Tag Archives: Chaos Theory (event/promoter)

August 2018 – upcoming London pop and rock gigs – The Mantis Opera, Bozo Zoo, The Butterfly Wheel and Imogen Bliss (25th August); Norwood & Brixton Foodbank fundraiser with Treasure Of Woe, Carl White and Apocalypse Jazz Unit (also 25th August)

15 Aug

The Mantis Opera + Bozo Zoo + The Butterfly Wheel + Imogen Bliss, 25th August 2018There are several reasons that I’ve been following the exploits of The Mantis Opera this year. One is the music: an illuminating synth-rock rush through cunningly orchestrated post-classical complexity and brainiac alternative pop, topped with similarly cerebral lyrics which slide fizzing, thinking ribbons through philosophy, logic and linguistic theory before binding them back into more down-to-earth life situations.

If this sounds hideously dry or snooty, it isn’t. This is simply music which is neither ashamed of its own cleverness, nor too self-absorbed or chilly to invite you along for the ride. They’re among an increasing number of newish, bumping-along-in-the-underground acts who share this kind of quirky enthusiasm and possess the requisite smarts and chops to back it up. Tom O.C. Wilson, Prescott, Thumpermonkey and Lost Crowns spring immediately to mind: bands and songwriters who see nothing wrong with turning out songs with the depth and twists of playful short stories, of compressed novels-of-ideas or of meandering Flann O’Brien-esque digressions.

As regards The Mantis Opera, I’ve been chucking around terms like “wide-awake brain music” and “avant-prog keeping watch from under a dream-pop veil” and I’m not going to drop those yet, although I might have to come up with a few more if the band are going to keep up regular performances.



 
The other reason that I’m keeping an eye on The Mantis Opera is that they tend to keep interesting gig company. Whether they’re good at being invited or are inordinately good at charming their way into lineups, the band seem to have a knack for fitting onto a wide variety of different bills, and this end-of-the-month gig at Paper Dress Vintage is no exception.

Two summers old, already pegged as “rust-bucket swing” and compared to “Mark E. Smith manning the Hot Five”, Bozo Zoo play rootsy jazz-folk and rhythm & blues on drums, double bass and comfortably sleazy sax. Hollering, theatrical vocalist and off-the-wall lyricist Mark Warren (who also handles the inevitable, ubiquitous ukulele) ensures that they tilt into a similar realm of bulging-vein vigour and twisted circus berserkery to that of The Tiger Lillies. A few decades ago he was bobbing about in the kind of lucky-dip underground bands that showed up on Org Records compilations: now he’s singing up budding cabaret gallimaufries of music hall songs and ditties about chess grandmasters. On top of all this, Bozo Zoo seem to have fused Spinal Tap with Schrödinger, via recent online mutterings about “a new drummer but we’ve also kept our drummer… but it ain’t a band with two drummers… but we have got two drummers… it’s complicated.”


 

Hailing from east London and extensively festooned with mysticism, The Butterfly Wheel aren’t quite the esoteric revelation that they’d like to make out. Plenty of their surface schtick – the Gothic theatrical trappings, the Early Music dirge-wails, the stripping away of Western pop tropes in favour of frowning middle-continent antiquity – is more than familiar to anyone with a passing knowledge of Dead Can Dance (or of the host of intense, tousled imitators DCD spawned over three decades). What is refreshing is the shifts underneath those surface. A female duo, their songs reshuffle and transform archetypes for an increasingly feminised new time. There’s the sense of old stone patriarchal gods and legends being chipped away at; of more hopeful alternatives being birthed out of the sea; of the stories sitting up and rewriting themselves. We’ll have to see where it leads.



 
From Camberwell and Coldharbour, Imogen Bliss reshuffles Eastern European folk songs and tufty pop covers on voice, mandolin and loop station. The examples below are Armenian and Balkan/Romani, sandwiching a reworked Cure hit: the latter may not sound a great deal different to those pixiedreamgirl uke songs which still bog down every other cinema advert, but Imogen sounds awake and illuminated rather than sun-drenched and casually dreamy. I’m guessing that she’s got other tricks up her sleeve…

 
Paper Dress Presents…
The Mantis Opera + Bozo Zoo + The Butterfly Wheel + Imogen Bliss
Paper Dress Vintage Bar & Boutique,, 352a Mare Street, Hackney, London, E8 1HR, England
Saturday, 25 August 2018, 7.45pm
– information here and here
 

* * * * * * * *

Norwood & Brixton Foodbank Fundraiser: Treasure Of Woe + Carl White + Apocalypse Jazz Unit, 25th August 2018On the same night, there’s this. Lovers of righteous noise, here’s your chance to sample some noise that’s a bit more righteous…

“London promoters Wrongpop and Chaos Theory have gotten together for a one-off special event to raise money for Norwood & Brixton Foodbank: some of the best new underground bands out there have agreed to bring you their sounds for this excellent cause, so it’ll be a phenomenal evening with extra positive vibes. 100% of ticket sales go to the charity.

“Formed from members of Long Slow Dissolve,The Love Me Tenders and Witchfist, Treasure Of Woe play stoner and psychedelic jams on guitar and drums. We’ve seen this duo doing their thing at The Facemelter last September and they just keep on recording their jams and releasing them online, so have a listen at the link and get down for the full live experience.


 
Carl White are a guitar/drums experimental rock duo, originally formed in Brighton and now based in London. Over the years they’ve shared the stage with acts such as Nitkowski, Alpha Male Tea Party, Flies Are Spies From Hell, Witching Waves and The Mae Shi.They’re currently working on a new EP, from which there will be a single/video released in the next couple of months.


 
Apocalypse Jazz Unit were started in 2013 by Rick Jensen as a recording project, after nearly three years of not making music. After numerous albums, Rick recruited some new and old musician buddies and started playing live. AJU quickly went from a small group to an over-the-top collective of psycho improvisers, with up to seventeen members at any one time. To date, they have released over seventy albums and have played a ton of gigs. AJU harnesses the spiritual fire of free-jazz of the ‘60s, mixed with a bit of disco when the mood takes them. Always high-energy and with a heavy sense of humour, AJU can easily swing from delicate and sombre, to full-blast horn mayhem.”


 
Wrongpop & Chaos Theory Music Promotions present:
Norwood & Brixton Foodbank Fundraiser: Treasure Of Woe + Carl White + Apocalypse Jazz Unit
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Saturday 25th August 2018, 7.00pm
– information here and here
 

July 2018 – upcoming rock gigs – A Sudden Burst of Colour, a-tota-so and Theo tear up The Facemelter (6th July); Heldon and Hirvikolari at Café Oto (14th July)

2 Jul

A quick boost for the heavy stuff at the Facemelter this week, and for an avant-rock return at Café Oto mid-month….

* * * * * * * *

The Facemelter: A Sudden Burst Of Colour + a-tota-so + Theo, 6th July 2018
“Hailing from Motherwell, Scotland, A Sudden Burst Of Colour captures fans of electronic, ambient, dance and rock music with their soundscapes and encapsulating songwriting. Their sound is bright, shimmering and generally uplifting. The instrumental quartet have four globally acclaimed EP releases under their belt, which is evidenced by features from ‘BBC Introducing’, ‘The Scotsman’, ‘Earmilk’ (USA), ‘Arctic Drones’ (Turkey), ‘Stereofox’ (Germany) and many more, so this is a good time to catch them before they break into the wider world. Their recent single ‘I Am The Storm’ was premiered on Daniel P. Carter’s BBC Radio 1 Rock Show and they’re currently in pre-production for their forthcoming album, which is due for release at the end of the year.”


 
Replacing Bristolian mathrockers Hoggs Bison (who, like Barringtone recently, have come down with a bad case of broken wrist) are “noisy math/grunge band a-tota-so (formed by members of Alright the Captain and Cheap Jazz), who we’ve been dying to put on for ages! In their short one-and-a-half-year existence, they’ve already toured the UK and Europe, shared the stage with Tera Melos, Tangled Hair, Alpha Male Tea Party, Chiyoda Ku, Memory of Elephants, VASA and many more, and played at ArcTanGent and StrangeForms Festival. After a successful crowdfunding campaign, the band recently recorded their debut album at Nice Weather For Airstrikes and Snug Recording Co. and are set to release it in September 2018.



 
“To open, there’s a rare appearance from soloist Theo (described as “an extraordinary maelstrom of soundscapes, loops, beats and power” by ‘Louder Than War), who creates layers of tight guitar melodies and riffs by looping them over and over again, before sitting down at his drum kit and smashing out some fantastic rhythms to them. The range of dynamics and changes he achieves, as well as his ability to make the entire piece a coherent tune from start to finish, is astonishing. We’ve seen him perform around the country, including at ArcTanGent and at our late night Facemelter with Poly-Math and EVILLOOKINGBIRD, so we’re glad to see him make a return.”


 
Chaos Theory Music Promotions presents:
The Facemelter: A Sudden Burst of Colour + a-tota-so + Theo
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 6th July 2018, 7.30pm
– information here and here

* * * * * * * *

Heldon + Hirvikolari, 14th July 2018

The upcoming Heldon and Hirvikolari gig at Café Oto appears to be happily selling itself without my input, partially thanks to Heldon mainstay Richard Pinhas‘ reputation as “the French Robert Fripp”. If that’s a fair comparison (and Richard has readily acknowledged that “Fripp has always been my Hendrix”), he might not have King Crimson’s ability to fill larger theatres but he does seem to have a far less compromised reputation in avant-garde hubs like Oto – for one thing, you wouldn’t generally find Robert Fripp going head-to-head with members of The Boredoms. A former junior philosophy professor, he jumped the academic ship in 1974, inspired by his own comparisons between philosophers and rock stars (and by his own taste for science fiction) to form an electronic rock band with a trans-sonic bent. This was Heldon, one of the very first French bands to use synthesizers, and one which would subsequently fall under the spell of King Crimson, Fripp and Brian Eno and develop their own droning improvisatory rock forms.

While the band originally only lasted for the course of the 1970s, Heldon’s albums are currently being reissued by Bureau B: this year, an archive live album, ‘Live in Metz 77’, was released by Bam Balaam. All of which has prompted a return to live action by Richard under the Heldon name. This is their first London concert for literally decades: expect to see an excited anticipatory audience of prog/avant-rock fans of all ages.



 
Hirvikolari – modular synthesist Mike Bourne and processed-trumpet guy Sam Barton – are more often found being two-fifths of Teeth Of The Sea Last time round, I described them as follows: “while Teeth Of The Sea tend to play great stomping horror-slabs of musical architecture (a flying saucer spitting out rows and rows of heavily-armed tower blocks) Hirvikolari prefer to take the slow path and evolve themselves a great bolus of stewed electronic burble and resonating brass tracks. Ennio Morricone’s been cited as a comparison, as has the long tradition of counter-culture festival techno: both comparisons have some grounding.”

 
There’s about three handfuls-worth of tickets left: if you want to pluck them from the eager grip of Baba Yaga’s Hut, I’m sure they’d be all too willing to let you have your chance.

Baba Yaga’s Hut presents:
Heldon + Hirvikolari
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Saturday 14th July 2018, 8.00pm
– information here, here and here
 

Post-Punk Monk

Searching for divinity in records from '78-'85 or so…

Get In Her Ears

Promoting and Supporting Women in Music

The Music Aficionado

a song a post, for a song

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

A jumped-up pantry boy

To say the least, oh truly disappointed

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Organized sounds. If you like.

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A search for the world's weirdest music, in handy blog form

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

%d bloggers like this: