Archive | chamber jazz RSS feed for this section

July/October/November 2018 – upcoming jazz gigs – Eddie Parker’s Debussy Mirrored Ensemble make their live debut in Cheltenham (13th July) and play York, Bristol and London in the autumn (24th & 26th October, 20th November); Algerian-influenced world shapes from the Seddik Zebiri Trio in London (13th July); Tori Handsley’s ‘Afro-Harping with Dorothy Ashby & Alice Coltrane’ in London (28th July)

5 Jul

Quick news on three upcoming jazz gigs… well, three gigs and a tour. An impressionist jazz ensemble takes its first assured steps around the country, an Algerian/Parisian veteran brings his trio to the deep East End, and there’s a jazz tribute gig that’s unusual enough for me to drop my usual reluctance to cover such things.

* * * * * * * *

“Former Loose Tubes flautist and composer Eddie Parker and his Debussy Mirrored Ensemble take cues from the important French composer Claude Debussy in a new show.

“2018 is the centenary of the death of Debussy. Eddie Parker’s Debussy Mirrored Ensemble is both a celebration of and a creative response to the composer. Famously, Debussy never wanted followers or imitators, and yet his music is enormously influential and has gone deep into our sensibilities.

“Eddie Parker has spent his life immersed in music – absorbing, creating , teaching, inspiring, and building trust and respect in a wide range of musical genres as a musician and composer. He also has a life-long passion for Debussy’s music. Building on previous Debussy transformations(2013’s ‘Windgames’ for solo piano and 2015’s ‘Snowsteps’, written for the Will Gregory Moog Ensemble, Eddie has now handpicked a unique new twelve-piece ensemble to turn his creative vision into reality.

“These musicians, from classical, jazz and improvisation disciplines, collaborate to transform a dozen of Debussy’s pieces into something incredibly unique, powerful and contemporary whilst capturing the composer’s revolutionary spirit – leading our ears on a fascinating journey while showing how important this influence is, not only for composers but for improvisers too.

“The high-order ensemble features Rowland Sutherland, Gareth Lockrane and Eddie himself on flutes, Jan Hendrickse on vocals and Turkish ney flute, James Allsopp on clarinet and bass clarinet, Alcyona Mick on piano
Imogen Ridge on harp, percussionist/vibraphonist Simon Limbrick and Loose Tubes drum-and-bass team Steve Watts and Martin France, with vocals by classical tenor James Gilchrist and jazz singer Brigitte Beraha.”


 
When presenting ‘Windgames’ four years ago, Eddie reflected as follows:

“My dad, Frank Parker, concert pianist manqué – whose professional career consisted of performing music for variety theatre, musicals and ice skating shows – used to play Debussy on the piano to me when I was a child… then as a teenager my school music teacher Len Sartin would hold one spellbound not only with his prodigious pianistic abilities (he performed ‘Feux D’Artifice’, the notoriously difficult final Prelude of Book 2, in a school speech night, to the utter bewilderment of assembled parents), but his comprehensive knowledge of the art, poetry and literature that each Prelude was alluding to: Baudelaire, Mallarme, chinoiserie, Arthur Rackham, etc. This in a comprehensive school for boys in Liverpool.

“Debussy’s music for piano, especially from the two books of Preludes, went in deep for me and stayed there. The feeling of a kind of kinetic sculpture in sound, involving a synthesis of harmony and sonority, a precise choreography of pianistic gesture, all bound together by an amniotic envelope created by the subtle use of the pedals – “like a kind of breathing”, as Debussy himself described it – these are the alchemical elements that have been infusing in my mind over the decades… One could foresee a series of Debussy transformations (or ‘Busygames’!): ‘Snowgames’, based on ‘The Snow Is Dancing’ from ‘Children’s Corner’; ‘Raingames’, based on ‘Jardins Sous La Pluie’; ‘Soundgames’, based on ‘Les Sons Et Les Parfumes…’ from ‘Preludes Book 1’; ‘Chordgames’, based on ‘Pour Les Chordes’ from ‘Pour Le Piano’… It may take me a while.”

Sounds as if he’s got there.

The Debussy Mirrored Ensemble project debuts at the Cheltenham Festival next week, with further dates in York, Bristol and London in the autumn. Details below:

* * * * * * * *

This in from Poplar Union in the east of London…

“You’re in for a treat this month! We have the brilliant Seddik Zebiri Trio with us for Live in the Library – Seddik Zebiri on vocals and Algerian mandole, Oli Arlotto on saxophone and Paolo Forcellati on percussion.

“Seddik Zebiri defines himself as a “music activist.” He’s a seasoned and experienced musician – a pioneer and a trailblazer. Since beginning his musical journey in the Parisian scene of the ‘60s, the cultural scenario has deeply changed. But, as he likes to affirm, he is “always the same: for me music is always the same thing, there is no difference between the one which I played during the ‘70s, the ‘80s or the one I’m playing today”.


 
“His sound is closely related to his Algerian roots, fused with modern influences. Seddik continues, “When you listen to my music you can initially define it as traditional, Algerian or Berber, but is has also some classic Middle Eastern elements. Then, when you listen further you can also identify other ingredients coming from rock, reggae, Latin or funk.” The trio will offer a distinctive take on jazz, drawing on Arabic and Afro-blues influences, and creating an absorbing, compulsively danceable sound: a fusion of traditional North African combined with funk, reggae and beyond.”…”

Poplar Union presents:
Live In The Library: Seddik Zebiri Trio
Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England
Friday 13 July 2018, 7.30pm
– information here and here

* * * * * * * *

“The sound of the harp has always held a special place in the world of jazz, and that’s down to the work of two artists alone; Dorothy Ashby and Alice Coltrane. Despite both using the same instrument, their music could have hardly been more different. Ashby’s sound ranged from the trad to the plaintive, with standout albums ‘Hip Harp’, ‘Afro Harping’ (celebrating its fiftieth anniversary this year) and ‘Django/Misty’ across her oeuvre showcasing the harp’s versatility. By contrast, the harp for Coltrane worked as an extension of her profound spirituality whilst also indulging her avant-garde tendencies (as heard on her magnum opus, ‘Journey In Satchidananda’).



 
“Putting together the bespoke show will be London based harpist Tori Handsley, who has played with everyone from Nigel Kennedy and Orphy Robinson to Shabaka Hutchings and Moses Boyd and who’s been called “an essential music force that needs to be experienced by as many thinking musicians and audiences as possible” by Orphy Robinson, who’s also noted that she is “without doubt steadily becoming one of the most exciting and original musicians on the UK scene.”

Tori Handsley: Afro-Harping with Dorothy Ashby & Alice Coltrane
The Jazz Cafe, 5 Parkway, Camden, NW1 7PG London, United Kingdom
Saturday 28th July 2018, 7.00pm
– information here, here and here


 

June 2018 – upcoming London folk, world and storytelling gigs – Nest Collective’s Campfire Club shows – Seckou Keita (1st June); Gwyneth Herbert and Noemie Ducimetiere (15th June); The Embers Collective and Dizraeli/James Riley double event (21st June); London Contemporary Voices (22nd June); Jimmy Aldridge & Sid Goldsmith with Sophie Janna (29th June)

23 May

Last month, I said that June would see “a couple more” of Nest Collective’s unamplified outdoor folk gigs. Instead, there’s going to be a cavalcade – six in the space of four weeks, including one double event on the 21st, itself part of a cluster of three later in the month.

See below for a quick roundup of their early summer recipe – including Senegalese griot, storytelling, chamber jazz (well, presumably not “chamber” anymore), folk-rap, country, Gothic blues and pop chorale in addition to folk flavours from the British Isles, continental Europe and the United States. They’re taking place in London’s children’s playgrounds, open spaces and artist’s studio yards: as with many of the Nest Collective gigs, some of the locations are hidden and secret with the locations only given to ticketholders, so plan ahead.

* * * * * * * *

Campfire Club: Seckou Keita
(secret location), Bow, London, England
Friday 1st June 2018, 7.00pm
– information here, here and here

“How to describe Seckou Keita? Griot, praise singer, composer, djembe master, virtuoso, Kora player, pioneer? The answer is ‘yes’ to all of those. Seckou Keita is a true master of his instrument, a childhood prodigy, born of a line of griots and kings (Keita is the royal lineage, and not traditionally a griot name). Cissokho, his mother’s family name, gave life to his talent. His family includes Solo Cissokho, Seckou’s uncle, who introduced him to the International stage in 1996.

“The intense rhythm of Seckou’s working life has been driven by the desirability of his musical talents and his ability to get along with all kinds of different people. He toured with the Sierra Leonean musician, Francis Fuster, one time sidekick to Paul Simon, Miriam Makeba and Manu Dibango, and with Baka Beyond, whose founders Martin Cradick and Su Hart had befriended Seckou in Ziguinchor a few years before. The pair helped to produce his first solo kora album, ‘Baiyo’ (Orphan), which was released in 2000 (and subsequently renamed ‘Mali’ by the record label Arc Music).”


 
* * * * * * * *

Campfire Club: Gwyneth Herbert + Noemie Ducimetiere
Spitalfields City Farm, Buxton Street, Shoreditch, London, E1 5AR, England
Friday 15th June 2018, 7.00pm
– information here, here and here

Gwyneth Herbert is a strikingly original performer, award-winning composer and lyricist and versatile musical adventurer who continues to redefine and challenge expectations. Drawing on influences from the worlds of jazz, folk, contemporary classical music and storytelling, she has worked in collaboration with writers, musicians, directors, choreographers, visual artists, academics, clowns and young people to create a huge canon of genre- defying interdisciplinary work, as well as touring nationally and internationally with her band and releasing six critically albums to date on major, independent and self-owned labels.

“2018 sees the launch of Gwyneth’s ambitious and hugely anticipated seventh album and live show, ‘Letters I Haven’t Written’, songs from which she recently previewed in session for BBC Radio 2 and live from the Edinburgh Festival on BBC Radio 3. Gwyneth describes the project as “a musical, narrative and visual journey exploring the lost art of letter writing. Through blots of heartbreak, strokes of curiosity and scribbles of whimsy, ‘Letters…’ unearths the emotional complexities of putting pen to paper, and, in a climate of status updates and limited characters, seeks to find a more meaningful dialogue with the world”.

“A singer, composer and instrumentalist currently based in London UK, Noemie Ducimetiere is best known for her wide range of musical styles and her work with nine-piece band Gentle Mystics. With the Mystics currently on a recording hiatus, she is taking to the stage with her solo explorations of folk, rock and what some have called gothic blues. Noemie is a self-taught musician with an experimental approach, who found her mentors in her diverse influences: mid-century French cabaret, American blues, traditional Eastern folk and desert rock… today her live set-up comprises of an electric guitar and an expanse of blinking effects pedals.”



 
* * * * * * * *

Campfire Club: The Embers Collective
(secret location), Brockley, London, SE4, England
Thursday 21st June 2018, 7:00pm
– information here, here and here

The Embers Collective is a London based storytelling and live music collective formed by three friends; a writer, an actor and a musician who wanted to put on events with a focus on community, and driven by a passion for the art of sharing stories. Their events bring audiences together through the exploration of myths and folklore from all over the world. Each of their stories is accompanied by a live, professional multi-instrumentalist whose soundscapes take listeners on a journey. They welcome you to their warm embrace.”



 
* * * * * * * *

Campfire Club: Dizraeli + James Riley
Kindred Studios, 18 Saltram Crescent, West Kilburn, London, W9 3HW, England
Thursday 21st June 2018, 7:00pm
– information here, here and here

Dizraeli is a rapper, multi-instrumentalist and sometime singer taking hiphop to new terrains. His exploration has taken him to unexpected places: he composed the soundtrack for a new parallel-worlds comedy on E4 (Tripped); he toured France with producer and turntablist DJ DownLow; he spent a week in the refugee camp at Calais, giving workshops and listening to the migrants there. At the start of 2016, he travelled to Senegal to study West African music with an albino master, and in a remote fishing village covered in dust and music, he finished six new songs. Carrying these pieces home to London in his head, he decided to record them in a completely new way. Instead of shutting himself in a vibeless, carpeted studio where the impulse of the songs would be lost, he would invite an audience of close friends to the basement of a cafe, play live for those friends and record what he played – no editing; no studio tricks: in the words of one of the tracks: “Through the lens to the substance”.

“Born of a transatlantic relationship, James Riley grew up in South East London listening to the folk and soul sound of 70s America and wrote his first melody at the age of four. His first guitar, acquired at the age of nine, became the tool for surviving the tumult of a nowhere place, and helped James find somewhere he felt he belonged. In his early twenties, he took off, alone once again, hitchhiking and busking through Europe from Amsterdam to Istanbul, writing songs along the way. Back in the UK, these songs became a band, but eventually James had to shed another skin, and disembarked in Nashville, Tennessee. Here he found his producer and they set about making the album which had travelled with him to his maternal homeland, where it could finally get free.”



 
* * * * * * * *

Campfire Club: London Contemporary Voices
Glengall Wharf Garden, 64 Glengall Road, Peckham, London, SE15 6NF, England
Friday 22nd June 2018, 7:00pm
– information here, here and here

London Contemporary Voices specialises in work with established bands, including gigs, recordings and festivals. We also perform at private and corporate events, and host our own largescale concerts. They have worked with over fifty artists, including Sam Smith, James Bay, Marcus Mumford (Mumford & Sons), Joss Stone, Elbow, Alt-J, Basement Jaxx, Imogen Heap, Laura Mvula, Charlotte Church, Kate Nash, Alison Moyet, Kim Wilde, Nitin Sawhney, Ella Eyre, Little Mix, The Vamps, Public Service Broadcasting, Andreya Triana, Nicole Scherzinger, Andy Burrows and many more!”


 
* * * * * * * *

Campfire Club: Jimmy Aldridge & Sid Goldsmith + Sophie Janna
Spitalfields City Farm, Buxton Street, Shoreditch, London, E1 5AR, England
Friday 29th June 2018, 7.00pm
– information here, here and here

Jimmy Aldridge & Sid Goldsmith are one of the finest duos to have emerged onto the British folk and acoustic scene in recent years. Their combination of outstanding vocal work, sensitive instrumentation, and a powerful social conscience has brought them widespread critical acclaim. The songs themselves are always given centre stage but they are brought to life with stunning musical arrangements and vocals. There is an integrity that shines through their performances and a common thread of political struggle, resistance, and justice. Their critically acclaimed second album ‘Night Hours’ was released in December 2016 on Fellside Recordings. Described as “exhilaratingly diverse and full of impeccably crafted songs”, it has cemented the duo’s reputation as two of the most exciting musicians and social commentators on the scene.

Sophie Janna sings dark songs from eras past as if they were written yesterday. The person who guesses the correct number of deaths and broken hearts at the end of a gig will get a reward. Sophie accompanies herself on guitar, thumb piano, bodhrán or on nothing at all.”



 

April 2018 – The Ecstatic Music Festival in New York (part 3) with Margaret Leng Tan, ModernMedieval, Julianna Barwick, Patrick Zimmerli, Carla Kihlstedt and others, featuring premieres of new works by George Crumb, Suzanne Farrin, Kelly Moran, Jeremy Flower and Patrick Zimmerli (14th, 19th, 26th April)

1 Apr

During April, New York’s Ecstatic Music Festival comes to an end with its three final events. In the previous six concerts, we’ve seen (among other things) big band music, contemporary classical percussion, slam poetry, choirwork, experimental pop and progressive industrial metal. The closing three shows feature left-field jazz/classical/pop fusions, mix-and-match vocal ensemble music, and a finale of virtuoso contemporary classical piano (including toy piano).

* * * * * * * *

Jeremy Flower, John Hollenbeck, Ethan Iverson, Carla Kihlstedt, Christopher Tordini & Patrick Zimmerli: ‘Clockwork’ & ‘Songs of Mourning’
Saturday 14th April 2018, 7:30pm
– information here and here

“The evening begins with a celebration of the release of composer-saxophonist Patrick Zimmerli’s ‘Clockworks’, an hour-long jazz quartet suite and a musical meditation on time, in all its forms, performed by Zimmerli with former Bad Plus pianist Ethan Iverson, bassist Christopher Tordini and composer-jazz drummer John Hollenbeck.

“In the evening’s second half, pop/art song composer-violinist-vocalist Carla Kihlstedt (Sleepytime Gorilla Museum, Rabbit Rabbit, Charming Hostess, Tin Hat, The Book of Knots, Causing a Tiger and others) and composer Jeremy Flower joins Zimmerli, Tordini and Hollenbeck for the world premiere of ‘Songs Of Mourning’, an exploration of sorrow ranging from the political to the personal, and other works from their cumulative pasts.”



 
ModernMedieval & Julianna Barwick
Thursday 19th April 2018, 7:30pm
– information here and here

“Some of the greatest voices in contemporary music come together! Julianna Barwick’s ethereal, powerfully emotive voice (usually layered on top of itself to stunning effect) is paired with three-member super-group ModernMedieval (celebrated performers of early music, featuring former Anonymous 4 founder Jacqueline Horner-Kwiatek and Roomful of Teeth’s Martha Cluver and Eliza Bagg), ascending into a thrilling and truly ecstatic sonic world.

“Featuring premieres of new works by Barwick, Caleb Burhans (“New York’s mohawked Mozart” – ‘Time Out New York’), and Caroline Shaw (the youngest ever winner of the Pulitzer Prize for Music).”



 
Margaret Leng Tan premieres George Crumb, Suzanne Farrin, & Kelly Moran
Thursday 26th April 2018, 7:30 pm
– information here and here

Margaret Leng Tan — the formidable doyenne of the avant-garde piano — has built a career on upending tradition, pushing her instrument into fresh, no-holds-barred sonic worlds,” raves the Washington Post. Tan gives the New York premiere of ‘Metamorphoses’, a major new work written for her by the seminal twentieth century composer George Crumb, for amplified piano, toy piano, percussion and voice. Metamorphoses is performed with Monica Duncan’s video projections, in which atmospheric visual textures complement the music.

“Tan will also premiere two new EMF-commissioned pieces by young composers responding to Cage and Crumb’s influence: a work for prepared piano by Kelly Moran, and a haunting new piece by 2017 Rome Prize winner Suzanne Farrin that acknowledges not only Crumb’s important contribution to American music, but, in Farrin’s words, “also Margaret Leng Tan’s special role as the artist who has brought the piano’s insides to life on stage.” Works by Toby Twining and John Cage round out the program.”



 
As with all the other EMF concerts, these will take place at Merkin Concert Hall @ Kaufman Music Center, 129 W 67th Street, Upper West Side, Manhattan, New York, NY 10023, USA.

Both the ModernMedieval/Julianna Barwick and the Margaret Leng Tan concerts are co-presentations with New Sounds Live: hosted by John Schaefer, they’ll be streamed live via the New Sounds homepage.

Same again next year?

Ecstatic Music Festival, 2018

February 2018 – upcoming London jazz gigs – Christine Tobin’s PELT (3rd February); Jason Yarde’s TRiO !Wah! plus JAE (11th February); Adam Ben Ezra plus the Dan Casimir Quintet (16th February)

28 Jan

A quick whistle-stop, cut’n’paste rush through some of early February’s interesting jazz gigs… not much from me this time, so you’ll just have to trust the press releases…

* * * * * * * *

Christine Tobin, 2014

Christine Tobin, 2014

Christine Tobin: ‘PELT’
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Saturday 3rd February 2018, 7.30pm
– information here and here

“Having been an integral part of the UK music scene for many years, Christine Tobin is now based between NYC and London. The Irish-born vocalist and composer is renowned for her unique rich voice and original compositional style. With eleven highly acclaimed albums under her own name and four major awards under her belt, Christine is treasured in the UK and far beyond as one of the leading lights on the contemporary scene. MOJO described her as an artist who “really transcends glib genre-fication. Her expressive range acknowledges finely acquired folk, jazz and 20th-century classical influences, which already sets her apart. And everything is shot through with an unmistakable refinement, free-spirited earthiness and giddy romanticism… this singer-songwriter is in a field of one.”

“Christine’s most recent album – 2016’s ‘PELT’ – is her settings of poems and lyrics by contemporary Pulitzer Prize winning poet Paul Muldoon. Although a continuation of her alchemy with fine words and music and her exploration of the chemistry between the two, ‘PELT’ marks a new direction and a new musical soundscape… both daring and dreamlike, passionate and playful. Tobin leads her musicians across a kaleidoscopic panorama, sometimes as junkyard blues philosopher, or snappy beat seductress, sometimes as a conduit for exquisite zen-like harmonies, or reflective Americana.


 
“The seed of the idea for setting Paul Muldoon’s poems came when the pair were invited to collaborate and perform a piece at the Kilkenny Arts Festival in 2011. Christine had long admired Muldoon’s work and he was greatly impressed by her British Composer Award-winning settings of W.B. Yeats. When they discussed setting his poems, Paul gave Christine a copy of his collection ‘Paul Muldoon Poems 1968 – 1998’ and gave her carte blanche to choose the poems she wished to work with. He also sent her new lyrics and as the project unfolded, the texts chosen ended up a being mix of poems and lyrics. The result is a rich and engaging collection with Tobin’s trademark originality.”

(Meanwhile, I’ve been slack enough to miss the fact that this is just part of an ongoing British tour which, by the time it hits London, will already have been through Bridport, Calstock, Torrington, Exeter, Southampton and Derby and is going on to Gateshead, Cardiff, Bristol and Nottingham before winding up at Birmingham on 10th February. For the full dates and details, check here: more on the personnel below.

“For this tour, Tobin has assembled a stellar band which includes seminal figures on the jazz scene Gareth Lockrane (flutes), Phil Robson (guitar/electronics), Steve Hamilton (piano/keyboard/laptop), Kate Shortt (cello/vocals/deaf signing), Richard Jones (violin), Dave Whitford (upright/electric bass) and Simon Lea (drums). In ‘Jazzwise’ magazine, Peter Quinn described them as “a cast of players who are all perfectly attuned to Tobin’s vision and artistry.” The London concert will feature a guest reading by the acclaimed multi-award winning Brooklyn poet Eva Salzman, who has also collaborated with Christine on past projects.”

* * * * * * * *

Jason Yarde's TRiO !WAH! + JAE, 11th February 2018

Tom Skinner presents
Jason Yarde’s TRiO !Wah! + JAE
The Pickle Factory, 13-14 The Oval, Bethnal Green, London, E2 9DU, England
Sunday 11th February 2018, 6.00pm
– information here, here and here

“On 11th February, revered jazz drummer Tom Skinner returns for a Sunday evening residency at The Pickle Factory, curating a forward-thinking evening of jazz music every other month. Over the past year Tom has hosted some true jazz greats – Ezra Collective, Shabaka Hutchings – and has some special evenings planned for 2018.

“This time, Tom Skinner invites monster ex-Jazz Warrior multi-reedist Jason Yarde – famed for his work as an arranger with the sadly departed Hugh Masekela – who presents his lauded jazz ensemble TRiO !WAH!, featuring Yarde on saxes, bassist Larry Bartley and drummer Mike Pickering. In contrast to playing in the big bands of Andrew Hill, McCoy Tyner, Sam Rivers, Hermeto Pascoal, Roy Ayers, Manu Dibango and his own Acoutastic Bombastic, Trio WAH! is a chance to hear Yarde’s playing and compositions in an intimate and stripped-down setting. Jason and Larry (Courtney Pine, Byron Wallen, etc) forged their musical relationship through playing in the original Jazz Warriors; and Mike (Billy Jenkins, Christine Tobin, etc) and Jason through the London based twelve-piece Rare Mix. Over the fifteen-plus years since, they have developed a fluid trio connection covering greatly varied musical terrain.

“From tight and constantly shifting rhythmic patterns to free flowing rhapsodic episodes, Trio !WAH! can cover the calm and the storm within a few bars, never losing the important elements of rhythm, melody and even harmony in this exposed format. ‘Jazzwise’ noted that the group “modulates easily from spacious post-bop to dirty grooves via Ornette-ish noise, showing a creative approach to form”, while ‘The Guardian’ said “it’s fascinating to witness how seamlessly Yarde’s writing and improvising intertwine… Swing, hip-hop, improv, you name it, he can make it all sound as if it was meant to live together, and he’s getting better at it all the time…”


 
“They’re joined by JAE, a mysterious keyboard and drums duo playing music influenced by King Tubby, Madlib and Larry Levan…”

(I found a little more on JAE, to render them less annoyingly anonymous. It turns out that it’s a team-up of longterm south London jazz buddies Joe Armon Jones (keyboard player with Ezra Collective, Sumo Chief, Nubya Garcia band and others) and drummer Jake Long (drummer with Maisha, SE Dub Collective and Where Pathways Meet).

Also, here’s eighty easygoing seconds of JAE doodle…

 

* * * * * * * *

Adam Ben Ezra + Dan Casimir Quintet, 16th February 2018

Adam Ben Ezra + Dan Casimir Quintet
The Jazz Café, 5 Parkway, Camden Town, London, NW1 7PG, England
Friday 16th February 2018, 7.00pm
– information here and here

“Double bass phenomenon, multi-instrumentalist and online sensation Adam Ben Ezra; a man seemingly on a mission to bring his instrument from its status as a background note to the dominant front-presence it deserves. For the past few years Adam has been pushing his craft in new, exciting directions and carving out a unique spot for himself in today’s international musical landscape, with both his virtuosity and musicianship earning him great success along the way.

“With more than ten million hits on YouTube and a strong following on all social media platforms, it is clear Adam is a bonafide star in the internet world. However, his success is certainly not limited to the web, having performed around the globe in major international music festivals and shared stages with some of the world’s fusion giants – including Pat Metheny, Victor Wooten and Richard Bona – over the last few years.


 
“Support comes from award winning bassist and composer Dan Casimir. Having made a name for himself with his EP ‘Escapee’, released on Jazz re:freshed in 2016, Dan has also lent his bass skills to the likes of Julian Joseph, Jason Rebello, Lonnie Liston Smith, Ashley Henry, Camilla George and Nubya Garcia to name a few.”


 
(As far as I know, the Dan Casimir Quintet is Dan plus pianist Sarah Tandy, guitarist Shirley Tetteh, singer Tess Hirst and drummer Olly Sarkar…)
 

October 2017 – upcoming gigs – world fusion guitar with Pierre Bensusan’s English tour (12th-18th October); various jazziness/spoken word/flaneûrism at MAP Cafe in London with Abstract Word (12th October), Alexander Dubovoy/Eli Brown (14th October), Jazz In Cinema (21st October) and Grain Of Sand (26th October)

8 Oct

There’s an imminent brief English tour for acoustic fusion guitar ace Pierre Bensusan this month. Here’s what I said about him last time:

“World music’s an often-abused term, especially when you can see crude joins within it. Yesterday’s exotic-record discovery shopped and slopped onto whichever beats selling; or the sound of one particular city’s overbearing acquisitiveness, engulfing and pickling the music of its immigrants rather than fostering it. Pierre’s music is an example of how you can revitalise and justify the term.

“I’ve spoken before about the French-Algerian-Sephardic background which gave him a head start as regards polycultural vision, but perhaps what he actually embodies is the mixed grain of musical acceptance: the travelling tunes and the more intangible freight of cultures soaking and blending into his playing without strain. Neither jazz nor folk nor Spanish classical, neither rai nor chaabi, nor flamenco (old or new), it nonetheless contains all of these – a translucent, fully-realised and seamless chamber-acoustic melange, played softly and without affectation.”


 

As before, among the venues Pierre is playing are some out-of-the-way ones which it’s a pleasure to find out about. Full tour dates below:

  • Chapel Arts Centre, St. James’s Memorial Hall, Lower Borough Walls, Bath, Somerset, BA1 1QR, England, Thursday 12th October 2017, 7.30pminformation
  • The Ale House, Mill Lane, Colwall (near Great Malvern), Hertfordshire, WR13 6HJ, Friday 13th October 2017, 7.30pminformation
  • St Mary’s Church, Alveley Village (near Kidderminster), Shropshire, WV15 6ND, England, Saturday 14th October 2017, 7.30pminformation
  • The Half Moon, 93 Lower Richmond Road, Putney, London, SW15 1EU England, Tuesday 17th October 2017, 7.30pminformation
  • The Greystones, Greystones Road, Sheffield, Yorkshire, S11 7BS, England, Wednesday 18th October 2017, 8.00pminformation


 
* * * * * * * *

Meanwhile, back in London, there are a number of jazz or jazz-inspired dates this month at another undersung out-of-the-way venue – Kentish Town’s MAP Cafe. I’ll just run through them below…

Abstract Word, September-December 2017Abstract Word
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Thursday 12th October 2017, 8.00pm
 – information

“A chance to see a unique blend of music & spoken word fused with vocal and poetic verse… A night of music & rhythmic words featuring performers from the Abstract Word collective, as well as a range of performance poets and spoken word artists crafting their words to a rhythmic backdrop provided by longtime Jazz Jam collaborator Oliver Staines on eight-string guitar plus trombone and saxophones provided by Richmond “Journeyman” Trew and other horn players. Also a songwriter and performer, Richmond is the spearhead of Abstract Word and has been providing his unique “abstract rhythmic” style since 1995.”

 

Alexander Dubovoy/Eli Brown, 14th October 2017

Alexander Dubovoy/Eli Bown
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Friday 14th October 2017, 8.00pm
information

“While attending Yale University, Alexander Dubovoy and Eli Brown played in the quartet Newspeak. They are featured on its debut album Machinery of Night, recorded by 11-time Grammy-winner Jack Renner. After touring domestically and internationally, Newspeak put its work on hold after its older members graduated.

“Now, Dubovoy and Brown have moved to London – having played at top New York venues and toured internationally, Alexander’s first piano-and-songs solo album ‘Portraits Drawn Without You‘ was released in summer 2017, while Eli is currently a student in the conducting department at Royal Academy of Music (while remaining active as a trumpet player focusing primarily on new and Early music). The two will be performing their first gig together in the UK at MAP, playing improvised duo music (including old and new repertoire) as part of this reunion.”


 

Jazz In Cinema, 21st October 2017

Jazz In Cinema
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 21st October 2017, 7.30pm
 – information

Germana La Sorsa and Joe Boyle come together as Jazz In Cinema. In this harmonious Italian/English duo they bring you the finest jazz music as written for, or used in, movies over the course of the last century.

“The interesting arrangement of just voice (Germana) and double bass (Joe) creates some interesting textures, from wistfully open to tense and sinister, with bountiful experimentation and freedom. Neither, however, strays too far from the roots of the music or the mood they create.”
 

 

Grain Of Sand, 26th October 2017
Grain Of Sand
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Thursday 26th October 2017, 8.00pm
information

“The fruits of excessive people-watching, eradicating anonymity one tale at a time. From the flaneûr’s eye, humorous characters, drenched in poetic language, retell their adventures. Accompanied by the finely tuned fingers of pianist Alexi Bromsky, maestro prose performer Alex Glendinning graces these sketches with his musical mystique.

“Investigating the fantastic potential of the city, the stories give reign to the bizarre and hopeful conjectures of everyday observation – the passing glance at the bus stop, the sombre couple in the coffee shop – and delight in its quotidian beauty, discarded daily amongst the infernal throng. With piano and bass, an hour of snapshot stories awaits. Drop in and out as you like and enjoy the stories with a crowd’s fluidity. Imagine the face, as you brace the morning commute, which recalls a lost lover, beloved brother, or terrifying sister. The glimmer of bewilderment, terror, or joy in those fleeting seconds, swept away in the tube’s slipstream, now becomes a seed for reflection.

“These stories are also a sentimental conversation with the whims that we deem trivial. Lively, satirical, laced with romance and introspective nostalgia, they are performed through the eye of a brash, sharp romantic, lavished with mortal pathos.”
 

April 2017 – upcoming London jazz gigs – Emma-Jean Thackray + Pie Eye Collective + Sky Coloured (14th); Taeko Kunishima’s Iridescent Clouds (23rd); Jonny Gee Trio with Alex Garnett (24th)

7 Apr

Another London jazz and jazz-ish update for April. Minglings of jazz, pop, turntablism and glitchtronica in New Cross; Taeko Kunishima’s Anglo-Indo-Mediterranean-Japanese mixed-media ensemble taking flight in Lambeth; and Jonny Gee’s latest warm-toned jazz-and-curry evening in Archway.

* * * * * * * *

Rain Today presents:
Emma-Jean Thackray + Pie Eye Collective + Sky Coloured
The Amersham Arms, 388 New Cross Road, New Cross, London, SE14 6TY, England
Friday 14th April 2017, 7.00pm
information

Emma Jean Thackray, 2016

Emma-Jean Thackray, 2016

“London live music series Rain Today returns with a dazzling bill of some of south London’s most original groove-based artists.

Emma-Jean Thackray is an award winning composer, arranger, producer and instrumentalist, and a recent Red Bull Music Academy alumni. She has been described by RBMA as “one of the UK’s most exciting new jazz artists” and Rhythm Section has said that her recent ‘Walrus’ EP is “one of the most exciting and unique jazz records of 2016”. ‘Walrus’ now sits in the collections of some of the world’s best selectors: Bradley Zero, Sean P, Mr Scruff, Theo Parrish, Jeff Chairman Mao and more…



 
“Often seen manipulating the unseen sounds within Emma-Jean Thackray’s Walrus quintet and the London SoundPainting Orchestra founded by Diego Ghymers, composer-producer Pie Eye Collective presents a brand new solo live show of abstract improvisation, electronic dimensions, hypnotic textures and entrancing rhythms (in anticipation of the soon-to-come Pie Eye Collective debut EP, due to be released late 2017).


 
“New south-east London nine-piece Sky Coloured return to the Amersham (where they launched their debut LP ‘Starting Time’) to present a set of ‘symphonic alt-pop’. Described by AmericanaUK as ‘Saturday Night and Sunday Morning scored by Miles Davis’, they are a collective of brilliant musicians playing songs of outstanding craft and originality.”



 
* * * * * * * *

IKLECTIK Art Lab presents:
Taeko Kunishima: ‘Iridescent Clouds’
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Sunday 23rd April 2017, 8:00 pm
information

“Previously a long-term resident in London, pianist Taeko Kunishima is now moving between the UK and Japan, performing in both countries. With a background in both classical and jazz, she has toured the UK (with support from Jazz Services), and has four albums on the 33 Jazz label.

Taeko Kunishima - Iridescent Clouds, 23rd April 2016“Her trademark lyricism is all over the most recent of these; ‘Iridescent Clouds’, on which she has newly composed eight beautiful pieces in a mellow, melodic vein with occasional atmospheric twists, as her music shifts elegantly from melody to improvisation and back again. Her core group again features the ethereal, Zen-like tones of the Japanese shakuhachi flute, warm double bass, the zinging rhythms of the three-stringed Tsugaru shamisen and percussion from tablas, cahon and gongs.

“The album also conveys the listener to surprising locations thanks to Jeremy Hawkins’s subtle use of field recordings made in both Japan and the UK, from the spring call of the uguisu bird (a type of Japanese bush warbler) to the rustling of oak leaves in autumn. For instance, the track Iridescent Seashell provides a stunning duet between piano and uguisu, with additional splashes of colour from khene and Cretan double pipes.  

“Evan Parker has hailed the album’s “good clear concept… well interpreted by the musicians” and it was put forward by James Nadal of ‘ All About Jazz‘ as one of the best albums released in 2016. (“Acknowledged for her trademark lyricism, (she) reflects upon the wonders of nature on ‘Iridescent Clouds’, offering elegant improvised passages encased in a meditative concept.”)

For this concert, Taeko will be playing with the other contributors to the ‘Iridescent Clouds’ project: shakuhachi/flute player Clive Bell, double bass player Paul Moylan (She’Koyokh, Michael Garrick, Johns Dankworth and Etheridge), Indo-classical/reggae/electro-acoustic tabla player Camilo Tirado (Nitin Sawhney, James Holden, Lemn Sissay), and Hibiki Ichikawa (one of the world’s top-rank shamisen players and a prime representative of Japanese musical culture in London).

The video clip below was recorded at the Iridescent Clouds performance at Aberjazz 2016; the subsequent one’s been added from a previous project as an example of the films projected at some of Taeko’s concerts.



 
* * * * * * * *

Jazz @ The Sitara, 24th April 2017

Jonny Gee presents:
Jazz & Curry!: Alex Garnett + Jonny Gee Trio
The Sitara, 784 Holloway Road, Archway, London, N19 3JH, England
Monday 24th April 2017, 7.00pm
information

Lastly, here’s one of the low-profile, high-powered jazz gigs in north London led by Archway-based double bass whiz Jonny Gee. No frills, no gimmicks, no particularly grand concepts – just superbly-played music by several of the capital’s most skilled and flexible musicians, in one of the best of London’s Indian eateries (itself a longstanding jazz haunt).

If you’ve been following previous posts on Jonny you’ll know that he plays everything from baroque to bebop and then some, having worked with King Salsa, Antonio Forcione, Ravi Shankar and Cleo Laine as well as a host of orchestras and dance bands. You might also know that his drummer Andrea Trillo has played with both Herbie Hancock and Jerry Dammers (as well as with Don Weller, Dave O’Higgins, Jon Toussaint, Simon Purcell and Tim Richards). The trio’s pianist Dave Oliver plays with Mamas Gun, Sugar Kings and Marta Acosta as well as MD-ing for Lisa Stansfield.

On this particular occasion, Jonny’s also conjured up a guest slot from Alex Garnett, one of our best & wittiest saxophonists, (who) joins my trio for the evening… before running off to Ronnie Scott’s at 10:30pm sharp, where he runs the house band.” This gig only seats thirty people, and tickets are running out fast…
 

April 2017 – upcoming London jazz gigs – Ella Hohnen-Ford Quartet (8th), The Delegation (22nd), TEXTURE (28th)

3 Apr

Three upcoming jazz gigs this month – shimmering vibes-and-voice-led songwork; large-scale and purposeful big-band abstractions like a collapsing city; cartoon-coloured Weather Report-ish synth and drum grooves…

* * * * * * * *

MAP Studio Café presents:
Ella Hohnen-Ford Quartet
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 8th April 2017, 7.30pm
information

Ella Hohnen-Ford Quartet, 8th April 2017“The unusual line up of bass, drums, voice and vibraphone adds to the unique sound created by the Ella Hohnen-Ford Quartet, a vibrant jazz/cross-genre quartet of passionate young players, currently studying at the Royal Academy of Music and Guildhall. With influences ranging from the jazz greats (such as Ella Fitzgerald and Shirley Horn), to modern composers (including Kenny Wheeler and Marius Neset) and singer-songwriters such as Nora Jones and James Taylor, the group have a truly individual and confident sound. A debut performance not to missed, featuring arrangements of songs we love and compositions written by and for this specific line up.

“The band features Ella Hohnen-Ford (currently the only singer studying at the Royal Academy of Music’s jazz course), vibraphonist/composer Jonny Mansfield, drummer Boz Martin-Jones and bassist Will Sach (who currently holds the world record for playing the highest altitude bass line, at 40,000 feet). Ella and Boz also play in Johnny’s hotly-tipped Elftet band.”

I couldn’t find anything by the whole band, let alone any sneak previews of their original tunes, but here’s what sounds like Jonny and Ella at work on an old standard:


 
* * * * * * * *

MAP Studio Café presents:
The Delegation
MAP Studio Café, 46 Grafton Road, Kentish Town, London, NW5 3DU, England
Saturday 22nd April 2017, 7.30pm
information

Gabriel ZuckerGabriel Zucker’s indie jazz orchestra The Delegation was founded in 2013, and has already broken new ground in New York’s dynamic music scene. Combining an array of disparate influences into a unique and emotionally immediate sound, The Delegation has performed throughout the Northeast and Canada, and Zucker’s compositions for the group have received awards from ASCAP and the American Composers Forum JFund grant. The group’s singular musical philosophy has been profiled at length by the Ottawa Citizen, Jazz Gallery, and the American Composers Forum.

“Last autumn, The Delegation brought its unique concept to life with the release of ‘Evergreen (Canceled World)’, Zucker’s maximalist 12-movement composition that serves as the band’s sprawlingly ambitious debut record. In ‘World Music Report’, Raul da Gama wrote “in Zucker’s almost confrontational writing I find the vision of one who is hugely expressive. Here is a young man with a profound sense of tone and colour and how it can be wrought from diverse instrumentation to be affectingly “cantorial”, expressive and hugely symphonic too.”

“‘Evergreen’ also received 4.5 stars in ‘Downbeat’ and 4 stars in ‘All About Jazz’. With protean production by Zucker and pop producer Chris Connors, the nearly-two-hour record features everything from angular rhythmic grooves to Radiohead-inspired soundscapes to jarring electronics-infused chamber music to enigmatic lullabies, and is one of the year’s only contemporary releases on the prestigious ESP-Disk label.


 

 

“Support comes from Introspection, a new seven-piece contemporary modal jazz and jazz-rock ensemble, soon to release their eponymous debut EP. The group plays the original compositions and arrangements of its bandleader and guitarist Julian Woods, which explore colourful modal harmony, open improvisation, dense textures, contemporary through-composition, and rock-like timbres.”

* * * * * * * *

IKLECTIK Art Lab presents:
TEXTURE
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Friday 28th April 2017, 8:00 pm
information

TEXTURE, 2014“TEXTURE is an original drums/keyboards duo project of drummer, percussionist and composer Adam Teixeira, featuring Chris Pruden on analogue keyboards and synthesizers. Based in South London and Berlin, the two musicians began playing together in Toronto, Canada in 2012 and have since performed across North America and Europe collaborating with a variety of international musicians.

“Adam has recently released this music on his debut album (also called ‘TEXTURE’), which features hypnotic and infectious drumset grooves, kalimba melodies, atmospheric synth landscapes; exploring a unique blend of folkloric rhythmic traditions stemming from African, Caribbean and Indian classical roots with modern jazz and electronic influences, and providing the perfect setting for the musicians to launch into energetic improvisations.”



 

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A search for the world's weirdest music, in handy blog form

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

songs from so deep

Songs and sound. Guitars and stuff.

%d bloggers like this: