/MSP and similars), although not all his live music and performances sounds like computer music (sometimes he takes his drum machines and crazy things out of the house). Georgina Brett’s music is created using her voice and effects pedals, creating instant choirs of sound, often in an hypnotic style. The point of this music is not only to captivate with extraordinary timing and melodic style but also to help the listener to relax in our ever-increasingly fast world.

Interactive visuals and multimedia projections are by Hanzo and Rucksack Cinema.

More information here – tickets £7.00 on the door.

By all accounts The Forge (in Camden Town) has spent the last few years becoming one of north London’s most interesting small venues for mixed music. I’ve yet to go there and see for myself: but in its full June calendar (also featuring funk, jazz, classical and Cuban music as well as assorted poetry) the following four concerts caught my interest:

Notus Winds & Eliza McCarthy (Wednesday 3nd June, 7.30pm)

Part of the classical monthly series Wednesdays at The Forge, this time featuring award-winning chamber ensemble Notus Winds and solo pianist Eliza McCarthy with a program of contemporary compositions (more information here). Tickets £10.00 to £12.00.

Programme:

Harrison Birtwistle – 5 Distances
György Ligeti – Ten Pieces
Arvo Pärt – Quintettino
Anders Hillborg – Six Pieces for Wind Quintet

Fenella Humphreys: Bach to the Future Part 1 (Tuesday 9th June, 7.30pm)

The first of three concerts presented by violinist Fenella Humphreys, featuring commissions of six new works by six of Britain’s leading composers to accompany Bach’s glorious 6 Sonatas and Partitas for unaccompanied violin. This first concert includes new works by Cheryl Frances-Hoad and Gordon Crosse alongside extraordinary music by Bach, Scott, Westhoff, Hindemith. Tickets £10.00 to £12.00.

Programme:

Cyril Scott – Bumble-Bees (1928)
Johann Paul von Westhoff – Suite no. 5 in D minor (1682)
Gordon Crosse – Orkney Dreaming (2014)
Fritz Kreisler – Recitativo and Scherzo-Caprice op. 6 (1911)
Paul Hindemith – Sonata op. 31 no. 2 ‘Es ist so schönes Wetter draussen’ (1924)
Johann Sebastian Bach – Partita no. 3 in E major BWV 1006 (c. 1720)
Cheryl Frances-Hoad – Suite no. 1 (2014)
Eugene Ysaye – 2nd Sonata op. 27 (1923)

Reciprocity: a new work by Daniel Patrick Cohen (Wednesday 10th June, 7.00pm)

Reciprocity is a 28 minute work for voice, taped narration, eight celli, piano, and percussion. The piece was composed by Daniel Patrick Cohen from six poems by the late Darya Farha, a Canadian poet, therapist, filmmaker and clothing designer. Darya was an extraordinary woman whose sharp intelligence, dry wit, distaste for orthodoxies and boundless empathy fuelled restless journey through her unfinished life. Darya died of breast cancer in 2011 when she was 46, and Reciprocity was commissioned by her sister Juliana Farha, who lives in London. Reciprocity is not about cancer, however. Instead, its human and universal themes of joy, pleasure, fear and anger, along with its intriguing instrumentation are sure to engage a broad audience. You can read more on the project here, and here. Tickets £6.00.

She’Koyokh & Veda Slovena Bulgarian Choir (Thursday 11th June, 8.00pm)

In a unique collaboration, She’Koyokh & Veda Slovena Bulgarian Choir combine the fiery panache of klezmer and Balkan music with the timeless beauty of Bulgarian voices, weaving Jewish, Turkish and Balkan music into the rich tapestry of the Bulgarian choral tradition. Read She’Koyokh’s piece on their Veda Slovena collaboration here. Tickets £10.00 to £12.00.

(All events taking place at The Forge, 3-7 Delancey Street, London, NW1 7NL)

SWOONAGE

Swoon. /swo͞on/ A verb. To be emotionally affected by someone or something that one admires; become ecstatic. Here are some people and things that make me swoon. #swoon #swoonage

Post-Punk Monk

Searching for divinity in records from '78-'85 or so…

theartyassassin

...wandering through music...

Get In Her Ears

Promoting and Supporting Women in Music

Die or D.I.Y.?

...wandering through music...

The Music Aficionado

Quality articles about the golden age of music

THE ACTIVE LISTENER

...wandering through music...

Planet Hugill

...wandering through music...

Listening to Ladies

...wandering through music...

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

The Quietus | All Articles

...wandering through music...

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

furia log

...wandering through music...

A jumped-up pantry boy

To say the least, oh truly disappointed

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Organized sounds. If you like.

Gapplegate Classical-Modern Music Review

...wandering through music...

When The Horn Blows

...wandering through music...

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

FLIPSIDE REVIEWS

...wandering through music...

Headphone Commute

honest words on honest music

The One-Liner Miner

...wandering through music...

Yeah I Know It Sucks

an absurdist review blog

Obat Kanker Payudara Ginseng RH 2

...wandering through music...

poplifer.wordpress.com/

Waiting for the gift of sound and vision

Good Music Speaks

A music blog written by Rich Brown

Do The Math

...wandering through music...

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The World's Worst Records

...wandering through music...

Soundscapes

...wandering through music...

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

FRIDAY NIGHT BOYS

...wandering through music...

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

...wandering through music...

Life Just Bounces

...wandering through music...

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Aquarium Drunkard

...wandering through music...

eyesplinters

Just another WordPress.com site

NewFrontEars

...wandering through music...

%d bloggers like this: