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April 2017 – upcoming London jazz gigs – Emma-Jean Thackray + Pie Eye Collective + Sky Coloured (14th); Taeko Kunishima’s Iridescent Clouds (23rd); Jonny Gee Trio with Alex Garnett (24th)

7 Apr

Another London jazz and jazz-ish update for April. Minglings of jazz, pop, turntablism and glitchtronica in New Cross; Taeko Kunishima’s Anglo-Indo-Mediterranean-Japanese mixed-media ensemble taking flight in Lambeth; and Jonny Gee’s latest warm-toned jazz-and-curry evening in Archway.

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Rain Today presents:
Emma-Jean Thackray + Pie Eye Collective + Sky Coloured
The Amersham Arms, 388 New Cross Road, New Cross, London, SE14 6TY, England
Friday 14th April 2017, 7.00pm
information

Emma Jean Thackray, 2016

Emma-Jean Thackray, 2016

“London live music series Rain Today returns with a dazzling bill of some of south London’s most original groove-based artists.

Emma-Jean Thackray is an award winning composer, arranger, producer and instrumentalist, and a recent Red Bull Music Academy alumni. She has been described by RBMA as “one of the UK’s most exciting new jazz artists” and Rhythm Section has said that her recent ‘Walrus’ EP is “one of the most exciting and unique jazz records of 2016”. ‘Walrus’ now sits in the collections of some of the world’s best selectors: Bradley Zero, Sean P, Mr Scruff, Theo Parrish, Jeff Chairman Mao and more…



 
“Often seen manipulating the unseen sounds within Emma-Jean Thackray’s Walrus quintet and the London SoundPainting Orchestra founded by Diego Ghymers, composer-producer Pie Eye Collective presents a brand new solo live show of abstract improvisation, electronic dimensions, hypnotic textures and entrancing rhythms (in anticipation of the soon-to-come Pie Eye Collective debut EP, due to be released late 2017).


 
“New south-east London nine-piece Sky Coloured return to the Amersham (where they launched their debut LP ‘Starting Time’) to present a set of ‘symphonic alt-pop’. Described by AmericanaUK as ‘Saturday Night and Sunday Morning scored by Miles Davis’, they are a collective of brilliant musicians playing songs of outstanding craft and originality.”



 
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IKLECTIK Art Lab presents:
Taeko Kunishima: ‘Iridescent Clouds’
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Sunday 23rd April 2017, 8:00 pm
information

“Previously a long-term resident in London, pianist Taeko Kunishima is now moving between the UK and Japan, performing in both countries. With a background in both classical and jazz, she has toured the UK (with support from Jazz Services), and has four albums on the 33 Jazz label.

Taeko Kunishima - Iridescent Clouds, 23rd April 2016“Her trademark lyricism is all over the most recent of these; ‘Iridescent Clouds’, on which she has newly composed eight beautiful pieces in a mellow, melodic vein with occasional atmospheric twists, as her music shifts elegantly from melody to improvisation and back again. Her core group again features the ethereal, Zen-like tones of the Japanese shakuhachi flute, warm double bass, the zinging rhythms of the three-stringed Tsugaru shamisen and percussion from tablas, cahon and gongs.

“The album also conveys the listener to surprising locations thanks to Jeremy Hawkins’s subtle use of field recordings made in both Japan and the UK, from the spring call of the uguisu bird (a type of Japanese bush warbler) to the rustling of oak leaves in autumn. For instance, the track Iridescent Seashell provides a stunning duet between piano and uguisu, with additional splashes of colour from khene and Cretan double pipes.  

“Evan Parker has hailed the album’s “good clear concept… well interpreted by the musicians” and it was put forward by James Nadal of ‘ All About Jazz‘ as one of the best albums released in 2016. (“Acknowledged for her trademark lyricism, (she) reflects upon the wonders of nature on ‘Iridescent Clouds’, offering elegant improvised passages encased in a meditative concept.”)

For this concert, Taeko will be playing with the other contributors to the ‘Iridescent Clouds’ project: shakuhachi/flute player Clive Bell, double bass player Paul Moylan (She’Koyokh, Michael Garrick, Johns Dankworth and Etheridge), Indo-classical/reggae/electro-acoustic tabla player Camilo Tirado (Nitin Sawhney, James Holden, Lemn Sissay), and Hibiki Ichikawa (one of the world’s top-rank shamisen players and a prime representative of Japanese musical culture in London).

The video clip below was recorded at the Iridescent Clouds performance at Aberjazz 2016; the subsequent one’s been added from a previous project as an example of the films projected at some of Taeko’s concerts.



 
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Jazz @ The Sitara, 24th April 2017

Jonny Gee presents:
Jazz & Curry!: Alex Garnett + Jonny Gee Trio
The Sitara, 784 Holloway Road, Archway, London, N19 3JH, England
Monday 24th April 2017, 7.00pm
information

Lastly, here’s one of the low-profile, high-powered jazz gigs in north London led by Archway-based double bass whiz Jonny Gee. No frills, no gimmicks, no particularly grand concepts – just superbly-played music by several of the capital’s most skilled and flexible musicians, in one of the best of London’s Indian eateries (itself a longstanding jazz haunt).

If you’ve been following previous posts on Jonny you’ll know that he plays everything from baroque to bebop and then some, having worked with King Salsa, Antonio Forcione, Ravi Shankar and Cleo Laine as well as a host of orchestras and dance bands. You might also know that his drummer Andrea Trillo has played with both Herbie Hancock and Jerry Dammers (as well as with Don Weller, Dave O’Higgins, Jon Toussaint, Simon Purcell and Tim Richards). The trio’s pianist Dave Oliver plays with Mamas Gun, Sugar Kings and Marta Acosta as well as MD-ing for Lisa Stansfield.

On this particular occasion, Jonny’s also conjured up a guest slot from Alex Garnett, one of our best & wittiest saxophonists, (who) joins my trio for the evening… before running off to Ronnie Scott’s at 10:30pm sharp, where he runs the house band.” This gig only seats thirty people, and tickets are running out fast…
 

April 2017 – upcoming London jazz gigs – Ella Hohnen-Ford Quartet (8th), The Delegation (22nd), TEXTURE (28th)

3 Apr

Three upcoming jazz gigs this month – shimmering vibes-and-voice-led songwork; large-scale and purposeful big-band abstractions like a collapsing city; cartoon-coloured Weather Report-ish synth and drum grooves…

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MAP Studio Café presents:
Ella Hohnen-Ford Quartet
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 8th April 2017, 7.30pm
information

Ella Hohnen-Ford Quartet, 8th April 2017“The unusual line up of bass, drums, voice and vibraphone adds to the unique sound created by the Ella Hohnen-Ford Quartet, a vibrant jazz/cross-genre quartet of passionate young players, currently studying at the Royal Academy of Music and Guildhall. With influences ranging from the jazz greats (such as Ella Fitzgerald and Shirley Horn), to modern composers (including Kenny Wheeler and Marius Neset) and singer-songwriters such as Nora Jones and James Taylor, the group have a truly individual and confident sound. A debut performance not to missed, featuring arrangements of songs we love and compositions written by and for this specific line up.

“The band features Ella Hohnen-Ford (currently the only singer studying at the Royal Academy of Music’s jazz course), vibraphonist/composer Jonny Mansfield, drummer Boz Martin-Jones and bassist Will Sach (who currently holds the world record for playing the highest altitude bass line, at 40,000 feet). Ella and Boz also play in Johnny’s hotly-tipped Elftet band.”

I couldn’t find anything by the whole band, let alone any sneak previews of their original tunes, but here’s what sounds like Jonny and Ella at work on an old standard:


 
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MAP Studio Café presents:
The Delegation
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 22nd April 2017, 7.30pm
information

Gabriel ZuckerGabriel Zucker’s indie jazz orchestra The Delegation was founded in 2013, and has already broken new ground in New York’s dynamic music scene. Combining an array of disparate influences into a unique and emotionally immediate sound, The Delegation has performed throughout the Northeast and Canada, and Zucker’s compositions for the group have received awards from ASCAP and the American Composers Forum JFund grant. The group’s singular musical philosophy has been profiled at length by the Ottawa Citizen, Jazz Gallery, and the American Composers Forum.

“Last autumn, The Delegation brought its unique concept to life with the release of ‘Evergreen (Canceled World)’, Zucker’s maximalist 12-movement composition that serves as the band’s sprawlingly ambitious debut record. In ‘World Music Report’, Raul da Gama wrote “in Zucker’s almost confrontational writing I find the vision of one who is hugely expressive. Here is a young man with a profound sense of tone and colour and how it can be wrought from diverse instrumentation to be affectingly “cantorial”, expressive and hugely symphonic too.”

“‘Evergreen’ also received 4.5 stars in ‘Downbeat’ and 4 stars in ‘All About Jazz’. With protean production by Zucker and pop producer Chris Connors, the nearly-two-hour record features everything from angular rhythmic grooves to Radiohead-inspired soundscapes to jarring electronics-infused chamber music to enigmatic lullabies, and is one of the year’s only contemporary releases on the prestigious ESP-Disk label.


 

 

“Support comes from Introspection, a new seven-piece contemporary modal jazz and jazz-rock ensemble, soon to release their eponymous debut EP. The group plays the original compositions and arrangements of its bandleader and guitarist Julian Woods, which explore colourful modal harmony, open improvisation, dense textures, contemporary through-composition, and rock-like timbres.”

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IKLECTIK Art Lab presents:
TEXTURE
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Friday 28th April 2017, 8:00 pm
information

TEXTURE, 2014“TEXTURE is an original drums/keyboards duo project of drummer, percussionist and composer Adam Teixeira, featuring Chris Pruden on analogue keyboards and synthesizers. Based in South London and Berlin, the two musicians began playing together in Toronto, Canada in 2012 and have since performed across North America and Europe collaborating with a variety of international musicians.

“Adam has recently released this music on his debut album (also called ‘TEXTURE’), which features hypnotic and infectious drumset grooves, kalimba melodies, atmospheric synth landscapes; exploring a unique blend of folkloric rhythmic traditions stemming from African, Caribbean and Indian classical roots with modern jazz and electronic influences, and providing the perfect setting for the musicians to launch into energetic improvisations.”



 

April 2017 – upcoming gigs – Billy Bottle & The Multiple bring ‘The Other Place’ to Exeter (2nd)

26 Mar

Pastoral jazzers and questioning songmakers Billy Bottle & The Multiple are bringing their show ‘The Other Place’ (a kind of Brexit-themed pilgrimage-cum-road movie, dealing with questions of connection, national moods and democracy) to Exeter at the beginning of April.

I wrote something extensive about the show’s roots and methods back in mid-2016, so you can read more about that here.

In other news, the band have launched a Pledgemusic crowdfunding campaign to fund the recording and release of the album version of the show – more on that here.

Billy Bottle & The Multiple: 'The Other Place'

‘The Other Place’ by Billy Bottle & The Multiple
The Barnfield Theatre, Barnfield Road, Exeter, Devon, EX1 1SN, England
Sunday 2nd April 2017, 7.00pm
– information here and here
 


 

 

November 2016 – upcoming London jazz gigs – FuMar at Map Studio Café (17th); Laura Jurd’s Dinosaur + Daniel Herskedal Trio meet the BBC Concert Orchestra at the RFH (19th)

15 Nov

Two more London jazz gigs, from two very different generations of musician, in two very different venues…

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FuMar, 2016

FuMar
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Thursday 17th November 2016, 8.00pm
information

FuMar is a saxophone and piano duo based in Paris. Phil Furneaux and Krys Markowski have been friends for over forty years (meeting on their first day at Manchester University) and started playing together in 2010, using Skype and Ohmstudio for remote collaborations. After performing their first concerts in 2012, the duo released their debut album ‘Lanercost Sessions’ in 2015, followed by a tour of France. The FuMar repertoire is rooted in jazz (and, more recently, classical) but stays bluesy, funky and mellow with a constant dialogue between piano and sax. The band has the philosophy that “music is a transmission of emotion” and attempts to develop pieces that journey between melancholic and happy, comforting and unexpected, allowing the audience to experience a range of emotions during their concerts.

“FuMar’s second album, ‘The Lanercost Sessions 2’ (recorded, like its predecessor, in the fourteenth-century Priory at Lanercost in Cumbria) was released a few months ago, back in September.  FuMar use this venue due to its acoustic qualities, which make the notes played “hang in the air.” Moving on from the first all-covers set of the first ‘Lanercost Sessions’, this album is a mixture of FuMar’s own compositions and some interpretations of emotive classical tunes – Satie’s ‘Gymnopédie No 1’, Gabriel Fauré’s ‘Après un rêve’ – and a couple of Latin-American Cuban classics (Antonio Jobim’s Bach Meets Bossa and Mongo Santamaría’s Afro Blue). It also features the duo’s own free adaptation of Beethoven’s final string quartet (Op. 131), based on a study and extrapolation of the first eight bars extended into floating chordal improvisations.”



 
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As I type this up, guitarist Alex Roth’s London gig at IKLECTIK (with his Future Currents avant-guitar trio) is taking place. His bandmate in Blue Eyed Hawk, trumpeter-composer Laura Jurd – herself in the middle of a tour with her electric quartet Dinosaur – plays a date at the end of the week. As with the Future Currents gig, it’s part of the ten-day EFG London Jazz Festival, but this particular gig – at the Royal Festival Hall – is on a much larger scale (certainly ensemble-wise)…

EFG London Jazz Festival presents:
BBC Concert Orchestra/Keith Lockhart + Laura Jurd + Daniel Herskedal Trio
Royal Festival Hall @ Southbank Centre, Belvedere Road, Waterloo, London, SE1 8XX, England
Saturday 19th November 2016, 4.30pm
– information here, here and here

“Formerly known as the Laura Jurd Quartet, a new band awakens from the jaws of extinction. They are Dinosaur and they join the BBC Concert Orchestra tonight to give you an evening of fiery sonic experimentation and abstraction.

Dinosaur, 2016

Dinosaur, 2016

“Trumpeter, composer, bandleader and BBC Radio 3 New Generation Artist Laura Jurd has a passion for “making things up” and today’s concert opens with her new “Work for orchestra & Dinosaur”, combining influences from both classical and jazz music.

“We also hear a new work by Norwegian Tuba player Daniel Herskedal who defies the conventions of his instrument. He pushes the boundaries both technically and sonically, creating spellbinding and mesmerising sounds. He’ll be performing with his trio (also featuring pianist Eyolf Dale and percussionist Gard Nilsen)

“Keith Lockhart conducts.”

Here’s footage of both acts, minus the orchestra…



 

October/November 2016 – upcoming gigs – Pierre Bensusan’s autumn tour of Britain and Ireland (30th October to 20th November)

26 Oct

Pretty much a year to the day since his last appearance in London, French-Algerian acoustic guitar master Pierre Bensusan is returning to town this Sunday for the start of a British and Irish tour. The tour will be taking in a delightfully broad sweep of venues both grand and humble, rowdy and formal, from pubs and multi-utility community rooms to concert halls. Most of them will have little in common at the start of the show. By the end, they’ll all be sharing the particular warmth which Pierre brings to his expansively intimate music and performances.

World music’s an often-abused term, especially when you can see crude joins within it. Yesterday’s exotic-record discovery shopped and slopped onto whichever beats selling; or the sound of one particular city’s overbearing acquisitiveness, engulfing and pickling the music of its immigrants rather than fostering it. Pierre’s music is an example of how you can revitalise and justify the term. I’ve spoken before about the French-Algerian-Sephardic background which gave him a head start as regards polycultural vision, but perhaps what he actually embodies is the mixed grain of musical acceptance: the travelling tunes and the more intangible freight of cultures soaking and blending into his playing without strain. Neither jazz nor folk nor Spanish classical, neither rai nor chaabi, nor flamenco (old or new), it nonetheless contains all of these – a translucent, fully-realised and seamless chamber-acoustic melange, played softly and without affectation.


 

Full tour dates below:


 

October/November 2016 – upcoming gigs – a European tour for dEUS-affiliated TaxiWars jazz band (25th October to 14th November) with support slots by fellow dEUS-ers Rudy Trouvé and Mauro Pawlowski plus Olivier Lamblin’s Red project, Tape Cuts Tape, Gianluca Petrella and the Sylvie Courvoisier Trio

23 Oct

This coming week, dEUS singer Tom Barman and saxophonist Robin Verheyen launch a European tour for their art-rock/narrative-tinged jazz band TaxiWars, taking in the Netherlands, England, France, Germany, Austria and Belgium.


 
Completed by two of Robin’s fellow New York-based Belgian jazzmen (double bass player Nicolas Thys and rising drummer Antoine Pierre) and partially inspired by Tom’s tendency to immerse himself in old Blue Note and Impulse label records when on dEUS downtime, TaxiWars have a motile smooth/gruff sound. They focus on structures, scenes and subleties rather than solos; taking sparks and smoulders from Charles Mingus, Art Blakey, Max Roach, Pharoah Sanders and Artie Shepp (while, on the pop side, padding after the demi-monde restlessness of Morphine and Prince). The band’s second album, ‘Fever’, came out earlier this month.


 
Dates:

Here’s a full TaxiWars set from last year:


 

For most of the dates the band seem to be playing alone (in jazz-friendly mid-to-late night sets), but some of the gigs feature guest performers in support slots. What’s happening at their two English shows remains a bit of a mystery, even a handful of days beforehand. For the tour debut in Lille, they’re supported by Red, the lo-fi Franco-Americana project by genre-restless experimental musician Olivier Lambin, featuring what he refers to variously and obscurely as “unprivate blues” containing ingredients like “hack analog electro, wooden guitar, the noises of planets and stars.” (On record, much of it sounds like home recordings interpenetrated by eerie and slightly disturbing sonic moods, offsetting the gentleness of the singing with a disreputable, disassociative air. I’ve no idea how he’ll work that kind of grubby magic live…)



 
Back in Belgium, TaxiWars’ show at Evergem will also feature solo sets from two of Tom Barman’s dEUS colleagues – the band’s early-‘90s guitarist Rudy Trouvé and its current-but-soon to-depart guitarist (and Evil Superstars frontman) Mauro Pawlowski. Rudy promises “an intimate set interrupted by animation… something between classic singer-songwriter action and a ‘70s evening with slides”, while Mauro isn’t promising anything in particular besides “new and old work in a crisp, casual and funny way”. However, the two men (both promiscuously-collaborating Belgian art-music veterans who’ve played together extensively in both Love Substitutes and Kiss My Jazz) are holding out the prospect of a collaborative duet – perhaps in the line of their duet set in Oude Beurs at the start of the month. Tasters from both Rudy and Mauro are below.



 
Rudy will reappear for three of TaxiWars’ four appearances at Belgium’s multi-town, multi-venue Autumn Falls festival, in which he’s playing support again as part of regular improvising trio Tape Cuts Tape. A collaboration with Lynn Cassiers and Eric Thielemans, they’re now onto their third record of kosmiche-and-dub-inspired drone-grooves, re-wrangled baroque chamber influences, spacious experimental sound-stagings and unexpectedly tender tunefulness.


 
The first of the Autumn Falls shows (in Brussels) also sees TaxiWars sharing the bill with some serious jazz talent. There’ll be a set from the award-winning young Italian jazz trombonist Gianluca Petrella – since he’s playing solo, expect a set with copious loops, processing and effects. There’ll also be one by Swiss-born/Brooklyn-based pianist, composer and improviser Sylvie Courvoisier, featuring her trio with drummer Kenny Wollesen and bass player Drew Gress (a lineup which, in addition to Sylvie’s prolific work as a leader or co-leader, encompasses work with Sonny Stitt, John Zorn, Cab Calloway, Tim Berne, Jack DeJohnette, Tom Waits, Norah Jones, Bill Frisell and Ellery Eskelin).



 

September 2016 – upcoming London jazz gigs – Jonathan Silk and Ben Lee bands at Kings Place (16th); Bitch’n’Monk, Survival Skills and Peter Ehwald at Rich Mix (22nd); free show by Tamas Teszary Quartet at Magic Garden (22nd)

14 Sep

More jazz and jazzlike London gigs for the coming month, presented more or less straight from the press releases (to ensure that the month’s news updates don’t drag too much…)

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Jazz at Kings Place/Stoney Lane Records present:
Jonathan Silk Big Band + Ben Lee Quintet
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Friday 16th September 2016, 8:00pm
information

From Kings Place:

“The third in a series of eclectic performances featuring artists from the burgeoning Stoney Lane Records label – and a special double album launch.

“Drummer and composer Jonathan Silk – dubbed “one To watch” by ‘Jazzwise‘ magazine – leads his dynamic big band, with strong influences from mentors and world renowned composers Maria Schneider and Vince Mendoza, along with contemporary New York improvisors Jim Black and Dave Binney. Playing music from Jonathan’s forthcoming album ‘Fragment’, the big band will perform a suite composed to explore the contrast between the powerful forces of a big band in full cry, and the more delicate touch of orchestral textures.



 
“Young guitarist Ben Lee is tipped as one of the rising stars in the jazz world, and launches his debut album this autumn. His beguiling quintet explore the many sounds and combinations of its unorthodox line-up, featuring guitar, alto sax, trombone, organ and drums. Inspired by a whole host of eclectic musicians, from Nirvana and Radiohead to many of the jazz greats, the Ben Lee Quintet bring punchy horn lines, groove, invention, original melodies and no lack of warmth and technical prowess.”




 

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Chaos Theory Promotions/Jazz Standard/United Artists present:
Bitch ‘n’ Monk + Peter Ehwald + Survival Skills
Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, England
Thursday 22nd September 2016, 7.30pm
information

From Chaos Theory:

“This is a special collaboration between ourselves, Tina Edwards of Jazz Standard (one of London’s best promoters of contemporary jazz), Rich Mix (one of London’s hottest hotbeds of contemporary creativity) and daringly experimental duo Bitch ‘n’ Monk, as they launch their new album ‘We Are Peering Over’ in an evening of experimental jazz, improv, art and electronica.

“Described as “a kaleidoscope of musical styles” by the BBC’s ‘Late Junction’ (and by ‘The Quietus‘ as musicians who “will send you into a lovesick coma and give you an electrifying kiss of life all at once”) Bitch’n’Monk are a wayward soprano and screaming flute duo from London and Colombia. They invite you to come to the edge of the music that you know, and peer over into something unpredictable, wild, and new to your ears (the ‘Guardian‘ has observed that “you’ll spend a while pondering how to classify them – prog folk? Operatic post-punk? Gothic reggae? – but they know how to write melodies.” Their new album is a masterpiece, and is a defiant fusion of arts and culture, allowing us each to explore it in our own unique way, with no two people experiencing it quite the same. Tonight ‘We Are Peering Over’ will be premiered live and audience members will have a chance to pre-order the album at a discount, and reserve it for collection at the merch desk ahead of its official release on 30th September.



 
“In support, Survival Skills is an electronic improvisational solo venture by respected contemporary and nu jazz guitarist and producer Chris Sharkey – a fiercely creative individual who is as at home playing the main stages at international festivals, or performing to an intimate audience in a hidden basement venue. Previously known for Acoustic Ladyland and TrioVD, some of you may remember his other projects Shiver at The Facemelter last July, and The Geordie Approach at The Jazz Market last October. Chaos Theory was lucky enough to host the live premiere of Survival Skills almost two years ago, so this will be a great opportunity to see how the solo project has developed.



 
“German musician Peter Ehwald is an adventurous saxophonist with a distinctive sound (described by ‘Jazzwise’ as “an affecting tonal range, moving artfully between Wayne Shorter-type floaty, snaking lines and tougher vocalised timbres.”). He’s known for The Backyard Jazz Orchestra, his collaborative project with the Goethe Institute and Stefan Schultze. He also performs solo with raw energy, creating a remarkably modern sound.”


 
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Tamas Teszary Quartet
The Magic Garden, 231 Battersea Park Road, Battersea, London, SW11 4LG, England
Thursday 22nd September 2016, 9.00pm
free event – information

“If you get the chance to go and listen to the Tamas Teszary Quartet live don’t miss it! This quartet, led by vibraphone wizard Tamas Teszary, brings sizzling new originals to the jazz scene. His compositions invoke sensations from your brain as if traveling from the smoky jazz clubs of New York through the lush landscapes of Canada to the hustling streets of London. With driving bebop lines, funky beats and hip ­hop chills, from melancholic to twisted jazz harmonies, TTQ delivers the mind warp you’ve been thirsty for.”


 

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