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December 2017 – upcoming London folk gigs – Gaelynn Lea at The Old Church (6th December); Tartine de Clous, Alasdair Roberts & Neil McDermott with guests Ivor Kallin & Sholto Dobie and The London Hardingfelelag (11th, 12th December); Gitta de Ridder and The Balkanoes at Collage Nights (13th December)

2 Dec

I keep missing Gaelynn Lea’s shows… and missing the opportunity to post about them. With her return to London for another gig this season, I’ve got a chance to catch up.

Blow the Fuse presents:
Gaelynn Lea
The Old Church, Stoke Newington Church Street, Stoke Newington, London, N16 9ES, England
Wednesday 6th December, 2017, 8.30pm
– information here and here

Gaelynn Lea, 6th December 2017A classically-trained twenty-year veteran of violin playing whose limbs have been shortened from birth by osteogenesis imperfecta, Gaelynn plays her fiddle like a cello and sings original songs drawing from the well of traditional American, Irish, Scottish and English folk sources and blending them with her own ideas and experience. Her wistful honey-gravelled singing, her songwriting artistry and her textured playing (supplemented by improvisation and loop-pedal) is powerful and universal enough to have won NPR Music’s 2016 Tiny Desk Contest, seeing off competition from around six thousand other American songwriters and performers.


 
Meanwhile, her performance presence and physical courage have moved audiences to tears and applause in her native Minnesota and across American and Europe (and have won her both admiration and a shared stage from Low’s Alan Sparhawk, country bluesman Charlie Parr, and New Acoustic touchstyle guitar star Billy McLaughlin). In addition to her musicality, Gaelynn is a powerful disability community advocate – speaking and blogging forthrightly and fearlessly about iniquities and the need for social change to accommodate and support disabled people, and covering subjects from everyday practical challenges to the expression and enjoyment of sexuality. Come for the music, stay for the strength; maybe leave with the encouragement to help make things better.

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Over in Homerton, the brilliantly ramshackle Old Dentist venue continues its rewarding partnership with Muckle Mouth, hosting yet another enthralling fringe-folk gig (although this one’s of a more traditional bent)…

Muckle Mouth, 11th December 2017

Muckle Mouth and The Old Dentist present:
Tartine de Clous, Alasdair Roberts & Neil McDermott, plus Ivor Kallin & Sholto Dobie (11th)/The London Hardingfelelag (12th)
The Old Dentist, 33 Chatsworth Road, Homerton, London, E5 0LH, England
Monday 11th December 2017, 7.30pm
– information here, here and here
Tuesday 12th December 2017, 7.30pm – information here, here and here

“We are honoured to host a very special collaboration between French harmony-singing trio Tartine de Clous, legendary Scottish guitarist and folk singer Alasdair Roberts and fellow Glasgwegian fiddler Neil McDermott over two nights at The Old Dentist following their residency at Cube Microplex in Bristol.

“Tartine de Clous (Geoffroy Dudouit, Thomas Georget and Guillaume Maupin) are a singing trio originally from the department of Charente in western France. Following in the footsteps of some of the great French groups of the late twentieth century folk revival (such as Mélusine and La Bamboche), they sing largely unaccompanied three-part harmony arrangements of the traditional songs of their native land.


 
“In an echo of The Auld Alliance, Tartine de Clous will perform in collaboration with the Scottish songwriter, guitarist and folk singer Alasdair Roberts and his fellow Glaswegian, fiddler Neil McDermott over two nights at The Old Dentist. Alasdair has worked with Drag City Records for some twenty years, releasing records featuring both interpretations of traditional songs and those featuring his own songwriting. In addition to being a fine fiddler in the Scottish traditional style, Neil McDermott is currently researching the musical and political engagement of the 1960s Scottish folk scene with the anti-nuclear movement.

 
“They are joined on the 11th by veteran improviser Ivor Kallin (onetime co-curator of the 2:13 improvisation club, once rather unpleasantly described by The Times as “a bearded Scotsman given to stream-of-consciousness spew”) and Muckle Mouth curator Sholto Dobie (on viola and diatonic symphony hurdy gurdy respectively), and on the 12th by The London Hardingfelelag playing Norwegian tunes for Hardanger fiddle.”

There’s not much out there on the London Hardingfelelag (though I did find out that their ranks include Sylvia Hallett, Catherine Martin of the Gabrieli Players, Clare Salaman, Tania Simon, Clifford Rowe and until a few years ago, the late Wilf Gibson of ELO/’Spirit of Eden’ fame), but I did turn up a couple of videos of Ivor and Sholto, supplemented by one of the Hardanger fiddle in action…




 
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I caught up with the Collage Nights shows in Wood Green last month, just in time to learn about the final two gigs in their season. The last one rolls around mid-month, featuring Dutch-English singer-songwriter Gitta de Ridder and Balkan-styled party band The Balkanoes.

Collage Nights, 13th December 2017

Collage Nights presents:
Gitta de Ridder + The Balkanoes
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Wednesday 13th December 2017, 7.00pm
– information here and here

Gitta’s debut album ‘Feathers’ came out last year. With its songs of family, friends and lovers (as opposed to hill gods, surreal landscapes or twisted urban short stories) it has a conventional tinge for the current time, but the delight is in the detail and the musicality. She’s a Joni Mitchell disciple less in the sense of pursuing the confessional or the coffee-table mope, more in the delightful flowering of orchestral chords and cats-cradle harmonies (as well as in her domestic wit).

As for the Balkanoes, they provide the standard pellmell Eastern European spaghetti-junction of Greek, Ottoman, Slavic and Romani musical threads, but have been known to career off into ‘Star Wars’ covers as well.

There’s also a special guest, but they’re keeping quiet about who that might be.




 

May 2016 – upcoming London gigs – Naïm Amor and Keith John Adams up close in Fitzrovia (May 12th); Howe Gelb’s Piano Trio and Naïm Amor at Café Oto (May 13th)

6 May

Quick news of a snug gig piggybacked onto a larger tour…

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Shaun Hendry, Naïm Amor & Cyril Moya present:
“From Paris, Tucson”: Naïm Amor + Keith John Adams
The King & Queen, 1 Foley Street, Fitzrovia, London, W1W 6DL, England
Friday 12th May 2017, 7.30pm
– information here and here

Naïm Amor + Keith John Adams, 12th May 2017“Ahead of his performance the following night at Cafe Oto with Howe Gelb, Naïm Amor plays his first London show in nine years; and we’re delighted that he’s joined by a rejuvenated Keith John Adams.

“Naïm first started out on the Parisian underground punk scene before his (recently revived) Amor Belhom Duo act found their way out to Tucson, Arizona. Collaborations with Calexico followed, resulting in the ‘A.B.B.C. ‘ album and a Shane Meadows soundtrack appearance before Naïm went solo, working with John Parish (and pretty much the full Tucson A-Z of musicians) across a number of song based albums and his series of ‘Soundtracks’ collections.

“Last year’s collaboration with Calexico drummer John Convertino on the album ‘The Western Suite And Siesta Songs’ further enhanced his reputation; and 2017 finds him on tour both supporting and playing alongside Howe Gelb and his Piano Trio (with whom Naim guested on the album ‘Future Standards’, adding his delicate Django-esque guitar motifs).


 

“Keith is in that great tradition of artists (think Robyn Hitchcock) adept at coupling pop nous with sometimes seemingly off-centre lyrics that do not belie their astute insight on the human condition. Adored in the suburbs of Paris, where his music is the preferred soundtrack to a Sunday night session of anarcho-bingo; cherished by the good people of London and its radio station de choix… BBC 6Music, finding favour with the likes of Gideon Coe, Steve Lamacq and Stuart Maconie; and supported label-wise in the USA from Athens to Washington by way of Tucson, we are delighted to welcome him back for his first show on home turf in many a moon.”


 

Not that it was mentioned above, but some of you may remember Keith as the frontman and principal songwriter from art pop/prog/skiffle band Zuno Men, who had a delightful run of near-notoriety during the late 1990s…


 
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Meanwhile there are still tickets available for that aforementioned Howe Gelb show at Oto – so for anyone interested but still unbriefed, here’s the info…

Howe Gelb Piano Trio, 13th May 2017

Bird on the Wire presents:
Howe Gelb Piano Trio + Naïm Amor
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Saturday 13 May 2017, 7.30pm
– information here

“Let me set the scene – irresponsible lovers are canoodling in semi-lit booths, the jukebox is playing some old tunes by Frank and there’s some people over there who never want to fall in love again. It’s the last bar still open and the piano player mooches over to the battered grand. This guy, we know, is great. He expertly and succinctly slides in words like “iconoclast”, “apropos”, “tumult” and “ludicrous”, he even name checks Constantinople – that’s proper old school.

“For those celebrated guys who hit on the standards – Monk, Cohen, Bacharach, even Merle Haggard – Howe Gelb is creating new tunes with cathartic one-liners and malleable melodies that suggest any singer could interpret these dozen American piano ballads and take his offbeat worldview and make it their own. Who wouldn’t want to begin the beguine with the line “World peace declared, no problem spared…”?

“These are ‘Future Standards’ by The Howe Gelb Piano Trio, taking an outsider view of early gospel and rhythm-and-blues: both part of the American musical socialization that he touched on with 2006’s ‘Sno Angel’. Now he’s on a jazz-tinged trip, bending the genre, taking it back to his shack, giving an innovative fine tune in the lean-to garage.”


 

September/October 2016 – upcoming London events (Carla Bozulich, 15th & 16th September; Destroy All Monsters exhibition, 16th September-15th October) – plus some ponderings on where ‘Misfit City’ goes next.

13 Sep

I’ve just come back from a brief one-week holiday on the South Coast – life lived at a slower pace, much of it spent waiting for bus connections under the startling deep blue sky of a summer which hadn’t realised that by September its time was up. Returning both to town and city, I’m sifting through notes and thoughts.

Usually at this point I’d be jumping straight back into live gig exhortations – and as it happens, I’m still suggesting that any readers in or around London should consider getting over to Carla Bozulich‘s two-evening Café Oto residency tomorrow and Thursday; or to Friday’s Cary Loren talk (opening the Destroy All Monsters exhibition at the Horse Hospital). But on this occasion I’m going to let the artists and events – and the existing promo pages at the venue sites) speak for themselves.

There’ll be some more news posts along in a while, and other things happening behind the scenes. A few changes are underway already, and there will be some more to come. Every solo blog (unless its self-indulgence is in itself a justification for existence), needs some kind of raison d’être, and I’m not sure that ‘Misfit City’ has been justifying its own for a while now.

As regards the Carla and Cary shows, head over via the links above if you’re interested; and check out a couple of the clips below if doubtful or nonplussed; meanwhile, I’m rethinking what this blog does, how it does it and whether it should be doing it in the first place.


 


 


 

July 2016 – upcoming and ongoing gigs – some pickings from the Frome Festival, west of England (1st-10th)

2 Jul

While I missed the chance to plug the Sin Eater Festival a few weeks ago, I’m just about in time for the modest fireworks which herald the Frome Festival in Wiltshire.

I’m too late to plug the opening party (in which Frome’s own electro-poppers Sweet Machine shared a bill with psychedelic synth-cabarettier, rock biographer and all-round performance character Alan Clayson); I don’t have much to say about the festival’s big-draw act Reef (currently enjoying a new revival of their original ‘90s revival of 70s blues-rock); and I feel sorry that the free gig by “ukular fusion” band The Mother Ukers doesn’t involve furious Mahavishnukulele jazz shredding (instead of being a variation on banjo-happy rockgrass covers). But there’s plenty more on offer, so here are a few other things picked out from the billing.

It’s by no means everything on offer (the festival’s full of visual art, talks and theatre; there’s plenty more jazz and classical; and there’s a show by Billy Bragg which will probably take care of itself) but these represent the bits-between-the-bits which are closest to ‘Misfit City’s natural constituency (if such a thing exists).

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The Magical Folk Garden @ The Archangel, 1 King Street, Frome, BA11 1BH, England
Tuesday 5th-Friday 8th July 2016, 7.30pm each night
– information: Tuesday 5th / Wednesday 6th / Thursday 7th / Friday 8th

At the upstairs room at the Archangel pub, The Magical Folk Garden continues to turn itself into an annual institution with a series of cushion-strewn/standing-room-only unplugged gigs, creating a “euphonious forest of folk and contemporary acoustic music from some of the UK’s finest talents.” It’s all pretty well-scrubbed and tasteful – there’s nothing to scare the horses here. That said, a few of the performers might own horses, and some might whisper them; while a few might go all ‘Poldark’ and ride off on one, bareback and bare-chested, a honey-coloured guitar bouncing up and down on the withers (it all probably depends on the state of the booze and the pollen count).

The Tuesday show features two Bath acts – lit-pop cello-and-guitar duo The Bookshop Band and romantic solo-balladeer Tom Corneill – plus the sunny pure-pop/psychedelic fizz of Trowbridge’s The Pigeons.


The Wednesday show has a band-backed performance from Frome’s Al O’Kane (a gravel-and-honey country-blues-folker who, with his mix of rolling American roots guitar and British mysticism, can come across as a one-man ‘Led Zeppelin III’). Also playing are Alex Taylor (bouncy, jazz-and-funk-tinged, broadening his sound and filling out his pockets with pedals and loops) and young songwriter Emma Shoosmith, whose output has ranged from thoughtful folkified Taylor Swift covers to the lilting ska-tinted song shown below.




 

The Thursday show has a chamber-folk air. Bookshop Band multi-instrumentalist Beth Porter returns with her own augmented-string quartet band The Availables and her own clutch of intricate literary songs. Also on board are the strings, percussion rustles and detailed guitar of Rivers Of England (fronted by Rob Spaulding) who, although they take on some pretty familiar modern folk tropes, land them in an interesting marginal territory in which the early-’70s John Martyn and the early-’80s Julian Cope sit down to exchange lines and tips. The bill’s completed by the lost-boy charm of Avebury singer-songwriter (and Nick Harper protégé) George Wilding with his warm, abstracted songs of distraction and heartbreak (simultaneously soothing and haunting).




 

The Friday folk-final involves wayward Bristol-and-Bath folk septet The Cedar. Beth Porter makes her third Magical Folk Garden appearance of the week as the band’s cellist, alongside five other musicians. Playing a variety of instruments and implements (from guitar, glockenspiel, viola, organ and ukulele to calculator, screwdriver, musical and tri-square) they weave Neil Gay’s slightly distracted songs into a musical fabric that’s sometimes Belle-&-Sebastian communal, sometimes music-school precise, and sometimes as frayed as a scrap-basket oddment.

The rest of the evening gently mixes Western with Western. Accompanying herself on guitar, baritone ukulele, harmonium or shruti box, Bradford-on-Avon’s Jess Vincent delivers a set of original country-folk songs with a sound and demeanour that’s seen her compared to both Iris DeMent and Kate Bush. Evening openers Ali George and Ruby Brown do their own take on Gram-and-Emmylou duets, filtered through Ali’s trunkful of original English folk/clawhammer guitar songs.




 

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The town’s Rook Lane Chapel arts centre is hosting plenty of events. These two in particular caught my ear:

Snowapple
Rook Lane Chapel, Bath Street, Frome, BA11 1DN, England
Thursday 7th July 2016, 7:30pm
information

Snowapple is an outstanding female harmony trio from Amsterdam who draw on folk, classical and chanson influences, in unique, charming and beautiful arrangements of original songs. Having sold out the Granary for the last two years, Snowapple have earned a reputation all over Europe and the US, and this year appear in the perfect setting of Rook Lane Arts.”

Praying For The Rain
Rook Lane Chapel, Bath Street, Frome, BA11 1DN, England
Friday 8th July 2016, 8.00pm
information

From the blurb: “Known for their dynamic and compelling live performances, Praying For The Rain blend contemporary folk, Celtic and world music with irresistible rhythms, memorable melodies, beautifully crafted vocals and inspired musicianship. Their music brings to mind a modern blend of Crosby, Stills and Nash, Robert Plant, to Fleet Foxes and the Dave Matthews Band, creating a truly uplifting experience. Following last year’s sell out concert, Praying for the Rain return to Rook Lane for Frome Festival 2016. Expect an exhilarating night of high energy, movement and wonderfully engaging songs.“

I’m sure I remember Praying For The Rain from when I was a regular at Martyn Swain’s wonderful Dreamhouse acoustic nights, a refuge of warm bohemian chic and unplugged music alongside the Splash Club in scuzzy mid-’90s Kings Cross. These were the same shows at which I was delighted by up-close performances from Marcy Detroit, Simons Warner and Whitaker and many more… there’s a little bit about Dreamhouse here, since someone’s been writing a crowdfunded book about the Splash years (and you can still pitch in to help it). Dreamhouse was the kind of night where you could expect table candles and belly dancing interludes most weeks; but during their own slot, Praying For The Rain completely overflowed the little Water Rats stage with finger-cymbals, accordions, cellos, cirrus-band harmonies and what seemed like about ten people on whispering percussion, temporarily transforming the place to a full-on New Age folk temple.

Although they seem rather more bluesy and straightforward-rootsy than I remember through the gauzes of memory, it’s good to see that they’ve lasted the twenty-year distance and garnered themselves a new up-to-date list of comparisons.


 
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Over at the Granary, there’s a semi-unplugged triple bill and a visit from a ‘Misfit City’ favourite.

Three Is The Magic Number presents:
Three Corners + Molly Ross + Gum Girl
The Granary @ The George Hotel, 4 Market Place, Frome, BA11 1AF, England
Friday 8th July 2016, 8.00pm
– free/pay-what-you-like

Regular Frome-and-Wiltshire unplugged night Acoustic Plus takes on a new identity for this three-act bill of “original songs, haunting vocals, mesmeric music” celebrating a diversity of approach via three different acts. Molly Ross offers fledgling piano pop touches on folk and R&B; Three Corners (with their roots in 1980s new-wavers The Impossible Dreamers, and featuring ex-Dreamers Nick Waterhouse and Caroline Radcliffe) play sparse, questing songs around more of a loose blues-and-jazz-informed tip; but the one I find most interesting is the dreamy beat’n’texture pop of Gum Girl.




 
Arch Garrison
The Granary @ The George Hotel, 4 Market Place, Frome, BA11 1AF, England
Saturday 9th July 2016, 8.00pm
– information http://cheeseandgrain.ticketsolve.com/shows/873554307

As Arch Garrison, North Sea Radio Orchestra mastermind Craig Fortnam and Stars In Battledress‘ James Larcombe explore gentle, intricate psychedelic folk: partly gentle clean chapel tones, partly kosmische textures, partly chalk-ridge geomancy. A duo of Craig’s nylon-strung acoustic guitar and James’ assorted keyboards (organ, monosynth, harmonium and piano), their two albums’ worth of songs have enabled Craig to bring the smaller and more personal songs he writes to life, when they don’t fit the grander feel of NSRO. Their ‘Will Be A Pilgrim‘ album was one of my favourites of 2014 – an unexpected gem of small voice and thinking space. Support comes from local favourites Dexter’s Extra Breakfast, playing Dave Clark’s soft-petalled and “Weltschmerzian” songs of middle-aged reflection.

 

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John D Revelator
The Griffin, 25 Milk Street, Frome, BA11 3DB, England
Saturday 9th July 2016, 8.00pm
– free event

At the Griffin, John D Revelator will be bringing along their dark-tinged acoustic swamp-pop for a free show. Even if there’s not actually such a thing as the “Somerset Levels delta”, they’ll lie to their last tooth and their last busted guitar string trying to persuade you that it does exist.


 

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Towards the end of the festival, the second of Frome’s two substantial concert halls is offering two very different performances on the same day. One is a post-lunchtime concert of vividly Catalonian Spanish classical music from the twentieth century; the other is an evening show of polymusical fusion from an all-star collective trio.

Elena Riu & Clara Sanabras: ’A Taste Of Spain’
Cooper Hall @ Selwood Manor, Jacks Lane, Frome, BA11 3NL, England
Saturday 9th July 2016, 1.00pm
information

Pianist Elena Riu and singing multi-instrumentalist Clara Sanabras (the latter on voice, harp, oud, charango and guitar) perform selections from the ‘Songs & Dances’ of Catalan impressionist/miniaturist composer Federico Mompou and the ‘Spanish Dances’ of his compatriot Enrique Granados, interspersed with Clara’s performances of the original Catalan folk songs on which Mompou drew.

Birdworld
Cooper Hall @ Selwood Manor, Jacks Lane, Frome, BA11 3NL, England
Saturday 9th July 2016, 8.30pm
– information http://cheeseandgrain.ticketsolve.com/shows/873554308

“Birdworld is made up of musicians Adam Teixeira (drums/percussion), Gregor Riddell (cello/electronics); and Alex Stuart (guitar). The project came about when Gregor and Adam met during self-directed Banff Creative Residencies where they discovered a shared interest in blending electronic and acoustic sounds. Since Adam moved to the UK in 2014 they have continued to develop BirdWorld, adding Alex along the way. Combining their artistic voices as both instrumentalists and composers, the trio will showcase each members original compositions arranged specifically for this unique musical exchange. Creating a unified sound that blends the inspirations of modern jazz, world music, contemporary classical, rock and electronic music in a rare concert setting.”

Here’s a video of the original two-piece in action, to give you two-thirds of an idea of what might be on offer.

 

June 2016 – upcoming gigs – picking through BBC Music Day

29 May

BBC Music Day

The annual BBC Music Day comes up this year and this week on Friday 3rd June. It’s a generally beneficial nation-building exercise in typical BBC style, informed by magazine-style news, middle-range tastes and light entertainment. Much of what’s on is comfortably communal – plenty of light music choirs, familiar regional touches of brass and pipes.

In all fairness, there’s plenty here to like. There’s a scheme organising gentle live shows in hospitals throughout Scotland and England. There’s a focussing on church bell ringings around the country which is free of gimmick and simply lets the art speak for itself (emphasising both its national status and its localism). There’s the ‘Take It To The Bridge‘ programme, during which the nation’s bridges will be briefly overrun by symbolic musical meetings, community choirs, time-travelling orchestras and local songwriters.

Twelfth Doctor with guitar

Sadly not joining in with any time-travelling orchestras…(© BBC 2015)

There’s also a strong sense of that other nation – the one which the BBC still encourages in the face of rumbling political dissatisfaction, manipulation and discomfort. It might be a non-partisan wash of generic English, Scottish, Welsh and Irish decency which doesn’t offer much to scare the horses, doesn’t break a sweat breaking new ground, and doesn’t ultimately provide much event-by-event challenge; but it should still be applauded for at least trying to encourage common ground and (at a time when art is being squeezed out of schools) a culture of engagement with music. For the full programme – and for British readers who want to find out exactly what’s going on in their region – check the links above.

For what it’s worth, I’ve been sifting through the programme with my jaundiced, picky eye and selecting out what I feel are some of the more unusual or rewarding events dotted around the comfy musical quilt (more or less in order of occurrence), starting in the middle of another festival in Hay-on-Wye…

BBC Radio 3 Live/Hay Festival presents:
Hay Festival Guitar Jam with Morgan Szymanski
Friends Café @ Hay Festival Site, Dairy Meadows, Brecon Road, Hay-on-Wye, HR3 5PJ, Wales
Friday 3rd June 2016, 9.30am

BBC Music Day - Get Playing!“Prior to his Radio 3 Lunchtime Concert (a collaboration with the Cremona String Quartet at 1.00pm, and already sold out) classical guitar ace Morgan Szymanski will be inviting amateur guitarists to join him for a morning guitar jam. Help create and perform a brand new piece for a hundred guitarists to be featured in the concert. Morgan will lead you through the process, whatever your level, from beginner to advanced. The event includes a special master class from Nitin Sawhney on playing the guitar.”

Unlike the walk-up nature of most of the other events listed here, a Hay Festival ticket is required for this one.

In Cambridge…

BBC Radio Cambridgeshire presents:
English Pocket Opera vs. Imperial & K.I.N.E.T.I.K
Silver Street Bridge, Silver Street, Cambridge, CB24 5LF, England
Friday 3rd June 2016, 11.30am

English Pocket Opera will be performing on a punt through the waterways of Cambridge. As they approach Silver Street bridge the opera will be joined by a local ‘BBC Introducing’ hip-hop duo Imperial & K.I.N.E.T.I.K, on top of the bridge. Hip-hop and opera will merge to create a brand new sound.”

Christ, this one could be a car-crash in multiple senses. I mean, it’s hard enough to handle a Cambridge punt at the best of time – it’s an unhappy marriage of Newton and Zen – let alone try to synchronise it with anything else. Still, given the sunny, positive and playful nature of both sets of musicians involved (don’t expect a collision of ‘Wozzeck’ and Kanye), let’s give them the benefit of the doubt… and just to put it into perspective, I‘m an appalling puntsman and these guys know their music.



 

In Nottingham…

Afro Therapy, 3rd June 2016Can’t Stop Won’t Stop presents:
Afro Therapy: featuring Jourdan Pierre Blair + Ella Knight + Early Bird + Garton + D Dot + others tbc
Rough Trade Nottingham, 5 Broad Street, Nottingham, NG1 3AJ
Friday 3rd June 2016, 7.00pm

“Live music and DJs will be putting music of black origin in the spotlight. Unsigned and independent artists Ella Knight, beat maker Early Bird, and MCs Garton, D-Dot and Jourdan Pierre Blair (the last better known as Jah Digga) will represent a range of R’n’B and hip hop styles with a British stamp on global music. This free event is open to people over the age of 14.”

I’ve got to say that – for all of the community ethos being trumpeted elsewhere – this show is probably the most proactively street-level event on a day which needs to be about everyone in the country, not just people who like choirs and crumpets. (I’m not trying to bitch here; I just… noticed.) Here’s a run of video and soundclips for most of those involved.





 

Sheffield also deserves credit for working outside the comfy box…

A Law Unto Ourselves, 3rd June 2016

Yellow Arch Studios present:
A Law Unto Ourselves: The Eccentronic Research Council (featuring Maxine Peake) + The Death Rays of Ardilla + Sieben + The Third Half
Yellow Arch Studios, 30-36 Burton Road, Neepsend, Sheffield, S3 8BX, England
Friday 3rd June 2016, 7.30pm
– free event – more information

This is probably the most experimental event of the lot: an opportunistic but rewarding live spotlight on Sheffield’s unique independent music scene. There should have been more events like this dotted up and down the country – not necessarily with an experimental pop thrill, but emphasizing local current indigenous music which could only have happened in particular towns and at this particular time. All respect is due to Sheffield musicians, to the Yellow Arch venue and to curator Sophie Toes for taking the trouble to spot this challenge and rise to it.

Probably the biggest draw for A Law Unto Ourselves are the headliners – The Eccentronic Research Council, barbed and crafty exponents of their own scenic and sample-heavy “library/soundtrack, experimental, folkloric/non-populist pop”. They’ll be accompanied by their own established muse and mouthpiece – Maxine Peake (actress, declaimer, proud overturner of complacent applecarts) – and are the most questioning act across Music Day, bringing a touch of dissent, argument and the British radical tradition into its general cosiness. In support are spaced-out and (literally) brotherly garage-rock duo The Death Rays of Ardilla, Sieben (a.k.a. beater, plucker, tickler and layerer of voice and violin Matt Howden) and The Third Half (a duo who combine and alternate harp, celeste, guitar and voice in “twenty-first century neo-pastoral rare groove”).

ERC


There will also be DJ sets from representatives of some of Sheffield’s other interesting underground or experimental bands – spooky lysergic-child-song folksters Antique Doll, progtronicians I Monster, psychedelic country-and-western band The Cuckoo Clocks – plus one from Sophie Toes herself. There’s limited capacity for this show, so early arrival is recommended to avoid disappointment.

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In Bristol…

Charles Hazlewood and the British Paraorchestra
Colston Hall, Colston Street, Bristol, BS1 5AR, England
Friday 3rd June 2016, 8.00pm

“After the success of last year, the ground-breaking British Paraorchestra, the world’s first professional ensemble of disabled musicians, return to Colston Hall to perform for BBC Music Day. The group is headed up by Charles Hazlewood, a genuine pioneer and innovator in the world of classical music. In a unique show, the Paraorchestra will be joined on-stage by performers from Extraordinary Bodies, the professional integrated circus company and partnership between Cirque Bijou and Diverse City. The combined effect of The British Paraorchestra and Extraordinary Bodies playing ‘In C’ by composer Terry Riley, promises to be cathartic and uplifting. The aural equivalent to climbing inside a giant lava lamp.”

On spec, this may sound like a case of worthiness over content – but while it’s true that (despite the Riley) the Paraorchestra plays its fair share of light-ent pop transcriptions to sugar the pill, albeit in its own way – it’s also worth noting that the ensemble isn’t just about the state of bodies. The Paraorchestra also explodes a lot of ideas about how an orchestra might work, in terms of instrumentation and approach: likewise, Extraordinary Bodies has plenty of challenges and delight to offer. See below:

 

…and finally…

Shaun the Sheep

Aardman Animation/Colston Hall/Bristol Museums present:
Shaun the Sheep’s Vegetable Orchestra
Studio 2, The M Shed, Princes Wharf, Wapping Rd, Bristol BS1 4RN, England / Colston Hall, Colston Street, Bristol, BS1 5AR, England
Friday 3rd June 2016
Workshops and rehearsals at Studio 2: 10.15am, 11.15am & 12.15pm (tel: 0117 352 6600 for details)
Veg Orchestra Finale! featuring Shaun the Sheep and his Vegetable Orchestra at Colston Hall: 1.40pm

“In celebration of BBC Music Day and Aardman’s 40th anniversary, children are invited to join Shaun the Sheep and become part of his Vegetable Orchestra for a live performance at Colston Hall. (There will also be an Aardman birthday singalong and cake presentation.) There will also be pre-performance workshops at M Shed to decorate your veg instruments and learn how to play your part, all set to the ‘Shaun The Sheep’ theme tune. Workshops presented by Farmer characters & Shaun himself, it’s ‘flock ‘n’ roll’ for all ages and all set on Mossy Bottom Farm!”

Sorry. For a variety of reasons (parenthood, humour, a taste for experimentalism and a love of everything Aardman-esque) I just couldn’t bloody resist that last one… and it turns out that the foremost practitioners of the vegetable orchestral art are as cheerfully experimental and conceptual as anything else I tend to feature in here…


 

May-into-June 2016 – upcoming gigs – Andrew Howie’s new album/video and shows, plus Refuweegee songwriter/spoken word concert in Glasgow, Carol Laula in Stirling and Yvonne Lyons in Birmingham

26 May

Andrew Howie, 2016

As part of a recent burst of activity, Andrew Howie (who for many years released his beautiful skeletal balladry and scuds of tingling noise as Calamateur before reverting to his own name), has recently released ‘Scars Are Like A Beacon’, a companion album to last year’s ‘The Great Divide’. He describes it as “a completely instrumental re-imagining of (‘The Great Divide’) but it sounds nothing like that record. Instead, it’s full of dark, ambient, textural soundscapes that are sometimes reminiscent of the more left-field music I used to make as Calamateur. The feedback I’ve had from listeners so far has been really encouraging, so if you’re tempted to think this one might be too weird for you then please do give it a listen – you might be surprised! This album is only available to stream and download from my Bandcamp shop (for a tempting mere £3!), where you can also buy it on cassette – my first! So if retro analogue tape is your thing, then just click here. I’ve also made a short series of black & white films to accompany some of the songs. Here’s the first – ‘Tremble’…”


 

An enthusiastic performer of house concerts, Andrew has two British ones coming up in June – one on Saturday 4th June in Westerton, Glasgow and one on Saturday 11th June in London (tickets available from his live page, with further information). In addition, he’s making appearances at three other shows between late May and mid-June, as follows:

* * * * * * * *

Carol Laula + Andrew Howie
The Tolbooth, Jail Wynd, Stirling, FK8 1DE, Scotland
Friday May 27th 2016, 8.00pm
more information

Carol Laula has been dear to Glasgow’s heart ever since her song Standing Proud was picked as the anthem for its year as European City of Culture in 1990. Her eight albums to date have continued to showcase Laula’s vibrant voice and soulful folk-pop songwriting, interwoven with strands of country and blues. 2016 heralds the release of Carol’s latest offering, ‘The Bones of It’ (produced and engineered by her longtime friend and colleague Marco Rea, who plays on the record along with many others including Ken McCluskey and Davie Scott). Her live performances are warm, embracing, intimate and engaging. Stirling based singer-songwriter Andrew Howie will open the evening, with a selection of his most recent songs.”



 

* * * * * * * *

Refuweegee and raukarna present:
A Night of Notes: Ross Clark + Kim Edgar + Dave Frazer + Lucy Cathcart Froden + Andrew Howie + Nicolette Macleod + Jamie Robert Ross + Tiff Griffin + Martin Cathcart Froden + others tbc
Kelvinside Hillhead Parish Church, Observatory Road, Glasgow, G12 9AG, Scotland
Friday 3rd June 2016, 7.30 pm
more information

“Refuweegee is a new initiative aiming to welcome refugees and asylum seekers to Glasgow in style, with welcome packs that include ‘letters fae the locals’, and return envelopes so that recipients can respond with their own words and stories. Join us for a night of new songs inspired by these amazing letters. Note that five pounds from the eight pound face value of every ticket sold will be donated to Refuweegee, and that asylum seekers and refugees will be admitted for free.”

Songwriters performing include Ross Clark (of hillbilly rock’n’rollers Three Blind Wolves), Kim Edgar (a provocative solo artist as well as a member of both Scottish/Canadian alt-folk supergroup The Burns Unit and German/Irish trad-folk band Cara), alt.country-tinged Dave Frazer, literary song-siren Lucy Cathcart Froden (of raukarna), Andrew Howie, looping folk vocalist Nicolette Macleod and upside-down-guitarist Jamie Robert Ross. There will also be spoken word contributions from Tiff Griffin and Martin Cathcart Froden, and from some of the brand new Glaswegians who’ve benefited from the project.

Here are some examples of what’s on offer:









 

* * * * * * * *

Finally…

Lobelia’s Lazy Sundays presents:
Yvonne Lyon + Andrew Howie + Lobelia Lawson
Tower of Song, 107 Pershore Road South, Kings Norton, Birmingham B30 3EL, England
Sunday 12th June 2016, 7:30am
more information

“Come one come all to the Tower of Song to see the best touring singer songwriters in the UK and beyond! This month we’ve got Yvonne Lyon, among the best and brightest talent currently emerging from the UK. She has consistently stirred audiences across the UK and beyond with her emotive performances, combining poignant lyrics with creative melodies and demonstrating a voice that can be both fragile and intense. Yvonne was among the winners of the Burnsong International Songwriting Competition and performed her winning song All Is Not Lost at the Scottish Parliament in Edinburgh. Support comes from the amazing Andrew Howie, and a few songs to start from host Lobelia Lawson.”


May 2016 – upcoming gigs – two pay-what-you-like shows for May 28th: Bouche/A. Dyjecinski/The Kindling/Gemma Champ at Daylight Music in London; Rokenri’s album launch in New York

25 May

Two shows for the Saturday that’s coming up – both donation-based, both community-minded, both flexibly soft around the edges. And both well worth attending.

* * * * * * * *

Daylight Music 225, 28th May 2016

Arctic Circle presents:
Daylight Music 225: Bouche + A. Dyjecinski + The Kindling + Gemma Champ
Union Chapel, Compton Terrace, Islington, London, N1 2UN, England
Saturday 28th May 2016, 12.00pm
– free/pay-what-you-like event (suggested donation: £5.00) – more information

The summer return of London’s Daylight Music sessions continues with this triple-bill-plus-piano-guest afternoon.

Bouche is the deeply emotive and beguilingly timeless music of double bass player and singer Rebekah Bouche, accompanied by trumpet /flugelhorn and electric guitar. The songs are a kind of ‘blue-jazz hymnal’; the honesty and rawness of the blues, with melodic salutes to early jazz and a sense of pathos and drama that nods in the direction of 18th/19th century hymns and British folk. The unusual instrumentation makes for a delicate, tantalisingly sparse sound that winds prettily around the lyrical themes which, though mostly melancholic, are often delivered with a wink and a smile. The debut Bouche album, ‘So Long Solemn’, was released this spring.


 

A. Dyjecinski (if you’re wondering, it’s pronounced “EH-DEE-YEAH-CHIN-SKI”) is a Canuck from the Ontario woods who currently lives in London, making gritty, raw and vulnerable music (usually with his “scuzzy garage rock” band Dracula Legs). This year he released his debut solo album ‘The Valley Of Yessiree’ which saw him compared to Nick Cave, Lambchop’s Kurt Wagner (and dis-compared to Sinatra) by ‘Folk Radio‘, who also praised him for “epiglottal drunkenness” and for a “spectacularly assured debut album that, for all its minimal aesthetic, is brimming with ideas.”

 

“Cinematic songs, fireside percussion, ghostly harmonies, and T.V. static dreams: The Kindling make sad, strange and beautiful music, like the crack in the window that makes a rainbow, a dark, dusty corner or the last wave that takes her initials with yours from the sand. Presenting widescreen, blissed-out melancholy London alt.folk (and drawing influence from the guerrilla recording spirit of Sparklehorse, Mount Eerie, and Tom Waits), they were formed in 2011 to breathe life into the acoustic songs of Guy Weir. Their introductory EP ‘From Out Of The Wreckage’ was followed by a second EP, ‘Half Light’, in 2013. Their latest release is the 2015 full album ‘By Morning’.


 

“Weaving through the show on the piano and improvising a mix of funk, jazz and pop will be Daylight regular Gemma Champ.”

* * * * * * * *

On the evening of the same day, on the other side of the Atlantic…

Rokenri/Hannah Edmunds Gardens/Gowanus Canal Conservancy Group present:
Rokenri
Fort Briscoe Studios, 73 Sackett Street, Red Hook, Brooklyn, New York, NY 11231, USA
Saturday 28th May 2016, 7.00pm
– pay-what-you-like (suggested donation: $10.00) – more information

Rokenri @ Fort Briscoe, 28th May 2016Rokenri – the free-floating, free-associating art-pop team-up of sound artist Ethan Woods (guitar, keyboards, noise, vocals), multi-faceted percussionist Matt Evans (drums, keyboards, vocals, noise) and protean Anawan singer-songwriter Trevor Wilson (bass, keyboards, penny whistle, percussion, vocals, noise) – are launching their ‘Donkey Donkey’ album at their DIY space in Red Hook, prior to Trevor’s imminent departure for North Carolina. Expect “a bit of a hang at first, but only one hour of performance… accompanied by dancers, video, and more.”

There’s a horticultural/preservational feel to the evening, with half of the door proceeds going to the Gowanus Canal Conservancy Group (working on and for the polluted and contested Brooklyn canal which neighbours the venue, with the aim of turning its shores into a public park).

‘Donkey Donkey’ (also featuring contributions from Rokenri’s Bennington College/Brooklyn pals Stephen Markow, J.J. Beck and Michael Chinworth) is available to download now, with the vinyl edition following in mid-June. Here’s the recent single – Sullied Tied – one of my own album favourites (Love Takes Time), and a clip of the band rehearsing another ‘Donkey Donkey’ track (Your Arms Are Real) at Briscoe.




 

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