Tag Archives: Cassie Kinoshi’s Seed

January 2019 – upcoming London jazz gigs – the Sound of 2019 with Chelsea Carmichael, Nihilism and Vertaal (9th January); Alexandra Ridout in the first part of the next installment of Jazz Herstory (17th January); Steam Down invite you to be on their debut album (26th January)

6 Jan

Jazz Refreshed: Chelsea Carmichael + Vertaal + Nihilism, 9th January 2019

On 9th January, tenor saxophonist Chelsea Carmichael (from SEED Ensemble/NYJO Jazz Messengers) jumps into a bigger spotlight at the Jazz Cafe, as part of Tastemakers Jazz’s ‘Sound of 2019’ evening. At twenty-five, the time’s right for her to step out; with recent apprenticeships with Terence Blanchard, Courtney Pine, and Etienne Charles (as well as work with Indo-jazz fusioneer Arun Ghosh and as right-hand reedswoman for SEED’s Cassie Kinoshi) helping to shape whatever she does now. This will apparently be the debut of her first project under her own name: so new that I don’t know who else is in it yet, nor anything bar the fact that it’ll be influenced by Chelsea’s “love of groove and intricate rhythms”, and probably isn’t the Mingus-flavoured quintet she brought to the City Beerfest last summer.

Meanwhile, here’s Chelsea blowing tenor with SEED…


 
In the middle of the bill is electro-acoustic quintet Nihilism – a tuneful cluster of post-bop hip hop, Grapelli hot jazz, funk, grime and Mahavishnu fusion flickering around a median age of twenty. At the core of it (but not restricting it) is a classic acoustic sound revitalised by latterday British dance music, bedrocked by soprano saxophonist Shango Ijishakin, Berklee-trained pianist Lorenz Okello-Osengor and drummer Benjamin Appiah. Lorenz also dabbles in synths, while bassist Christopher Luu juggles his time between acoustic upright and a batch of electronic devices. Their debut EP ‘Exposition’ surfaced in November 2018, a couple of years after they’d formed and honed themselves with frequent gigging.

Despite Lorenz’ Berklee crown, Nihilism’s true secret weapon appears to be their electric violinist and occasional singer/rapper Saskia Horton, a twenty-one-year-old ball of energy and onetime fiddler for FKA Twigs. With an extra double life in theatre and dance, she choreographs and performs in a variety of street and dance-club styles (including krumping and waacking), and brings an assertive physicality to the band’s music every time she bows a string.


 
Toting a “spiritual jazz-funk” tag, Vertaal are an open-socketed duo (keyboard player Theo Howarth and drummer Ajit Gill) perpetually plugging in a rich turnover of guest players. Here’s a taste of them, with the core duo augmented on that occasion by bassist Warren Woodcraft, saxophonist Loren Hignell and percussionist Simon Todd. Who knows who’ll be joining Ajit and Theo on the night?


 
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On 17th January, Jazz Herstory resume their staging of female-led jazz concerts over at Poplar Union. It kicks off this year with a performance by trumpeter and bandleader Alexandra Ridout – still only nineteen, but already packing awards for BBC Young Musician of the Year (in 2016) and as 2017 runner-up rising star in the Jazz Awards, as well as hirings by Clarke Tracy and Dave Holland and time spent with her two-generation family jazz band The Ridouts.

Jazz Herstory presents: Alexandra Ridout, 17th January 2019

She’s bringing along a quintet of fellow teenagers. Pianist Noah Stoneman and guitarist Miles Mindlin are each a fresh-faced seventeen, while bassist Freddie Jensen and drummer Luca Caruso are both nineteen: fresh-faced they may be, but they have equal facility in classic swing, contemporary post-bop, funk and balladry. (Expect an audience with its fair share of middle-aged jazzers with mingled expressions of inspiration, chagrin and vague – or in some case, actual – parental pride.)

Here’s the quintet at work – admittedly with a Stoneman original rather than the sheaf of Ridout tunes which will be played on the night. Also attached is Alexandra’s Young Musician performance from three years ago.



 
Jazz HerStory continues over the next couple of months with performances by Rosie Turton and Ms. Maurice, but more on that nearer to February…

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On the 26th, interactively-minded Deptford crew Steam Down have invited everyone down to the Albany to help them record their first album. It’s going to be a live one, caught in full audio-visual with attendees and responders on an equal footing to the band. “There is no audience, we are all the music, everyone’s participation matters. The collective’s sessions are a co-creative experience between the audience and musicians. A mutual exchange of energy and vibes between the groovers and movers, the band and the crowd.”

Steam Down, 26th January 2019All of this is in keeping with Steam Down’s African-inspired collective ethos. One-and-a-half years old now, the project was founded by saxophonist and multi-instrumentalist Ahnanse and they’ve already reached out beyond their south London base to light up gigs in Berlin, Paris, Amsterdam, Antwerp and Oslo. They’re a simmering pot of phuture soul, West African rhythms and cheerful Afrofuturism, the rapid offset breakbeat-splash and electrophonic edge of grime and broken-beat, and (in particular) spiritual jazz.

That said, they’re well aware that they should steer clear of romantic oversimplifications about roots. As Ahnanse remarked in an interview with ‘The Vinyl Factory’ last year, “the roots of what we are creating starts outside of that context, jazz is not the only source of improvised music in the world. It happens in many forms and many cultures, we all come from different spaces and cultures, and it isn’t black American culture, none of us were born there, so actually we are bringing all of those other experiences into this… In a society that is so hegemonic and monotonous it’s nice to surprise yourself and be surprised, by people that you know well.” More than anything else, Steam Down work is inspired by the interlocking of Afro-diasporan culture with week-by-week London life – the information-rich bustle and challenges of a world city made up of people from everywhere, many of them sometimes pushing (or knocking heads) against half-invisible restrictions and oppressions as well as providing broad-mindedness and opportunity. Occasionally the words “church” and “spiritual warfare” are used.

Steam Down’s shifting but family-loyal cloud of membership has included tuba boss Theon Cross, Maisha/Nérija saxophonist Nubya Garcia and keyboard player Dominic Canning (the latter also contributing at ‘Vocal Classics Of The Black Avant-Garde‘ on the 7th). In the rhythmatist corner are Sons Of Kemet/Nok Cultural Ensemble’s young drum-sage Edward Wakili “Nache” Hick and beatmaker Tilé “D’Vo” Gichigi-Lipere. There’s also a bevy of integral singer-poet-rappers in the shape of CarLi Adams, Norwegian-Philipino And Is Phi, Brother Portrait, sometime DJ/illustrator/maker Alex Rita, and the Afro-liminally-minded polymath Nadeem Din-Gabisi (DJ, artist, poet and broadcaster). Multiple talents are at play, with many members teaching and plenty of them producing. They’re a diverse, voluntary hive mind, their individualities fused and encouraged by common purpose, and there are sub-groups, independent familial endeavours and more (for instance, And Is Phi and D’vo work together as Sawa-Manga in a lineup including Saskia Horton from Nihilism).

This particular gig features a Steam Down line-up of Ahnanse, Alex, Dominic, Portrait, Theon, Nadeem, Nache and Sawa Manga plus Nihilism drummer Benjamin Appiah, singer Naima Adams and crunktronic Leeds beatmaker Wonky Logic. Also in the frame are a ton of integrated name guests from up and down the UK jazz scene – no details yet on who they’ll be, but rest assured they’ll be committed to their seat at the table..


 
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Dates:

Jazz re:freshed & Jazz Cafe present:
The Sounds of 2019 featuring Chelsea Carmichael + Nihilism + Vertaal
The Jazz Café, 5 Parkway, Camden Town, London, NW1 7PG, England
Wednesday 9th January 2019, 7.00pm
– information here, here and here

Jazz Herstory presents:
Alexandra Ridout
Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England
Thursday 17th January 2019, 7.30pm
– information here and here


Steam Down: ‘The Live Album’
The Albany, Douglas Way, Deptford, London, SE8 4AG, England
Saturday 26th January 2019, 7.00pm
– information here and here

July 2016 – upcoming London gigs – Ant Law, Cassie Kinoshi and Zoe Rahman play Jazz in the Round (25th); Countermeasure’s spectacular a capella (31st); a two-day run for Pasek & Paul’s ‘Edges’ song cycle (30th & 31st)

21 Jul

Popping up at the end of the month…

Cockpit Productions present:
Jazz In The Round: Ant Law Trio + Cassie Kinoshi’s Seed + Zoe Rahman
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Monday 25th July 2016, 7.00pm
information

I’ve just caught up with The Cockpit Theatre’s regular monthly jazz extravaganza (which is pretty good going on my part, since it’s only been happening for four-and-a-half years already…) This month, the 2016 summer season concludes with a triple bill of London jazz acts, plus the usual warm-up DJ set from Jazz FM’s Jez Nelson and Chris Philips (‘Somethin’ Else’, ‘The Blueprint’, ‘Chris’ Starpoint Radio’). As ever, the audience is positioned around the band in a thrust-stage setting, allowing a different sonic perspective and sense of involvement.

A member of Tim Garland’s all-star Lighthouse quartet, guitarist Ant Law uses bop jazz, folk-rock and Carnatic music as part of his musical palette (which also includes modern jazz, heavy metal and M-Base-inspired rhythmatism). A onetime Edinburgh University physics graduate and Berklee College alumni, he also works with Paul Riley and Trio HLK (with Richards Kass and Harold), with “proggish” fusion quartet Project DSB, plays as a regular sideman with Camille O’Sullivan and leads his own quintet. On this occasion, he’s performing with his trio – completed by drummer Asaf Sirkis and bass player Matt Ridley – delivering fluid rapid compositions in a constant state of teasing upheaval.


 

Led by alto saxophonist and Tomorrow’s Warrior Cassie Kinoshi, Seed are a ten-piece band combining jazz with inner-city London, West African and Caribbean influenced grooves. The stellar line-up of some of London’s most up-and-coming young jazz musicians also features Miguel Gorodi and Sheila Maurice-Grey (trumpets), Joe Bristow (trombone), Theon Cross (tuba), Chelsea Carmichael (tenor sax), Joe Armon-Jones (piano), Oscar Laurence (guitar), Rio Kai (bass) and Patrick Boyle (drums). An alumnus of all-female TW band Nérija, Cassie is a diverse, inquisitive composer whose own music takes inspirations from jazz and black cultural history but also delves into lighthearted chiptunes, classical chamber music inspired by subjects as diverse as Chaucer and Tetris, and sombre electronic soundscapes.


 
British/Bengali pianist and composer Zoe Rahman creates music formed by her mixed heritage, her initial training as a classical musician, and her very broad musical taste, with her love for contemporary jazz as the binding agent. On this occasion, she’ll be playing solo.


 

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Countermeasure: 14 Characters A Cappella
The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, England
Sunday 31st July 2016, 2.00pm
information

Fourteen-piece Canadian vocal troupe Countermeasure make a visit to London at the month’s end, as part of their European tour. I could mine the press release for details on the prizes they’ve won and the other groups they’ve collaborated with; but the truth is that, when talking about vocal groups, somehow that mass of information always seems to mean less. Maybe one’s just impatient to be seduced by the voices… so here they are, delivering a multilayered take on Cole Porter’s I Got You Under My Skin; working in tricks and tips from close-harmony, contemporary R&B, jazz vocalese and broken beats.

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Back at the Cockpit, there’s a production of Pasek & Paul’s ‘Edges’. …

CC Productions present:
‘Edges: A Song Cycle Following Coming-Of-Age Questions’
The Cockpit Theatre, Gateforth Street, Lisson Grove, London, NW8 8EH, England
Saturday 30th July 2016, 7.30pm
Sunday 31st July 2016, 5.00pm

information

Part theatre musical and part song cycle, ‘Edges’ was originally written by Benj Pasek and Justin Paul while they were still students at the University of Michigan, many years before they were conquering Broadway with ‘Dogfight’, ‘James and the Giant Peach’ and ‘A Christmas Story’ and being hailed as the heirs to Rodgers and Hammerstein. The piece has been described as “a witty and honest look at the choices we make and what happens when we are on the edge of our lives. Covering such issues as love, commitment, identity and meaning, ‘Edges’ follows four adults escaping expectations and their complicated relationships.”

This production of the show features musical actors Adam Bailey, Peter Cumins, Laura Mansell and Catherine Mort. Here’s a clip featuring a montage of songs and moments from a previous production at the Capital Repertory Theatre in Albany, New York State.


 

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