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July/August 2018 – upcoming London opera – the rest of Grimeborn 2018 including a baroque ‘Xerse’, a reconfigured ‘Membra Jesu Nostri’, a reclaimed ‘Carmen The Gypsy’, repertoire hits, kids’ shows and jazz-dance (24th July to 26th August)

20 Jul

Grimeborn 2018, 24th July to 26th August 2018

While my previous post on London alt.opera festival Grimeborn 2018 dealt with many of its obvious heavy-hitters (including the revivals of Turnage’s ‘Greek’, Britten’s ‘Rape of Lucretia’ and Ethel Smyth’s ‘The Boatswain’s Mate’, plus its premieres of Keith Burstein’s ‘The Prometheus Revolution’ and a slew of BAME/female-originated one-acters), there’s plenty more to the season. First of all, let’s take a quick look at the reconfigurations.

Most boldly, Opera Louise’s ‘Teenage Bodies’ takes on ‘Membra Jesu Nostri’ – Baroque composer Dietrich Buxtehude’s seven-song five-voice cantata on the body of Christ. In a corkscrew dive from the sacred to the secular, director/lyricist Julien Chavaz, choreographer Oliver Dähler and music director Jérôme Kuhn rework it as a meditation on puberty and development, mixing live music, physical movement and new text. I’m assuming that the original Biblical listing of “feet, knees, hands, sides, breast, heart, and face” have either been replaced or restored to the carnal. Equally, perhaps they’ve turned into a politicized view of the relationship and power dynamics between young and old bodies. The publicity photos and videos show what seems to be a Theatre of Cruelty classroom with an elderly man and several younger figures cavorting around each other. It could signify anything. At any rate, it’s one of the best-equipped operas in the festival, complete with small orchestra.

 
For ‘A Fantastic Bohemian: The Tales of Hoffman Revisited’, Opera MIO & Co-Productions take Jacques Offenbach’s rollicking Victorian fantasy opera ‘The Tales of Hoffman’ and turn it into an Anglo-Spanish immersive theatre piece spread across three spaces, kitting out the Arcola as Mexico City during the 1940s (during its Golden Cinema Age). The original score will be interspersed with bursts of Mexican danzón, all of the music being played by a four-piece band of piano, cello, clarinet, and violin.

Grimeborn 2018: 'Carmen The Gypsy' - 22nd to 25th August 2018In turn, Romani polymath and Romany Theatre Company head Dan Allum has rewritten Bizet’s ‘Carmen’ as ‘Carmen The Gypsy’, setting it within the contemporary British traveller community and highlighting both anti-Romani racism (“when the outside world thinks you’re scum, can you ever be free?”) and Carmen’s own struggle to liberate herself from “a brutal husband and the shackles of tradition.” This reworking features original Gypsy songs played live on guitar, drum, violin and accordion, plus staged cage fighting (presumably replacing Bizet’s bullfighting) and, as with many RTC productions, a combined English and Romani libretto.

Baroque tradition meets contemporary minimalist theatre in Ensemble OrQuesta’s straighter revival of Francesco Cavalli’s ‘Xerse’, directed by Marcio da Silva. The company triumphed last year with their production of Armide, and return with this dramatic comedy of “jealousy and unfulfilled love” set in the royal court of Persia (with a company of eleven singers, baroque violins, cello, lute and harpsichord).

Milly Forrest

Milly Forrest

For repertoire shows, The Opera Box’s compilation piece ‘Recitals’ (performed by soprano Milly Forrest and pianist Alastair Chilvers) features “new spins” on pieces by Richard Strauss, Hugo Wolf, Vincenzo Bellini, Franz Liszt, Francis Poulenc, and Joseph Haydn. In ‘Onegin & Tatiana’, Opera Company director Guido Martin-Brandis presents “an award-winning cast explor(ing) the dramas and psychologies of Alexander Pushkin’s immortal characters”. Centred on the character of Tatiana Onegin (and focussing on female desire, fantasy and personal upheavale) it features music from Tchaikovsky’s Eugene Onegin, plus additional songs by Strauss, Fauré, Massenet, Barber and Schubert.

The remaining pieces might be heading away from the opera template, but seem to be aimed at pulling in both children and the classical-averse, providing entry points to musical drama. Children are catered for via a return appearance by Melanie Gall, with her acclaimed anthropomorphic kids theatre shows about musical animals winning through against the odds (‘Opera Mouse’ quotes Puccini and Mozart, while the scat-happy ‘Jazz Cat’ is built around the music of Harry Woods, Louis Armstrong and Robert Johnson.)

Melanie Gall: 'Opera Mouse'

A more adult-orientated jazz evening arrives with Nancy Hitzig and Cat Foley’s ‘Swing Sister Swing’ “a cabaret-inspired show celebrating female choreographers, kick ass musicians and pieces created and inspired by jazz-greats” (a trinity of Ella Fitzgerald, Nina Simone and Billie Holiday). It’ll be performed by Nancy and Cat themselves with fellow dancers Christine “Tine Machine” Gatchalian, Katie Stotter, Benjamin Cook and Stephen Atemie and European champion chorus-line The Dixie Dinahs, and with recorded and live music by Katie. “Through lindy hop, swing dance, vintage burlesque, song and comedy, performers will explore what it means to be a in a partnership and alone.”


 
All performances at Arcola Theatre, 24 Ashwin Street, Dalston, London, E8 2DJ, England.

Dates:

  • The Opera Box presents ‘Recitals’ – Thursday 26th July 2018, 7.30pm – information here and here
  • Nancy Hitzig & Cat Foley present ‘Swing Sister Swing’ – Sunday 29th July 2018, 4.00pm & 8.00pm – information here and here
  • Melanie Gall presents ‘Opera Mouse’ – Wednesday 1st August 2018, 11.00am – information here and here
  • Melanie Gall presents ‘Jazz Cat’, Wednesday 1st August 2018, 2.00pm – information here and here
  • Opera Louise presents ‘Teenage Bodies’ – Thursday 2nd August 2018, 7.30pm – information here and here
  • Opera MIO & Co-Productions present ‘A Fantastic Bohemian: The Tales of Hoffman Revisited’ – Saturday 4th & Saturday 11th August 2018, 2.30pm / Sunday 5th & Sunday 12th August 2018, 4.00pm – information here and here
  • Guido Martin-Brandis presents ‘Onegin & Tatiana’ – Monday 13th & Tuesday 14th August 2018, 8.00pm – information here and here
  • Romany Theatre Company presents ‘Carmen the Gypsy’ – Wednesday 22nd to Saturday 25 August 2018, 8.00pm / Saturday 25 August 2018, 3.00pm – information here and here
  • Ensemble OrQuesta presents ‘Xerse’ – Friday 24th to Sunday 26th August 2018, 7.30pm – information here and here

 

June 2017 – the month’s Daylight Music gigs in London – Jherek Bischoff, Emma Gatrill & Liam Byrne (June 3rd); Epic45, The Great Albatross, and BJ Cole & Emily Burridge (June 10th); Louis Barabbas, Melissa Parmenter and Ben McManus & Clara Delfina (June 17th); Trans-Siberian March Band, Antony Elvin & His Men and Toby Hay (June 24th)

25 May

The people behind eclectic, free, family-friendly London event (and ‘Misfit City’ favourite) Daylight Music are swirling back into action in June with four weekly gigs to start their summer season (even if two of them aren’t nominally DM events, the Daylight imprint shows clearly). Here’s me simply boosting the existing signal…

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Daylight Music 252, 3rd June 2017

Arctic Circle presents:
Daylight Music 252 – Jherek Bischoff + Emma Gatrill + Liam Byrne
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 3rd June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“Only Jherek Bischoff would record an album in an empty, two-million-gallon underground water tank (with a reverb delay lasting forty-five seconds). A fabulously inventive and playful musician, Jherek is a mostly self-taught composer whose music dazzles, confounds and delights.

 
Liam Byrne divides his time between playing very old and very new music on the viol. ‘The Times’ praised his “nuanced and expressive, stylish virtuosity”. He’s worked with artists including Damon Albarn, Nils Frahm and Matthew Herbert, and the likes of Nico Muhly have written works for him.

 
Emma Gatrill is a multi-instrumentalist based in Brighton. Playing live, she augments her harp and vocal with ambient analogue synths and drums machines, layered with guitar atmospherics from Marcus Hamblett.”


 
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Daylight Music 253, 10th June 2017
Arctic Circle presents:
Daylight Music 253 – Epic45 + The Great Albatross + BJ Cole & Emily Burridge
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 10th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“The much-loved epic45 — championed by the much-missed John Peel — have been making music for over twenty years. Their celebrated EPs and albums are inspired by the ever-changing English landscapes.


 
The Great Albatross tug gently on the heartstrings with their sweetly shimmering indie songs. Formed in Glasgow by A. Wesley Chung (formerly of Boris Smile), the group has an expansive, international list of contributors and collaborators.


 
“If you had to combine any two instruments, you might not immediately think of putting cello and steel guitar together, but BJ Cole and Emily Burridge confound expectations with their dynamic, sophisticated music. Hailed as “languorous, sensuous, moving music…amazing!” by ‘Art Nouveau’, these fine musicians weave around each other, mixing their intuitive improvisations with inspired, moving interpretations of classic pieces.”


 
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Louis Barabbas, Melissa Parmenter + Ben McManus & Clara Delfina, 17th June 2017

Arctic Circle presents:
Louis Barabbas + Melissa Parmenter + Ben McManus & Clara Delfina
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 17th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

Louis Barabbas is a Daylight Music favourite, thrilling the audience and tearing up the stage with his caustic love songs and energetic show. A writer, performer and label director, he’s performed all over the world and shared stages with acts including Motörhead, Supergrass and The Blockheads.


 
Melissa Parmenter is a well-respected film producer, who’s collaborated closely with director Michael Winterbottom over the last fifteen years, including producing all three series of ‘The Trip’ trilogy. She’s also an accomplished composer and pianist, having scored a number of films including ‘Genova’, ‘The Killer Inside Me’ and ‘Comes A Bright Day’.


 
“After repeatedly meeting at various festivals last year, Ben McManus & Clara Delfina decided to join forces to sing American old-time and bluegrass music, blending banjo, fiddle and guitar with their beautiful harmonies.”


 

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Trans-Siberian March Band, Antony Elvin & His Men and Toby Hay, 24th June 2017

Arctic Circle presents:
Trans-Siberian March Band + Antony Elvin & His Men (with Nina Miranda) + Toby Hay
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 24th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“Summer Solstice edition…

“It’s always a party when the Trans-Siberian March Band are around! A riotous jumble of cabaret, carnival and overwhelming joy, this 13-piece Balkan brass band have delighted audiences at Glastonbury, Woman and the Royal Albert Hall. The Times called them “hugely entertaining… perfect festival crowd-pleasures.” They’ll be playing their winning mix of traditional Turkish and gypsy tunes, Russian sing-alongs and swinging klezmer.


 
Antony Elvin (“a Noel Coward for the Noel Fielding generation!’, according to Julian Barratt of The Mighty Boosh!) is a singer/songwriter from London. His songs take the listener out on a ridiculous spree, in ‘Perfect London’ – a London of your dreams, gaslit yet modern,­ pastoral yet subliminally violent. In a strong English accent, he sings about the characters he meets and the romances of the day without the vulgar baggage of angst. Special guest for this concert is Nina Miranda of Smoke City, Shrift and Zeep – she of ‘Underwater Love’ fame.

Toby Hay makes instrumental music inspired by the landscape, people and history of Mid Wales. A guitarist and composer, ‘Folkroom‘ claim that “he’s one of the finest storytellers… and he’s never sung a word.”


 

* * * * * * * *

As ever, there are likely to be interstitial musical acts filling in the gaps between acts (via loops, atmospheres or turns on the venue’s grand piano or massive church organ), plus late in-the-day extra recruitments. These will be announced closer to the time.

Good to see Toby Hay on one of the bills – his debut EP featured in ‘Misfit City’ several years ago, and since then he’s become a mainstay of the Lamplight acoustic nights up at Regather in Sheffield…

March 2017 – upcoming gigs – kletzmer in New York, Southampton, Liverpool and London, from Geoff Berner/Luisa Muhr and She’Koyokh (7th, 9th, 10th, 17th)

27 Feb

Some news on some upcoming kletzmer-related gigs in New York and across England during the first couple of weeks in March.

Geoff Berner & Lisa Muhr, 7th & 9th March 2017

In New York, as part of the Jalopy Theatre’s ongoing NY Klezmer Series in Brooklyn, there’s a newly created, first-collaboration show from two Vancouver-based musicians – singer-songwriter-accordionist Geoff Berner and singer Luisa Muhr (both of whom can collectively muster up talents across novel-writing, theatre directing, community activism and movement art, but that’s several other stories…)

“Being part of the Klezmer and Yiddish music and performance scene in the US, Canada and Europe, Geoff and Luisa first met at the renowned KlezKanada music camp where they spent many hours singing together. ‘Songs of People Other People Don’t Like So Much’ has been created out of the necessity of producing political work in times that need it. Geoff and Luisa will sing you stories of the underdogs (and unpopular overdogs) of our society: some in Yiddish, some with quite some Klezmer, some in their own words, some in someone else’s. Join us, listen, engage, and enjoy!”

The project’s too new for soundclips or videos: but here’s Geoff performing a solo song from 2013 (tearing with righteous venom into Vancouver’s rotten civic developments), and Luisa fronting a Yidishe Lider concert about a year ago.



 
In addition to the Jalopy show, Geoff and Luisa are presenting another Brooklyn performance, in the shape of a preview version a couple of days earlier at Freddy’s Bar & Backroom. This is a pay-what-you-like event (though they suggest a ten bucks minimum and you’re also tied to a minimum-of-two-drinks rule). This particular evening is for twenty-one year olds or over: not because of any added salty adult content, but purely because of licencing laws for the bar.

Dates:

* * * * * * * *

She'Koyokh, 2017

Meanwhile, back here in England, She’Koyokh – who have been hailed as “one of London’s musical treasures” (‘Evening Standard’) and “one of the finest kletzmer ensembles on the planet” (‘The Australian’) – are out on the road launching their fourth studio album, ‘First Dance On Second Avenue’.

“With a name roughly translated from the original Yiddish as “nice one”, She’Koyokh have spent over a decade absorbing the rich folk music traditions of Jewish Eastern Europe, Turkey and the Balkans. Their evolution spans the origins of busking at East London’s Columbia Road flower market to performing in the famous concert halls of Europe including Amsterdam’s Concertgebouw, the Gasteig in Munich and London’s Southbank Centre. She’koyokh’s members hail from the UK, USA, Serbia, Sweden and Turkey, forging a unique sound that is traditional yet original.

“Their live shows are an expertly crafted, multi-lingual exploration from the Baltic to the Black Sea virtuosic, toe-tapping klezmer instrumentals, Gypsy music, soulful songs and the best Balkan dance tunes from Bulgaria, Romania and Serbia. They’ll take you on a journey sampling polyphonic singing from Bulgaria, a Serbian song about a pigeon on the raspberries, a steamy quarrel between mother-in-laws in a Turkish sauna, a duet between a father and daughter about who she’s going to marry – in the end she chooses the drunken one! – and a love song for a Gypsy girl with penetrating green eyes.”


 
Dates:

 

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