Tag Archives: Cassie Kinoshi

January to March 2018 – the Jazz Herstory season at Poplar Union in London – Nérija (18th January); Laura Jurd (15th February); Yazz Ahmed (15th March)

2 Jan

Sitting tight beside the Limehouse Cut (up above the Isle of Dogs), Poplar Union, is one of London’s newest, friendliest and most promising arts centres. It’s already had some early-days gig triumphs with Norwegian jazz-pop duo 1816 and Simon Roth’s folk/classical quintet Land Of If, and (most recently) has warmed me with a stunning early-December evening of jazz-and-folk-infused Sephardic love songs from Sefiroth.

These are now being followed up with a triple set of gigs in collaboration with the enthusiastic feminist jazz initiative Jazz Herstory, which among other things presents “female led bands playing jazz now, spanning styles, sounds and generations. Showcasing the richness of jazz being made in the UK today and celebrating the women who contribute, Jazz Herstory presents award winning bands and instrumentalists, composers of national and international acclaim and people making waves locally. We aim to share: to bring women from the background to a balanced foreground in jazz. Female instrumentalists have not been part of the story of jazz as much as their male counterparts and we want to play a part in writing a more balanced story from here on in and dissolve stereotypes in the process.”

In turn, Poplar Union comments “we are very excited to present this series of live performances featuring a line-up of true talent from the up-coming London jazz scene. This is an integrative platform, aiming to bring women from the background to a balanced foreground in jazz.” This debut series – hopefully the first of many – features three different acts in three different concerts (one per month), all scheduled for a fairly family-friendly early-night start. (Bring your young daughters, and granddaughters. Bring your nieces…)

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Nérija are a London-based collective playing exciting and original music inspired by jazz, hip hop, Afrobeat and South African township. Their eclectic repertoire has appealed to not only the UK jazz scene but also given them a presence within rap and pop-focused festivals. The collective (trumpeter Sheila Maurice-Grey, trombonist Rosie Turton, saxophonists Cassie Kinoshi and Nubya Garcia, guitarist Shirley Tetteh, double bass player Rio Kai and drummer Lizy Exell) were winners of the Jazz Newcomer Parliamentary Jazz Award 2017 and Jazz FM Breakthrough Act of the Year 2016 nominees. They will be showcasing work from their unreleased new album as well as picking from their critically acclaimed self-titled 2016 EP.”


 
“Highly active throughout the UK scene, Laura Jurd has developed a formidable reputation as one of the most creative young musicians to emerge in recent years: an award-winning trumpet player, composer, leader of the 2017 Mercury-Prize-nominated Dinosaur, and a BBC New Generation Artist for 2015-2017. Described by ‘All About Jazz’ as a musician who “embraces melody, harmony and groove as much as she provokes with blasts of dissonance and gutsy angularity”, it is her ability to combine the soft with the abrasive, the calm with the fiery, that makes her music-making so compelling.”

(For her Jazz Herstory concert, Laura will be playing with a brand-new trio in which she’s joined by regular Dinosaur drummer Corrie Dick but also by a newer collaborator – bassist Tom Herbert of Polar Bear, The Invisible and Acoustic Ladyland).


 
“Since releasing her debut album ‘Finding My Way Home’ in 2011, British-Bahraini trumpet player Yazz Ahmed has emerged as a distinctive voice on the UK Jazz scene, both as a soloist and composer. Her new album, ‘La Saboteuse’, is a deep exploration of her mixed heritage and her growing interest in sound design and electronic effects. The album has been described as “intoxicating, compelling and sonically outstanding”, and as transforming what jazz means in the twenty-first century. As an LSO Soundhub composer, Yazz has explored writing music for her newly developed quarter-tone flugelhorn to enable her to get closer to the spiritual nature of the blue notes in Arabic music; and in recent years has led her quartet and her seven-piece, Ahmed Family Hafla, in concerts around the UK and abroad”


 
All concerts are at Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England. Dates as follows:

  • Nérija – Thursday 18th January 2018, 7.00pm – information here and here
  • Laura Jurd – Thursday 15th February 2018, 7.30pm – information here and here
  • Yazz Ahmed – Thursday 15th March 2017, 7.30pm – information here and here

Incidentally, the Jazz Herstory Facebook page is a fine place to wander for a engaging, rapid-fire primer and pointer in obscure (or, rather, obscured) female jazz artists throughout the music’s history: not dwelling too much on what they weren’t allowed to achieve but on what they did achieve… and it’s been impressive. I’ve rarely felt so rapidly educated.
 

July 2016 – upcoming London gigs – Ant Law, Cassie Kinoshi and Zoe Rahman play Jazz in the Round (25th); Countermeasure’s spectacular a capella (31st); a two-day run for Pasek & Paul’s ‘Edges’ song cycle (30th & 31st)

21 Jul

Popping up at the end of the month…

Cockpit Productions present:
Jazz In The Round: Ant Law Trio + Cassie Kinoshi’s Seed + Zoe Rahman
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Monday 25th July 2016, 7.00pm
information

I’ve just caught up with The Cockpit Theatre’s regular monthly jazz extravaganza (which is pretty good going on my part, since it’s only been happening for four-and-a-half years already…) This month, the 2016 summer season concludes with a triple bill of London jazz acts, plus the usual warm-up DJ set from Jazz FM’s Jez Nelson and Chris Philips (‘Somethin’ Else’, ‘The Blueprint’, ‘Chris’ Starpoint Radio’). As ever, the audience is positioned around the band in a thrust-stage setting, allowing a different sonic perspective and sense of involvement.

A member of Tim Garland’s all-star Lighthouse quartet, guitarist Ant Law uses bop jazz, folk-rock and Carnatic music as part of his musical palette (which also includes modern jazz, heavy metal and M-Base-inspired rhythmatism). A onetime Edinburgh University physics graduate and Berklee College alumni, he also works with Paul Riley and Trio HLK (with Richards Kass and Harold), with “proggish” fusion quartet Project DSB, plays as a regular sideman with Camille O’Sullivan and leads his own quintet. On this occasion, he’s performing with his trio – completed by drummer Asaf Sirkis and bass player Matt Ridley – delivering fluid rapid compositions in a constant state of teasing upheaval.


 

Led by alto saxophonist and Tomorrow’s Warrior Cassie Kinoshi, Seed are a ten-piece band combining jazz with inner-city London, West African and Caribbean influenced grooves. The stellar line-up of some of London’s most up-and-coming young jazz musicians also features Miguel Gorodi and Sheila Maurice-Grey (trumpets), Joe Bristow (trombone), Theon Cross (tuba), Chelsea Carmichael (tenor sax), Joe Armon-Jones (piano), Oscar Laurence (guitar), Rio Kai (bass) and Patrick Boyle (drums). An alumnus of all-female TW band Nérija, Cassie is a diverse, inquisitive composer whose own music takes inspirations from jazz and black cultural history but also delves into lighthearted chiptunes, classical chamber music inspired by subjects as diverse as Chaucer and Tetris, and sombre electronic soundscapes.


 
British/Bengali pianist and composer Zoe Rahman creates music formed by her mixed heritage, her initial training as a classical musician, and her very broad musical taste, with her love for contemporary jazz as the binding agent. On this occasion, she’ll be playing solo.


 

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Countermeasure: 14 Characters A Cappella
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Sunday 31st July 2016, 2.00pm
information

Fourteen-piece Canadian vocal troupe Countermeasure make a visit to London at the month’s end, as part of their European tour. I could mine the press release for details on the prizes they’ve won and the other groups they’ve collaborated with; but the truth is that, when talking about vocal groups, somehow that mass of information always seems to mean less. Maybe one’s just impatient to be seduced by the voices… so here they are, delivering a multilayered take on Cole Porter’s I Got You Under My Skin; working in tricks and tips from close-harmony, contemporary R&B, jazz vocalese and broken beats.

* * * * * * * *

Back at the Cockpit, there’s a production of Pasek & Paul’s ‘Edges’. …

CC Productions present:
‘Edges: A Song Cycle Following Coming-Of-Age Questions’
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Saturday 30th July 2016, 7.30pm
Sunday 31st July 2016, 5.00pm

information

Part theatre musical and part song cycle, ‘Edges’ was originally written by Benj Pasek and Justin Paul while they were still students at the University of Michigan, many years before they were conquering Broadway with ‘Dogfight’, ‘James and the Giant Peach’ and ‘A Christmas Story’ and being hailed as the heirs to Rodgers and Hammerstein. The piece has been described as “a witty and honest look at the choices we make and what happens when we are on the edge of our lives. Covering such issues as love, commitment, identity and meaning, ‘Edges’ follows four adults escaping expectations and their complicated relationships.”

This production of the show features musical actors Adam Bailey, Peter Cumins, Laura Mansell and Catherine Mort. Here’s a clip featuring a montage of songs and moments from a previous production at the Capital Repertory Theatre in Albany, New York State.


 

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