Archive | Baroque music RSS feed for this section

November 2017 – upcoming London classical gigs – baroque-xplorations with Peter Sheppard Skærved’s ‘The Voice of the Violin’ (21st) and Anette Bjørnenak/Krishna Nagaraja/Masumi Yamamoto’s Norwegian ‘Folk-Barokk’ (25th)

13 Nov

Quick news on a couple of perspective-expanding baroque music events later in the month…

* * * * * * * *

Wilton’s Music Hall presents:
Peter Sheppard Skærved: ‘The Voice of the Violin’
Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Tuesday 21st November 2017, 7.00pm
– information here and here

Peter Sheppard Skærved, leader of the Kreutzer Quartet, explores the beginnings of the virtuoso violin, playing a series of extraordinary instruments from the 17th century in this intimate solo performance featuring Benjamin Hebbert and including two special world premieres. There’ll be a talk before the concert (at 7.00pm).

'The Voice of the Violin', 21st November 2017“The programme consists of music for solo violin by Giuseppe Torelli, Biagio Marini, Pietro Locatelli, Nicola Matteis, Carlo Ambrogio Lonati, Giovanni Bassano, Carl Heinrich Biber, Thomas Baltzar, Johann Paul von Westhoff, Le Sieur de Machy, Johann Heinrich Schmelzer, Giuseppe Tartini, Georg Philipp Telemann and Johan Sebastian Bach; and will include music from the Klagenfurt Manuscript. There will also be world premieres of new works by composer Edward Cowie (‘Gad’) and David Matthews (‘Capriccio-Fantasia’).”

Here’s Peter playing some Telemann and a newer piece by David Gorton:



 
* * * * * * * *

'Folk-Barokk!', 25th November 2017Schott Music presents:
‘Folk-Barokk!’ From Nor­way: Anette Bjørnenak/Krishna Nagaraja/Masumi Yamamoto
Schott Recital Room @ Schott Music, 48 Great Marlborough Street, Soho, London, W1F 7BB, England
Saturday 25th November 2017, 7.00pm
information

Anette Bjørnenak (recorders), Krishna Nagaraja (viola/Norwegian hardingfele fiddle) and Masumi Yamamoto (harpsichord) explore folk music of Norway from an eighteenth-century music book, and also look at the way folk music influenced composers of the Baroque era.

“Works by Telemann, Morel, Jacob Mestmacher, C.P.E. Bach and Francesco Barsanti.”
 

November 2017 – upcoming London classical gigs – SOLO presents Eliza McCarthy (7th November); Chamber Sundays at The Rosemary Branch (12th November); Scordatura Women’s Music Collective performs duets by women composers (10th November)

23 Oct

Three of the imminent, interesting classical gigs in London this coming month… some contemporary solo piano in Shoreditch, some disparate contemporary chamber music taking over an Islington theatre, and a celebration of women composers by a female music collective in Stoke Newington…

* * * * * * * *

Eliza McCarthy, 2017

SOLO presents:
SOLO 04: Eliza McCarthy
Shoreditch Treehouse, 34 Charlotte Road, Shoreditch, London, EC2A 3PB, England
Tuesday 7th November 2017, 7.00pm
information

“SOLO is back and this time we’re heading to a cosy loft right in the heart of Shoreditch for an intimate recital from acclaimed pianist Eliza McCarthy! Eliza specialises in contemporary music and has worked with a whole bunch of composers from John Adams to Tansy Davies and Andrew Hamilton to Mica Levi. Expect a veritable smorgasbord – contemporary pieces by John Adams, John Luther Adams, Mica Levi and more, a side order of J.S. Bach, and the world première of ‘Curved Form (No. 4)’ by Alex Groves.”

Here’s Eliza playing some Levi at Kammer Klang a while back…


 
* * * * * * * *

At the moment, there’s no more info on which Bach, Levi and Adams(es) pieces Eliza will be playing: but you might like to know that the next in Alex’s sequence of ‘Curved Form’ pieces – ‘Curved Form (No. 5)’ – will be played the following week at the Rosemary Branch’s informal Chamber Sundays evening, curated by mezzo-soprano Rosie Middleton, at which you’ll also hear compositions by Adam Gorb and Jonathan Dove.

Chamber Sundays, 12th November 2017

Chamber Sundays: Rosie Middleton & Friends
The Rosemary Branch Theatre, 2 Shepperton Road, De Beauvoir Town, London, N1 3DT, England
Sunday 12th November 2017, 7.00pm
information

Sorry – I’ve not got much more information on that either, other than what’s above; but here are some sample pieces from Adam, Alex and Jonathan…

 
* * * * * * * *

Finally…

Scordatura Women’s Music Collective present:
‘Duos and Duels’
The Old Church, Stoke Newington Church Street, Stoke Newington, London, N16 9ES, England
Friday 10th November 2017, 7.30pm
information

Scordatura Women's Music Collective, 10th November 2017Scordatura Women’s Music Collective is a group of musicians who want to extend the established repertoire by performing and championing music written by women. With interests ranging from Baroque Historical Performance to contemporary composition to world music, members of the collective will be performing from a huge, varied and beautiful body of music.

“On this occasion, the group are performing an evening of duos for cello, clarinet and viola composed by some of the most exciting women of the twentieth and twenty-first centuries.”

Programme:

Rebecca Clarke – Prelude, Allegro and Pastorale
Sally Beamish – Duel
Kaija Saariaho – Oi Kuu
Judith Weir – St Agnes
Chen Yi – Happy Tune
Shulamit Ran – Private Game
Charlotte Bray – Midnight Interludes
Libby Larsen – Yellow Jersey
Caroline Shaw – Limestone + Felt
 

Encouraging that this is going on: encouraging, too, that I managed to track down performances of seven of those nine pieces in a further attempt to persuade you to go along.


 

October 2017 – upcoming London classical gigs – Music-in-Motion & Gildas Quartet immersive show, and the Ligeti Quartet’s ‘Remembering the Future’ (both 28th October)

8 Oct

There’s a couple of classical concerts at the end of the month: not necessarily groundbreaking in what they play (although there is one premiere involved) but interesting in how they arrange their programme or in how they perform it.

* * * * * * * *

Music-in-Motion, 28th October 2017

Conway Hall Ethical Society presents:
Music-in-Motion Ensemble & Gildas Quartet, directed by John Landor
Conway Hall, 25 Red Lion Square, Bloomsbury, London, WC1R 4RL, London
Saturday 28th October 2017, 3.30 pm & 7.30pm; Tuesday 31 October 2017, 7.30pm
information

“Following his powerful staging of Janáček’s ‘Kreutzer Sonata’ with the Gildas Quartet at Conway Hall last May, John Landor returns with the quartet and the newly-formed Music-in-Motion Ensemble of thirteen string players to present an eclectic programme of music from Purcell to Pärt.

“Immersive, visual and theatrical, Music-in-Motion brings a bold new aesthetic approach to the traditional classical concert. Turning the whole auditorium into a “theatre of music”, the musicians become embodied channels of the musical drama, dissolving boundaries between performers and audience. You are welcome to sit, stand, or even lie down pretty much anywhere during the performance, so you can bring your own cushion or mat, or use ours. It’s a social event too! At the evening concerts, you can bring in drinks from the bar, and everyone is invited to the ‘after-party’ where audience and performers can mingle and discuss the performance, or indeed anything else!”

What this means in practise is the exploding of the orchestral positioning and of orchestral uniformity – while retaining the hidden discipline of the orchestral units, the musicians wander out on their own across the performance space and through the audience as individuals rather than remaining en bloc, with each performer free (and encouraged) to act out the emotionality of the music. The set’s a selection of well-known repertoire war horses: the presentation and implications are less familiar.

Programme:

Johann Sebastian Bach – Brandenburg Concerto No. 3 in G BWV1048
Antonio Vivaldi – Sinfonia al Santo Sepolcro in B minor RV169
Arvo Pärt – Fratres
Leoš Janáček – String Quartet No. 1 ‘Kreutzer Sonata’
Henry Purcell – Chacony in G minor
Edward Elgar – Introduction and Allegro Op. 47

* * * * * * * *

The Ligeti Quartet present “Remembering the Future: Tradition and the Contemporary String Quartet”
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 28th October 2017, 7:30pm
information

Since their formation in 2010, Ligeti Quartet, 2017The Ligeti Quartet (violinists Mandhira de Saram and Patrick Dawkins, viola player Richard Jones and cellist Val Welbanks) have commissioned multiple new works and collaborated with artists from all types of musical backgrounds including Anna Meredith, Elliot Galvin, Kerry Andrew (Juice Vocal Ensemble, You Are Wolf), Laura Jurd, Meilyr Jones, Neil Hannon (The Divine Comedy), Seb Rochford (Polar Bear), Shabaka Hutchings (Sons of Kemet, The Comet is Coming), Shed 7 and Submotion Orchestra. They are currently working on a long-term project with Ernst von Siemens prize-winning composer Christian Mason to create a series of ‘Songbooks’ for string quartet, based on overtone singing traditions from around the world.

For this performance, the Ligeti Quartet are performing traditional (20th century) and contemporary pieces. These include two Bach related works (a Sofia Gubaidulina tribute and a Birtwistle rearrangement of fugues, , a revival of the debut composition by http://www.plusminusensemble.com Plus-Minus Ensemble co-leader/Cut and Splice curator Joanna Baillie (originally written for Apartment House, and performed here in its 2006 string quartet version) and a brand new piece by former Unthanks member/ Streetwise Opera composer-in-residence/Timeline Songs director Stef Conner (whose body of work as a composer has revealed her as a walker and crosser of fine lines between classical, folk, jazz and antiquity).

Programme:

Johann Sebastian Bach (arr. Harrison Birtwistle) – Three Fugues from the Art of Fugue
Anton Webern – String Quartet, Op. 28
Joanna Baillie – Five Famous Adagios (2006 string quartet version)
Stef Conner – (LQ Commission, title tbc) (premiere)
Igor Stravinsky – Concertino for String Quartet
Sofia Gubaidulina – Reflections on a Theme B-A-C-H
Georg Friedrich Haas – String Quartet No. 2
 

October 2017 – upcoming London classical/experimental gigs – Howard Skempton at 70 (13th October), Rarescale’s New Baroque (14th October)

5 Oct

A couple of quick referred notifications of a pair of upcoming gigs on the classical/experimental cusp – just the blurb…

* * * * * * * *

Howard Skempton @ 70, 13th October 2017

Club Inégales presents:
Howard Skempton at 70
Hall Two @ Kings Place, 90 York Way, Kings Cross, London, N1 9AG, England
Friday 13th October 2017, 10.00pm
– information here and here

“Club Inégales’s live club nights in Euston create the unexpected chemistry that enables the special to happen as brings in the best in new and spontaneous performance. Its house ensemble Notes Inégales was created by two innovators in British music (Peter Wiegold and David Purser) and features some of the finest players in the country, dedicated to improvisation as well as other contemporary repertoire. Peter has been a pioneer of bringing together composition and improvisation, working directly with musicians in the creation of new work.

“Vocalist, accordionist and composer Howard Skempton has made two delightful visits to Club Inégales, performing his solo accordion pieces and singing and playing with the ensemble. In this special concert at Kings Place, Howard will be joining Notes Inégales to improvise and perform new arrangements of pieces including ‘In Cuba They Play With Maracas’, ‘Chorale Inégales’, Show Me The Limelight’, ‘Trapeze’ and a seventieth birthday tribute to American composer Christian Wolff, entitled ‘Forget the Minuet’.”

* * * * * * * *

rarescale's 'New Baroque', 14th October 2017

rarescale presents:
New Baroque (with Carla Rees & Michael Oliva)
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 14th October 2017, 8.00pm
– information here and here

“The first in a series of concerts combining new and old repertoire for baroque flute, ‘New Baroque’ explores how a historical instrument can be used in modern times through a series of collaborations with imaginative contemporary creators. In this eclectic programme, hear new works for baroque flute solo and with electronics by a range of living composers interspersed with music from the baroque era.

“The performers are rarescale regulars Carla Rees and Michael Oliva. A British-based low flutes player and arranger, Carla is the artistic director of rarescale and runs low-flutes publishing company Tetractys, working frequently in collaboration with composers to develop new repertoire and techniques. Originally trained as a biochemist, Michael is rarescale’s composer-in-residence: an electronic musician, with a fondness for woodwind he lectures in and teaches electroacoustic music and music technology at the Royal College of Music and Imperial College. In addition, he runs and premieres multimedia opera work with madestrange opera, a company dedicated to producing new forms of the genre for modern audiences. Recent works include a requiem commissioned by the choir Mosaic (2010) and a new full length opera, ‘Singularity’ (2015).”

The programme is still to be confirmed, but here’s a double taste of what’s likely to be involved:

&nsbp;

June 2017 – some of London’s more theatrical upcoming gigs – cartoon critters run amok with ‘Cat & Mouse’ (8th & 9th June); plague, trauma and rhythm with Grand Union Orchestra’s ‘Song of Contagion’ (13th-17th June); Debbie Wiseman and The Locrian Ensemble play music from ‘Wolf Hall’ (June 18th)

26 May

Three theatrical/televisual fusion gigs in London for the coming month…

* * * * * * * *

'Cat and Mouse', 8th/9th June 2017

1927 Theatre Company and Village Underground present:
‘Cat and Mouse’
Village Underground, 54 Holywell Lane, Shoreditch, London, EC2A 3PQ, England
Thursday 8th + Friday 9th June 2017, 7.00pm
– information here and here

“The world premiere of ‘Cat And Mouse’! A theatrical animation experience involving an animated cat and mouse and a band of dogs. Featuring the animations of Paul Bill Barritt (1927) with live music by Officer Pup (composer Laurence Owen and band), introducing Miss Lesley Ewen as The Law.

“You could say we’ve seen it all at VU, but in actual fact there are still plenty of firsts. This’ll be one of them: our debut in-house theatrical production. We’ve been waiting for just the right project to come along for some time, so when Paul said he wanted to do a theatrical animation experience with anthropomorphic animals, we knew we’d waited long enough.


 
“The cultural history of anthropomorphised animals is long and deep, as long and deep as the river of imagination itself. We see ourselves reflected back at ourselves within those furry beings. ‘Cat and Mouse’ is one such development. Taking its germ from the great peddler of anthropomorphised cat and mouse chaos Mr. George Herriman (creator of the ‘Krazy Kat’ stories which in turn inspired ‘Tom & Jerry’), it proceeds in a zigzag line through the gamut of human idiocy from art to war, from technology to industry, from civilisation to love all via the shenanigans of various humanimals mostly of the rodent/feline variety with some notably canine overseers holding court over the proceedings. Sticking within the traditions of artistic purveyance there will be visuals in the form of animations, sets and costume, there will be live music and there will be storytelling. A theatrical animation experience unlike anything seen before, alike to everything seen once upon a time, long ago . . .

“‘Cat and Mouse’ sets up the familiar dichotomy of good and evil, navigating the extremes of human idiocy from art to war, from technology to industry, from civilisation to love all rendered through the shenanigans of a rodent, a feline and the dogs of law. With a band performing the original score live, don’t expect to sit through this – witnessing Cat and Mouse will be like finding yourself inside a television set. “Made of old ‘toons and new tunes, it’s like an arthouse ‘Itchy and Scratchy’ where the action spills out into the audience,” says Paul. “Expect high-octane action, fun and frolics, extreme (cartoon) violence, moments of edification, sadomasochism, a face machine, skeletons, dogs, dancing, and more.”

“As we veer further towards duplicitous times of fake news and alternate facts, the idea that we can define what is purely good or evil becomes a tempting focus. Yet with cartoonish reality TV characters as world leaders, the notion that we’re all made up of these shades of good and evil becomes increasingly obscured. Predator and prey, good and evil, and our instincts to protect those that are vulnerable – ‘Cat and Mouse’ couldn’t be more timely.”


 
Here’s a more in-depth interview with Paul Barritt about the project, from ‘Run Riot‘…

* * * * * * * *

Grand Union Orchestra, 13th-17th June 2017

Grand Union Orchestra and Wilton’s Music Hall present:
Grand Union Orchestra: ‘Song Of Contagion’
Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Tuesday 13th June to Saturday 17th June 2017, 7:30pm (2:30pm – schools matinee on 15th June, family show on 17th June including “meet the musicians” event)
– information here, here, here and here

“Ever wondered what would happen if you teamed up a distinguished scientist with internationally-acclaimed jazz and world musicians? The answer is ‘Song Of Contagion‘, the brainchild of composer Tony Haynes and epidemiologist Elizabeth Pisani and featuring Grand Union Orchestra, which explores the mismatch between areas where diseases are suffered and those where the money is spent, bringing cold statistics vividly to life on stage.

“It begins in the East End, round the corner from Wilton’s, where cholera raged in Victorian times; eradicated in London by building the sewers, it continues rampant in Kolkata today. A moving series of songs tells the stories of combatants and civilians affected by shell-shock, for which treatment is still scarce. Exuberant dance rhythms describe how dengue and Zika spread unnoticed across Africa and the Caribbean until Zika hit the headlines, threatening to spoil the Rio Olympics. A big-band piece celebrates the activism that brought HIV/AIDS to public attention and an old music hall song dramatises the danger of heart disease posed by the junk food industry.

“‘Song Of Contagion’ features thirty of Grand Union’s finest musicians and singers from musical traditions worldwide, who add immense impact and authenticity to the performance – Indian musicians evoking Kolkata past and present; brilliant jazz soloists giving voice to the trauma of soldiers and refugees; highlife, merengue, soca and samba beats dramatising the spread of Zika.”



 

Thursday 15th June features a schools matinee and a free pre-evening show at 6.00pm in which Sam Johnson and students from Community Music describe their contribution to the project with audio illustrations. There’s also a free post-show discussion at 9.30pm on Friday 16th June in which Elizabeth Pisani talks about ‘Turning health statistics into music and song’. On Saturday 17th June (at 4:15pm) the extra event is ‘King Cholera and the Great Metropolis Walk‘ a two-hour tour with guide Sophie Campbell exploring cholera in London’s East End.

* * * * * * * *
Anton Lesser as Thomas More

Live at Zédel presents:
‘Wolf Hall live’
Brasserie Zédel, 20 Sherwood Street, Soho, London W1F 7ED, England
Sunday 18th June 2017, 7.00pm
information

“Hilary Mantel’s award-winning novel ‘Wolf Hall’ was transformed into a riveting six-part drama by the BBC to huge acclaim in 2015. Accompanying Thomas Cromwell’s machinations and hushed conversations in shadowy palace corners was original music by Debbie Wiseman, performed by members of The Locrian Ensemble of London; the soundtrack CD reached no.1 in the classical charts.

“Debbie has over two hundred film and television soundtracks to her name including ‘Wilde’, ‘Wolf Hall’ and, more recently, ‘Dickensian’. Consisting of some of the country’s finest musicians, the Locrian Ensemble is at the very top of its game, delivering stunning performances which range from the blisteringly dramatic to the heart-rendingly mournful.

“Tonight, Debbie and the Ensemble perform selections from her acclaimed score, alongside extracts from ‘Wolf Hall’ and its first sequel ‘Bring Up The Bodies’ read by Anton Lesser (who played Thomas More in the BBC series). The concert roughly follows the narrative of the television series with Lesser’s intense readings setting the scene for a musical commentary. The most intense part of the concert must surely be the depiction of Anne Boleyn’s execution, as the impassioned readings leave the audience hanging on every word, with music that is gripping and moving in equal parts.”


 

June 2017 – the month’s Daylight Music gigs in London – Jherek Bischoff, Emma Gatrill & Liam Byrne (June 3rd); Epic45, The Great Albatross, and BJ Cole & Emily Burridge (June 10th); Louis Barabbas, Melissa Parmenter and Ben McManus & Clara Delfina (June 17th); Trans-Siberian March Band, Antony Elvin & His Men and Toby Hay (June 24th)

25 May

The people behind eclectic, free, family-friendly London event (and ‘Misfit City’ favourite) Daylight Music are swirling back into action in June with four weekly gigs to start their summer season (even if two of them aren’t nominally DM events, the Daylight imprint shows clearly). Here’s me simply boosting the existing signal…

* * * * * * * *

Daylight Music 252, 3rd June 2017

Arctic Circle presents:
Daylight Music 252 – Jherek Bischoff + Emma Gatrill + Liam Byrne
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 3rd June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“Only Jherek Bischoff would record an album in an empty, two-million-gallon underground water tank (with a reverb delay lasting forty-five seconds). A fabulously inventive and playful musician, Jherek is a mostly self-taught composer whose music dazzles, confounds and delights.

 
Liam Byrne divides his time between playing very old and very new music on the viol. ‘The Times’ praised his “nuanced and expressive, stylish virtuosity”. He’s worked with artists including Damon Albarn, Nils Frahm and Matthew Herbert, and the likes of Nico Muhly have written works for him.

 
Emma Gatrill is a multi-instrumentalist based in Brighton. Playing live, she augments her harp and vocal with ambient analogue synths and drums machines, layered with guitar atmospherics from Marcus Hamblett.”


 
* * * * * * * *

Daylight Music 253, 10th June 2017
Arctic Circle presents:
Daylight Music 253 – Epic45 + The Great Albatross + BJ Cole & Emily Burridge
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 10th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“The much-loved epic45 — championed by the much-missed John Peel — have been making music for over twenty years. Their celebrated EPs and albums are inspired by the ever-changing English landscapes.


 
The Great Albatross tug gently on the heartstrings with their sweetly shimmering indie songs. Formed in Glasgow by A. Wesley Chung (formerly of Boris Smile), the group has an expansive, international list of contributors and collaborators.


 
“If you had to combine any two instruments, you might not immediately think of putting cello and steel guitar together, but BJ Cole and Emily Burridge confound expectations with their dynamic, sophisticated music. Hailed as “languorous, sensuous, moving music…amazing!” by ‘Art Nouveau’, these fine musicians weave around each other, mixing their intuitive improvisations with inspired, moving interpretations of classic pieces.”


 
* * * * * * * *

Louis Barabbas, Melissa Parmenter + Ben McManus & Clara Delfina, 17th June 2017

Arctic Circle presents:
Louis Barabbas + Melissa Parmenter + Ben McManus & Clara Delfina
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 17th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

Louis Barabbas is a Daylight Music favourite, thrilling the audience and tearing up the stage with his caustic love songs and energetic show. A writer, performer and label director, he’s performed all over the world and shared stages with acts including Motörhead, Supergrass and The Blockheads.


 
Melissa Parmenter is a well-respected film producer, who’s collaborated closely with director Michael Winterbottom over the last fifteen years, including producing all three series of ‘The Trip’ trilogy. She’s also an accomplished composer and pianist, having scored a number of films including ‘Genova’, ‘The Killer Inside Me’ and ‘Comes A Bright Day’.


 
“After repeatedly meeting at various festivals last year, Ben McManus & Clara Delfina decided to join forces to sing American old-time and bluegrass music, blending banjo, fiddle and guitar with their beautiful harmonies.”


 

* * * * * * * *

Trans-Siberian March Band, Antony Elvin & His Men and Toby Hay, 24th June 2017

Arctic Circle presents:
Trans-Siberian March Band + Antony Elvin & His Men (with Nina Miranda) + Toby Hay
Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England
Saturday 24th June 2017, 12.00pm
– free event (recommended donation: £5.00) – information

“Summer Solstice edition…

“It’s always a party when the Trans-Siberian March Band are around! A riotous jumble of cabaret, carnival and overwhelming joy, this 13-piece Balkan brass band have delighted audiences at Glastonbury, Woman and the Royal Albert Hall. The Times called them “hugely entertaining… perfect festival crowd-pleasures.” They’ll be playing their winning mix of traditional Turkish and gypsy tunes, Russian sing-alongs and swinging klezmer.


 
Antony Elvin (“a Noel Coward for the Noel Fielding generation!’, according to Julian Barratt of The Mighty Boosh!) is a singer/songwriter from London. His songs take the listener out on a ridiculous spree, in ‘Perfect London’ – a London of your dreams, gaslit yet modern,­ pastoral yet subliminally violent. In a strong English accent, he sings about the characters he meets and the romances of the day without the vulgar baggage of angst. Special guest for this concert is Nina Miranda of Smoke City, Shrift and Zeep – she of ‘Underwater Love’ fame.

Toby Hay makes instrumental music inspired by the landscape, people and history of Mid Wales. A guitarist and composer, ‘Folkroom‘ claim that “he’s one of the finest storytellers… and he’s never sung a word.”


 

* * * * * * * *

As ever, there are likely to be interstitial musical acts filling in the gaps between acts (via loops, atmospheres or turns on the venue’s grand piano or massive church organ), plus late in-the-day extra recruitments. These will be announced closer to the time.

Good to see Toby Hay on one of the bills – his debut EP featured in ‘Misfit City’ several years ago, and since then he’s become a mainstay of the Lamplight acoustic nights up at Regather in Sheffield…

May 2017 – upcoming London classical gigs – polygender opera with ‘Binary Optional’ at CPT (May 25th & 26th)

21 May

One of the month’s more interesting London opera events…

'Binary Optional', 25th & 26th May 2017

Oedipa & Lucia Lucas present:
‘Binary Optional’
Camden People’s Theatre, 58-60 Hampstead Road, Euston, London, NW1 2PY, England
Thurday 25th & Friday 26th May 2017, 9.00pm
information

From the press release, spliced with a little more research:

Oedipa collaborates with the extraordinary female baritone Lucia Lucas (Wuppertaler Bühnen, Deutsche Oper, Chicago Opera Theatre) on an evening of song in transition: from masc to femme, classical to queer and oppression to freedom.

“A freelance opera singer based in Germany (who has previously held full-time contracts with the Badisches Staatstheater, Kalsruhe, Theater und Orchester Heidelberg and the Deutsche Oper, Berlin), Lucia Lucas is a strong dramatic baritone specializing in Verdi roles, and has sung roles including Ford in ‘Falstaff’, Iago in ‘Otello’, Escamillo in ‘Carmen’, Le Grand-Prêtre in ‘Samson et Dalilah’, Jochanaan in ‘Salome’, Alberich in ‘Das Rheingold’, Thoas in ‘Iphigenie en Tauride’, Figaro in ‘Le nozze di Figaro’, Leporello and Giovanni in ‘Don Giovanni’, Mephistopheles in ‘Faust’, Don Pizzaro in ‘Fidelio’ and Nick Shadow in ‘The Rake’s Progress’.

“Beyond this, Lucia is one of the small but growing number of transgender woman performing significant operatic roles (a list of singers which includes Breanna Sinclairé and Emily De Salvo, whose own unusual range covers baritone to soprano). As Lucia commented in an interview in ‘Slipped Disc’ a couple of years ago, “I am performing all of the same things. Still singing angry old men on stage, but fringe projects have also started appearing as possibilities”. ‘Binary Optional’ is one such project – singing Bizet, Britten, Wagner, Purcell and Adams, flirting with Sarah Vaughan and ‘Rocky Horror’, Lucia draws on her experience singing classical repertoire across the world to tell her incredible story and celebrate the fluidity and plurality of gender in opera.


 
“Oedipa is the alter ego of writer/director Finn Beames (who’s dedicated himself to working “against the male perspective”) and a diverse range of varying collaborators. As Oedipa, groups of artists create and produce live performances in theatre, opera and related forms, often with an emphasis on music.

“Based in London and working internationally, Finn won the 2015 Genesis Future Directors Award at the Young Vic for his production of Man: 3 Plays by Tennessee Williams in the Clare theatre. He also holds the 2015 Lina Bo Bardi Fellowship, granted by the British Council for research into the eponymous Brazilian architect and the creation of a piece of theatre. For his own company, bodycorps, he recently directed a sold-out run of a new opera about depression, funded by The Wellcome Trust and ACE. Finn has commissioned further new work for bodycorps, including a musical based on The Sorrows of Young Werther. In 2014 Finn wrote, directed and designed a new music theatre work for the London Sinfonietta with composer Gavin Higgins, which they are currently expanding into a triptych. Finn is a director/librettist on the Jerwood Opera Writing Programme at Aldeburgh Music, and a member of the Young Vic Directors Network and Lincoln Center Theater Directors Lab in New York.”
 

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A lovingly curated compendium of the world's weirdest music

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

A home for instrumental and experimental music.

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

%d bloggers like this: