Tag Archives: Jazz Herstory (promoter/event)

April-June 2018 – upcoming London jazz gigs – Patchwork Jazz Orchestra and Pillow & Kase (7th April); part two of the Jazz Herstory season at Poplar Union with Ruth Goller (19th April), Cath Roberts (17th May) and the Alison Rayner Quintet (28th June)

4 Apr

Briefly boosting the signal for some of the season’s jazz shows…

* * * * * * * *

Patchwork Jazz Orchestra + Pillow & Kase, 7th April 2018

Balabam & Woodburner presents:
Patchwork Jazz Orchestra + Pillow & Kase + DJ Hot Bread
Balabam, 58-60 High Road, South Tottenham, London, N15 6JU, England
Saturday 7th April 2018, 7.30pm
– information here and here

Patchwork Jazz Orchestra are a London-based millennial big band that has no leader but a variety of composers using the ensemble as a platform for fresh sounds and ideas. A factory of sound, materialising the musical fantasies of a new generation of jazz musicians. With such a melting pot of influences and characters, the music ranges from luscious and sweet melodies to broad walls of sound, from drum and bass to funeral marches, from fairytale ballads to calypso. The musical glue binding it together are the seventeen musicians that power the vibrations and their universal passion for improvisation. Drawing on the wealth of history of the big band format, PJO have revamped it into a well-oiled machine that embraces a modern day philosophy of music making.

“Having already met through other smaller ensembles and subgroups, many members of the band had a desire not only to play more large ensemble music, but to have the opportunity and environment to write for it. Ideas for the band began forming in early 2014, and in November that year the seventeen-piece group made its debut to a sell out audience at the London Jazz Festival. After winning the Peter Whittingham Award in 2015, the band have hosted their own “Patchwork” nights, engaging new audiences at unusual spaces in London and turning heads with the sound of fresh original compositions written exclusively by its members. They have just finished recording their first album at AIR Studios, scheduled for release in early 2019.


 
Pillow & Kase are a London based duo born out of the not-so-usual yet distinctive combination of a singer and an electric bass player. Creating a variety of textures using the delicate paring of these instruments with electronic effects, loops and percussion, this duo (featuring Clara Serra Lopez on vocals, electronics and hand percussion and Matt Gedrych on electric bass and electronics) plays original music and improvisations based on the sounds, rhythms and expressive nature of jazz, hip-hop, neo-soul, Latin and African music.”

 
Despite the early start, the live music itself kicks off at nine o’clock with DJ Hot Bread filling all of the gaps before, in between and after.

* * * * * * * *

Just north of Docklands, the impeccable feminist jazz initiative Jazz Herstory continues its rolling series of gigs at Poplar Union featuring top female jazz talents. For information on the previous set of shows, click here; for news on who’s going to see us through spring and into summer, read on…

“In a sudden change of plan, Ruth Goller will be fronting the fourth episode of Jazz Herstory Presents (replacing the originally scheduled Emma-Jean Thackray). Grooving through so many of the greatest bands in London (including this one and Vula Viel), Ruth Goller is one of London’s best bass players.

“Agile Experiments is a project curated by Dave De Rose (Jazz Herstory’s favourite drummer), based around – but not limited by – eight combinations of fourteen musicians based in London, which come together in a genre-defying free improv setting. Initially formed from one-hour concerts in Brixton Village courtesy of The Agile Rabbit Pizzeria (from where the project got its name), the group have just released Volume One of their collective efforts on 12″ vinyl.

“For this concert Agile Experiments presents Ruth Goller (bass guitar), George Crowley (Can Of Worms, Corrie Dick’s Band of Joy, Vula Viel) on saxophone and Dave De Rose himself on drums.



 
Cath Roberts is a saxophonist, jazz promoter, record label manager, producer and composer. She has toured across the UK and Europe, contributing a huge amount to the production of music in and around London. Her music is very spontaneous, drawing on repeated phrases, pulled in all directions by various members of the band at different times, shared and passed around and developed. The music seems to grow out of nowhere and submerges you in a musical journey.

“Her bands (as leader or contributor) include Sloth Racket, Ripsaw Catfish, Favourite Animals and Madwort Sax Quartet; and she’s half of the LUME project (with Dee Byrne) championing fresh improv in a series of gutsy dates and all-dayers. For her Jazz Herstory concert, Cath will be leading a drumless trio completed by double bass player Otto Willberg and trombonist Tullis Rennie (one of Cath’s Favourite Animals collaborators).

 
“Double bass player and composer Alison Rayner has been on the British jazz scene for many years and is well known for being a proactive member of the jazz community, running gigs and touring internationally with the band Guest Stars, as well as being known for Blow The Fuse. As a leader, Alison ties together many of the strands of her numerous musical influences: a long-time Charlie Haden admirer (as well as being a Jaco Pastorius and Stanley Clarke fan), Alison is supported by some of the most accomplished musicians in the UK today.

“Alison’s Quintet (her Blow The Fuse partner Deirdre Cartwright on guitar, The Casimir Connection/Giant Steppes’ saxophonist Diane McLoughlin, Steve Lodder on piano and Buster Birch on drums and percussion) is “purposeful, full-toned and melodic, a beautifully integrated band”. The influences are diverse, with traits of funk, folk and Afro-Cuban dance music. Expect terrific grooves, poignant melodies and fluid improvisation.”


 
All concerts are at Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England. Dates as follows:

  • Ruth Goller/Agile Experiments – Thursday 19th April 2018, 7.30pm – information here and here
  • Cath Roberts – Thursday 17th May 2018, 7.30pm – information here and here
  • Alison Rayner Quintet – Thursday 28th June 2018, 7.30pm – information here and here

 
As I did last time around, I’d recommend the burgeoning Jazz Herstory Facebook page as a great place for finding out more – much more – about undersung and/or unfairly neglected female jazz artists in history.
 

January to March 2018 – the Jazz Herstory season at Poplar Union in London – Nérija (18th January); Laura Jurd (15th February); Yazz Ahmed (15th March)

2 Jan

Sitting tight beside the Limehouse Cut (up above the Isle of Dogs), Poplar Union, is one of London’s newest, friendliest and most promising arts centres. It’s already had some early-days gig triumphs with Norwegian jazz-pop duo 1816 and Simon Roth’s folk/classical quintet Land Of If, and (most recently) has warmed me with a stunning early-December evening of jazz-and-folk-infused Sephardic love songs from Sefiroth.

These are now being followed up with a triple set of gigs in collaboration with the enthusiastic feminist jazz initiative Jazz Herstory, which among other things presents “female led bands playing jazz now, spanning styles, sounds and generations. Showcasing the richness of jazz being made in the UK today and celebrating the women who contribute, Jazz Herstory presents award winning bands and instrumentalists, composers of national and international acclaim and people making waves locally. We aim to share: to bring women from the background to a balanced foreground in jazz. Female instrumentalists have not been part of the story of jazz as much as their male counterparts and we want to play a part in writing a more balanced story from here on in and dissolve stereotypes in the process.”

In turn, Poplar Union comments “we are very excited to present this series of live performances featuring a line-up of true talent from the up-coming London jazz scene. This is an integrative platform, aiming to bring women from the background to a balanced foreground in jazz.” This debut series – hopefully the first of many – features three different acts in three different concerts (one per month), all scheduled for a fairly family-friendly early-night start. (Bring your young daughters, and granddaughters. Bring your nieces…)

* * * * * * * *

Nérija are a London-based collective playing exciting and original music inspired by jazz, hip hop, Afrobeat and South African township. Their eclectic repertoire has appealed to not only the UK jazz scene but also given them a presence within rap and pop-focused festivals. The collective (trumpeter Sheila Maurice-Grey, trombonist Rosie Turton, saxophonists Cassie Kinoshi and Nubya Garcia, guitarist Shirley Tetteh, double bass player Rio Kai and drummer Lizy Exell) were winners of the Jazz Newcomer Parliamentary Jazz Award 2017 and Jazz FM Breakthrough Act of the Year 2016 nominees. They will be showcasing work from their unreleased new album as well as picking from their critically acclaimed self-titled 2016 EP.”


 
“Highly active throughout the UK scene, Laura Jurd has developed a formidable reputation as one of the most creative young musicians to emerge in recent years: an award-winning trumpet player, composer, leader of the 2017 Mercury-Prize-nominated Dinosaur, and a BBC New Generation Artist for 2015-2017. Described by ‘All About Jazz’ as a musician who “embraces melody, harmony and groove as much as she provokes with blasts of dissonance and gutsy angularity”, it is her ability to combine the soft with the abrasive, the calm with the fiery, that makes her music-making so compelling.”

(For her Jazz Herstory concert, Laura will be playing with a brand-new trio in which she’s joined by regular Dinosaur drummer Corrie Dick but also by a newer collaborator – bassist Tom Herbert of Polar Bear, The Invisible and Acoustic Ladyland).


 
“Since releasing her debut album ‘Finding My Way Home’ in 2011, British-Bahraini trumpet player Yazz Ahmed has emerged as a distinctive voice on the UK Jazz scene, both as a soloist and composer. Her new album, ‘La Saboteuse’, is a deep exploration of her mixed heritage and her growing interest in sound design and electronic effects. The album has been described as “intoxicating, compelling and sonically outstanding”, and as transforming what jazz means in the twenty-first century. As an LSO Soundhub composer, Yazz has explored writing music for her newly developed quarter-tone flugelhorn to enable her to get closer to the spiritual nature of the blue notes in Arabic music; and in recent years has led her quartet and her seven-piece, Ahmed Family Hafla, in concerts around the UK and abroad”


 
All concerts are at Poplar Union, 2 Cotall Street, Poplar, London, E14 6TL, England. Dates as follows:

  • Nérija – Thursday 18th January 2018, 7.00pm – information here and here
  • Laura Jurd – Thursday 15th February 2018, 7.30pm – information here and here
  • Yazz Ahmed – Thursday 15th March 2017, 7.30pm – information here and here

Incidentally, the Jazz Herstory Facebook page is a fine place to wander for a engaging, rapid-fire primer and pointer in obscure (or, rather, obscured) female jazz artists throughout the music’s history: not dwelling too much on what they weren’t allowed to achieve but on what they did achieve… and it’s been impressive. I’ve rarely felt so rapidly educated.
 

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A search for the world's weirdest music, in handy blog form

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

a home for instrumental and experimental music

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

songs from so deep

Songs and sound. Guitars and stuff.

%d bloggers like this: