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June 2017 – upcoming London jazz gigs – Alice Zawadzki & Jamie Safir (24th June); the LUME Festival 2017 (24th & 25th June)

17 Jun

A quick London jazz update, in two contrasting flavours (jazz-pop in a plush Soho brasserie; wild improv and thick sound in a Lambeth art space).

Alice Zawadzki & Jamie Safir, 24th June 2017

Live At Zédel presents:
Alice Zawadzki & Jamie Safir
Brasserie Zédel, 20 Sherwood Street, Soho, London W1F 7ED, England
Saturday 24th December 2016, 7.00pm
information

“Following a sold-out show in January, Alice Zawadzki and Jamie Safir return to their favourite venue for an evening of power-ballads and pop-songs: rearrangements of ’70s, ’80s and ’90s classics stripped bare and drastically re-imagined in this intimate jazz setting. Described by ‘The Guardian’ as “a genuine original” and by ‘MOJO’ magazine as “something of a phenomenon”, Alice truly possesses a unique musical gift on both voice and violin. Tonight she will be ably accompanied by accomplished, young pianist and arranger Jamie Safir, a regular at Zedel, and a creative and virtuosic improviser whose sensitivity and skill when accompanying vocalists has led to him work recently with Will Young, Ian Shaw, Olly Murs and Barb Jungr amongst others.”

I couldn’t find any clips of Alice and Jamie working together (they’ve done this show before at Zédel, but no-one seems to have thought to film it). Still, to give you an idea, here’s Alice’s separate guitar/violin/bass trio cover of Nobody’s Fault But Mine, brought down to a thrumming pitch of apprehension. Not that the original’s a power ballad, but it fits the mould if you stretch the latter beyond belief (and carefully ignore the fact that the original’s actually a Blind Willie Johnson blues moan rather than a crushing Led Zeppelin behemoth), though I’m not sure whether she’ll be applying similar techniques to Hold The Line, Nothing’s Gonna Stop Us Now or other ‘School Disco‘/’Guilty Pleasures’ stalwarts.


 
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LUME Festival, 24th & 25th June 2017

LUME presents
LUME Festival 2017
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 24th June 2017 & Sunday 25th June 2017 (3.00pm to 10.30pm, both days)
– information http://iklectikartlab.com/lume-festival-2017/ here, https://luminouslabel.bandcamp.com/merch here and here https://www.facebook.com/events/539918599729636/

At the same time, London experimental jazz organisation LUME will be throwing a two-day performance party in the shape of their own yearly LUME Festival. Drawing on the success of last year’s event, it brings a selection of old and new faces to town.

Both of the LUME organisers are bringing along their own quintets: Cath Roberts’ growling, exploded free-blues explorers Sloth Racket (with tenorist Sam Andreae, guitarist Anton Hunter, bass player Seth Bennett and drummer Johnny Hunter) and Dee Byrne’s flowing, cosmological, space-jazzing Entropi (with trumpeter Andre Canniere, keyboardist Rebecca Nash, drummer Matt Fisher and bassist Olie Brice). So too is Derby vibraphone theorist Corey Mwamba, playing his extended piece ‘as_the_tex(t): body’ in a band featuring Robert Mitchell, Rachel Musson, Liran Donin, and Richard Olatunde.

Newer to LUME are multi-layered Newcastle trio Archipelago (Christian Alderson, John Pope and Faye MacCalman, who throw piano, tapes, mbiras and handheld Monotron synths into the jazz-meets-garage-rock fusion of their bass/reeds/drums lineup) and the stormy murmuring chants of Laura Cole’s jazz-folk sextet Metamorphic, in which she’s joined by saxophonists John Martin and Chris Williams (the latter also of Led Bib), drummer Tom Greenhalgh, loop vocalist Kerry Andrew (of Juice Vocal Ensemble) and a bass chair that’s filled either by Paul Sandy of The Rude Mechanicals or by Sloth Racket’s Seth Bennett. Also in the mix are solo sets by visually-minded trumpeter and laptop wizard Alex Bonney (of Splice, Loop Collective, Leverton Fox and many others) and by electric trombonist and field recorder Tullis Rennie.

On top of this, there are some new entanglements. There’s the “brutally physical” Manchester/London teamup of David Birchall, Andrew Cheetham, Otto Willberg and Colin Webster; the Ma/ti/om percussion/bass/woodwind teaming of Matilda Rolfsson, Tim Fairhall and Tom Ward; plus whatever the random ensemble shuffle of The Hat Speaks throws up. To round off, there’s the mass blowing of the LUMEkestra as it debuts new work by Sam Andreae, Adam Fairhall, Dee Byrne and others.

Time details and daily lineups below, plus the usual wobbly stack of tunes, snippets and aural collisions to warm you up for the event.

LUME Festival, 24th & 25th June 2017


 

June 2017 – the month’s Daylight Music gigs in London – Jherek Bischoff, Emma Gatrill & Liam Byrne (June 3rd); Epic45, The Great Albatross, and BJ Cole & Emily Burridge (June 10th); Louis Barabbas, Melissa Parmenter and Ben McManus & Clara Delfina (June 17th); Trans-Siberian March Band, Antony Elvin & His Men and Toby Hay (June 24th)

25 May

The people behind eclectic, free, family-friendly London event (and ‘Misfit City’ favourite) Daylight Music are swirling back into action in June with four weekly gigs to start their summer season (even if two of them aren’t nominally DM events, the Daylight imprint shows clearly). Here’s me simply boosting the existing signal…

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Daylight Music 252, 3rd June 2017

Arctic Circle presents:
Daylight Music 252 – Jherek Bischoff + Emma Gatrill + Liam Byrne
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 3rd June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“Only Jherek Bischoff would record an album in an empty, two-million-gallon underground water tank (with a reverb delay lasting forty-five seconds). A fabulously inventive and playful musician, Jherek is a mostly self-taught composer whose music dazzles, confounds and delights.

 
Liam Byrne divides his time between playing very old and very new music on the viol. ‘The Times’ praised his “nuanced and expressive, stylish virtuosity”. He’s worked with artists including Damon Albarn, Nils Frahm and Matthew Herbert, and the likes of Nico Muhly have written works for him.

 
Emma Gatrill is a multi-instrumentalist based in Brighton. Playing live, she augments her harp and vocal with ambient analogue synths and drums machines, layered with guitar atmospherics from Marcus Hamblett.”


 
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Daylight Music 253, 10th June 2017
Arctic Circle presents:
Daylight Music 253 – Epic45 + The Great Albatross + BJ Cole & Emily Burridge
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 10th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“The much-loved epic45 — championed by the much-missed John Peel — have been making music for over twenty years. Their celebrated EPs and albums are inspired by the ever-changing English landscapes.


 
The Great Albatross tug gently on the heartstrings with their sweetly shimmering indie songs. Formed in Glasgow by A. Wesley Chung (formerly of Boris Smile), the group has an expansive, international list of contributors and collaborators.


 
“If you had to combine any two instruments, you might not immediately think of putting cello and steel guitar together, but BJ Cole and Emily Burridge confound expectations with their dynamic, sophisticated music. Hailed as “languorous, sensuous, moving music…amazing!” by ‘Art Nouveau’, these fine musicians weave around each other, mixing their intuitive improvisations with inspired, moving interpretations of classic pieces.”


 
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Louis Barabbas, Melissa Parmenter + Ben McManus & Clara Delfina, 17th June 2017

Arctic Circle presents:
Louis Barabbas + Melissa Parmenter + Ben McManus & Clara Delfina
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 17th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

Louis Barabbas is a Daylight Music favourite, thrilling the audience and tearing up the stage with his caustic love songs and energetic show. A writer, performer and label director, he’s performed all over the world and shared stages with acts including Motörhead, Supergrass and The Blockheads.


 
Melissa Parmenter is a well-respected film producer, who’s collaborated closely with director Michael Winterbottom over the last fifteen years, including producing all three series of ‘The Trip’ trilogy. She’s also an accomplished composer and pianist, having scored a number of films including ‘Genova’, ‘The Killer Inside Me’ and ‘Comes A Bright Day’.


 
“After repeatedly meeting at various festivals last year, Ben McManus & Clara Delfina decided to join forces to sing American old-time and bluegrass music, blending banjo, fiddle and guitar with their beautiful harmonies.”


 

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Trans-Siberian March Band, Antony Elvin & His Men and Toby Hay, 24th June 2017

Arctic Circle presents:
Trans-Siberian March Band + Antony Elvin & His Men (with Nina Miranda) + Toby Hay
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 24th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“Summer Solstice edition…

“It’s always a party when the Trans-Siberian March Band are around! A riotous jumble of cabaret, carnival and overwhelming joy, this 13-piece Balkan brass band have delighted audiences at Glastonbury, Woman and the Royal Albert Hall. The Times called them “hugely entertaining… perfect festival crowd-pleasures.” They’ll be playing their winning mix of traditional Turkish and gypsy tunes, Russian sing-alongs and swinging klezmer.


 
Antony Elvin (“a Noel Coward for the Noel Fielding generation!’, according to Julian Barratt of The Mighty Boosh!) is a singer/songwriter from London. His songs take the listener out on a ridiculous spree, in ‘Perfect London’ – a London of your dreams, gaslit yet modern,­ pastoral yet subliminally violent. In a strong English accent, he sings about the characters he meets and the romances of the day without the vulgar baggage of angst. Special guest for this concert is Nina Miranda of Smoke City, Shrift and Zeep – she of ‘Underwater Love’ fame.

Toby Hay makes instrumental music inspired by the landscape, people and history of Mid Wales. A guitarist and composer, ‘Folkroom‘ claim that “he’s one of the finest storytellers… and he’s never sung a word.”


 

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As ever, there are likely to be interstitial musical acts filling in the gaps between acts (via loops, atmospheres or turns on the venue’s grand piano or massive church organ), plus late in-the-day extra recruitments. These will be announced closer to the time.

Good to see Toby Hay on one of the bills – his debut EP featured in ‘Misfit City’ several years ago, and since then he’s become a mainstay of the Lamplight acoustic nights up at Regather in Sheffield…

June 2017 – upcoming English gigs – the return of Pram with the immersive ‘Under the Blossom That Hangs On The Bough’ event in Birmingham (June 3rd); Zarjaz Baby and Jon Slade/Night of the Comet in London (June 3rd); Arthur Russell’s ‘Calling Out Of Context’ revisited in London (June 7th)

23 May

Some shows and events to start June off. In Birmingham, experimental dream pop/post rock band Pram (one of the most original and charming groups ever to work in either genre) have resurfaced and are taking over an Edgbaston park for a very different kind of performance. Back in London there are opportunities to catch up with Zarjaz Baby (one of the wilder characters from the original wave of British post-punk) an acoustic set from Jon Slade (who’s navigated his way through a heap of scenes from art-punk to Riot Grrl to a thousand indie DJ nights); and a recreation of the cello/pop songs of Arthur Russell, one of the darlings of the 1980s New York loft music scene.

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Pram: 'Under The Blossom That Hangs On The Bough', 3rd June 2017

for-Wards, MAC Birmingham and Pram present:
Pram: ‘Under the Blossom That Hangs On The Bough’
Martineau Gardens, 27 Priory Road, Edgbaston, Birmingham, B5 7UG, England
Saturday 3rd June 2017, 4:30pm
– free event – information here, here and here

“Composers and sonic artists Pram have been exploring south Birmingham with the help of local community groups to uncover the sounds of the locality. The results are both familiar and surprising.

“Let Pram take you on a journey through the city, a sound trail through the four wards of Birmingham’s Edgbaston district. Hear the world from the perspective of a bee as it flutters and forages. The snuffles of a tiny baby become the snores of a lion, the gurgle of a stream a mighty cataract. Come along and follow the woodland trail, bring a picnic and settle down for a performance inspired by the sound of the city as you’ve never heard it before.

“Set in the magical surroundings of Martineau Gardens, ‘Under the Blossom that Hangs on the Bough’ is an installation and performance by Pram, celebrating the sounds of Edgbaston. It will take place at Martineau Gardens on the afternoon of Saturday 3rd June, concluding at 6.30pm with a Pram performance inspired by sound recordings made in the wards of Quinton, Harborne, Edgbaston and Bartley Green. Free admission if you register at Eventbrite…”

This isn’t quite the same Pram that charmed us and subverted pop for a surprisingly long stint in the ’90s and noughties across a string of albums which included ‘Dark Island’ and ‘Sargasso Sea’ and a sound that seemed to be part child’s murmur, part clinking post-kosmische stroll and part friendly haunted house. Most obviously, singer and lyricist Rosie Cuckston (she who used to mount her keyboard on an ironing board at concerts) is absent, having moved on into academia and a more direct form of the social activism which the band’s eclectic inclusiveness and tendency to take philosophical side roads only hinted. That said, the rest of the band’s original creative core (multi-instrumentalists Matt Eaton, Sam Owen and Max Simpson) are all present, having spent the interim years of Pram downtime working with wonky loops as Two Dogs, creating film and theatre sound and making sonic art out of books with the Sound Book Project.

This also isn’t the first time that the post-Rosie Pram’s reappeared. Earlier in May they made an appearance at Imaginary Musics in Switzerland, playing a “music for Kopfkino” audio-visual set in a festival dedicated to “cinematic, recomposed and fictional musics”, and it seems as if losing Rosie’s quiet reflective voice and cocooned lyrics has shifted them further over into the areas suggested by Matt’s sound design and by Sam and Max’s live sound art. On-spec, it seems as if they’ve succeeded in becoming a kind of “post-band”, with a foot in their old live work, song-structures and performance coherence, but leaning towards something far more abstract and ego-free. ‘Under the Blossom That Hangs On The Bough’ sounds as if it will be something fascinating to be immersed in – an urban psychedelic afternoon stroll with the family, an aural refraction of Birmingham through leaves, greenery and company.

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Zarjaz Baby + Jon Slade, 3rd June 2017

Zarjaz Baby + Jon Slade
The Horse Hospital, The Colonnade, Bloomsbury, London, WC1N 1JD, England
Saturday 3rd June 2017, 7.00pm
information

“An existentialist extravaganza featuring a solo acoustic set from Zarjaz Baby (Freakapuss and former Tronics). Zarjaz will be performing dark atmospheric songs, full of imagery, with jazz, blues, early ’60s beat and pop influences, with live performance artists, in a style not seen since the basement and candles days of Beatniks.

“Also featured on the night is a solo acoustic Love-Rock revival set from Jon Slade/Knight Of The Comet, incorporating songs from his former bands Huggy Bear and Comet Gain, plus a Fire Department number, some Electric Bull re-workings, as well as songs he wrote with Wolfy Jones.


 
“’60s European pop music in between sets, Francoise Hardy, Brigitte Bardot, Gillian Hills. Expect sombre girls dressed in black and boys in Breton shirts.”

For more information contact incoming@freakapuss.com

For more on Zarjaz’s chequered life and career, have a read of this interview he did with ‘The Quietus’ three years ago, featuring accounts of brushes with mental illness, of releasing surreal post-punk songs with titles like Shark Fucks, of arguing with ‘2000AD’ over his stage name, and of having his image ripped off by Sigue Sigue Sputnik.


 
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Arthur Russell: 'Calling Out Of Context', 7th June 2017

XOYO Live and Milestones present:
‘Arthur Russell – A Classic Reinterpreted’
XOYO, 32-37 Cowper Street, St Lukes, London, EC2A 4AP, England
Wednesday 7th June 2017, 7.00pm
– information here and here

“It’s been said that “Arthur’s songs were so personal that it seems as though he simply vanished into his music.”

“Twenty-five years after Arthur Russell‘s death, some of the most exciting, forward-thinking faces in music are set to present a unique rendition of Arthur Russell’s timeless album ‘Calling Out Of Context’. A posthumous album that brought together twelve incredible tracks from across two previously unreleased LPs, ‘Calling Out Of Context’ represents Arthur in his prime. Two decades later and the music sounds as contemporary as ever – a huge inspiration for those performing on the night. We’re very excited to hear this new rendition.”

Bringing together elements of electropop, classical minimalism, post-disco, hip hop and singer-songwriter work, the ‘Calling Out Of Context’ songs span twenty years of Arthur’s composing and creative history while he was battling to fuse the parallel New York worlds of dance culture and art music between the late ’70s and the early ’90s – a pioneer of the freewheeling musical eclectism which today we pretty much take for granted. Take a look at this salvaged 1987 interview feature from the ‘Melody Maker’ for more on the topic, featuring reflections from Arthur and others on Indian music, the pulse shared by formal minimalism and New York dance clubs, and the social and cultural challenges of the time regarding blending “high” and “low” cultures.

The band for this London performance consists of Ashley Henry (keyboards), Midori Jaeger (cello), Alica Higgins (vocals), Sam Gardner (drums) and Joe Downard (bass).


 

May 2017 – upcoming gigs – Brian Madigan’s ‘Think Of A Song’ experiment in Bath (May 31st)

22 May

Former members of cult ’90s psychedelic folk band The Wise Wound always tend to have gone on to do something interesting. Their musing percussionist/flautist/interjector Brian Madigan’s been no exception, but for this show (for this year’s Bath Fringe Festival) he’s excelled himself…

'Think Of A Song', 31st May 2017

Brian Madigan: ‘Think of a Song’ (+ Paul Bradley)
The Old Theatre Royal, 12 Old Orchard Street, Bath, Somerset, BA1 1JU, England
Wednesday 31st May 2017, 7.30pm
– information here, here and here

“When we go to a show or concert, what are our expectations? To what extent do we, the audience, create the performance? How does the space affect us? How do other audience members impact on our experience? ‘Think Of A Song‘ sets out to explore these and other questions in a unique, collective, experimental-theatre experience.

“Singer-songwriter Brian Madigan is famed for his lengthy, spoken intros. Indeed, during a previous Fringe Festival performance, he got the biggest cheer of the night when he introduced his last song but ran out of time to perform it. So what if he were to remove the songs altogether – only thinking them “out loud” as the audience were invited to imagine them? Would that be deeply uncomfortable? Transcendental? A brief moment of sanity amid the cacophony of everyday madness? Or an evening wasted?

“There is, of course, only one way to find out. If you only go to one high-risk, experimental, participatory, silent-music performance this Fringe, make it ‘Think Of A Song’. One thing is for certain: you won’t forget it in a hurry… A unique journey – not only into the mind of a performer but also into the audience’s own. Inspired by the works of John Cage and Marina Abramovic, this is powerful, immersive and unforgettable experimental performance at its experimentalist!”

If you’re planning to attend, note that ‘Think Of A Song’ is also going to be recorded by filmmaker Martin Tomkins. Brian: “The show comprises two performances: one with and one without audience. The first will take place in advance of the public show on May 31st, in the empty space, before it is set up for the Fringe. This will be filmed and recorded, the audio then presented to audience members after the live show on a complementary CD. The film will capture and blend the two parts. In the first , I will be thinking the intros and singing the songs out loud in the empty space. In the second, I will be speaking the intros, then thinking the songs “out loud” in front of an audience (including you, hopefully…) As well as providing a document of this unique event, the filming will serve to underline the role of audience as participants. In essence, you are the show.”

Support comes from “the incomparable Paul Bradley – right-strung left-handed guitarist, bandleader, composer, triple-octave singer, improviser, sessioneer, collaborator, children’s musician and multi-instrumental livelooper-cum-raconteur. If you have never encountered Paul before, you are in for a real treat. It would be no exaggeration to say that he alone is worth the ticket price.”



 

May 2017 – upcoming London gigs – I’m This I’m That play Moondog, plus Ed Dowie (19th May); Trembling Bells spinoff Alex Rex plus The Left Outsides and Plague Dogs (20th May)

14 May

It’s always good to hear that Homerton’s 33 Chatworth Road – a.k.a. “The Dentist” – is hosting another of its gig-cum-house-parties. I’ve still got fond memories of the first concert I ever went to there: a mixture of jazz atmospheres, experimental folk and mythic New York chamber pop from Sealionwoman, Foxout! and Liam Singer (which you can read all about here.)

I’ve been out of the loop regarding their activities for too long, but here’s quick news on another couple of imminent shows there in collaboration, one in collaboration with folk promoter Muckle Mouth and the other with the Tin Label. (There are another two coming in the following week…).

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I'm This, I'm That, 19th May 2017

Muckle Mouth and 33 Chatsworth Road present:
I’m This, I’m That (playing the songs of Moondog) + Ed Dowie
33 Chatsworth Road/The Dentist, 33 Chatsworth Road, Homerton, London, E5 0LH, England
Friday 19th May 2017, 7.00 pm
– information here, here and here

Assembled rapidly from the gig publicity, and from Wikipedia:

“Louis Thomas Hardin, better known as Moondog, was an American composer, musician and poet. His music took inspiration from street sounds, such as the subway or a foghorn. It was characterized by what he called “snaketime” and described as “a slithery rhythm, in times that are not ordinary […] I’m not gonna die in 4/4 time.” Many of his works were highly contrapuntal, and he worked hard on perfecting his counterpoint. He was also the inventor of several musical instruments (including a small triangular-shaped harp known as the “oo”, another which he named the “ooo-ya-tsu”, and a triangular stringed instrument played with a bow that he called the “hüs” (after the Norwegian, “hus”, meaning “house”). Perhaps his best known creation is the “trimba”, a triangular percussion instrument that the composer invented in the late 40s..

“Moondog was blind from the age of sixteen. In New York from the late 1940s, until he left in 1972, he could often be found on 6th Avenue between 52nd and 55th Street wearing a cloak and Viking-style helmet, sometimes busking or selling music, but often just standing silent and still. He was widely recognized as “the Viking of 6th Avenue” by thousands of passersby and residents who weren’t aware of his musical career.

“Dedicated Moondog interpreters I’m This, I’m That return to The Dentist performing their own arrangements/transcriptions of Moondog compositions with support from Ed Dowie (a Daylight Music favourite – there’s more about him here). Due to massive demand, there will be a double performance – an early show and a late show, with the one you see depending on when you’ve bought your ticket. Doors open at 7.00pm for fire/drinks/chat…”

Schedule:

7.30pm – first Ed Dowie set
8.15pm – first I’m This I’m That set
9.15pm – second Ed Dowie set
10:00pm -second I’m This I’m That set

Here are a couple of clips from the previous I’m This I’m That Moondog show back in July 2015, plus a taste of Ed Dowie:




 

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33 Chatsworth Rd and Tin Angel Records present:
Alex Rex + The Left Outsides + Plague Dogs
33 Chatsworth Road/The Dentist, 33 Chatsworth Road, Homerton, London, E5 0LH, England
Saturday 20th May 2017, 7.30pm
– information here and here

Alex Rex: 'Vermillion'“This is the one and only live outing with full band for Vermillion – Alex Neilson (of Trembling Bells)’ solo record as Alex Rex. Aside from a Cerys Matthews session the following morning, the material from this fantastic record will never be performed again.”

From ‘The Guardian‘:

“His debut solo album Vermilion presents him as a provocative, poetic lothario with the alter ego Alex Rex. On record, rose thorns grow in Rex’s throat and he sleeps with girls for their minds as well as their bodies… Written during a “particularly self-destructive” period in his life in late 2015, Vermilion begins with the Gregorian chant-inspired blues of The Screaming Cathedral, with a chorus telling of “horror heaped on horror”. Please God Make Me Good (But Not Yet) features a girl sticking pins into a voodoo sex doll of him, before he has a “hit on myself.”

“Getting the worst bits of himself out there was therapeutic and necessary for Neilson. “I wanted songs that spilt out of themselves. The records I cherish most are asymmetrical things, full of blemishes,” he says. But there’s plenty of perky, almost poppy moments too. Neilson wrote the skronky psych-blues of Song for Dora while reading “lots of Ovid and taking MDMA”, while Postcards from a dream has a remarkably radio-friendly, West Coast-brightened Hammond organ intro before it kills its A-list potential with lyrics about “a necklace of bungee cord” and Adam “cup[ping] his nuts behind the tree.” Sex is everywhere, but this shouldn’t surprising for a folk musician, Neilson laughs. “The oldest folk songs are lusty and carnal. And I like having sex! People do!”




 
This in from the promoters: The Left Outsides have joined the bill, playing in an Alison/Mark guitar duo formation.” If you remember, these are further Daylight Music favourites, so I’ll just steal the blurb from a previous DM show I posted about – “Mark Nicholas and Alison Cotton (are) a London-based husband and wife duo whose atmospheric, hypnotic songs echo Nico’s icy European folk, pastoral psychedelia and chilly English fields at dawn.”


 
The third act is Plague Dogs, about whom I’ve been able to find out precisely nothing: but they must have impressed Muckle Mouth, since they’re also playing at the Family Élan gig the following. Maybe when I get around to posting about that I’ll have found out more…
 

May 2016 – upcoming London gigs – The Magic Lantern, Nick Ereaut, Amy Walker and Sky Coloured at Rain Today (May 18th); Vanishing Twin and Dijf Sanders at Total Refreshment Centre (May 19th); Quiet Boy, Roxanne Tataei and Brigitte Aphrodite at Total Refreshment Centre (May 25th)

9 May

Pulled out of the bag for today’s post of “soon-to-arrive” shows in the capital – a free baroque pop songwriter’s night and a pair of oblique pop evenings with fairly diverse bills. Almost entirely cut’n’pasted info here, since I’m up against time again.

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The Magic Lantern + Nick Ereaut + Amy Walker + Sky Coloured, 18th May 2017Rain Today and Sky Coloured present:
Rain Today: The Magic Lantern + Nick Ereaut + Amy Walker + Sky Coloured
The Junction, 171 Coldharbour Lane, Loughborough Junction, London, SE5 9PA, England
Thursday 18th May 2017 , 7.00pm
– free event – information

The Magic Lantern is the musical moniker of Jamie Doe. A multi-instrumentalist with an immediately arresting voice, he is currently recording his third album ‘To The Islands’, mostly written during a tumultuous journey to Australia, where he was born, after nearly ten years away.

“Following the stripped-back intimacy of Jamie’s second album, ‘To This Islands’ features a powerful new ensemble exploring memory, hope and our perennial search for acceptance with an intriguing variety of musical textures. ‘To The Islands’ is due for release in the winter of 2017/18.


 
Nick Ereaut is an East London based singer-songwriter and jazz musician. He grew up studying classical piano and double bass before becoming a jazz bass player by trade. Aside from these roots, his influences include Joni Mitchell, Paul McCartney, Donny Hathaway, Nik Bärtsch and the poetry of Allen Ginsberg and Ted Hughes. He’s currently working on his debut EP, featuring a string quartet.


 
Amy Walker‘s slow, folky songs tell tales of dropping out of university, facing adversity in the workplace and the treasures and trials of love. Born in London in 1984 (and recently returned after a decade in Paris) she originally studied songwriting and the physics of sound in Dartington, Devon: she has gone on to record in an aircraft hangar and a mine, and her piano duet ‘My Head Is A Piano’ called for the pianists to sit cross-legged under their pianos.

“Her first studio album, ‘Unravel’, tells the story of the last decade of her life, from abandoning university (Michael And The South West Useless Brigade), to being paid less than her male counterpart (Filthy Little Shrew), to finding peace (Angels Come Down), and losing it again (She Did Tell You).

Sky Coloured are a symphonic pop band from south-east London. A collective of brilliant musicians playing songs of outstanding craft and originality, they put out their debut LP, ‘Starting Time’, in December 2016.”



 
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Vanishing Twin + Dijf Sanders, 19th May 2017Total Refreshment Centre presents:
Vanishing Twin + Dijf Sanders
Total Refreshment Centre, 2a Foulden Road, Shacklewell, London, N16 7UR, London, England
Friday 19th May 2017, 7.00pm
information

“Oblique pop ensemble Vanishing Twin formed in 2015 over a love of unusual instruments, freaky records and the irresistible seduction of A Good Groove. Founder Cathy Lucas, after releasing a string of conceptual cassettes on her own RAM* label under the name Orlando, put a band together and named it after her Vanishing Twin, a sister absorbed in utero, when they were both still a cluster of cells.

“For the launch of the project’s new EP, Cathy is joined by drummer Valentina Magaletti (Tomaga, Shit and Shine, Raime, Neon Neon), bassist Susumu Mukai (a.k.a. primitive electronic producer Zongamin), library music head Phil M.F.U. (Man From Uranus) on strange sounds, and film-maker/visual artist Elliott Arndt on flute and percussion.


 
Dijf Sanders‘s last album, ‘Moonlit Planetarium’, takes you to a trip of yet undiscovered regions where the most diverse individuals have met in a flawless vibe to retire in harmony and peace whilst wondering what so-called civilization has done to their former planet. Tribal rhythms, warm melodies, electronics, deep melancholy and spoken word fused to a seamless and beautiful musical work in utopia. Dijf is based in Gent, Belgium and produced ‘Moonlit Planetarium’ in collaboration with brass and flute players Nathan Daems and Jon Birdsong.”


 
There’ll also be a DJ set helmed by psychedelic “out-of-this-world music” band Flamingods.

* * * * * * * *

Quiet Boy + Roxanne Tataei + Brigitte Aphrodite, 25th May 2017Quiet Boy presents:
Quiet Boy + Roxanne Tataei + Brigitte Aphrodite + Gemma Cairney (DJ set)
Total Refreshment Centre, 2a Foulden Road, Shacklewell, London, N16 7UR, London, England
Thursday 25th May 2017, 7.00pm
information

“Multi-instrumental pop quintet Quiet Boy (offering a heavy poly-rhythmic punch, weaving lines, pretty piano, romantic strings and deep bass webs) are celebrating the release of their first EP, ‘Earwig with an evening of new material and video projections. It’s an incredibly important night for the Quiet Boy project, which has been in the making for over three years.


 
Roxanne Tataei (a.k.a. Rox) describes herself and her new music as “the lovechild of Minnie Riperton and Stevie Nicks, by way of South London”: her critically acclaimed debut album ‘Memoirs’ was released in 2010 on Rough Trade and led to tours with Mark Ronson, Paul Weller and Nitin Sawhney.

“Wanderlust sated, the last few years have been dedicated to writing and recording new material. Her second album’s on the way with new creative collaborators including Nick Trepka (Emmy the Great), Grammy award winning producer Al Shux (Lana Del Rey/ Alicia Keys) and NTS maverick Lord Tusk (Dean Blunt, Hyperdub) in tow. Roxanne Tataei is gearing up for 2017 – more expressive, exploratory and emancipated than ever before.


 
Brigitte Aphrodite is a multifaceted punk showgirl and performance artist committed to social expression. She is most recently known for her critically acclaimed show ‘My Beautiful Black Dog’ a part-gig/part-theatre punk musical exploring depression. The show sold out at the Edinburgh Fringe, featured on the BBC 10’O Clock News and in the Guardian and Elle magazine, and toured the UK with sold-out shows at Southbank Centre and The Wellcome Collection in London.

“Brigitte is soon to release her debut album, book and second theatrical show (‘Parakeet’).”

 
To round things off there’ll be a DJ set by Radio 1’s Gemma Cairney.
 

May 2016 – upcoming London gigs – Naïm Amor and Keith John Adams up close in Fitzrovia (May 12th); Howe Gelb’s Piano Trio and Naïm Amor at Café Oto (May 13th)

6 May

Quick news of a snug gig piggybacked onto a larger tour…

* * * * * * * *

Shaun Hendry, Naïm Amor & Cyril Moya present:
“From Paris, Tucson”: Naïm Amor + Keith John Adams
The King & Queen, 1 Foley Street, Fitzrovia, London, W1W 6DL, England
Friday 12th May 2017, 7.30pm
– information here and here

Naïm Amor + Keith John Adams, 12th May 2017“Ahead of his performance the following night at Cafe Oto with Howe Gelb, Naïm Amor plays his first London show in nine years; and we’re delighted that he’s joined by a rejuvenated Keith John Adams.

“Naïm first started out on the Parisian underground punk scene before his (recently revived) Amor Belhom Duo act found their way out to Tucson, Arizona. Collaborations with Calexico followed, resulting in the ‘A.B.B.C. ‘ album and a Shane Meadows soundtrack appearance before Naïm went solo, working with John Parish (and pretty much the full Tucson A-Z of musicians) across a number of song based albums and his series of ‘Soundtracks’ collections.

“Last year’s collaboration with Calexico drummer John Convertino on the album ‘The Western Suite And Siesta Songs’ further enhanced his reputation; and 2017 finds him on tour both supporting and playing alongside Howe Gelb and his Piano Trio (with whom Naim guested on the album ‘Future Standards’, adding his delicate Django-esque guitar motifs).


 

“Keith is in that great tradition of artists (think Robyn Hitchcock) adept at coupling pop nous with sometimes seemingly off-centre lyrics that do not belie their astute insight on the human condition. Adored in the suburbs of Paris, where his music is the preferred soundtrack to a Sunday night session of anarcho-bingo; cherished by the good people of London and its radio station de choix… BBC 6Music, finding favour with the likes of Gideon Coe, Steve Lamacq and Stuart Maconie; and supported label-wise in the USA from Athens to Washington by way of Tucson, we are delighted to welcome him back for his first show on home turf in many a moon.”


 

Not that it was mentioned above, but some of you may remember Keith as the frontman and principal songwriter from art pop/prog/skiffle band Zuno Men, who had a delightful run of near-notoriety during the late 1990s…


 
* * * * * * * *

Meanwhile there are still tickets available for that aforementioned Howe Gelb show at Oto – so for anyone interested but still unbriefed, here’s the info…

Howe Gelb Piano Trio, 13th May 2017

Bird on the Wire presents:
Howe Gelb Piano Trio + Naïm Amor
Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, England
Saturday 13 May 2017, 7.30pm
– information here

“Let me set the scene – irresponsible lovers are canoodling in semi-lit booths, the jukebox is playing some old tunes by Frank and there’s some people over there who never want to fall in love again. It’s the last bar still open and the piano player mooches over to the battered grand. This guy, we know, is great. He expertly and succinctly slides in words like “iconoclast”, “apropos”, “tumult” and “ludicrous”, he even name checks Constantinople – that’s proper old school.

“For those celebrated guys who hit on the standards – Monk, Cohen, Bacharach, even Merle Haggard – Howe Gelb is creating new tunes with cathartic one-liners and malleable melodies that suggest any singer could interpret these dozen American piano ballads and take his offbeat worldview and make it their own. Who wouldn’t want to begin the beguine with the line “World peace declared, no problem spared…”?

“These are ‘Future Standards’ by The Howe Gelb Piano Trio, taking an outsider view of early gospel and rhythm-and-blues: both part of the American musical socialization that he touched on with 2006’s ‘Sno Angel’. Now he’s on a jazz-tinged trip, bending the genre, taking it back to his shack, giving an innovative fine tune in the lean-to garage.”


 

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