Tag Archives: The Cure

August 2018 – upcoming London pop and rock gigs – The Mantis Opera, Bozo Zoo, The Butterfly Wheel and Imogen Bliss (25th August); Norwood & Brixton Foodbank fundraiser with Treasure Of Woe, Carl White and Apocalypse Jazz Unit (also 25th August)

15 Aug

The Mantis Opera + Bozo Zoo + The Butterfly Wheel + Imogen Bliss, 25th August 2018There are several reasons that I’ve been following the exploits of The Mantis Opera this year. One is the music: an illuminating synth-rock rush through cunningly orchestrated post-classical complexity and brainiac alternative pop, topped with similarly cerebral lyrics which slide fizzing, thinking ribbons through philosophy, logic and linguistic theory before binding them back into more down-to-earth life situations.

If this sounds hideously dry or snooty, it isn’t. This is simply music which is neither ashamed of its own cleverness, nor too self-absorbed or chilly to invite you along for the ride. They’re among an increasing number of newish, bumping-along-in-the-underground acts who share this kind of quirky enthusiasm and possess the requisite smarts and chops to back it up. Tom O.C. Wilson, Prescott, Thumpermonkey and Lost Crowns spring immediately to mind: bands and songwriters who see nothing wrong with turning out songs with the depth and twists of playful short stories, of compressed novels-of-ideas or of meandering Flann O’Brien-esque digressions.

As regards The Mantis Opera, I’ve been chucking around terms like “wide-awake brain music” and “avant-prog keeping watch from under a dream-pop veil” and I’m not going to drop those yet, although I might have to come up with a few more if the band are going to keep up regular performances.



 
The other reason that I’m keeping an eye on The Mantis Opera is that they tend to keep interesting gig company. Whether they’re good at being invited or are inordinately good at charming their way into lineups, the band seem to have a knack for fitting onto a wide variety of different bills, and this end-of-the-month gig at Paper Dress Vintage is no exception.

Two summers old, already pegged as “rust-bucket swing” and compared to “Mark E. Smith manning the Hot Five”, Bozo Zoo play rootsy jazz-folk and rhythm & blues on drums, double bass and comfortably sleazy sax. Hollering, theatrical vocalist and off-the-wall lyricist Mark Warren (who also handles the inevitable, ubiquitous ukulele) ensures that they tilt into a similar realm of bulging-vein vigour and twisted circus berserkery to that of The Tiger Lillies. A few decades ago he was bobbing about in the kind of lucky-dip underground bands that showed up on Org Records compilations: now he’s singing up budding cabaret gallimaufries of music hall songs and ditties about chess grandmasters. On top of all this, Bozo Zoo seem to have fused Spinal Tap with Schrödinger, via recent online mutterings about “a new drummer but we’ve also kept our drummer… but it ain’t a band with two drummers… but we have got two drummers… it’s complicated.”


 

Hailing from east London and extensively festooned with mysticism, The Butterfly Wheel aren’t quite the esoteric revelation that they’d like to make out. Plenty of their surface schtick – the Gothic theatrical trappings, the Early Music dirge-wails, the stripping away of Western pop tropes in favour of frowning middle-continent antiquity – is more than familiar to anyone with a passing knowledge of Dead Can Dance (or of the host of intense, tousled imitators DCD spawned over three decades). What is refreshing is the shifts underneath those surface. A female duo, their songs reshuffle and transform archetypes for an increasingly feminised new time. There’s the sense of old stone patriarchal gods and legends being chipped away at; of more hopeful alternatives being birthed out of the sea; of the stories sitting up and rewriting themselves. We’ll have to see where it leads.



 
From Camberwell and Coldharbour, Imogen Bliss reshuffles Eastern European folk songs and tufty pop covers on voice, mandolin and loop station. The examples below are Armenian and Balkan/Romani, sandwiching a reworked Cure hit: the latter may not sound a great deal different to those pixiedreamgirl uke songs which still bog down every other cinema advert, but Imogen sounds awake and illuminated rather than sun-drenched and casually dreamy. I’m guessing that she’s got other tricks up her sleeve…

 
Paper Dress Presents…
The Mantis Opera + Bozo Zoo + The Butterfly Wheel + Imogen Bliss
Paper Dress Vintage Bar & Boutique,, 352a Mare Street, Hackney, London, E8 1HR, England
Saturday, 25 August 2018, 7.45pm
– information here and here
 

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Norwood & Brixton Foodbank Fundraiser: Treasure Of Woe + Carl White + Apocalypse Jazz Unit, 25th August 2018On the same night, there’s this. Lovers of righteous noise, here’s your chance to sample some noise that’s a bit more righteous…

“London promoters Wrongpop and Chaos Theory have gotten together for a one-off special event to raise money for Norwood & Brixton Foodbank: some of the best new underground bands out there have agreed to bring you their sounds for this excellent cause, so it’ll be a phenomenal evening with extra positive vibes. 100% of ticket sales go to the charity.

“Formed from members of Long Slow Dissolve,The Love Me Tenders and Witchfist, Treasure Of Woe play stoner and psychedelic jams on guitar and drums. We’ve seen this duo doing their thing at The Facemelter last September and they just keep on recording their jams and releasing them online, so have a listen at the link and get down for the full live experience.


 
Carl White are a guitar/drums experimental rock duo, originally formed in Brighton and now based in London. Over the years they’ve shared the stage with acts such as Nitkowski, Alpha Male Tea Party, Flies Are Spies From Hell, Witching Waves and The Mae Shi.They’re currently working on a new EP, from which there will be a single/video released in the next couple of months.


 
Apocalypse Jazz Unit were started in 2013 by Rick Jensen as a recording project, after nearly three years of not making music. After numerous albums, Rick recruited some new and old musician buddies and started playing live. AJU quickly went from a small group to an over-the-top collective of psycho improvisers, with up to seventeen members at any one time. To date, they have released over seventy albums and have played a ton of gigs. AJU harnesses the spiritual fire of free-jazz of the ‘60s, mixed with a bit of disco when the mood takes them. Always high-energy and with a heavy sense of humour, AJU can easily swing from delicate and sombre, to full-blast horn mayhem.”


 
Wrongpop & Chaos Theory Music Promotions present:
Norwood & Brixton Foodbank Fundraiser: Treasure Of Woe + Carl White + Apocalypse Jazz Unit
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Saturday 25th August 2018, 7.00pm
– information here and here
 

May 2017 – upcoming London gigs – Beatrix Players + King Of The Opera (May 11th); Cosmo Sheldrake + A House In The Trees (May 12th)

2 May

A few more warmly off-kilter London gigs coming up in early May: Beatrix Players‘ elegant chamber-pop, King Of The Opera‘s rough-edged alternative folk, Cosmo Sheldrake‘s poly-instrumental Edward Lear-inspired busk whimsy, A House In The Trees‘ oblique chillout…

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Beatrix Players, 11th May 2017

Beatrix Players present:
Beatrix Players + King Of The Opera
Hoxton Hall, 130 Hoxton Street, Hoxton, London, N1 6SH, England
Thursday 11th May 2017, 7:30pm
information

“Through their enchantingly dark and evocative melodies, expansive arrangements and empowered orchestral sound Beatrix Players tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico, this London-based, all-female trio combine elements of folk, jazz, progressive and classical music.

“In 2015 the band took their unique sound – a beautiful combination of vocals, piano and cello – into the studio to record their self-produced debut album, which has been mixed by two-time BBC Folk Award winner, Jim Moray. That album, titled ‘Magnified’, is now brought to you in an evening with musicians from the album: Robyn Hemmings on double bass, Maria Kroon on violin, Emanuela Monni on percussion, Jez Houghton on French horn. Pop/soul/funk choir Sound will also be joining in.”



 
King Of The Opera (formerly known as Samuel Katarro) is the musical project of Alberto Mariotti – a songwriter from Tuscany, Italy – first introduced to the public at the renowned Primavera Sound festival in Barcelona in the Spring of 2012. The project’s strength lies in its continuous search of the meeting points between seemingly irreconcilable genres: distorted punk-blues, bewildered (and bewildering) folk ballads and digressions into the acid realm of psychedelia.

“In 2016 King Of The Opera released his new album ‘Pangos Sessions’, ten songs that summarize his musical career in a pretty original way, alternating acoustic reinterpretations from the King Of The Opera/Samuel Katarro songbook and five cover songs (originally released in Mariotti’s birth year, 1985), by The Cure, The Waterboys, The Replacements, Tom Waits and Sonic Youth. The collection also includes the unreleased alt-folk-ballad By The Shore.”


 

 
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Cosmo Sheldrake, 12th May 2017

Rockfeedback presents:
Cosmo Sheldrake + A House In The Trees
The Moth Club, Old Trades Hall, Valette Street, Hackney, London, E9 6NU, England
Friday 12th May 2017, 7.00pm
– information here and here

Cosmo Sheldrake is a twenty-five-year-old multi-instrumentalist musician, composer and producer. He regularly performs on banjo, loop station, keyboards, double bass, drums, penny whistle, sousaphone, accordion and many more. He is an inspirational singer and improviser, and much of his work is concerned with play, nonsense and the sonorous environment.

“Cosmo composes music for film and theatre and tours internationally, performing solo and with several bands including Johnny Flynn and the Sussex Wit and the Gentle Mystics. He ran a community choir until 2013, teaches in schools and privately and has facilitated music workshops and youth empowerment and nature awareness camps across Europe and North America.”



 
Support comes from smooth and hallucinatory dark-pop/trip hop act A House In The Trees, the core of New Cross’ Rising Sun Collective.


 

Upcoming live events – Steve Lawson plays in Poole, Birmingham & London; the Ian Smith 50th birthday event at the Vortex

24 Jun

Gregarious loop bassist Steve Lawson has announced (at pretty short notice) three gigs in England over the coming week. As ever, they’ll be a tuneful/melodic/noisy hybrid of jazz, pop, electronic and ambient influences squeezed through Steve’s battery of sound treatments, and salted by the usual mixture of stand-up comedy, general gabby friendliness and opinionation; the last of which isn’t a word, but is a pretty good definition of what Steve does when he’s not playing, and sometimes when he is playing. At a Lawson gig you get the whole brand, and then some. You can take your family; you can take your friends; you can take a donkey whose legs are in need of a bit of honing…

Steve Lawson live

Steve Lawson + Echo Engine + others (SoundCellar @ The Blue Boar, 29 Market Close, Poole, Dorset, BH15 1NE, UK, Thursday June 25th – 8.30pm, £8.50 )

This is the one which counts as a full gig – a solo Steve Lawson set, after which he’ll be joined by the Echo Engine trio (Daniel Biro on keyboards, ) plus ex Bjork/D’Influence drummer Pascal Consoli and the ECM-inspired saxophonist Jon Lloyd. Up-to-date info is here and here, and you can reserve your ticket via email here.

Scott Pellegrom + Andy Edwards + Adam Gammage (Birmingham Dream Cymbals Day @ Glee Club, Birmingham, B5 4TD, UK – Sunday June 28th, 6.00pm – £10.00/£15.00)

This is actually a drum clinic appearance, at which Steve will be playing with drummer and regular collaborator Andy Edwards. Up-to-date info is here and tickets are here. Also performing are Adam Gammage (Baxter Dury band) and Scott Pellegrom.

Ian Smith’s 50th Birthday Event @ The Vortex Jazz Club, 11 Gillett Square, London, N16 8AZ, UK, Monday June 29th, 6.00pm – £13.20

Steve will be performing at this expansive celebratory gig for London Improvisers Orchestra founder Ian Smith – an event so substantial that it needs its own section further down this post. Steve will be playing in the 10pm slot alongside drummer Jason Cooper and guitarist Reeves Gabrels (both currently members of The Cure). Tickets here: more on the event in a moment.

As usual, Steve has plenty of other things going on, not least an appearance at The One Dayer: Independent Music, Money & Tech conference at Cecil Sharp House in London on July 1st, where (as a longstanding advocate of independent artist-run music careers) he’ll be one of the speakers. He’s also planning further collaborations with loop vocalist/beatboxer Beardyman (having previously played with him in a “dream team” improvising quartet alongside drummer Andy Gangadeen and guitar journeyman Gary Lucas), with fellow bass guitarists Divinity Roxx and Jonas Hellborg (the latter for an October tour) and with Jon Thorne’s semi-experimental Sunshine Brothers trio (for an August appearance at the Manchester Jazz Festival. If you want to read about what he did earlier in his career, here are links to the ‘Misfit City’ archive reviews of ‘And Nothing But The Bass‘, ‘Not Dancing For Chicken‘, ‘Conversations‘ and the first in the ‘Lessons Learned From An Ancient Feline‘ series, early steps on a path of explorations and musical hook-ups.

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And now, some more on the Ian Smith birthday event at the Vortex at the end of the month, which sees a remarkable lineup of British jazz players and other improvisers swarm into Dalston to pay tribute to one of their own living heroes. (Hopefully the timings I’ve cited here are right, as the layouts in the original postings are a little confusing…)

Ian Smith 50th Birthday Event @ The Vortex

Ian Smith’s 50th Birthday Event @ The Vortex Jazz Club, 11 Gillett Square, London, N16 8AZ, UK, Monday June 29th, 6.00pm – £13.20

Ian MacGowan (aka Smith) arrived in London in 1990 from Dublin with two phone numbers in his hand: John Stevens and Derek Bailey. Those were the only two numbers he wanted at the time, but as the months went on he got to know and play with many amazing musicians – he founded The Gathering with Maggie Nichols, and the London Improvisers Orchestra with Steve Beresford and Evan Parker. He ended up playing and recording with John and Derek, and plays with anybody who wants to start from nothing. Most of tonight’s cast are old friends; some new; all are beautifully personal voices. He’ll be playing with most of them.

In the Square, 6.00pm:
Henry Lowther, Byron Wallen – trumpets
Julian Faultless – french horn
Alan Tomlinson, Sarah Gail Brand, Ed Lucas – trombones
Oren Marshall, Dave Powell – tubas
Steve Beresford – occasional conductor

In the Vortex downstairs, 7.00pm:
Pete McPhail – alto sax
Tom Wheatley – bass
Steve Noble – drums

In the Vortex upstairs, 8.00pm
BJ Cole – pedal steel
Ansuman Biswas – percussion

In the Vortex upstairs, 9.00pm:
Rowland Sutherland – flutes
Marcio Mattos – bass

In the Vortex upstairs, 9.30pm:
Sibyl Madrigal – poetry

In the Vortex upstairs, 10.00pm:
Reeves Gabrels – guitar
Steve Lawson – bass guitar
Jason Cooper – drums

and more special guests to be confirmed.

Tickets here.

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