Tag Archives: Mark Knoop

July 2018 – upcoming London classical gigs – the three nights of the Music We’d Like To Hear 2018 series, with The Mark Knoop Supergroup, Apartment House and others playing Catherine Lamb, Kevin Volans, Laura Steenberge, Martin Arnold, Hermann Meier, Johanna Beyer, Robert Ashley, Gyrid Nordal Kaldestad, Michael Parsons, Georgia Rodgers and Maya Verlaak (6th, 13th, 20th July)

26 Jun

Music We'd Like To Hear, 2018

Since 2005, annual London concert series Music We’d Like To Hear has been offering “three concerts on three Fridays” curated by composers John Lely and Tim Parkinson, and performed in a City of London church. The 2018 season begins on the first Friday of July.

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The first concert, on 6th July, features The Mark Knoop Supergroup (led by pianist Mark Knoop and featuring flautist Ilze Ikse, trumpeter Chloë Abbott, cellist Alice Purton and electronics specialist Newton Armstrong).

Catherine Lamb’s prismatic music is becoming better known in the UK. In this programme we present her 2010 piece ‘nodes, various’, an early work in her continuing exploration of the behaviour of frequencies throughout an open space.

“The remarkable work of Swiss composer Hermann Meier (1906–2002) has been gaining attention following a recent exhibition and symposium at the Hochschule der Künste, Bern. As far as we know, this may well be the first presentation of Meier’s direct and uncompromising music in the UK. Thanks to the assistance of Meier’s archivist Marc Kilchenmann, we present ‘Klavierstück 1968’ alongside a realisation of ‘Flecken’, a 1980 work of cluster fields and static blocks of sonic material for eight electronic sound sources.

“Perhaps best known as a composer of operas, Robert Ashley composed his flute concerto ‘Superior Seven For Barbara Held’ in 1988. After releasing a version with MIDI orchestra on New World Records, Ashley toured a live version. Thanks to the assistance of Mimi Johnson and Tom Hamilton, we have reassembled the score of this beguiling and mysterious work for this concert.”

Previously performed versions of three of the four pieces:




 
* * * * * * * *

The second concert, on 13th July, showcases four solo or duet works for which (in two cases) the composer is on hand to perform (and which, in all cases, are too recent or rare for me to be able to offer soundclips).

“We are very fortunate to be joined by Laura Steenberge from Los Angeles, who leads a performance of some of her ‘Byzantine Rites’, a rich ongoing collection of performance pieces for music and actions drawn from fascinations with myth and ritual.

“The second half of the concert features the UK premiere of ‘Music for Boxes’ by Norwegian composer Gyrid Nordal Kaldestad, an arresting sonic environment created in close collaboration with violinist Mira Benjamin.” (Gyrid herself will be performing the electronic half of the duet.)

“As a first interlude to these sets, keyboard players Francesca Fargion and Tim Parkinson give a rare performance of Kevin Volans’ ‘Matepe For Two Harpsichords’, a 1980 work which the South African composer has referred to as “invented folklore”, marrying African and European techniques and aesthetics.

“Our second interlude is an exquisite 1971 piano miniature performed by Francesca, ‘Variations’ by Michael Parsons, who celebrates his 80th birthday this year.”

* * * * * * * *

The third and final concert, on 20th July, features acclaimed New Music ensemble Apartment House playing four works for string quartet.

Johanna Beyer (1888–1944) is chiefly known today as the composer of one of the first electronic works, 1938’s ‘Music Of The Spheres’. She was one of the most colourful and individual voices of the early American avant-garde, yet long under-represented in concert programming. Recently, though, Beyer’s work has been enjoying a renaissance. This evening’s selection is ‘String Quartet No. 2’ from 1936.

Georgia Rodgers’ shimmering ‘Three Pieces For String Quartet’ is a 2015 work supported by the Sound and Music Embedded Scheme, and premiered by the Bozzini Quartet at Woodend Barn, Banchory, Scotland for their Composer’s Kitchen project.

“We are delighted to commission a brand new work from Maya Verlaak, curator of the Post Paradise concert series in Birmingham, which has exploded onto the scene in recent years with fascinating programmes of new sounds and voices.

“To end the 2018 series, there’s a performance of Canadian composer Martin Arnold’s 1997 reinvention of the string quartet – ‘Contact; Vault’. With its long, delirious melody and quiet intensity, this singular work will play us out as the sun sets on this summer’s selection of music we’d like to hear.”

Again, some previous performances…

 

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All concerts take place at St Mary-at-Hill, Lovat Lane, City of London, London EC3R 8EE, England.

Dates and links:

  • Music We’d Like To Hear 2018 I (featuring The Mark Knoop Supergroup) – Friday 6th July 2018, 7.00pm – information here and here
  • Music We’d Like To Hear 2018 II (featuring Laura Steenberge, Gyrid Nordal Kaldestad, Mira Benjamin, Francesca Fargion and Tim Parkinson) – Friday 13th July 2018, 7.00pm – information here and here
  • Music We’d Like To Hear 2018 III (featuring Apartment House) – Friday 20th July 2018, 7.00pm – information here and here

 

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