Tag Archives: Poly-Math

May 2018 – upcoming London and Brighton esoteric heavy rock gigs – Memory Of Elephants, Codices, Rad Pitt at Facemelter (4th May); The Display Team, Magnus Loom, Ms Mercy (11th May); Poly-Math, InTechnicolour, Thumpermonkey (12th May)

27 Apr

Making a temporary shift from their usual Camden base at the Black Heart, the upcoming month’s Chaos Theory gigs continue to showcase colourfully noisy guitar rock of the post-, math-y and metallic kind (at the Facemelter nights) and mushroom outwards into avant-rock territories elsewhere.

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Memory Of Elephants + Codices + Rad Pitt, 4th May 2018

Chaos Theory Music Promotions presents:
The Facemelter: Memory Of Elephants + Codices + Rad Pitt
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Friday 4th May 2018, 7.30pm
– information here, here and here

Bristol trio Memory Of Elephants are “insanely brilliant at making technically perfect math-rock sound like noise and making noise-rock sound like progressive perfection”. Already an established Facemelter act, their music’s a welter of restless multipolar mood changes and psych-cyclones with a bewildering delightful stockpile of guitar tones; from mechanistic hissing growls, fire-ribbon swishes and sudden injections of Detroit proto-punk to great woozy carousing fuzzwalls of MBV dreampop, Chinese orchestras and – at one point – what sounds like a gnarly old organ playing itself.


 
Codices (spotted by CT last year playing with Lost In The Riots) offer more pared-down, quick-on-its-feet, jump-and-feint riffage. Studded with bursts of spoken-word metaphysics, they’ve got an appealing heavy/light touch; changing between tearing distortion and sighing post-rock chimes like a rapier fighter who suddenly brings out gobbets of flamethrower blast.


 
Opening (and replacing Midlands slamcore duo A Werewolf!) are the gnarly pop-culture bawls and in-jokes of Colchester post-hardcore rabble Rad Pitt. Showcasing the Facemelter’s more mischievous side, they’re described by ‘Louder Than War’ as “like Enter Shikari without the disco beats and Extreme Noise Terror with some catchy verses attached to the mayhem” and by Chaos Theory’s Kunal as “plenty of screams and big riffs. Ridiculous fun, awesome lyrics, and a band we’ve been dying to work with for ages.”


 
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The Display Team + Magnus Loom + Ms Mercy, 11th May 2018

Match ‘n’ Fuse & Chaos Theory Music Promotions present:
The Display Team + Magnus Loom + Ms Mercy
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Friday 11th May 2018, 7.30pm
– information here, here and here

A week later, Chaos Theory team up with Match’n’Fuse Festival (long-standing promoters of avant-garde jazz, prog and all manner of genre-colliding music) to bring you “a one-off event, a lineup of audio oddities filled with weird and lively sorts. Just because.”

Chaos Theory call London trick-rock squad The Display Team a “prog-punk orchestra creat(ing) a heavy assault of surprisingly upbeat, melodic nonsense, resulting in something like a cross between The Specials and Mr Bungle”. Certainly, as they tumble through their brass-plastered tunes (like a Blackpool drunk being cannon-fired, with suspicious accuracy, through a line of deckchairs), they initially seem like another entry in the long roll of prodigious Zappa-esque loon bands, employing powerful and assertive technique in a circus-act of absurd flamboyance.

Beyond the parping and razzing, though (and beyond the slightly unhinged yell-singing of drummer-leader Chuckles), there’s a steely assurance to them; a determination to navigate to the end of the tangled charts and wrangled music, and to triumph. Ironically, this makes them more Zappa-esque than they’d be if they just larked around. Despite the ska breaks and the post-prog riff blitzing, the looning is secondary – to the point of almost being invisible – and what you’re left with is the vigour of the loops, feints and dives. Regular readers may be surprised to hear that I’m actually quite skeptical about these kind of bands. Not this one. Eyes on the prize.



 
In the middle there’s something similarly diverse but riddled with deliberate cracks, as sometime Echo Pressure saxophonist Joe Murgatroyd provides “avant-glam-punk cabaret” in his solo guise as Magnus Loom. His songs are a tossed salad of art-rock, post-punk, bizarre ’60s pop and Moonshake-style post-rock: some of them blurting skeletons of manically yawing subbass, oil-tub drum rattle and glockenspiels that sound like eighteenth-century jailers’ keys); others acidic sheets of synth buzz and guitar snag, generally carrying a topping of samples like a small tsunami that’s swept though a warehouse for unwanted toys.

Joe’s voice and songwriting match the vim and brittle wit of his instrumentation. Defiant, slightly lost and only slightly tongue-in-cheek, all of it filters honest angst through defensive satire; capturing the mixture of listlessness and energetic restlessness that gets us through the day while our consumer anxiety, our boredom, our mortality, our unsureties and our appetites keep bouncing off our own noggins.



 
Launching at this particular gig, show openers Ms Mercy are “a new noise project of total chaos, rock, metal, noise, prog, punk and more…. a brilliant Faith No More/System Of A Down/Bungle-esque experience.” It’s hard to disagree with that as you hear them hurtling through their cut-and-shunt of hard-edged musical fragments; their vocals a pugnacious, hard-eyed, Patton-ish pummel of semi-operatic theatrics through to rap. They sound like a snarling, barking pack of rabid wolves, but one that’s rather enjoying its own crazed death spiral.


 
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While Chaos Theory aren’t organising the third gig in the post (that’s down to the folk at the Brighton Electric studios) their cheery collective thumbprint’s certain on it – all of the bands taking part either fit the Facemelter template or will do, and Kunal is heading down to run the DJ sets…

Polymath, 2018

Brighton Electric and Chaos Theory Music Promotions present:
‘Help Dan Beesley Beat Cancer’: Poly-Math + InTechnicolour + Thumpermonkey
Brighton Electric, 43-45 Coombe Terrace, Brighton, West Sussex, BN2 4AD, England
Saturday 12th May 2018, 7.00pm
– information here

Well-loved guitar-messer Dan Wild-Beesley (from Cleft and GUG) has recently conquered the mountain by apparently winning his battle with stage four brain cancer, but he’s still got the journey back down to contend with. There’s ten grand’s worth of medical bills, for which he’s only got about eighty per cent of the costs covered. With a JustGiving campaign in full swing (more on all of that here), quite a bit of what Dan’s needed has been raised by his friends in the math-rock and post-progressive rock community, and the efforts continue with this Brighton show.

Homeboys Poly-Math headline with their cosmic post-prog instrumental landscapes. While it’s tempting to tag them as something like “colourful, heroic NASA-metal”, I should be more careful before flinging the space-rock adjectives around. 2015’s mini-album ‘Reptiles’ implied themes of evolution and metamorphosis and more recently Poly-Math have been turning their impressionistic attention toward the hard knuckles of history. As of the end of last week, they’ve got a new double album out – ‘House Of Wisdom | We Are The Devil’, for which this show is the formal launch.

Hailed by West Midlands zine and promoters ‘Circuit Sweet’ as “thought provoking, intelligent and supremely executed music”, the album’s inspired by the 1258 Mongol siege and overrunning of Baghdad and its caliphate, and the consequential dooming of the enlightened university which lay within the city walls; from which so many pillaged books were cast aside into the River Tigris that the waters turned black with ruined and dissolving ink. Aesthetically speaking, there’s a terrific dark-fairytale ring to that story; but in terms of genuine history it marked the end of the Golden Age of Islam (with its giant forward strides in philosophy, science and cooperation) and the treading under, by brute force and proto-fascism, of its culture of curiosity and education. Bring your own present-day analogy: you’ll have to, since whatever meaning Poly-Math themselves intend is encoded between the notes and sonic surges of their burgeoning instrumentals.



 
Mid-bill comes the grand, quaveringly hallucinatory post-grunge stoner rock of InTechnicolour. Formed by assorted members of math-rockers Delta Sleep, experimental rockers Physics House Band and the live array for guitar-droners LUO, they regularly assemble to play a speaks-for-itself mass of heavy riffs and doodles through a pink haze.


  
I’ve said plenty about concert openers Thumpermonkey over the last few years, but thanks to their unceasing wit and creativity there’ll always be more to roll out. The missing link between Mastodon and China Miéville (or perhaps between Peter Hammill and Neal Stephenson), they play plenty of heavy rock gigs rubbing shoulders with the psych-y, the math-ridden and the screamy, and always fit in well; while simultaneously seeming to float above the fray, looking down with affable amusement at both themselves and their billmates. Partially it’s Michael Woodman’s voice – pure theatrical cordon bleu hambone, from the bottom of its ominous deep-tenor declamations to the top of its horror-struck falsetto. Partially it’s the baffling range of esoteric topics which slow-cook throughout the lyrics: a baroque, tongue-in-cheek, post-imperial melange of eldritch secrets, trans-dimensional catastrophes and strange surreal ennuis being visited on hapless pith-helmeted explorers and unwary academics, seasoned with nightmare flashes into surreal Jodorowskian dreamscapes, angsty post-grunge horror or delicately unfolding post-rock gags about Nigerian scam emails.


 
The music, meanwhile, is an ever-flexing full-spectrum crunch and hush, full of stalking shapes and hovering convoluted melodies. Game-playing geeks for sure, and clearly ones who are proud of their astonishingly broad armoury of sly references, veiled jokes and fantastical imagery; but also geeks who revel in their absolute mastery of those most un-geeky of rock qualities – muscle and poise. 
 

 

April 2016 – upcoming gigs – three for London – expanded hip hop tag with Beardyman’s Dream Team Sessions (with Bellatrix + Disraeli + LeeN + DJ JFB + Rob Lewis + Emre Ramazanoglu + Ben Sarfas); Poly-Math, Theo & evillookingbird play Chaos Theory’s late-night math-rock Facemelter; a LUME jazz evening with the Dave Kane Quartet and a Corey Mwamba/Cath Roberts/Olie Brice trio at the Vortex.

30 Mar

Three more interesting-looking early April London shows for the coming weekend, from improvisatory hip hop to assorted math rock to jazz. There should still be tickets (or, in the case of the Facemelter gig, free spaces) left for all of these. I’m in a hurry again, so the following is all promoter blurb… and if you’re quick on the Saturday, you could even catch most of the first two.

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Beardyman Dream Team Sessions, 2nd April 2016

Beardyman & Soundcrash present:
Beardyman: The Dream Team Sessions (featuring Beardyman + Bellatrix + Disraeli + LeeN + DJ JFB + Rob Lewis + Emre Ramazanoglu + Ben Sarfas)
Electric Brixton, Town Hall Parade, SW2 1RJ London, United Kingdom
Saturday 2nd April 2016, 7.00pm
more information

“Improvisation. Telepathy. Imagination. Beatboxing. One album. One hour.

Soundcrash are extremely happy to announce that the prodigiously talented Beardyman will be taking to the stage at Electric Brixton along with a mind-blowing ‘dream team’ consisting of some of the finest freestyle MCs and improvisatory talents the world has to offer. This team of extraordinary individuals will be using a mixture of telepathic communication and improvisatory prowess to create a brand new album right in front of the lucky audiences eyes, inspired by that same audience’s dreamt-up song titles.


 
Beardyman has made a name for himself for being one of the most multi-talented musicians on the face of the planet. One minute he’s winning the UK Beatbox competition, twice, next he’s winning best MC at Breakspoll, and then he’s playing a sold-out run of solo comedy shows at the Edinburgh Fringe. As if he didn’t already have enough strings to his beat bow Beardyman outgrew the restrictions of the human mouth and stepped into the world of live looping using Kaoss pads to take his music into the rapturous world of live production.

Beardyman currently performs using the self-designed Beardytron, the world’s most advanced live music production system. This device allows him to improvise studio quality, cutting edge music in realtime. Using the Beardytron has led Beardyman to recently collaborating with Herbie Hancock and led him onto the collaborative path that has ended up with the formation of the ‘Dream Team’.


 
In this brand new show Beardyman will be combining his own improvisatory prowess with some of the leading talents in the UK’s improvisatory scene. Female World Beatbox Championship winner Bellatrix will be bringing her vocal and bass talents to the mix as well as her old band leader Dizraeli on freestyle vocals. Rob Lewis will be providing tantalising string parts on the cello whilst Emre Ramazanoglu shows us how he drummed on the last Michael Jackson record amongst many others.


 
One of the world’s leading freestyle MCs, LeeN, will also be spitting lyrics; whilst 3 times UK DMC champion JFB takes to the decks along with additional strings and saxophone from Ben Sarfas.”


 
(As a further indication of what’s on offer, here’s a previous full-length Dream Team Sessions show, from the Jazz Café…)


 

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Poly-Math + Theo + evillookingbird @ The Facemelter, 2nd April 2016

Chaos Theory presents:
The Facemelter: Poly-Math + Theo + evillookingbird
The Old Blue Last, 38 Great Eastern Street, Shoreditch, London, EC2A 3ES, England
Saturday 2 April 2016, 10.30pm
– free event – more information

“It’s a no-brainer really – a late-night, free entry math-rock party.

Brighton band Poly-Math are an absolute belter of a trio, who have mastered walking the line between complex polyrhythmic math rock and head-noddingly bouncy riffs. In only few short years, they’ve independently amassed a huge following across Europe’s prog and math rock scenes with the release of a few blindingly good early singles, hugely anticipated debut EP ‘Reptiles’, and some carefully chosen gigs, including an early slot at the first ever ArcTanGent, where we discovered them by accident. With new mini-album ‘Melencolia‘ coming out soon via Superstar Destroyer Records, we can expect some new sounds from the Brighton trio.


 
Theo is a one-man riff factory, known for setting up in the middle of the audience, laying down incredible math rock guitar riffs and looping them on top of each other, before sitting down at his drum kit and banging out some incredible rhythms. The fact that he manages to do this, create extraordinary dynamic changes, crescendos and down-tempo sections, while never letting the pace slack too much, explains why his name has rippled across the underground math rock scene all over Europe.


 
evillookingbird are an instrumental project from Belgium, who combine classical music, post-rock, noise and psych, to end up sounding a bit like Mogwai, Chopin and Battles are all fighting over the keys. This may be their first trip out of their home country, but evillookingbird are no stranger to familiar names in the European math rock scene, having supported the likes of Alright The Captain, Bear Makes Ninja, Mannheim, Hibagon, Celestial Wolves and more, as well as having been asked to perform at one of Europe’s biggest street festivals Gentse Feesten. They’ll be heading into the studio to record some new material, which we’ll get to hear at the show, but check out their EP ‘Labyrinth’ for now.


 
Afterwards Chaos Theory curator Kunal will DJ post-hardcore and math rock riffs, and Chaos Theory photographer Magda will DJ classic rock, power ballads, and anything you’ll love dancing to after a few beers at 3am.”

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LUME presents:
Dave Kane Quartet + Corey Mwamba/Cath Roberts/Olie Brice
The Vortex Jazz Club, 11 Gillett Square, Dalston, London, N16 8AZ, England
Sunday 3rd April 2016, 7.30pm
– more information here and here

Dave Kane, 2016“The Dave Kane Quartet – Dave Kane (double bass), James Allsopp (saxophones and clarinet), Alex Bonney (trumpet) and Joost Hendrickx (drums) – will be playing music from their forthcoming album, to be released on Two Rivers Records later this year.

Dave says ‘This music is my own personal reflection and dedication to the jazz lineage, all of the music that I have listened to and the music that has influenced me the most. Each track on the record is a dedication to a composer/person that has influenced me greatly throughout my career. There are tracks dedicated to the following people: Charles Mingus, John Zorn, Hamid Drake, Eric Dolphy and Henry Threadgill. For me “the jazz lineage” means the records that are in my collection… my own personal lineage to the tradition, and my resulting music as a composer influenced and shaped by the music. Most people think of the jazz tradition as jazz standards, etc. This is not what I do, or what I am interested in. I have always listened to more adventurous composers & musicians who always pushed the music forward. This is what I have achieved with my new record. Although this music is still on the contemporary/avant garde side of jazz… I would say it is some of the most accessible music I have ever written.’


 
The improvising trio of Corey Mwamba (vibraphone), Cath Roberts (baritone saxophone) and Olie Brice (double bass) first played together in 2014, bringing together three musicians active on the UK jazz and improvised music scene. Olie Brice leads his own quartet as well as playing in numerous other collaborations including a trio with Toby Delius and Mark Sanders; BABs with Alex Bonney and James Allsopp; Nick Malcolm Quartet; Loz Speyer’s Inner Space Music; and Alex Ward Quintet/Sextet. Cath Roberts leads two groups playing her compositions, Sloth Racket and Quadraceratops, as well as writing and improvising new music with guitarist Anton Hunter as Ripsaw Catfish. She is a member of the Madwort Sax Quartet, Anton Hunter’s Article XI, the eight-piece improvising saxophone group Saxoctopus and the collaborative quartet Word Of Moth. Corey Mwamba leads his own trio, Yana, and is involved in a variety of other groups including Sonsale; duos with Rachel Musson, Orphy Robinson and Robert Mitchell; Martin Archer’s large ensemble Engine Room Favourites; and Nat Birchall’s quintet. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music, as well as a programmer of forward-looking music in his home city of Derby.”

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More shortly on the upcoming Gnod weekender – or on anything else that flits across my radar.
 

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