Tag Archives: live concerts

May 2016 – upcoming gigs – two pay-what-you-like shows for May 28th: Bouche/A. Dyjecinski/The Kindling/Gemma Champ at Daylight Music in London; Rokenri’s album launch in New York

25 May

Two shows for the Saturday that’s coming up – both donation-based, both community-minded, both flexibly soft around the edges. And both well worth attending.

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Daylight Music 225, 28th May 2016

Arctic Circle presents:
Daylight Music 225: Bouche + A. Dyjecinski + The Kindling + Gemma Champ
Union Chapel, Compton Terrace, Islington, London, N1 2UN, England
Saturday 28th May 2016, 12.00pm
– free/pay-what-you-like event (suggested donation: £5.00) – more information

The summer return of London’s Daylight Music sessions continues with this triple-bill-plus-piano-guest afternoon.

Bouche is the deeply emotive and beguilingly timeless music of double bass player and singer Rebekah Bouche, accompanied by trumpet /flugelhorn and electric guitar. The songs are a kind of ‘blue-jazz hymnal’; the honesty and rawness of the blues, with melodic salutes to early jazz and a sense of pathos and drama that nods in the direction of 18th/19th century hymns and British folk. The unusual instrumentation makes for a delicate, tantalisingly sparse sound that winds prettily around the lyrical themes which, though mostly melancholic, are often delivered with a wink and a smile. The debut Bouche album, ‘So Long Solemn’, was released this spring.


 

A. Dyjecinski (if you’re wondering, it’s pronounced “EH-DEE-YEAH-CHIN-SKI”) is a Canuck from the Ontario woods who currently lives in London, making gritty, raw and vulnerable music (usually with his “scuzzy garage rock” band Dracula Legs). This year he released his debut solo album ‘The Valley Of Yessiree’ which saw him compared to Nick Cave, Lambchop’s Kurt Wagner (and dis-compared to Sinatra) by ‘Folk Radio‘, who also praised him for “epiglottal drunkenness” and for a “spectacularly assured debut album that, for all its minimal aesthetic, is brimming with ideas.”

 

“Cinematic songs, fireside percussion, ghostly harmonies, and T.V. static dreams: The Kindling make sad, strange and beautiful music, like the crack in the window that makes a rainbow, a dark, dusty corner or the last wave that takes her initials with yours from the sand. Presenting widescreen, blissed-out melancholy London alt.folk (and drawing influence from the guerrilla recording spirit of Sparklehorse, Mount Eerie, and Tom Waits), they were formed in 2011 to breathe life into the acoustic songs of Guy Weir. Their introductory EP ‘From Out Of The Wreckage’ was followed by a second EP, ‘Half Light’, in 2013. Their latest release is the 2015 full album ‘By Morning’.


 

“Weaving through the show on the piano and improvising a mix of funk, jazz and pop will be Daylight regular Gemma Champ.”

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On the evening of the same day, on the other side of the Atlantic…

Rokenri/Hannah Edmunds Gardens/Gowanus Canal Conservancy Group present:
Rokenri
Fort Briscoe Studios, 73 Sackett Street, Red Hook, Brooklyn, New York, NY 11231, USA
Saturday 28th May 2016, 7.00pm
– pay-what-you-like (suggested donation: $10.00) – more information

Rokenri @ Fort Briscoe, 28th May 2016Rokenri – the free-floating, free-associating art-pop team-up of sound artist Ethan Woods (guitar, keyboards, noise, vocals), multi-faceted percussionist Matt Evans (drums, keyboards, vocals, noise) and protean Anawan singer-songwriter Trevor Wilson (bass, keyboards, penny whistle, percussion, vocals, noise) – are launching their ‘Donkey Donkey’ album at their DIY space in Red Hook, prior to Trevor’s imminent departure for North Carolina. Expect “a bit of a hang at first, but only one hour of performance… accompanied by dancers, video, and more.”

There’s a horticultural/preservational feel to the evening, with half of the door proceeds going to the Gowanus Canal Conservancy Group (working on and for the polluted and contested Brooklyn canal which neighbours the venue, with the aim of turning its shores into a public park).

‘Donkey Donkey’ (also featuring contributions from Rokenri’s Bennington College/Brooklyn pals Stephen Markow, J.J. Beck and Michael Chinworth) is available to download now, with the vinyl edition following in mid-June. Here’s the recent single – Sullied Tied – one of my own album favourites (Love Takes Time), and a clip of the band rehearsing another ‘Donkey Donkey’ track (Your Arms Are Real) at Briscoe.




 

Upcoming gigs – Theo Travis Double Talk tour, Death & Vanilla/LUST in London

24 Sep

While I’m not particularly happy with the fact that time and concentration opportunities are mainly restricting me to posting up gig news at present, there are side benefits. One of these is to go on virtual tours of my own, finding out (via tour schedules) where music is still happening in this time of chopped budgets and closed venues. If I’m covering musicians who play in out of the way places, or out-of-the-way venues, I get to find out even more – drawing myself out of my London-centric knowledge or a focus on big-gig places. I get to discover pubs, restaurants or found spaces in which people are still fanning musical sparks or maintaining a tradition instead of just selling up for luxury flats. I find this heartening.

Theo Travis

Theo Travis

Theo Travis has just announced an English tour for his Double Talk quartet, promoting their new album ‘Transgression’. Over the past decade, Theo’s made a name for himself as a musician who slips particularly easily and unfussily between genres. While he’s become the go-to saxophonist for British progressive and psychedelic rock and legacy fusion as well as for assorted ambient projects, he’s also achieved this without denting his impressive if understated jazz credentials. Double Talk – Theo on saxophones/flutes/ambitronics loops, plus Mike Outram (guitar), Pete Whittaker (Hammond organ) and Nic France (drums) – puts him together with three similarly flexible, fuss-free musicians.

Between them, the four can collectively boast involvement with some heavy-duty transatlantic jazz names (Nucleus, Loose Tubes, Tim Garland, Norma Winstone, Herbie Mann, John Etheridge, Slim Gaillard, Martin Speake), but also some serious engagements with rock (David Gilmour, Steven Wilson, The Wonder Stuff, Catherine Wheel), soul and dance (Bill Withers, Working Week), loop work with Robert Fripp and Steve Lawson, drum-and-bass with Photek, contemporary classical with Harvey Brough, and excursions into country and kids’ music. Having straddling all of these approaches via the application of talent and open-mindedness (and, crucially, a lack of preciousness), all four bring the same qualities and the lessons learned to Double Talk’s music – an airy English merge of fast-moving quizzical tunes, omnivorous jazz vocabulary and breezy humour bouncing on a solid chassis, but with the ability to move purposefully into open meditational territory and to stop and smell the fresh air whenever necessary.

The new tour starts on Saturday and crops up hither-and-yon until January next year – and here are the dates:

  • Jazzlive @ The Crypt, St. Giles Church, Camberwell Church Street, Camberwell, London, SE5 8JB, UK – Saturday 26th September 2015
  • The Eagle Tavern, 24 High Street, Rochester, Kent, ME1 1JT, UK (afternoon performance at 1.00pm) – Sunday 4th October 2015
  • Restormel Arts @ Bosun’s Charlestown, Quay Road, Charlestown, St Austell, Cornwall, PL25 3NJ, UK – Wednesday 21st October 2015 –
  • Jazz Steps @ Bonington Theatre, Front Street, Arnold, Nottingham, NG5 7EE, UK – Thursday 22nd October 2015 –
  • The Bear, Mill Yard, 24a Guildford Street, Luton LU1 2NR, UK – Friday 23rd October 2015 –
  • The Oval Tavern, 131 Oval Road, Croydon, CR0 6BR, UK – Sunday 1st November 2015 (afternoon performance at 1.00pm)
  • Sound Cellar @ The Blue Boar, 29 Market Close, Poole, Dorset, BH15 1NE, UK  – Thursday 5th November 2015 
  • International Guitar Festival of Great Britain @ Floral Pavilion Theatre, Marine Promenade, New Brighton, Wirral, CH45 2JS, UK – Thursday 12th November 2015
  • St Ives Jazz Club @ The Western Hotel, Royal Square, St Ives, Cornwall, TR26 2ND, UK  – Tuesday 17th November 2015 
  • Fringe Jazz @ The Mall, 25 Union Gallery, Clifton Village, Bristol, BS8 4JG, UK – Wednesday 18th November 2015
  • Fleece Jazz @ Stoke by Nayland Hotel, Keepers Lane, Leavenheath, Colchester, Essex, CO6 4PZ, UK – Friday 15th January 2016
  • Arts Depot, 5 Nether Street, North Finchley, London, N12 0GA, UK – Saturday 30th January 2016

 
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Closer to home for me, there’s the opportunity to discover a new set of promoters and their club nights. On this occasion it’s Baba Yaga’s Hut, who’ve been ferreting away for years on the fringes of some of the (once) cheaper, artier and edgier London districts without me hearing about them before. I think I’ll be mentioning them again, as their mashed-up roster of latterday hard-psychedelia, noise bands, alternative pop and assorted fence-vaulters certainly interest me. For now, here’s just one of their upcoming gigs, which is happening this coming Tuesday:

Death & Vanilla, 29th September 2015Death & Vanilla + Lust + T.Edwards (DJ) (Baba Yaga’s Hut @ Corsica Studios, 4-5 Elephant Road, London, SE17 1LB, UK, Tuesday 29th September 2015, 7.30pm) – £9.00/£10.00

Swedish dream-poppers Death & Vanilla have moved some way away from the psychedelic lounge-pop of their debut releases (in which they had a similar sepia-sampler sound to ’90s British post-rockers such as Broadcast and Pram, or even the cunning rush of Laika). These days they’re a tad more musically pointed and direct – positioning themselves straight in front of you, catching your eye and flipping open little musical doors as if they were some kind of musical advent calendar. In some respects, they sound like a more relaxed version of The United States Of America, the late ’60s experimentalists (part distracted folk carnival, part avant-garde tape effects) who arguably grandfathered and grandmothered the likes of Broadcast in the first place, albeit a little more smoothed out and hazy. They themselves offer “hands in the dark” and “Kraut-lullabies” as other labels which we can use. Check out a couple of their more recent songs below.

In support are multinational London-based quintet Lust, who’ve evidently looked back to those mid-’90s dream pop ideals of girl-group coos and quilted waves of balmlike guitar noise and decided, perhaps, to try to do it all better. With a sixty/forty girl/boy split, the instrumentation shared across genders, and Anna Haara Kristoferson, Moa Papillon and Andrea Muller singing in a creamy and hypnagogic triple-blend as they play, you can indulge happy memories of Lush (just one consonant shift away), Slowdive and My Bloody Valentine. You can also note that Lust seem a little cannier and calculated than Kevin Shields, Emma Anderson and co – not contrived as such, but perhaps a little more on-the-ball as regards their sense of pop music. The rills of ‘Loveless’ might never be far away, but neither is the songwriting suss of ‘Rumours’ and the directness of The Shirelles… or the option to go all gloriously New Romantic in a video. Take a look and a listen…

One “T. Edwards” is listed as playing as DJ for the night – I suppose that there’s a reasonable chance that this is man-of-all-seasons-and-many-instruments Terry Edwards, but you’ll have to find this out by yourselves.

Tickets available here, while up-to-date information is here.

Coming up – October events. It’s damn well snowballing…

More September gigs – Gong’s Dave Sturt and friends travel the world from Derbyshire on the 23rd; London gets more Daylight Music eclectica plus a Blacklisters/Joeyfat/Himself jabber-rock summit on the 26th

17 Sep

Here are details on some more interesting concerts coming up later this month. These run the gamut from soft psychedelic world-folk atmospherics to jabbering electric art-punk noise and sprechtstimme via dream-folk, caustic love songs and extended-technique art-rock instrumentals. (It was a shame to hear about the cancellation of the Charles Hayward gig in London on the 23rd – taking its ANTA, Gnob and Kavus Torabi support slots with it – but I’m sure that something similar will be rescheduled for anyone in need of their art-mash/stoner/prog/psych/metal salad…)

event20150923davesturtwirkw

Dave Sturt presents An Evening of Dreams & Absurdities (Upstairs @ The Red Lion, Market Place, Wirksworth, Matlock, Derbyshire, DE4 4ET, UK, 23rd September 2015, 8.00pm) – £8.00

As part of the Wirksworth Festival Fringe, Dave Sturt (bass guitarist with Gong, Bill Nelson, Steve Hillage and Jade Warrior, as well as being half of Cipher) showcases tracks from his forthcoming solo album ‘Dreams & Absurdities’ in an evening of world-class all-instrumental musicianship featuring beautiful eclectic music, soundscapes and various field recordings from Gong tours and elsewhere. The music is “mostly mellow and ambient – somewhere between melancholy and elation.”

For the performance, Dave will be accompanied by three guests. Chris Ellis (guitar and piano) is a multi-instrumentalist/singer-songwriter/actor, an ex-member of Anglesey band Ghostriders, and an award-winning soundtrack composer – he’s also a collaborator with Dave on the Past Lives Project (which recreates the recent ancestral histories of British communities by resurrecting their old cinefilm recordings and setting them to new music). Brian Boothby (low whistle, djembe) is an acclaimed folk musician, dramatist and writer and a member of the Derbyshire mixed-arts collective Genius Loci. Jeff Davenport (drums, percussion, HandSonic pad) has worked with jazz musicians Andy Sheppard and Phil Robson, pop artists James Morrison and Laura Mayne, and currently collaborates regularly with “Silent Pianist” Neil Brand providing soundracks to silent films, as well as working in Europe and the Far East on various projects with all manner of musicians.

Up-to-date details here  and here, with tickets available online from here or available from Traid Links via email enquiry.

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On the last post, I plugged a London double event on the 19th – a day with a Daylight Music concert at midday and a noisier rock gig in the evening (both events which are still about to happen as I post this). In another week’s time, history’s repeating (fortunately not as farce, though anyone familiar with the bands in the evening show can expect some twists and jabs of humour) so here’s what’s coming up on September 26th…

Daylight Music 200

Daylight Music 200: Ex-Easter Island Head + French For Rabbits + Louis Barabbas, plus a photo exhibition (Union Chapel, Compton Terrace, Islington, London, N1 2UN, UK – Saturday 26th September 2015, 12.00pm-2.00pm) – free entry, suggested donation £5.00

An extra special event to celebrate the 200th Daylight Music, featuring some of the most popular acts from the last six years (643 performances by 530 different acts; 15,254 cups of tea or coffee drunk; 9,863 slices of cake scoffed; 5,003 pieces of quiche devoured) and during which we’ll be raising funds for Daylight Music in 2016.

Ex-Easter Island Head are a Liverpool based musical collective composing and performing music for solid-body electric guitar, percussion and other instruments. They have performed their original compositions solo, as a duo, trio, quartet and as a large ensemble across a wide variety of events from site-specific installation works to live film scores. They create a sensation whenever they play. If you’ve never seen musicians hitting electric guitars with mallets before, then cancel all other plans for the day and head down.

French For Rabbits hail from the remote natural setting of Waikuku Beach, in New Zealand’s South Island. Vocalist Brooke Singer expresses intimate narratives against the cast of the damp colonial cold; her voice delicately steeled against winsome guitar lines and the eerie instrumentation of her bandmates. It’s a weather-beaten dreamscape, nostalgic for warmth and hopefully lilting towards sunnier climes.

Louis Barabbas is a writer, performer and label director, best known for caustic love songs and energetic stage shows that leave you pumped up and breathless.

The icing on the cake this week is an instrumental soundscape provided by Irish singer-songwriter and multi-instrumentalist Adrian Crowley, who (over his six-album career) has been described by the Independent as “a master of understatement” and cited by Ryan Adams as the answer to the question “who’s the best songwriter that no one’s heard of?”

To celebrate the fantastic photography taken throughout the lifespan of Daylight Music by a very talented bunch of volunteer photographers, there will be a lo-fi photo exhibition consisting of 200 postcards on the pews of the chapel for people to take away; plus there will be a limited numbers of brochures to buy featuring all of the photographs.

More information on the concert is here.

In the evening, there’s a change of pace and milieu over in Hackney as post-hardcore rubs up against a bit of playful English Dada. I’ve got a liking for those occasions when rock music drives itself up against persistent, wayward speech and stubs its toes on it; and this gig will offer plenty of opportunities for that…

Blacklisters, Joeyfat, Himself, September 26th

Blacklisters + Joeyfat + Himself (Pink Mist @ The Shacklewell Arms, 71 Shacklewell Lane, London, E8 2EB, UK, Saturday 26th September 2015, 8.00pm) – £8.00

Blacklisters’ aggressive, confrontational and darkly humorous performances have earned them a reputation as one of the best acts on the UK underground, drawing comparisons to the likes of The Jesus Lizard and Pissed Jeans. Their debut album ‘BLKLSTRS’ was released in 2012 to critical acclaim, landing them supports with Scratch Acid, Pig Destroyer, Future of the Left and Big Business, as well as a live session at Maida Vale studios for the Radio 1 Rock Show. Tonight’s special show is in support of their fearsome new record ‘Adult’ on Smalltown America. Produced by Matt Johnson (aka MJ of Hookworms) the album is a clear progression for the band and sees them fuse abstract art-noise with the brutally minimalist riffs that first put them on the radar.

Also playing are amorphous cult stalwarts Joeyfat, a band who’ve been defying conventions of “band logic” longer than most of us have been able to get into shows at all. Their sinewy math-inspired spoken-word has seen them share stages with the likes of Bilge Pump, S*M*A*S*H, Clearlake, Lords, Dartz, Art Brut, Trencher and Green Day, obviously. Catch them at this rare London show.

Direct from Leeds (unless they stopped off some place on the way), Himself’s shouty/talky interactive noise rock has been winning them plaudits up and down the company, including from Radio’s Daniel P. Carter who invited them to record a live session for the Radio 1 Rock Show earlier this year.

Tickets for the Shacklewell Arms gig are available here and here. Note that this is an 18+ event.

 

Early September London gigs, part 3 – experimental pop in Brixton on the 9th, folk and darkwave in Bethnal Green on the 11th, a Daylight Music melange and a Tim Smith garage-fizz fundraiser on the 19th

9 Sep

More upcoming September gigs, from tomorrow through to Saturday 19th

a.P.A.t.T. + Tom O.C. Wilson Ensemble + 4tRECk + Some of My Best Friends (The Windmill, 22 Blenheim Gardens, Brixton, London, SW2 5BZ, UK, Thursday 9th September 2015, 8.00pm) – £6.00/£7.00

a.P.A.t.T. , 2015

a.P.A.t.T. , 2015

A Brixton evening of skewed and experimental pop, shading off into other directions including R’n’B, improvised instrumentals and assorted prankery. (Age restriction – 18 years minimum)

The a.P.A.t.T. of today take a skilled yet cheeky approach to playing progressive pop that owes as much to Kurt Schwitters and the Chapman Brothers as it does to ABBA and Zappa. In touring new album ‘Fun With Music’, a.P.A.t.T. have condensed their vision-quest into forty-five minutes of hooky, style-busting live band material, evading capture at every turn. This is the band that swaps instruments live mid-track and has even run its own small country for an evening: it’s a restless and relentless take on 21st century music and performance through a lens of knowing, winking, quintessentially British humour.

The Tom O.C Wilson Ensemble offers forward thinking pop music that combines classic songwriting values with boundless musical curiosity. Wilson describes himself as “a composer and performer driven by the desire to create music that doesn’t exist but should”, and his work (ranging from experimental pop albums to concert pieces for amateur orchestras) has won praise from Field Music, Michael Finnissy and Devendra Banhart among others.

The USSB of Hamburg-based Some Of My Best Friends is a Unit of Science, Socialism and Booty. Some Of My Best Friends use tunes and words. Some Of My Best Friends don’t approve of unnecessary effort. Some Of My Best Friends never travel with more than one case. Think psycho dub, garage soul, trap, and Karl Marx’s booty in sequin overalls.

In existence for years and years, Sam Callow’s 4tRECk project makes music based around spontaneous improvisation, chance, using various instruments (piano, guitar, violin, accordion, home-made stringed instruments, percussion, voice) the “wrong” way, ideas, and detailed composition. The results are broad, with a melancholic side.

More info here, and tickets here.

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Friday 11th sees the launch of a “new regular night, bringing you new sounds and non-traditional world music, folk, contemporary classical, trip hop and downtempo music. We start with some truly breathtaking bands…” This kind of blarney could be an attempt to heat up some very thin and bland material indeed, but the people behind Whispers & Hurricanes are Chaos Theory, who already sweat bullets to bring interesting jazz, post-prog, metal and post-hardcore into and out of London, so I think we can trust them. Here’s the bill:

Whispers & Hurricanes, 11th September 2015Mishaped Pearls + Seventh Harmonic + TEYR (Whispers & Hurricanes @ The Sebright Arms,, Friday 11th September 2015, 7.30pm) – £6.00/£8.00

Seven-piece band Mishaped Pearls are at the forefront of a very exciting new wave of UK folk. Their adventurous song combination of the ancient and the new finds an echo in their musical make up – banjo, saz baglama, bodhran, violin and mandolin mix with acoustic guitar, keyboards, electric bass and drums, all led by the mezzo-soprano voice of Manuela Schuette. Their music’s roots in tradition expand into progressive folk and rock, eastern modal music and shows elements of contemporary classical influence. Their most recent album ‘Thamesis’ has received outstanding reviews across the media.

Consisting of multi-instrumentalist and composer Caroline Jago and drummer Lesley Malone (both also of Sol Invictus) plus singing violinist Éilish McCracken, Seventh Harmonic are a neoclassical darkwave ensemble creating sensual euphoric epics that draw on a great diversity of influences. The music blends an intoxicating kaleidoscope of rhythmic intensity and soaring vocals with ethno-symphonic overtures, defying categorisation yet always beating with a dark romantic heart.

Forged amongst the hustle and bustle of North London’s folk scene, TEYR (“3” in the Cornish language) are a trio of formidable musicians who showcase the many sounds of the British Isles. With roots running from Ireland to Wales to Cornwall, James Gavin (guitar and fiddle), Dominic Henderson (uilleann pipes and whistles) and Tommie Black-Roff (accordion), the players thrive on close interplay and pushing the possibilities of acoustic music. Having met on the traditional music scene through late night sessions, each performer holds an intuitive sense of folk music, evident in their deft arrangements and compositions. The trio draws influence from neo-folk groups such as Lau, Kan and Lúnasa, whilst harnessing an innovative combination of strings, reeds and voices. With this distinct mix, TEYR strike an enigmatic path through the current folk wave.

Tickets from here – note that this is another 18-and-over event.

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Admittedly the following is late rather than early September, but if you look forward to Saturday 19th you can anticipate spending from noon until early afternoon admiring architecture to a soundtrack of chamber classical, contemporary folk and experimental pop, and then head into the fringes of south-west London for something a little scruffier and garage-friendly.

In conjunction with the Open House London Weekend (which takes in their home venue of the Union Chapel as well as a wealth of other fantastic London architecture – check it out), Daylight Music are doing a special double-length all-ages Saturday session. Details below…

Daylight Music 199

Daylight Music 199: Sean O’Hagan, Ellie Lovegrove/Illumina, Pip Mountjoy + Elephant (Union Chapel, Compton Terrace, Islington, London, N1 2UN, UK – Saturday 19th September 2015, 10.00am-2.00pm) – free entry, suggested donation £3.50

Sean O’Hagan is a legend of the indie scene, initially from his work in Microdisney and latterly from his time in The High Llamas who have been following their own lights for the past eighteen years, making records and essentially occupying their own genre in doing so. Their music is timeless; elements of retro and modern share the space, creating a unique time and place that is outside the lines of history as we experience it. Today Sean will be providing a solo performance.

Consisting of Ellie Lovegrove (trumpets) and Richard Moore (church organ), classical chamber music duo Illumina were formed in 2012 for a bespoke private recital and enjoy performing a wide variety of music, including works by Handel, Bach, Purcell, Stanley, Elgar, Damase, Takemitzu, and Eben.

Up-and-coming singer-songwriter Pip Mountjoy has been championed by BBC Introducing. She has toured the UK extensively, supporting the likes of Ryan Adams, John Smith, Slow Club, playing festivals such as Glastonbury, Isle of Wight and Cambridge Folk, and leaving audiences “simultaneously entertained, depressed, amused, bemused and delighted.”

Elephant is an intriguing creature hand reared by Lymington-based Alex Hall. Armed with a laptop and a modest collection of instruments, he set forth in piecing together and recording a collection of material inspired by his love of experimental indie, ’60s surf pop and more contemporary lo-fi electronic music. This is the result.

Approximate timings:

  • 10.00am Doors
  • 10.30am Elephant
  • 11.30am Illumina
  • 12.30pm Pip Mountgrove
  • 1.30pm Sean O’Hagan

In between, there are musical interludes by unsigned indie-folk duo Swallow & The Wolf (about whom there’s an ever-growing buzz) and by Jack Hayter (the multi-instrumentalist perhaps best known for work with Darren Hayman and Hefner, and on this occasion providing pedal steel improvisations similar to his Dollboy work plus “the odd jazz standard” though his solo performances of his own engagingly battered folk songs are also well worth seeing).

More information on the concert is here https://www.facebook.com/events/446360282212545/

In the evening, in Kingston-upon-Thames, there’s a benefit gig: another in the ongoing series of support fundraisers for the cruelly-stricken Tim Smith of Cardiacs. Even if Cardiacs in the raw, uncompromising original isn’t quite your thing, if you’ve got any interest in slightly complicated, roughened pop and garage-band grit, go along anyway. These are among the warmest of gigs…

From The Pond, 19th September 2015

From The Pond: a benefit for Tim Smith featuring Redbus Noface + 7shades + Sterbus + t.b.c. (The Fighting Cocks, 56 Old London Road, Kingston-upon-Thames, London, KT2 6QA, UK, Saturday 19th September 2015, 7.00pm) – £10.00

“A multi-faceted psychedelic pop-punk benefit gig… four extraordinary bands (all Cardiacs-y), beautiful and exclusive merchandise… every penny raised goes to Tim.”

Redbus Noface is the band project from latterday recording engineer and long-ago Cardiac Mark Cawthra. The first Redbus Noface album, ‘#1 If It Fights The Hammer, It Will Fight The Knife’, was released in 2011 and represents many years of Cawthra songwriting and musical ideas – a sturdy, beautifully crafted art-pop gem in the tradition of assorted English mavericks such as XTC.

Led by Neil Spragg, 7shades are a musical project which “pays tribute to the music of Tim Smith and Cardiacs – but with all original music” – a sometimes-nine-piece band delivering vigorously convoluted pop and blurts of punky, proggy, psychedelic noise, all equipped with a fantastical and humorous edge and no fear of either looking or sounding ridiculous.

Sterbus is from Rome, but his musical heart is in the shaggier, dreamier end of 1990s Britpop and American indie rock (Blur and Cardiacs, Elliott Smith and Nirvana, Supergrass and Pavement) and also delves happily into prime prog (with King Crimson, Zappa, Porcupine Tree and the fuzzier rockier chunks of the Canterbury scene). Self-releasing – and working mainly solo – he’s mixed this menu into a series of albums of warm double-jointed oddpop. Returning to the Fighting Cocks for his second Smith benefit gig, he’s performing in duet with his regular band foil Dominique D’Avanzo (him on guitar, her on clarinet, recorder and mouth harp, and both of them singing) for what he describes as “something very Sea Nymph-y and full of chords that Tim would love.”

Sadly, one of the scheduled bands has had to pull out… but if you’re still interested in the garage-rocker sounds of The Spencers (who “make noises. Loud noises. Noises that make you all happy and sad and angry… and sometimes, all at the same time” via a grime of guitars, low-budget organs and rock-siren vocals, plus distinctly Cardiacs twists of wandering harmonies and attention-deficit mood‘n’pace changes) here’s a taste of them anyway.

The event will be compered by writer and comedian Robin Ince (he of ‘The Infinite Monkey Cage‘) who’s apparently “bringing a friend. And may be doing a little music.” There will also be visuals by South Coast animator Cyriak Harris, whose hilarious, playful and slightly disturbing videos have been a YouTube staple ever since he delivered a monster-movie ‘EastEnders’ tribute to the BBC nearly a decade ago…

Ongoing news regarding From The Pond (including any last-minute substitutes for The Spencers) is here and tickets are here.

More September gigs shortly, plus a look at October and further on.

Upcoming concerts in October – Jonas Hellborg & Steve Lawson in Birmingham, London & Leeds; Tim Bowness/Peter Chilvers/David Rhodes/Theo Travis quartet gig in Cardiff

7 Sep

Although there are still some September gigs to flag up, here’s advance notice of four interesting concerts in early October for those of you who are interested in the amorphous terrain between jazz, balladry, art pop and ambient electronica. (Just straight press release stuff – the analysis will have to wait for another time, although I’ve also stuck a few review links in where I’ve covered these musicians before…)

Hellborg & Lawson, 2015

Two of the world’s leading solo bass guitarists together on one stage.

Crossing musical boundaries and blowing listeners’ minds for over thirty years, Jonas Hellborg is one of the great innovators of the bass guitar. From the pyrotechnic flamboyance of his early solo electric albums, to his unique exploration of the richness and depth of the acoustic bass guitar, Jonas has changed the way people think about – and play – the bass. Whether as a solo artist, or collaborating with many of the most respected names in music, from John McLaughlin to PiL, Ginger Baker to Shawn Lane, Jonas’ signature sound and uncompromising creative philosophy have produced an unparalleled body of work, mostly on his own Bardo label. Lauded by press and public alike, this is a rare opportunity to hear Jonas up close in the UK.

Steve Lawson is one of the most celebrated solo bassists in British music history – early in his career, he opened for Level 42 on their first Greatest Hits comeback tour, placing his unique take on melodic looping-based live performance in front of tens of thousands of bass aficionados. Fifteen years of regular gigging across the UK, Europe and the US have solidified his place as a leading exponent of solo bass. Steve’s sound-world borrows liberally from electronica, jazz, pop, rock, ambient and experimental music, to form a sonic fingerprint as compelling as it is unique. Following on from two years of wide-ranging collaboration, playing alongside musicians as diverse as Reeves Gabrels and Beardyman, Andy Gangadeen and Divinity, (and with the imminent release of his twelfth and thirteenth all-solo albums – on the same day!) Steve is back with fresh explorations pushing the notion of what the bass can be in the twenty-first century. (Here are a couple of ‘Misfit City’ reviews of earlier Steve Lawson records for those who’ve not read/heard them -‘Not Dancing For Chicken‘ and ‘Conversations‘).

Full dates, details and links:

  • Tower of Song, 107 Pershore Rd South, Cotteridge, Birmingham, B30 3EL, UK, Sunday 4th October 2015 – £10.00, tickets here.
  • The Vortex Jazz Bar, 11 Gillett Street, Dalston, London, N16 8AZ, UK, Monday 5th October 2015 – price t.b.c. – contact venue for tickets.
  • Left Bank Leeds, The former St Margaret of Antioch Church, Cardigan Road, Hyde Park, Leeds, LS6 1LJ, UK, Tuesday 6th October 2015 – £10.00, tickets here.

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Bowness/Chilvers/Rhodes/Travis, October 2015

Tim Bowness/Peter Chilvers/David Rhodes/Theo Travis (Chapter in association with Burning Shed @ Chapter,  Market Road, Canton, Cardiff, Wales, CF5 1QE, UK, Saturday 3rd October 2015, 7.00pm) – £15.00

A unique combination of atmospheric music and songs performed by the following four British art-pop, jazz and textural music mainstays:

Tim Bowness is vocalist/co-writer with the band no-man, a long-running collaboration with Steven Wilson. He has also worked with Richard Barbieri (Porcupine Tree, Japan), Peter Hammill, Judy Dyble (ex-Fairport Convention), Roxy Music’s Phil Manzanera and others. He has released three solo albums – ‘My Hotel Year’ (2004), ‘Abandoned Dancehall Dreams’ (2014) and ‘Stupid Things That Mean The World‘ (2015).

Peter Chilvers is a frequent collaborator with Brian Eno (including co-creating the hugely successful app Bloom), Underworld’s Karl Hyde and Tim Bowness, Chilvers has become known for his innovative work with generative apps and imaginative use of electronic textures. (Here’s a review of ‘Thin Air‘, an album Peter did with Michael Bearpark many years ago).

David Rhodes is one of the world’s most respected and inventive guitarists, having worked extensively with Peter Gabriel as well as with Kate Bush, Talk Talk, Scott Walker, Japan, New Order, Paul McCartney and Blancmange, amongst many others. David has also released two solo albums (2010’s ‘Bittersweet’ and 2014’s ‘The David Rhodes Band’) and was a founding member of the influential post-punk band Random Hold.

Saxophonist and flautist Theo Travis (making his Chapter return after performing with the cinematic/musical crossover project Cipher) has an international reputation as one of the stars of the contemporary UK jazz scene. Travis has more recently emerged as a key figure in the progressive and art rock sphere, working with David Gilmour, Robert Fripp, David Sylvian, Porcupine Tree, Steven Wilson, Bill Nelson, Gong, Soft Machine Legacy, Bill Bruford, Harold Budd and more. He has recently released his ninth solo album ‘Transgression’ (and here’s a review of an earlier one).

The evening is presented by Burning Shed, the online label and store founded by Bowness and Chilvers with Pete Morgan that has become a global specialist in progressive, ambient/electronica and art rock music. As well as releasing works on its own imprint, amongst others, Burning Shed hosts the official online stores for Panegyric (King Crimson, Yes), Ape (Andy Partridge, XTC, The Milk & Honey Band), Jethro Tull, Kscope (Porcupine Tree, Sweet Billy Pilgrim), Thomas Dolby, All Saints (Brian Eno), Medium Productions (Jansen, Barbieri and Karn), Gentle Giant and Roxy Music’s Phil Manzanera.  The label has recently expanded into book publishing, and at this concert musician and author Anthony Reynolds (perhaps best known as the former frontman of Jack) will be signing copies of his Burning Shed Publishing book, ‘Japan – A Foreign Place (The Biography 1974-1984)’.

More information here, and tickets available here.

Upcoming gigs in London – Darkroom gently mess with our minds at Hubbub Late Spectacular, Friday 4th September

3 Sep

Just quickly plugging this event, as I unintentionally left it off the early-September preview from Tuesday. While I was initially drawn to it by the musical involvement of textural loop duo )and longtime ‘Misfit City’ favourites) Darkroom, there’s plenty here to interest anyone with curiosity about the workings of the mind. It’s free, although the scheduled talks and some larger activities are ticketed (you’ll need to get tickets for those from the Wellcome Collection on the night, from 6.30pm onwards).

 

Hubbub Late Spectacular, 4th September 2015

Hubbub Late Spectacular @ The Hub, The Wellcome Collection, 183 Euston Road, London NW1 2BE, UK, Friday 4th September 2015, 7.00pm) – free entry

A night to explore rest… and its opposites. What does “rest” mean to you? Join the Hubbub team to investigate rest and its opposites: from daydreaming and doodling, to fidgeting and lullabies. Catch a talk on the latest discoveries about what your brain’s up to when you’re doing nothing, or experience a live stream of sound from around Heathrow airport. From a documentary about an ape retirement home, to a workshop where you can try out historical relaxation techniques, this is an evening that will transform how you understand rest.

Activities – hear contemporary lullabies and add to a collaborative collection; learn about mapping alertness and environment through self-tracking; experience variations of relaxation and cacophony with a brand new audio piece from radio collective In The Dark; put rest to the test as you investigate some of the methods used by scientists to measure rest and its opposites; join the debate on “what’s wrong with work?”

Talks – “Fantasy and Fiction” with social scientist Felicity Callard and poet James Wilkes; “Free Time and Mindwandering” with psychologists and authors Claudia Hammond and Charles Fernyhough; “Mapping Rest” with neuroscientist Daniel Margulies and anthropologist Josh Berson.

Some comments from Hubbub investigator Charles Ferneyhough (the whole blog post is here):

The research project in Hubbub is investigating topics such the relation between the shifting periodicities of ambient music and the changing rhythms of conscious experience, and how and in what contexts these can have restful and restorative effects. We plan to extend these investigations into studies of neural connectivity in the “resting state”: the dynamic, fearsomely complex and increasingly well-studied patterns of activation shown by a brain that is not performing any specific task. We are employing new methodologies for assessing these nuances of subjective experience (both for audience and performers) in a scientifically rigorous manner, as well as exploring implications for clinical interventions… Darkroom are interrupting a tour promoting their new album ‘The Rest is Noise’ to perform with me in a sequence of three extended sets at the Hubbub Late Spectacular. Come and hear the sounds of improvised ambient music, and get a chance to give your feedback on the psychological and emotional effects of listening to this kind of music.

…plus some from Darkroom themselves:

Darkroom will play three sets, with unpredictably different shades and contrasts. It’s a free event (apart from the drinks) at this spectacular venue, and there’s an opportunity to take part in the experiment, as well as take in other talks and exhibitions on the night, and meet some of the other investigators and our collaborators.

Reposted here is a Soundcloud recording of Darkroom and Charles Fernyhough collaborating on a half-hour long track recorded at The Hub earlier this year.


 

Full event details are here and here.

Upcoming gigs: the K-Music Festival in London – a month’s worth of Korean music during September

29 Aug

I got this through my feed this week – a Beach Boys cover done as Korean doo-wop.

This is The Barberettes, who’ve been singing together for three years and are in town next week, making their London debut. It’s also an audio visual flyer, of sorts, for this year’s London K-Music Festival. Presented by Serious (in association with the Korean Cultural Institute) this is a celebration of Korean music from “dynamic and energy-filled contemporary bands to eloquent and dignified traditional music” spread across some of the capital’s best venues during the course of September. Full details are below. (From here on down, it’s all press release.)

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SU:M + Arthur Jeffes (Purcell Room @ Southbank Centre, Belvedere Road, Waterloo, London, SE1 8XX, UK, Tuesday 1st September 2015, 7:45pm) – £15 + booking fee

SU:M‘s name (pronounced “soom”) translates as “breath” and it expresses the physical connection of these two women to the music they create – sometimes a soft sigh, sometimes a cry, sometimes a silent holding of breath. Jungmin Seo plays the gayageum (a massive twenty-five-string zither) and Jiha Park plays wind instruments including the saenghwang (imagine the subtlest mouth organ, with seventeen bamboo pipes). They are an astonishing experience live – they’ve played Womex Cardiff and were seen at WOMAD last year. This opening concert of the K-Music festival of Korean music is their first London concert.

The evening will begin with a short solo set by Arthur Jeffes, leader of Penguin Cafe, who will play music by himself and his father Simon Jeffes inspired by their travels in Asia – and it will end with a short collaboration between Arthur and SU:M. Tickets available here.

 

The Barberettes (The Forge, 3-7 Delancey Street, Camden Town, London, NW1 7NL, UK, Friday 4th & Saturday 5th September 2015, 8:00PM) – £16.00

Formed for fun in 2012, The Barberettes are a spectacular vocal harmony trio, a timeslip girl group who turn classics of the ‘50s and ‘60s inside out as well as creating their own theatrical music with their close harmony covers and cute costumes. Singing doo-wop in Korean and English, they made their first album last year (in a retro homage to their inspirations, they called it The Barberettes Vol 1). This year they’ve already stormed SXSW in Texas and the K-Pop Night Out concert at Midem in Cannes – and now they’re bringing their unique style to the UK for the very first time. Tickets available here.

 

No Brain + support t.b.c. (Scala, 275 Pentonville Road, Kings Cross, London, N1 9NL, UK, Friday 11th September, 7:30pm) – £10.00 + booking fee

In England, we know a bit about Korean art music and hold some preconceptions about K-Pop – but we don’t know much about Korean rock music, and that’s where Seoul’s finest, No Brain, have built a huge following, playing over three thousand gigs across Korea in the last 15 years. Powered by raw vocals (Bull is the lead singer), razor guitars (Vovo plays guitar), sharp suits (Bogle plays bass) and a drummer called Dolly, they’ve won lots of Korean Music Awards, but never played London before. They’re playing an early set – support hits at 7.30, they play at 8.30pm. This is a standing show – tickets available here.

 

Jambinai (Rich Mix, 35-47 Bethnal Green Road, Shoreditch, London, E1 6LA, UK, Wednesday 16th September, 8:00pm) – £10.00 + booking fee

Jambinai are the next thrilling instalment in the tale of new Korean music. They sculpt sound in a way that’s drawn comparisons to Mogwai, Explosions In The Sky, Sonic Youth and the crystalline power of Sigur Ros – but they draw deep on Korean traditions. It’s not just a stage full of amazing instruments – Korean fiddles, massive zithers blended with glorious lyrical guitars – but also a conscious sense of using the tradition to create something thrillingly new. They’ve been seen at Womad and Glastonbury, but this is their first London show – catch them as Jambinai step out onto a world stage. Tickets available here.

 

Noreum Machi (Kings Place (Hall Two), 90 York Way, Kings Cross, London, N1 9AG, UK, Sunday 20th September, 8:00pm) – £10.00 + booking fee

There’s a theatrical strand to a lot of Korean music and, for more than twenty years, Noreum Machi have been creating a thrilling spectacle from virtuosic percussion, shamanic vocals and acrobatic dance. Powered by gongs, Samul Nori drums and wind instruments, they work within the framework of Korean traditional performance, with a commitment to communicate their music to audiences worldwide. Tickets available here.

 

The Pansori Night: Sang-il Nam + Aeri Park + ‘Poppin’ Hyunjoon + Bae Reon + Kye-youl Jun + Ji-sun Choi (Cadogan Hall, 5 Sloane Terrace, Belgravia, London, SW1X 9DQ, UK, Wednesday 23rd September 2015, 7:30pm) – free ticketed event

The Pansori Night will bring together six talented performers for an evening of music, dance and song with a contemporary twist. Pansori is a form of vocal story-telling that reaches back centuries — the stories sung are often comic, with a Chaucerian comedy to them, but they are also more than just bawdiness, and can be romantic, sad and emotional to boot.

Rising Pansori talent Sang-il Nam will be joined by Aeri Park, one of Korea’s leading female pansori performers. Aeri Park will also perform with ‘Poppin’ Hyunjoon, who takes breakdance moves and blends them with traditional rhythms. Our three stars will also be joined by Bae Reon, playing the ajaeng – a seven-stringed instrument, percussionist Kye-youl Jun accompanying the pansori with the janggu (Korean drum) and traditional dancer Ji-sun Choi. This event is free but ticketed. Click here for more information.

 

Korean National Gugak Centre (Lilian Baylis Studio @ Sadler’s Wells, Rosebery Avenue, London, EC1R 4TN, UK, Wednesday 30th September 2015, 7:30pm) – £15 + booking fee

The Korean National Gugak Centre is one of the great arts companies of Korea, and this performance concentrates on Sanjo – that’s a style of instrumental music accompanied by a drum and sometimes by dancers, starting slowly and gathering speed, with a structure that allows for virtuosic improvisation. This evening shows off some of the great traditional instruments of Korean traditional music such as the geomungo (large zither), daegeum (transverse flute) and haegeum (Korean fiddle). This is the last date on the group’s European tour, and provides a fitting conclusion to the K-Music Festival. More information here.

 

Tickets for all events can also be obtained from Serious.

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