Tag Archives: tribute concerts

June 2016 – upcoming gigs in London – beats and folk and blues and poems in a remembrance wake for Roger Lloyd Pack (9th); Nat and the Noise Brigade, Ellie Ford and The Pop-Up Choir at Daylight Music (11th)

6 Jun

Friends of Highgate Library presents:
‘Sixteen Sunsets – In memory of Roger Lloyd Pack’
Highgate Library Civic & Cultural Centre, Children’s Corner, Croftdown Road, London, NW5 1HB, England
Thursday 9th June 2016, 7.00pm
– free event, donations encouraged for Pancreatic Cancer UK

In memory of Roger Lloyd PackIt’s been two years now since the death of Roger Lloyd Pack. Though the eulogies flooded in at the time, hailing his work as actor, pop-culture hero (he played Trigger in ‘Only Fools and Horses’ and Owen in ‘The Vicar of Dibley’) and longstanding man of the people, one of the finest tributes to Roger only surfaced earlier this year when his widow (Jehane Markham) and son (Hartley Lloyd Pack) finally completed ‘Sixteen Sunsets’, an album project which they’d conceived together to help them work through their grief at the loss of Roger, and to raise money to fight the pancreatic cancer that felled him.

‘Sixteen Sunsets’ is one of the most touching records I’ve heard this year, or any year. It might have been a portrait of everyday heroism, or an obituary column with a mawkish soundtrack. It’s neither of these things. At root, it’s a fertile absence: an aching space into which layer of memories and flashes of emotion drift, to be woven into a portrait of love for a partner and father, of the hard-won acceptance of loss, and an exploration of how the recalling of things lost and a new reality of life without those things settle together. It’s a mixture of vigil notes and valediction played out under a wan London sky, simultaneously unfixed in time and subject to its relentless onward push.

Sixteen Sunsets: 'Sixteen Sunsets'

Sixteen Sunsets: ‘Sixteen Sunsets’


The words and music (a mixture of Hartley’s organic hip hop delivery and Jehane’s stark poetry, plus voices and traces from r&b, folk, drone music and blues) gradually sketching out the shape of bereavement: sometimes dry and blank, sometimes aching or angry; and sometimes a source of pride and substance, a building block for the future. On hand to help put a shape to things are Kill Light’s Tom Vella and Richard Day, singers Sam Lee and Janai, singing cellist Natalie Rosario and crossover harmony group Trills: also in attendance are jazzmen Patrick Naylor and Michael Storey plus classical composer Keith Burstein (the last making an unaccustomed foray into tack piano and barbed, Weillian cabaret swing).


This is not the first time that Sixteen Sunsets’ songs have surfaced live – some were played at a cancer fundraiser at Wilton’s Music Hall at the end of January this year, while Map Studio Café hosted the project’s formal album launch in mid-February. This show, however, might have been particularly close to Roger’s heart: this particular library on the fringe of Camden (a bracing walk’s distance from the Lloyd Pack family home in Kentish Town, and a mere stone’s throw from his resting place in Highgate Cemetery) was one of his several cause celebres and a place which he vigorously defended in the face of government cuts and economic neglect. It’s not absolutely clear if everyone involved in the project is performing, although it seems that most of them will be (Hartley, Jehane, Natalie Rosario and Trills have all tweeted announcement about their own participation, and I may have missed news from the others.) It’s nominally a free event, but you’re encouraged to make a cash donation to Pancreatic Cancer UK on the door, in Roger’s memory.

* * * * * * * *

Later in the week, there are some more touches of folk, rhythm and community music at the usual Daylight shindig:

Daylight Music 227, 11th June 2016

Arctic Circle presents:
Daylight Music 227: Nat & The Noise Brigade + Ellie Ford + The Pop-Up Choir
Union Chapel, Compton Terrace, Islington, London, N1 2UN, England
Saturday 11th June 2016, 12.00pm
– free/pay-what-you-like event (suggested donation: £5.00) – more information

“Grabbing anything they can get their hands on – brass, flutes, violins and even saucepans and biscuit tins – Nat & The Noise Brigade will be storming the stage. They’re a ten-piece band from East London, with songs ranging from politically charged grooves to anthems about poor punctuality via some unique cover versions (fancy some “ska Mozart” or “doo-wop Radiohead”?).

Ellie Ford‘s music is both thought provoking and utterly absorbing. Her songs are enchanting with harp and guitar parts underpinning sultry vocals. As a solo performer Ellie Ford is captivating, but she also fronts a five-piece band of multi-instrumentalists who play a mix of modern and classical instrumentation (harp, violin, clarinet, guitar and drums). Taking influence from a range of genres, Ellie Ford has an edge and variation that cements her uniqueness in the alt-folk world.

“There’s also a chance to enjoy south London’s fabulous Pop-Up Choir; a cappella ensemble of twenty-five singers who delight and surprise with their playful arrangements.”


 

Through the feed – ‘The World of Robert Wyatt’ tribute concert in Lyons tonight (and hopes for a UK followup)

12 Jul

The World of Robert Wyatt

The World of Robert Wyatt

If you’re free tonight – and are in France in the vicinity of Lyons – here’s something for you which I wish that I’d known about earlier. Les Nuits de Fourvière (a seven-decade old French arts festival currently running its sixty-eighth programme) is presenting ‘The World of Robert Wyatt‘ tonight, featuring a full tribute performance of Wyatt’s 1974 classic ‘Rock Bottom’. Also on the menu is a selection of other Wyatt classics such as Moon in June, Shipbuilding and O Caroline.

Wyatt himself won’t be performing – instead, the honours will be done by a group of musicians led by Craig Fortnam (of North Sea Radio Orchestra, and whose second album as Arch Garrison I’m currently striving to finish a review of). Apparently some iteration of North Sea Orchestra will be the backbone of the ensemble – sadly minus lead singer Sharron Fortnam, but including Craig and William D. Drake amongst others. The ranks will be swelled by several outstanding French musicians – pianist Pascal Comelade and singers Silvain Vanot and Élise Caron (the latter of Groupe de Recherche et d’Improvisation Musicale and Orchestre National de Jazz. In addition, John Greaves (Wyatt’s longstanding Canterbury scene friend and collaborator, who played on his 1975 album ‘Ruth Is Stranger Than Richard’ as well as alongside him in one of the varied lineups of Henry Cow) will be contributing.

From the programme:

“Thank you for bringing a breath of fresh air to my music. To hear it played by other musicians makes me feel like a grandfather. It’s now leading a life of its own – but we, the grandparents, we also see ourselves in it somehow. It’s a wonderful feeling.” These were the words of Robert Wyatt when he welcomed the idea of creating a show around his work at Fourvière. Showing great modesty, these words shouldn’t minimize his essential contribution to the history of pop music. Because in his collaborative projects (Soft Machine, Matching Mole and more) as well as in his solo career, the Englishman is indeed a model: hasn’t he been a source of inspiration for personalities as well-known as Elvis Costello, Alain Bashung, Mark Hollis (Talk Talk), Björk and PJ Harvey? Fed on classical music and bebop songs as much as songs by Ray Charles and Burt Bacharach, Wyatt was swept by a never-ending desire to escape – perhaps this was reinforced by the accident that nailed him to a wheelchair for life in 1973. An eternal wanderer, he struts his imagination and his high-pitched voice, playing with the barriers between pop, jazz, Latin sounds and electronic music. An art of fugue brought to its poetic peak in the album Rock Bottom (1974), a “song of love and curiosity” intended for his wife and muse Alfie: here, as others put boats into bottles, Robert Wyatt has managed to fit an entire world, his personal world, into his songs. The fortieth anniversary of the release of this unparalleled album is the perfect opportunity to celebrate its maker.”

Hopefully there’ll be enough life in the tribute to float it over the channel to Britain in the near future. In a year when Henry Cow are reuniting for concerts in London and Huddersfield (to pay tribute to their late former member and comrade Lindsay Cooper), the time is ripe for more reflowerings from various Canterbury buds. Surely there’s a slot at the Purcell Room, The Ballroom, even Conway Hall if they’re feeling more modest and left-leaning… Suggestions are welcome (although they’re better off going to Craig Fortnam or to anyone who can help him fund it).

Meanwhile, if anyone out there can make it to the concert, please do tell us what it was like. Comments below…

Robert Wyatt online:
Homepage Facebook MySpace Last FM

Craig Fortnam/North Sea Radio Orchestra online:
Homepage Facebook MySpace

Les Nuits de Fourvière Festival online:
Homepage Facebook Twitter

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