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October/November 2016 – upcoming gigs – Pierre Bensusan’s autumn tour of Britain and Ireland (30th October to 20th November)

26 Oct

Pretty much a year to the day since his last appearance in London, French-Algerian acoustic guitar master Pierre Bensusan is returning to town this Sunday for the start of a British and Irish tour. The tour will be taking in a delightfully broad sweep of venues both grand and humble, rowdy and formal, from pubs and multi-utility community rooms to concert halls. Most of them will have little in common at the start of the show. By the end, they’ll all be sharing the particular warmth which Pierre brings to his expansively intimate music and performances.

World music’s an often-abused term, especially when you can see crude joins within it. Yesterday’s exotic-record discovery shopped and slopped onto whichever beats selling; or the sound of one particular city’s overbearing acquisitiveness, engulfing and pickling the music of its immigrants rather than fostering it. Pierre’s music is an example of how you can revitalise and justify the term. I’ve spoken before about the French-Algerian-Sephardic background which gave him a head start as regards polycultural vision, but perhaps what he actually embodies is the mixed grain of musical acceptance: the travelling tunes and the more intangible freight of cultures soaking and blending into his playing without strain. Neither jazz nor folk nor Spanish classical, neither rai nor chaabi, nor flamenco (old or new), it nonetheless contains all of these – a translucent, fully-realised and seamless chamber-acoustic melange, played softly and without affectation.


 

Full tour dates below:


 

July 2016 – upcoming and ongoing gigs – some pickings from the Frome Festival, west of England (1st-10th)

2 Jul

While I missed the chance to plug the Sin Eater Festival a few weeks ago, I’m just about in time for the modest fireworks which herald the Frome Festival in Wiltshire.

I’m too late to plug the opening party (in which Frome’s own electro-poppers Sweet Machine shared a bill with psychedelic synth-cabarettier, rock biographer and all-round performance character Alan Clayson); I don’t have much to say about the festival’s big-draw act Reef (currently enjoying a new revival of their original ‘90s revival of 70s blues-rock); and I feel sorry that the free gig by “ukular fusion” band The Mother Ukers doesn’t involve furious Mahavishnukulele jazz shredding (instead of being a variation on banjo-happy rockgrass covers). But there’s plenty more on offer, so here are a few other things picked out from the billing.

It’s by no means everything on offer (the festival’s full of visual art, talks and theatre; there’s plenty more jazz and classical; and there’s a show by Billy Bragg which will probably take care of itself) but these represent the bits-between-the-bits which are closest to ‘Misfit City’s natural constituency (if such a thing exists).

* * * * * * * *

The Magical Folk Garden @ The Archangel, 1 King Street, Frome, BA11 1BH, England
Tuesday 5th-Friday 8th July 2016, 7.30pm each night
– information: Tuesday 5th / Wednesday 6th / Thursday 7th / Friday 8th

At the upstairs room at the Archangel pub, The Magical Folk Garden continues to turn itself into an annual institution with a series of cushion-strewn/standing-room-only unplugged gigs, creating a “euphonious forest of folk and contemporary acoustic music from some of the UK’s finest talents.” It’s all pretty well-scrubbed and tasteful – there’s nothing to scare the horses here. That said, a few of the performers might own horses, and some might whisper them; while a few might go all ‘Poldark’ and ride off on one, bareback and bare-chested, a honey-coloured guitar bouncing up and down on the withers (it all probably depends on the state of the booze and the pollen count).

The Tuesday show features two Bath acts – lit-pop cello-and-guitar duo The Bookshop Band and romantic solo-balladeer Tom Corneill – plus the sunny pure-pop/psychedelic fizz of Trowbridge’s The Pigeons.


The Wednesday show has a band-backed performance from Frome’s Al O’Kane (a gravel-and-honey country-blues-folker who, with his mix of rolling American roots guitar and British mysticism, can come across as a one-man ‘Led Zeppelin III’). Also playing are Alex Taylor (bouncy, jazz-and-funk-tinged, broadening his sound and filling out his pockets with pedals and loops) and young songwriter Emma Shoosmith, whose output has ranged from thoughtful folkified Taylor Swift covers to the lilting ska-tinted song shown below.




 

The Thursday show has a chamber-folk air. Bookshop Band multi-instrumentalist Beth Porter returns with her own augmented-string quartet band The Availables and her own clutch of intricate literary songs. Also on board are the strings, percussion rustles and detailed guitar of Rivers Of England (fronted by Rob Spaulding) who, although they take on some pretty familiar modern folk tropes, land them in an interesting marginal territory in which the early-’70s John Martyn and the early-’80s Julian Cope sit down to exchange lines and tips. The bill’s completed by the lost-boy charm of Avebury singer-songwriter (and Nick Harper protégé) George Wilding with his warm, abstracted songs of distraction and heartbreak (simultaneously soothing and haunting).




 

The Friday folk-final involves wayward Bristol-and-Bath folk septet The Cedar. Beth Porter makes her third Magical Folk Garden appearance of the week as the band’s cellist, alongside five other musicians. Playing a variety of instruments and implements (from guitar, glockenspiel, viola, organ and ukulele to calculator, screwdriver, musical and tri-square) they weave Neil Gay’s slightly distracted songs into a musical fabric that’s sometimes Belle-&-Sebastian communal, sometimes music-school precise, and sometimes as frayed as a scrap-basket oddment.

The rest of the evening gently mixes Western with Western. Accompanying herself on guitar, baritone ukulele, harmonium or shruti box, Bradford-on-Avon’s Jess Vincent delivers a set of original country-folk songs with a sound and demeanour that’s seen her compared to both Iris DeMent and Kate Bush. Evening openers Ali George and Ruby Brown do their own take on Gram-and-Emmylou duets, filtered through Ali’s trunkful of original English folk/clawhammer guitar songs.




 

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The town’s Rook Lane Chapel arts centre is hosting plenty of events. These two in particular caught my ear:

Snowapple
Rook Lane Chapel, Bath Street, Frome, BA11 1DN, England
Thursday 7th July 2016, 7:30pm
information

Snowapple is an outstanding female harmony trio from Amsterdam who draw on folk, classical and chanson influences, in unique, charming and beautiful arrangements of original songs. Having sold out the Granary for the last two years, Snowapple have earned a reputation all over Europe and the US, and this year appear in the perfect setting of Rook Lane Arts.”

Praying For The Rain
Rook Lane Chapel, Bath Street, Frome, BA11 1DN, England
Friday 8th July 2016, 8.00pm
information

From the blurb: “Known for their dynamic and compelling live performances, Praying For The Rain blend contemporary folk, Celtic and world music with irresistible rhythms, memorable melodies, beautifully crafted vocals and inspired musicianship. Their music brings to mind a modern blend of Crosby, Stills and Nash, Robert Plant, to Fleet Foxes and the Dave Matthews Band, creating a truly uplifting experience. Following last year’s sell out concert, Praying for the Rain return to Rook Lane for Frome Festival 2016. Expect an exhilarating night of high energy, movement and wonderfully engaging songs.“

I’m sure I remember Praying For The Rain from when I was a regular at Martyn Swain’s wonderful Dreamhouse acoustic nights, a refuge of warm bohemian chic and unplugged music alongside the Splash Club in scuzzy mid-’90s Kings Cross. These were the same shows at which I was delighted by up-close performances from Marcy Detroit, Simons Warner and Whitaker and many more… there’s a little bit about Dreamhouse here, since someone’s been writing a crowdfunded book about the Splash years (and you can still pitch in to help it). Dreamhouse was the kind of night where you could expect table candles and belly dancing interludes most weeks; but during their own slot, Praying For The Rain completely overflowed the little Water Rats stage with finger-cymbals, accordions, cellos, cirrus-band harmonies and what seemed like about ten people on whispering percussion, temporarily transforming the place to a full-on New Age folk temple.

Although they seem rather more bluesy and straightforward-rootsy than I remember through the gauzes of memory, it’s good to see that they’ve lasted the twenty-year distance and garnered themselves a new up-to-date list of comparisons.


 
* * * * * * * *

Over at the Granary, there’s a semi-unplugged triple bill and a visit from a ‘Misfit City’ favourite.

Three Is The Magic Number presents:
Three Corners + Molly Ross + Gum Girl
The Granary @ The George Hotel, 4 Market Place, Frome, BA11 1AF, England
Friday 8th July 2016, 8.00pm
– free/pay-what-you-like

Regular Frome-and-Wiltshire unplugged night Acoustic Plus takes on a new identity for this three-act bill of “original songs, haunting vocals, mesmeric music” celebrating a diversity of approach via three different acts. Molly Ross offers fledgling piano pop touches on folk and R&B; Three Corners (with their roots in 1980s new-wavers The Impossible Dreamers, and featuring ex-Dreamers Nick Waterhouse and Caroline Radcliffe) play sparse, questing songs around more of a loose blues-and-jazz-informed tip; but the one I find most interesting is the dreamy beat’n’texture pop of Gum Girl.




 
Arch Garrison
The Granary @ The George Hotel, 4 Market Place, Frome, BA11 1AF, England
Saturday 9th July 2016, 8.00pm
– information http://cheeseandgrain.ticketsolve.com/shows/873554307

As Arch Garrison, North Sea Radio Orchestra mastermind Craig Fortnam and Stars In Battledress‘ James Larcombe explore gentle, intricate psychedelic folk: partly gentle clean chapel tones, partly kosmische textures, partly chalk-ridge geomancy. A duo of Craig’s nylon-strung acoustic guitar and James’ assorted keyboards (organ, monosynth, harmonium and piano), their two albums’ worth of songs have enabled Craig to bring the smaller and more personal songs he writes to life, when they don’t fit the grander feel of NSRO. Their ‘Will Be A Pilgrim‘ album was one of my favourites of 2014 – an unexpected gem of small voice and thinking space. Support comes from local favourites Dexter’s Extra Breakfast, playing Dave Clark’s soft-petalled and “Weltschmerzian” songs of middle-aged reflection.

 

* * * * * * * *

John D Revelator
The Griffin, 25 Milk Street, Frome, BA11 3DB, England
Saturday 9th July 2016, 8.00pm
– free event

At the Griffin, John D Revelator will be bringing along their dark-tinged acoustic swamp-pop for a free show. Even if there’s not actually such a thing as the “Somerset Levels delta”, they’ll lie to their last tooth and their last busted guitar string trying to persuade you that it does exist.


 

* * * * * * * *

Towards the end of the festival, the second of Frome’s two substantial concert halls is offering two very different performances on the same day. One is a post-lunchtime concert of vividly Catalonian Spanish classical music from the twentieth century; the other is an evening show of polymusical fusion from an all-star collective trio.

Elena Riu & Clara Sanabras: ’A Taste Of Spain’
Cooper Hall @ Selwood Manor, Jacks Lane, Frome, BA11 3NL, England
Saturday 9th July 2016, 1.00pm
information

Pianist Elena Riu and singing multi-instrumentalist Clara Sanabras (the latter on voice, harp, oud, charango and guitar) perform selections from the ‘Songs & Dances’ of Catalan impressionist/miniaturist composer Federico Mompou and the ‘Spanish Dances’ of his compatriot Enrique Granados, interspersed with Clara’s performances of the original Catalan folk songs on which Mompou drew.

Birdworld
Cooper Hall @ Selwood Manor, Jacks Lane, Frome, BA11 3NL, England
Saturday 9th July 2016, 8.30pm
– information http://cheeseandgrain.ticketsolve.com/shows/873554308

“Birdworld is made up of musicians Adam Teixeira (drums/percussion), Gregor Riddell (cello/electronics); and Alex Stuart (guitar). The project came about when Gregor and Adam met during self-directed Banff Creative Residencies where they discovered a shared interest in blending electronic and acoustic sounds. Since Adam moved to the UK in 2014 they have continued to develop BirdWorld, adding Alex along the way. Combining their artistic voices as both instrumentalists and composers, the trio will showcase each members original compositions arranged specifically for this unique musical exchange. Creating a unified sound that blends the inspirations of modern jazz, world music, contemporary classical, rock and electronic music in a rare concert setting.”

Here’s a video of the original two-piece in action, to give you two-thirds of an idea of what might be on offer.

 

June 2016 – upcoming gigs – North Sea Radio Orchestra play London and Salisbury (12th, 26th) with Daisy Chute and William D. Drake (and maybe some other people…)

30 May

After a four-year hiatus (punctuated only by a brief 2014 showing at a Robert Wyatt tribute evening in France) North Sea Radio Orchestra – the pocket alt.chamber ensemble formed by husband-and-wife art-rock refugees Craig and Sharron Fortnam – are returning to action with a couple of warm, low-key English shows in London and Salisbury during June.

North Sea Radio Orchestra, 2016

North Sea Radio Orchestra, 2016

Based around Craig’s aerial compositions (propelled by a fine lattice of nylon-string guitar or gestural piano) and fronted by Sharron’s grand, pealing mezzo-soprano, NSRO emerged fifteen years ago via a series of church concerts in the City of London. A familial, twenty-strong English-gala-on-legs, sporting a rugged/ragged choral section, they blended the feel of a market-town classical festival with the more omnivorous preoccupations of world-city musicians flitting between concert halls, experimental rock clubs and eclectic podcasts.

Notoriously, Craig’s tune-sense drew on a romantic-futurist melding of Britten, Zappa, Vaughan Williams, Peter Warlock, traditional and psychedelic folk, Victorian poetry and the bassoon-laden locomotional soundtracks of Smallfilms’ Vernon Elliott: while the musician-and-singer pool drew not only on moonlighting classical and film-score people, but also on London art-rockers with broad skills and wide-open ears. In retrospect, there are some superficial similarities not just between the NSRO and one of their clearest equivalents – the Penguin Cafe Orchestra, who enjoyed a comparable tidy balance between cosmopolitan genres and methods – but also between the NSRO and that ongoing wave of enjoyable pop-up community choirs who roll around with Beach Boys, Bjork and Pulp songs stuffed in their pockets. Certainly both of the latter share a “get-up-and-do-it” communal warmth which endear them to audience, plus a pleasing lack of collegiate polish (the NSRO’s choral parts managed to be disciplined and soaring and loveably rough’n’baggy, while Sharon’s lead singing has muscled in on uncolonized areas between classical diva, ’60s coffee-house folk and Yorkshire punk).

Having said that, the NSRO have always been a more serious endeavour, treating their inspirations and ongoing creative paths with a discreet and earnest gravity; something typified by their third album’s pre-hiatus digression into a more compacted style, in which minimalist and Krautrock influences subsumed their initial romanticism (and in which self-penned lyrics of connection, loss and retreat replaced their earlier settings of Tennyson and Blake).

Today’s NSRO are a more streamlined affair than they once were: a compact mostly-instrumental nonet with Sharron’s voice still to the fore. Many members may have gently fallen away (if not too far away), but most of the original players remain in place alongside the Fortnams. Percussionist Hugh Wilkinson, organist/monosynther James Larcombe, string players Harry Escott and Brian Wright, and Luke Crooks and Nicola Baigent on reeds are still all on board, Despite being absent for these shows (he’ll be back in the autumn) the ensemble’s newest recruit, percussionist and viola player Stephen Gilchrist, fulfils the usual NSRO criteria of strolling or scrambling across genre lines: as “Stuffy” Gilchrist, he’s best known for thrashing the drums behind Graham Coxon or Art Brut, or for doling out his pop-eyed alt.rock as Stuffy/the fuses or Stephen Evens.)

These new shows should contain material from the NSRO’s upcoming fourth album ‘Dronne’, due out in early September. The first signs of the album came from a minute-and-a-half of dreamy domestic phase music uploaded to their Facebook page back in January (see above). Various other hints which have seeped out suggest a further change of course, perhaps influenced by the inspired psychedelic folk course which Craig and James Larcombe have been following with their parallel project Arch Garrison . In James’ words: “the new NSRO album’s amazing – in my opinion rather further down the psychedelic avenue, particularly the long instrumental title track. The song we’ve recently done a video for (‘Vishnu Schist’) is without a doubt my new favourite NSRO song… I’ve been listening to it loads. There’s a Robert Wyatt cover on it too, which is lovely.”

Regarding the gigs…

Tigmus presents
North Sea Radio Orchestra + Daisy Chute
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Sunday 12th June 2016, 1.30pm
– more information here and here

In support at the Forge is Daisy Chute. Though she’s undoubtedly best known as one-quarter of glossy-teen pop/classical fusion queens All Angels, Daisy vigorously and actively pursues a broad sweep of additional music including theatre, education and modern folk. In addition to her frontline work as a singer, she’s an accomplished composer, arranger, orchestrator and multi-instrumentalist (guitar, piano, ukelele, banjo and pixiphone), and a member of varied other bands including Camberwell folk-pop quartet threeandme. On this occasion she’s going out under her own name, singing a set of self-penned folk-and-jazz inspired songs and fronting a quartet of Tristan Horne (cello), Will Collier (double bass) and Zara Tobias (harmonium and backing vocals).


 

* * * * * * * *

Salisbury Arts Centre presents:
Transplant Music Night: North Sea Radio Orchestra + William D. Drake + special guests
Salisbury Arts Centre, Bedwin Street, Salisbury, SP1 3UT, England
Sunday 26th Jun 2016, 8.00pm
more information

This one’s billed as “a special night of music to accompany Salisbury Arts Centre’s ‘Transplant’ exhibition” (more on that in a moment…) For this show, the support act is onetime Cardiacs member William D. Drake, who forged his own belated solo career alongside NSRO’s (simultaneously putting in time in the latter as both choir singer and occasional composer/pianist). Building on from his interest in Early Music, his stint as the classically-inspired keyboard wildcard amongst Cardiacs’ polystylistic punk tumult and his subsequent immersion in rootsier work, Bill has developed his own idiosyncratic approach to songwriting: baroque, playful and soulful. It’s culminated in his latest – and greatest – album, ‘Revere Reach’, which lovingly threads folk, rock, classical and mythic elements together in a compelling and timeless act of musical bridging.

 

There are also additional “special guests” mentioned on the bill. This could mean anything; but it’s worth speculating on location, on confirmed attendees and on similar associations including the ‘Transplant’ exhibition itself:

promo-mattcuttssculpture2016“Celebrating the interconnectedness between art forms emerging from the festival scene and the joy of being outdoors in nature, ‘Transplant’ brings together sculpture, image, music, poetry and living plants. Forming the heart of the exhibition, Matt Cutts’ wooden sculptures sit in ‘fields’ of wild flowers and trees. Accompanying them are huge batik paintings by Sarah Jones reflecting the beauty of trees. A soundtrack for the exhibition has been created from new music and field recordings by Sarah Jones and William D. Drake. The exhibition opens on Midsummers Eve (Tuesday 21st June) for a 6-8pm viewing, prior to the exhibition proper running from the 22nd to the 25th.”

Citing the fond connections between the world of Cardiacs and that of Salisbury is a pretty easy game. Not only have many former Cardiacs members and affiliates (the Fortnams included) ended up living around Salisbury, but the band recorded their reknowned ‘All That Glitters Is A Mare’s Nest’ concert film in the Arts Centre itself seventeen years ago. Bill Drake’s contributions to both Transplant concert and exhibition further binds the worlds together, but a closer look reveals yet more links. A long time ago (before the batiks), Sarah Jones was Sarah Smith, blowing a puckish saxophone and frail silvery backing vocals in Cardiacs. Before that, she was Sarah Cutts; born into an artistic Forest of Dean family and sister to Matthew Cutts, who himself put in a long stint as a Cardiacs roadie before returning to his sculpting work.

Sarah Jones

Sarah Jones

Whatever the main intentions, it’s clear that a nodding, benevolent Cardiacs spectre looms over the whole event, sealed by the nature-saturated green-fuse inspirations which collectively permeate the artworks of Transplant, North Sea Radio Orchestra’s pastoral heart, and the undergrowth of Cardiacs songs (with their fascination with life and damp and greenery). It could, in fact, be part of one of the ever-more regular waves of Cardiacs-related activity which ripple through English crannies and corners each year in the band’s absence, keeping alive their loving and cheerfully prickly approach to music, friendship and existence (see also the upcoming ‘Whole World Window’ benefit gig in Preston next month, which I’ll flag up again later in the summer). It may give some clues as to who else might turn up; or it might not.

However, I’ll leave any speculation there. Moving back to certainties, here are a few video clips of NSRO in the past – from their choral triumphs to their airborne or churchbound meditations – to pave the way for whatever they’ve got ready for us now.





 

March 2016 – upcoming gigs – pianos all over the world for Piano Day 2016

27 Mar

Piano Day, 2016

Following the previous post’s coverage of the Daylight Music prelude for Piano Day, here’s all of the information that I could gather up about the main event, which is taking place all around the world on Monday 28th March.

This is the second Piano Day, following its very successful launch in 2015 by Berlin-based pianist and piano specialist Nils Frahm as a day for musical unity. As Nils puts it: “why does the world need a Piano Day? For many reasons, but mostly because it doesn’t hurt to celebrate the piano and everything around it: performers, composers, piano builders, tuners, movers and most important, the listener.” For anyone who plays, or loves, or has wrestled with the wood-strings-felt-and-levers monster, or its digital facsimiles, this is a day for you.

The event kicks off in Germany with a piano marathon…

event-20160328-pianoday-24hourberlin

Justė Survilaitė presents:
Piano Day | Berlin: ‘24 Hours Piano Non-Stop Session’
Michelberger Hotel, Warschauerstrasse 39/40, 10243 Berlin, Germany
Sunday 27th March 2016, midnight, to Monday 28th March 2016, midnight
more information

Twenty-four pianists play through a full twenty-four hour period, beginning at midnight on Sunday 27th March, and going all the way through into Monday, finishing at midnight on the 28th.

The contributors come from the wide range of creative musicians who make their home in, or are drawn to, the energised art scene of contemporary Berlin; and represent its cultural breadth. There are classical players (Víkingur Ólafsson, Marina Baranova); there are jazz and improv players (Declan Forde, Jo Junghanss, Rieko Okuda, Marco Maria and Amine Mesnaoui, the Moroccan jazz/New Music electric pianist who specialises in playing inside his Fender Rhodes). There are musicians from the dance scene – techno star/DJ/label boss Lucio Aquilina, electronica producer-composer Florestano (whose musical ideas all start on “an old black piano”) and Sonar Kollectiv mainstay Arnold Kasar (whose work is informed by dance music, Arthur Russell and prepared piano).

Extra genre spice is added by English singer-songwriter and crossover multidiscipline musician Tom Adams, Anglo-Czech prodigy Emika (whose work spans from dubstep to classical), , Claudio Donzelli of folk trio Mighty Oaks, Doron Burstein (the composer/player behind the ‘Don’t Shoot the Pianist’ speakeasy event at Berlin’s Fahimi Bar) and Eike Schulz (who as well as being a pianist is one of the three scriptwriters behind recent one-take heist film ‘Victoria’) Other contributors to the day are more difficult for me to track and pin down from five hundred miles away (Kolja Ulbrich, Ellas, Janek Prachta, Christian Badzura, Solaris 4.1, Susann Helm) and even more special guests are promised for the twenty-four hour stint.


 

In addition, there’s a second associated Berlin event:

Raw Classic Podium presents:
Raw Classic Podium #1, featuring Martin Kohlstedt
Art Loft Berlin, Gerichtstrasse 23, 13347 Berlin, Germany
Monday 28th March 2016, 6.00pm
more information

“When is something old actually something new? Does music evolve in the imagination of the composer, in the hands of the musician or the listener’s head? And do these questions have a practical application in the concert hall?

On Piano Day, composer Frieder Nagel and Jochen Küpper (founder of Stattbad) will launch their new discussion series ‘Raw Classic Podium’, which offers the public the opportunity to enjoy art unpolished – together with selected artists from the neoclassical scene. Martin Kohlstedt opens the new series of events with an insight into his creative process. The idea of the finished work is abandoned – a workshop starts. Working on techniques of modular composition, the pianist draws the audience into his activity. One way or another, expect an intense experience.”

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There are three concerts in England (all of which are in London):

Alev Lenz presents:
Piano Day | London: Alev Lenz + Lucy Claire + Yuri Kondo + Marie Schreer
One Good Deed Today, 73 Kingsland Road, London, E2 8AG, England
Monday 28th March 2016, 7.00pm
– free event – more information

“Last year, Alev Lenz and Lucy Claire brought us two new Piano Day tunes fresh from Alev’s London studio. This year the two have decided to celebrate Piano Day with a special acoustic piano concert together with Yuri Kono and Marie Schreer. You will not only be able to hear the four women’s collaborative tracks premiered at the celebration (all of which you will be able to find on Lucy Claire’s new EP, ‘Collaborations No. 2’), but also short solo sets from all four artists: and you will have the opportunity to buy their respective works (including the brand-new EP) in a one-day-only special Piano Day pop-up shop.”

Float PR/Drowned in Sound/LateNightTales present:
Piano Day | London: Anna Rose Carter + Ed Harcourt + Lily Hunter Green + Michael Salu + Robert Kaniepien + Felix Faire
De Montfort Suite @ Town Hall Hotel, Patriot Square, Bethnal Green London E2 9NF, England
Monday 28th March 2016, 7.00pm
– more information here and here

“Float PR, the Drowned In Sound webzine and the Late Night Tales label team up for an evening of piano, art, film and honey.

Anna Rose Carter (the modern classical/ambient/minimalist pianist who’s one half of Moon Ate The Dark, in which her piano is fed through guitar signal processors and amplifiers by Christopher Brett Bailey) will perform a solo piano set made up of new compositions, existing pieces and works in progress. Chamber pop singer-songwriter and multi-instrumentalist Ed Harcourt will premiere some piano version of new material from his forthcoming seventh album, set for release later this year. Artist and musician Lily Hunter Green (accompanied by violinist Tom Moore) will perform on the piano against a backdrop of bee recordings. She will also present to the audience how her project ‘Bee Composed’ (which saw her placing a beehive inside a piano) has helped increase awareness of the declining bee population.

Musician and creative coder Felix Faire (whose work explores embodied and synaesthetic experiences of music, space and image through the media of light, sound and code) will presents a real-time audio-visual performance using the ROLI Seaboard RISE, a radically new musical instrument that reimagines the piano keyboard as a soft, continuous surface and puts expression back at the player’s fingertips. (Felix’s previous work with ROLI technologies has included a Oskar Fischinger-inspired ROLI Seaboard GRAND ‘motion experiment’ designed to audio-visually illustrate the instrument’s delicate sensitivity and continuous expression: every nuanced sound created by contact with the Seaboard was translated into a swirling plume of ink, responding directly to the haptic expression of the performer).

In addition, Michael Salu (an award-winning creative director, writer and visual artist) will present the exclusive first play of ‘Nocturnes’ (a specially commissioned short film created for Piano Day) and artist Robert Kaniepien (a.k.a. R.K. Polak) will create a bespoke piece of art across the evening on a 160cm x 160cm canvas using oil pastels, acrylic, enamel and pencil (a continuation of his ‘Tendencies’ series).”

Erased Tapes Records presents:
Piano Day | London: Peter Broderick + Michael Price & Peter Gregson + Douglas Dare
The Courtyard Theatre, 40 Pitfield Street, Hoxton, London, N1 6EU, England
Monday 28th March 2016, 7.00pm
more information

An intimate evening of piano performances from Erased Tapes artists and associates, with experimental folk musician and multiple collaborator Peter Broderick, film and television composer Michael Price (in duet with cellist Peter Gregson), and piano/glitch singer-songwriter Douglas Dare. All proceeds raised will go towards the donation of a piano for the World Heart Beat Music Academy, an organisation whose mission is to provide music training and mentorship to disadvantaged youth in London.

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Across the Channel, there are two concerts in France…

Souffle Collectif & Les Rendez-vous Contemporains de Saint Merry present:
Piano Day | Paris: Alvise Sinivia & Sabine Rivière + Melaine Dalibert + Frederic Blondy + Marina Voznyuk + J.G. Matthews
Église Saint-Merri, 76 Rue de la Verrerie, 4e, Paris, France
Monday 28th March 2016, 7.30pm
more information

Église Saint-Merri will host a dance-and-piano performance by Alvise Sinivia and Sabine Rivière (“Le son n’a pas de jambes sur lesquelles se tenir’, or ‘The sound has no legs on which to stand’); a program of American minimalists performed by Melaine Dalibert (which may also include her own ‘Cortège à Véra Molnar’); piano improvisations by Frederic Blondy and Alvise Sinivia (one piano apparently “suspended in the air”, the other “on the ground”) and Marina Voznyuk of Murailles; plus ‘Capricorn’ a poetry-and-piano performance by J.G. Matthews.


 

La Route Du Rock Booking presents:
Piano Day | Nantes: T. Beach + Rasim Biyikli
Le Lieu Unique, 2 quai Ferdinand Favre, Nantes 44000, France
Monday 28th March 2016, 4.00pm
– free event – more information

T.Beach is the Lopez sisters (two voice, four hands) who play a piano music of water and love, inspired by the poetry of beaches and featuring recreational and melancholic French-language songs set to primitive rhythms.

A self-taught multi-instrumentalist, Rasim Biyikli creates free-spirited music in multiple formats for film, art installations, software and so on. He is the founder of the research studio and multi-media resource center Studio d’en Ô, and – as a pianist – has worked and collaborated on many albums. He is best known for his project Man, which sits at the crossroads of pop, jazz, contemporary and electronic music (in the tradition of composers such as Brian Eno, Yann Tiersen, Angelo Badalamenti and Ennio Morricone).

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Canada offers something virtual…

event-20160328-pianoday-jmblais

Piano Day | Montreal: Jean-Michel Blais
Online (details tbc)
Monday 28th March 2016
more information tbc on Facebook

In a special virtual concert (recorded live in Radio Canada/CBC Music’s Studio 211) Montreal-based pianist Jean-Michel Blais will perform compositions from his forthcoming debut album ’II’(out on Arts & Crafts Records on 8th April), a collection of piano pieces and textures influenced by Erik Satie, Lubomyr Melnyk and Philip Glass and incorporating subtle touches of electronics and field recordings.


 

* * * * * * * *

There’s also an event in Israel…

event-20160328-pianoday-telaviv

Piano Day & The Zone present:
Piano Day | Tel Aviv-Jaffa: Maya Dunietz + Deejay Shuzin + Tomer Bar + Dani Gottfried + Shlomo Gronich + Yonatan Daskal
Haezor/The Zone, Harechev 13, 67771 Tel Aviv, Israel
Monday 28th March 2016, 6.00pm
more information (in Hebrew)

The Israel event for Piano Day features two jazz pianists separated by sixty years but linked by their musical enthusiasm (veteran and Red Sea Jazz Festival founder Dani Gottfried and the up-and-coming Tomer Bar), Yonatan Daskal (keyboard player for Castle In Time Orchestra, Quarter To Africa and many more) and a contribution by Deejay Shuzin.

In addition, there are performances by two of the broadest and most industrious of Israeli musical talents – Shlomo Gronich, a gifted pianist who, for four decades, has composed and delivered pop songs, soundtracks, television and dance music and orchestral/choral work (from a palette of jazz, classical, soul, prog rock and original Israeli songs, and working with a host of collaborators of all ages and backgrounds); and his latterday parallel Maya Dunietz (whose work covers and excels within a remarkably broad range of musical styles and approaches – free jazz, art rock, punk, polka, “circus-core” and classical; plus choral conducting, stints with the bands Eatliz, Habiluim, The Midnight Peacocks and the creation of sound installations).

* * * * * * * *

There are two very different concerts taking place in Australia…

Piano Day | Brisbane: Alistair Noble + Momo
Private house concert, Brisbane, Australia
Monday 28th March 2016, 6.00pm
more information – direct booking here

“Brisbane-based pianists and composers Alistair Noble and Momo Hamada will host an intimate living-room concert, playing their own pieces as well as some by Nils Frahm. Organic vegan finger food and selected teas will be provided.”

Bennetts Lane Jazz Club presents:
Piano Day | Melbourne: Luke Howard + Nat Bartsch + Timothy Coghill + Timothy Stevens
Bennetts Lane Jazz Club, 25 Bennetts Lane, Melbourne, 30000 Australia
Monday 28th March 2016, 7.00pm
– pay-what-you-like – more information

“A special evening of solo performances by Melbourne-born jazz pianist and composer Luke Howard and his friends: trio leaders and soloists Nat Bartsch and Tim Stevens, plus instrumental scenic-pop composer Timothy Coghill. They’ll be playing their own compositions, including several new works of Nat’s. You will also have an opportunity to hear a few of Luke’s favourite compositions by Nils Frahm, Max Richter and Nico Muhly. Entry is by donation with all proceeds to Entertainment Assist, supporting the mental health of Australian entertainment industry workers.”

* * * * * * * *

Lithuania and Slovenia are providing one concert each…

event-20160328-pianoday-vilnius

LOFTAS presents:
Piano Day | Vilnius: Hauschka
Vilnius Art Factory & LOFTAS Club, Švitrigailos str. 29, Naujamiestis, Vilnius, Lithuania
Monday 28th March 2016, 7.30pm
more information

LOFTAS will host a performance by German pianist Volker Bertlemann, better known as Hauschka, an experimental/pop crossover musician who’s also one of the most recognizable twentiy-first century proponents of prepared piano.

Kino Šiška presents:
Piano Day | Ljubljana: Bowrain + Nace Slak
Kino Šiška, Trg Prekomorskih Brigad 3, Ljubljana
Monday 28th March 2016, 8.00pm
more information

Kino Šiška is hosting an exclusive solo piano perfomance by Bowrain, a.k.a. Tine Grgurevič, whose music usually incorporates jazz piano, modern classical elements, electronic beats and textures, and cunning uses of cultural and philosophical sampling. The evening will be opened by Nace Slak, a 17-year-old student at the Conservatory for Music and Ballet Ljubljana, who will perform piano pieces by Nils Frahm.

* * * * * * * *

Finally, there’s a show in Japan…

Sonorium/ Kitchen Label presents:
Piano Day | Tokyo: Haruka Nakamura Duo/Trio
Sonorium, 3-53-16, Suginami-ku, 168-0063 Tokyo, Japan
Monday 28th March 2016, 7.30pm
more information

The Piano Day celebration in Tokyo will host a show by pianist Haruka Nakamura playing in duo/trio setups with two other members of his regular ensemble (Akira Uchida on saxophone and Isao Saito on percussion).

* * * * * * * *

If all of this is making you feel a little left out – perhaps your country or city isn’t represented, or perhaps you’re feeling that you might have put something together yourself – then what’s stopping you? This the day when you don’t have to walk past that piano on the street, or in your workplace, or even gathering dust in your home. This is the day when you can strum a stray melody, pick out a single note, or indulge yourself with a full performance of anything at all, and know that you’ll be in touch with all kinds of players (from the remarkable to the casual) across the globe. And – if you missed the day altogether and are reading this too late, head back up and check out some of those links. Pianos everywhere. If I have a bit of time, I’ll flesh them out with a few more.

* * * * * * * *

Coming up soon… a look at gigs in early April…
 

March/April 2016 – upcoming gigs – Motherese (Aby Vulliamy, Laura Cole, Maria Jardardottir and more) in a mothers-in-arms jazz tour

6 Mar

I briefly mentioned the Motherese project in passing during the previous post (having found out about them as one of the several support bands in the Schnellertollermeir tour). For various reasons – not least that they seemed to be bringing a specific and structured practical ethos to their live experience, one which voyaged above and beyond the music – I wanted to follow that up…

Aby Vuillamy, 2016

From what they themselves say, Motherese is/are “a band of mothers brought together especially for this year’s Women In Music Festival in Newcastle run by Jazz North East. The collaboration involves a core trio of composers and improvisers, using an exciting combination of pre-composed music, structured improvisation and free improvisation, loosely exploring the theme of parenthood. The core trio have several dates booked in various cities, and in each place, they will be joined by local musician mothers, whose impromptu contributions will be incorporated with flexibility, sensitivity and creativity; all necessary attributes for parents adapting and responding to their families’ ever-changing needs.

“The organic and spontaneous nature of the whole process, in terms of writing, developing and performing the work, reflects our experience of motherhood; we’ve felt very inspired and excited and energised, as well as a little lost and overwhelmed at times. We’re confident that the music will be interesting and challenging and exciting and beautiful and moving at times, and we hope folk will want to come and experience it.”

Sounds good…

The group is led by Aby Vulliamy, a multi-instrumentalist, composer and constant collaborator across multiple disciplines. In addition to ongoing work with Stevie Jones’s brain-rattling acoustic music project Sound of Yell and Bill Well’s National Jazz Trio of Scotland, this includes experimental rock (via a teaming with Faust’s Hans Joachim Irmler), indie rock (Norman Blake, Aidan Moffat, assorted Belle & Sebastian spin-offs), old and new folk strains (via work with Bridget St John, Mary Hampton, Ali Roberts, Lucy Farrell, The Trembling Bells and Mike Heron) , orchestral music (Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra) and the jazz/improv field (Evan Parker, Matt Bourne, Maggie Nichols, Karen Mantler, John Tchicai and many others).

Though she can also play piano and musical saw, Aby concentrates on singing and playing viola for Motherese as well as handling the bulk of the composing, which is based around her recent musical explorations of the theme of motherhood. Aby also works as a music therapist, something which profoundly affects the working ethos of this new project. In addition to sharing the experience and challenges of motherhood, the two other core members of Motherese share sympathies or practical parallels (or both) with this latter strand of Aby’s work.

Singer/pianist Laura Cole has won plaudits as an established leader or co-leader of multiple bands in her own right. These include the Leeds-based Bennett Cole Orchestra and the London jazz-folk sextet Metamorphic (for which she’s also the main composer/arranger) and she also plays in Martin Archer’s percussion-heavy twelvetet Engine Room Favourites. However, she’s a past sufferer of both depression and Repetitive Strain Injury. Though recovered, she speak openly about both of these conditions and about their impact on her and (by extension) on other people, instead of submerging this part of her history under a brittle faux-professionalism.

The third member of the trio is Norwegian improvising singer Maria Jardardottir, who keeps herself busy with a frightening number of jazz and contemporary music projects. Performing as electro-acoustic solo project Melatonin, with singer-songwriter duo Caer Caradoc and with free improvisation trio Endenor, she’s also a member of the voice ensembles Røyst Trio and Curious Voice Duo (plus the former’s cross-arts collaboration project WoCalling) as well as a composer for the all-female nine-piece chamber ensemble evamigra. On top of this, Maria’s an Iyengar Yoga teacher interested in “the voice and body as one organic instrument for a natural, playful and raw expression of inner processes… serving the moment with openness, curiosity and a wish to share what is unspoken…”

All of these shared preoccupations throw up further questions and potential answers. Musicality and its wider implications, including its impact on health and wellbeing. The intricately interspersed and interstitial nature of how one simultaneously makes one’s way as striver and as parent. Interest in what a maternal perspective might add to the business of making music; and ideas of mutual support extending beyond simple musical gangs and artistic movements and into the fabric of a broader life. There’s nothing new about these ideas, but they’re often blurred into the background, If feminism, at its roots, is about shaping a better world by bringing constructive female perspectives into play, improving life for everyone, here – in the often oblivious, self-indulgent world of high-art music making – is an example of it in action.

It’s also true that similar initiatives exist up and down the country – I’ve seen similar things at the odd Ladyfest, and there’s probably one anywhere where there’s a community of inquisitive women whose explorations overlap health and music – but it’s rare and refreshing to see musicality of this strength brought to bear on one of them. Hopefully it might become less rare.

* * * * * * * *

So far, Motherese have three shows lined up:

Jazz North East present: “Women Make Music”:
Motherese + Jennifer Parry + Zoe Gilby Trio
Literary and Philosophical Society, 23 Westgate Road, Newcastle-upon-Tyne, NE1 1SE, England
Tuesday 8th March 2016, 8.00pm
more information

This debut gig feature Motherese in its core trio format, with Tynesider and experimental folk-jazz singer Zoë Gilby in support. Zoë blends a scat-bebop singing style drawn from voice pioneer Sheila Jordan with the 1970s art-pop and songwriter-folk methods of Kate Bush, Joni Mitchell and Pink Floyd, brings a clutch of original songs with her and also has a taste for transforming classic and challenging jazz compositions by the likes of Thelonious Monk into new songs by adding her own carefully thought-out lyrics. A musician who thrives on restlessness and change, Zoë’s albums and live shows have constantly seen her revise her approach, whether it’s by using loop technology to deliver a textured tribute to the versatility of the human voice, making herself part of a free-improv trio of relative strangers, or simply rejigging interpretations of the Great American songbook. For her WMM set, Zoe will be accompanied by her own Trio (featuring regular musical partners Mark Williams and Andy Champion).

Between the two groups, and adding yet another dimension to the evening, local artist Jennifer Parry will present a multimedia performance, manipulating pre-recorded vocals and projections to create a unique and shape-shifting environment.

Given the Motherese setup and working methods, it’s not impossible that Zoë and Jennifer may also augment the headliners for an expanded performance…

Fusebox presents:
Schnellertollermeir + Motherese
The Fox & Newt, 9 Burley Street, Leeds, LS3 1LD, England, Friday 18th March 2016, 8.00pm
more information

Supporting Swiss avant-rockers Schnellertollermeir on the Leeds leg of their Anglo-Irish tour, this gig sees Motherese augmented by Yorkshire-based guest vocalists Kari Bleivik (Maria’s Norwegian compatriot and colleague in Røyst Trio and WoCalling, as well as singer with Vehere and The Tommy Evans Orchestra, among others) and Stephanie Hladowski (who shuttles fluidly between pop, folk and reggae with a wide number of bands and projects – time allowing). A late addition to the bill is singer Cath Campbell, who’ll also be joining the Motherese huddle.

The Glasgow show – part of April’s Counterflows Festival – is a much less constrained event. Not simply a straightforward gig, it lets us see (and interact with) Motherese within the project’s full potential.

Counterflows Festival presents:
Motherese: Aby Vulliamy + Maria Jardardottir + Laura Cole + Nerea Bello
Glad Café Foundation & Bar, 1006A Pollokshaws Road, Glasgow, G41 2HG, Scotland
Sunday 10th April 2016, 11.00am
– free event – more information

At this gig, the group promise “a fun and accessible music workshop, with support from music therapist and trombonist George Murray plus some local guest musicians including Basque singer Nerea Bello (from post-punk folk improvisers Tattie Toes). Inviting volunteers from children and adults of all ages and abilities to ‘conduct’ the ensemble in whatever manner they like (anything from minimal eye movements to free-style dance), we will create a thrilling and intimate experience of interactive music-making, using instruments, body percussion and vocalisations.

The workshop explores concepts of ‘attunement’ (mirroring and tuning into the feelings behind actions and facial expressions) and cross-modal communication (eg translation from movement to sound and vice versa), both of which are powerful aspects of the instinctive relationship between a pre-verbal baby and parent. Activities will culminate in a ‘musical group self-portrait’, a vibrant and dynamic experience of spontaneous group expression, proving that whatever our age or ability, we are all inherently musical.”

If you’re interested in pursuing this deeper aspect of the project, three half-hour workshop sessions take place during the morning (the first one being at 11.30am) with the formal performance happening at 2.00pm.

February 2016 – upcoming gigs – interlocking British tours by Yorkston Thorne Khan, Toby Hay/Jim Ghedi and Laura Moody offer Anglo-Indian crossover folk, fingerstyle guitar, folk baroque and cello bewitchment.

10 Feb

I didn’t catch up with this next tour until a couple of its January dates had gone by, but it’s still worth catching up with the rest of it:

Yorkston Thorne Khan, 2015

Yorkston/Thorne/Khan are an experimental group that includes James Yorkston (hailed as one of the most “influential singer/songwriters on the Scottish folk scene”), Suhail Yusuf Khan (award winning sarangi player and classical singer from New Delhi) and Jon Thorne (best known as jazz double bass player with electro outfit Lamb). The trio are currently touring to support their collaborative debut album ‘Everything Sacred’, which was released in mid-January 2016.

This is Scottish-Irish-Indian-English music in the raw – Yorkston’s familiar steel guitar strings pulled, pushed and bent into more unfamiliar acoustic drones, the bass dropping anchors through the floor. Rather than world music per se, this sounds more idiosyncratic, a temporary structure bivouacking by the side of the indie-folk, art music tradition, while its widening horizons extend back to the Sixties heyday of the Incredible String Band, and forward to this singular album’s satellite orbit over the folk music, Indian classical and indie music of today – all these musical ley lines threaded into a new kind of eclectic, domestic setting.

James: “Playing together as Yorkston/Thorne/Khan, we tackle a wide array of different sounds and songs. Alongside pieces of our own, there’s a fair chunk of improvisation, plus covers of Ivor Cutler’s Little Black Buzzer and Lal Waterson’s Song For Thirza. Jon’s jazz background definitely comes to the fore, as does Suhail’s devotional singing and outstanding sarangi playing. I just do my best to keep up…”


 

Dates:

January 2016 – upcoming gigs (mostly London) – Daylight Music brings classical on the 23rd (Orchestra of the Age of Enlightenment Experience Ensemble/Roger Doyle/Ok Bertie!/Jim Bishop) and pop on the 30th (The Wave Pictures/The Leaf Library/Citizen Helene); Martin Creed/William D. Drake/Stephen Evens in Brixton; jazz/Indo/groove/lyrical shapes at Cafe Oto with Emanative & Collocutor Duo/Earl Zinger/Sarathy Korwar/Sealionwoman; Medway garage, film snaps, Paris pop and hauntological folk in Putney (The Senior Service/French Boutik/Of Arrowe Hill). Plus Nerve Toy Trio in Warrington.

22 Jan

This should be the last of the January gig updates, though I always speak too soon… Don’t forget that The Bleeding Hearts Club Winter Escape is still on in Brighton on the 23rd.

* * * * * * * *

Daylight Music 212

(Daylight Music presents)
Daylight Music 212 – Orchestra of the Age of Enlightenment Experience Ensemble + Roger Doyle + Ok Bertie! + Jim Bishop
Union Chapel, Compton Terrace, Islington, London, N1 2UN, England
Saturday 23rd January 2016, 12.00pm
– free entry – more information

“Three decades ago, a group of London musicians took a good look at that curious institution we call the Orchestra of the Age of Enlightenment, and decided to start again from scratch. The Ann & Peter Law Experience Scheme gives talented young musicians a chance to perform with the Orchestra. In this concert the musicians on the scheme perform together, by themselves, for the first time, just a few weeks after finishing at the OAE Academy. It looks as if we’re going to be treated to some Haydn (Symphony No. 85 ‘La Reine’, the nickname originating because the work was a favorite of Marie Antoinette) plus the Romance written by his original London sponsor, Johann Peter Salomon.

Roger Doyle is known for his pioneering work as composer of electronic music. He has worked extensively in theatre, film and dance, in particular with the music-theatre company Operating Theatre, which he co-founded.

Ok Bertie is the moniker of Robert Szymanek, a singer-songwriter, composer, and visual artist living in London. Bertie’s debut album of songs is called ‘Music From A Crowded Planet’, and is due for release in 2016. It’s accompanied by the ground breaking Crowded Planet iOS app, created in collaboration with developer Matthew Hasler.

Sonic Brute mainstay Jim Bishop will also join us to take the Henry Willis organ out for a spin and bring us some time travel themed melodies: it’s time to go Bach to the Future!”

…or in my case, back to the past. Jim Bishop was at University with me long ago, and set some of my words to music for a body-issues revue at the Edinburgh Fringe. Jaunty.

More Daylight news further down…

* * * * * * * *

Martin Creed/William D. Drake/Stephen Evens, 26th January 2016

(Brixton Hill Studios presents)
Martin Creed & His Band + William D. Drake + Stephen Evens
The Windmill, 22 Blenheim Gardens, Brixton, London, SW2 5BZ, England
Tuesday 26th January 2016, 8.00pm
more information

“As part of Independent Venue Week, tonight our lovely neighbours Brixton Hill Studios take over the venue with some special guests!

Perhaps best known for winning the Turner Prize back in 2001, Martin Creed has been actively making music since the early ’90s. Creed writes direct, compelling songs with the ability to both perturb and amuse. Think the rhythmic punk of Ian Dury and the wit and pop nous of Glasgow’s Postcard Records. He has released records on both Moshi Moshi and his own Telephone Records label.

 
William D. Drake is a keyboardist, pianist, composer and singer-songwriter. He is best known as a former member of the cult English rock band Cardiacs, whom he played with for nine years between 1983 and 1992. He has also been a member of The Sea Nymphs, North Sea Radio Orchestra, Nervous, Wood, Lake of Puppies and The Grown-Ups, as well as pursuing a career as a solo artist. His fifth album ‘Revere Reach’ came out in summer 2015.

Armed with a battered guitar, a Casiotone and a few pedals, Stephen Evens (better known as Steve “Stuffy” Gilchrist, erstwhile leader of Stuffy/The Fuses and drummer with Graham Coxon, Cardiacs, Charlotte Hatherley and The Scaramanga Six) presents songs that mix the likes of Yo La Tengo & Ivor Cutler with broken friendships and human error.”

* * * * * * * *

Emanative Collocutor Duo, 2015

(Baba Yaga’s Hut presents)
Emanative & Collocutor Duo featuring Earl Zinger + Sarathy Korwar + Sealionwoman (+ more tbc)
Cafe Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Friday 29th January 2016, 8.00pm
more information

Baba Yaga’s Hut bring us an evening of cosmic jazz explorations.

Emanative & Collocutor Duo is a teamup between saxophonist/flautist Tamar Osborn and drummer/mixologist Nick Woodmansey. Tamar’s history includes work with Africa Express, Dele Sosimi and The Fontanelles: she currently leads eclectic, hypnotic modal septet Collocutor (with Josephine Davies, Simon Finch, Marco Piccioni, Suman Joshi, Maurizio Ravalico and Afla Sackey) which mixes jazz and minimalism with Afrobeat and Ethiopian ideas, Indian classical and polyphonic choral music. In recent years, Nick’s work as leader of the Emanative project has seen him take the helm for British cosmic jazz. The Duo allows Nick and Tamar to take and blend aspects and ideas from both projects in a slimmer, tighter context. Guesting with the Duo on chants and vocals is Earl Zinger, the reggae-toaster-inspired alter ego of acid-jazz veteran and former Galliano frontman Rob Gallagher (whose post-Galliano work has included jazz band Two Banks Of Four and who’s also currently working as William Adamson).

Three tastes of the project are below – a duo version of Albert Ayler/Mary Maria Parks’ ‘Music Is The Healing Force Of The Universe’;an Emanative remix of a Collocutor track; and an Emanative track from last year with strong Collocutor contributions.



This is (I think) the second gig for the Duo – there’s been at least one other well-received show in July 2015, at The Waiting Room in Stoke Newington). That gig also featured Sealionwoman, the playful, driving voice-and-double-bass duo whose shape-changing jazz and blues songs have enchanted ‘Misfit City’ for several years now. They’re making a return appearance at this gig too. (Here’s my my 2013 eyewitness account of them, again; plus a chunk of video from the very same show.)

In between Sealionwoman and the Duo comes Indian classical/fusion percussionist Sarathy Korwar. Dividing his time between London and Pune, Sarathy trained as both tabla and drum kit player and specialises in applying Indian classical rhythmic ideas to non-Indian percussion instruments, blending in aspects of improvisation and intuition.

More people may be added to the bill at the last moment…

* * * * * * * *

Daylight Music 213

(Daylight Music & The Hangover Lounge present)
Daylight Music 213: The Wave Pictures, The Leaf Library + Citizen Helene
Union Chapel, Compton Terrace, Islington, London, N1 2UN, England
Saturday 30th January 2016, 12.00pm
– free entry – more information

The Wave Pictures will be launching their brand new, vinyl-only album ‘A Season In Hull’ at the Union Chapel on 30th January. The album was recorded on acoustic guitars in one room, with a bunch of their friends, live in to one microphone on singer Dave Tattersall’s birthday, January 28th, 2015. The songs were written as quickly as possible and the recording captures that specific moment in all its spontaneous, thrilling and immediate glory. As Tattersall elaborates: ‘That’s what this is – a one-microphone happy birthday recording.’

London quintet The Leaf Library (who create “droney, two-chord pop that’s stuck halfway between the garage and the bedroom, all topped with lyrical love songs to buildings, stationery and the weather”) have just released their debut full-length album ‘Daylight Versions’. The record is full of wonderfully woozy, drone-pop tunes about meteorology, the seasons and the incoming sea; from songs about the ghostly Suffolk coastline to the slowly rising waters of London marshes.

Citizen Helene is a singer, songwriter and guitarist from London whose blend of sunshine pop, psychedelic folk and jazz has been described as ‘baroque and beautiful’ by Darian Sahanaja (of the Brian Wilson band) and ‘like the love child of Karen Carpenter and Brian Wilson’ by ‘Word’ magazine.”

* * * * * * * *

On the evening of the same Saturday, there’s an evening with shades of garage, mod, Parisiana and spooky folk.

(Retro Man Blog & Damaged Goods Records present)
The Senior Service + French Boutik + Of Arrowe Hill
The Half Moon
, 93 Lower Richmond Road, Putney, London SW15 1EU, London, England
Saturday January 30th 2016, 7.30pm)
more information

Playing ‘60s-styled instrumentals, The Senior Service feature four musicians who, between them, have moved through many of the garage bands from the Medway scene – including The Prisoners, The James Taylor Quartet, The Solarflares, The Masonics, and assorted Billy Childish bands. Jon Barker (Hammond organ), Graham Day (guitar), Darryl Hartley (bass guitar) and Wolf Howard (drums) are inspired by John Barry/Ennio Morricone/Barry Gray soundtracks, Stax rhythm’n’blues (Booker T & The MGs) and early Mod (Small Faces). Damaged Goods Records release their debut single, Depth Charge, this month (with a full album to follow).

Senior Service/French Boutik/Of Arrowe Hill @ The Half Moon, Putney, 30th January 2016
In support are French Boutik, who (inspired by their Paris home) blend ideas from 1960s French pop such as Serge Gainsbourg and Yé-yé with classic Motown and Burt Bacharach, all with a modernist pop twist.

Opening the evening are Of Arrowe Hill – Adam Easterbrook’s “hauntological” rock group who are now midway through their second decade of work. Expect their usual mix of country blues and acid folk with lo-fi psychedelia, with Adam backed by ex-Aardvarks rhythm section Ian O’Sullivan and Jason Hobart.

* * * * * * * *

Finally, further north (much further north) there’s this:

(Marpexke Productions presents)
Nerve Toy Trio
The Saracen’s Head, 381 Wilderspool Causeway, Warrington, WA4 6RS, England
Saturday 30th January 2016, 9.00pm

Nerve Toy Trio, 30th January 2016Nerve Toy Trio (guitarist Tony Harn, bass player/pedalist David Jones and drummer Howard Jones) are playing their first gig of the year, back in their hometown. Although I’ve posted about Tony before (covering his first three albums as a solo player – start here and work backwards) I don’t think I’ve posted about the Trio before. All are veterans of an underrated and overlooked Warrington art-rock scene of the 1980s which (although notable for launching Tim Bowness) was squeezed between and overshadowed by neighbouring ferments in Manchester and Liverpool. They spin out an echoed, textured fusion-rock which spans from delightfully airy to tight-and-bumptious, and which thrives on understated juxtapositions which are always earnest, cheeky or interesting, – setting a pinch of Hendrix squall against Cheshire pastoralism; Pat Metheny harmonic glitter alongside romantic Steve Hackett peals; Rush power riffage in alternation with Robin Guthrie spangle.

With their melodic, rococo flourishes and outright proggy roots, sometimes the Trio come across as uncertain time travellers – hopping and picking across four decades of art rock and fusion while still ultimately homesick for the treasures of their teenage listening – but for me that just adds to their charm. The clip below shows their mellower side and a flash of their muscle: the gig’s in aid of Macmillan Cancer Support if that’s any more of a draw. Nerve Toy Trio still seem like a band who’ve not quite found their audience yet. If you’ve read this far and are still interested, perhaps it’s you they’re looking for.

 

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