Tag Archives: Divinity Roxx

August/September 2016 – upcoming gigs – an English tour for Sage Francis & B. Dolan’s ‘Strange Speech, Famous Development” (Aug 29th-Sep 3rd); The Four Owls, Virus Syndicate, Mr Woodnote and Lil Rhys, Bellatrix, Divinity Roxx and Steve Lawson variously mix it up in London (17th, 29th).

26 Aug

Here’s some info on various upcoming shows from London to Leeds, with hip hop as the binding element in common. (Though what you’ll actually get stretches as far as ambient bass guitar soundscapes, spoken word and – on one occasion – some suspect sweary bird impressions.)

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Following a stint at the Edinburgh fringe, left-field rapper-poets Sage Francis and B. Dolan start to take their ‘Strange Speech, Famous Development’ spoken-word show on tour around selected venues in England. Roll the blurb:

“Sage Francis and B. Dolan are two internationally renowned hip-hop lyricists & spoken word poets – dynamos touted for their lyricism, activism, humour & performance art – with oddly parallel stories. Without prior knowledge of each other, both were born & raised in Rhode Island, where they developed an unlikely love of hip hop music. Although they grew up only one town apart from each other, they didn’t cross paths until 2002 via the Providence Poetry Slam. Each moved to New York City in search of the art-form, stumbled into the spoken word scene and developed a knack for razor sharp lyricism and stagecraft.


 
“Noted as one of the most articulate and broad-focussed of underground MCs, Sage came to widespread media attention in 2001 after his song ‘Makeshift Patriot’(which critiqued the behaviour and language of American media during, and immediately following, the September 11 attacks) became an internet hit. Though he’s released records on labels including Epitaph and Anti, he’s also seen his own Strange Famous Records grow from a late-’90s tape label releasing his own less obviously commercial material to a full-fledged fifteen artist independent.


 
“B. Dolan has made his own name via more than a decade’s worth of continually shapeshifting presentation, outsider perspective, and masterful execution. He enjoyed wide-spread attention for his activism in addressing homophobia in hip hop, and notably for his video single/campaign ‘Film The Police’ (which Russell Brand explored in a highly entertaining episode of ‘The Trews’.


 
“Although B. has been releasing records on Strange Famous since 2008 – when he made his career breakthough with the lo-fi, apocalyptic concept record ‘The Failure’ – he and Sage were working on music together as early as 2005. Several world tours later, their platonic life partnership was made official by forging a rap group called Epic Beard Men. ‘Strange Speech/Famous Development’ is the debut show that brings two legends of underground rap together on a very intimate stage. They’ll trade poems, songs, vivid stories and their now signature blend of offensive and insightful content. From personal to political and back again, the duo promise an inspiring performance.”


 

And here they are, drumming up business in Edinburgh…


 
Dates below:

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Mid-month, various spurs and outcrops of British hip hop make a showing in London at the Underworld for a night of rhymes, beats, and gimmicks-turned-triumphs.

Four Owls, 2016

Nightshift Promotions presents:
The Four Owls vs Virus Syndicate + Mr Woodnote & Lil Rhys + Bellatrix
The Underworld, 174 Camden High Street, Camden Town, London, NW1 0NE, England Saturday 17 September 2016, 5.30pm
information

Headlining London crew The Four Owls might look like trim, slightly self-conscious lucha libre wrestlers lurking behind bird masks, but come out bating and striking. More lairy, scruffy hawk than owl, they certainly make a racket. A supergroup of High Focus Records solo rappers Leaf Dog, Fliptrix, BVA & Verb T, they specialise in souped-up, combative, old-school-cum-gang-surreal battle flow, echoing tumbling Wu-Tang semi-sequiturs and arcane/profane Kool Keith gabble, with additional British street lip and humour.


 
For the Owls, a shot of bad taste just adds to the juiciness of a spit. If you’ve got the stomach for the occasional nasty switchback, check out the outrageous braggy stack-ups and lyrical misbehaviour on ‘Much Too Much’ from back in 2011 (though its dips into shockery and the tacky sex-horror-in-the-woodz video ain’t for all tastes, to put it mildly.) But if it gets you riled up about hip hop misogyny squashing or sidelining women, the presence of Bellatrix on the bill provides a fine corrective. A onetime Boxette and award-winning world-champion beatboxer, she’s since been revealing multiple further talents – fine, jazz-inspired double bass playing; off-the-wall singer-songwriter tactics which make her sound like a West Country Björk; a knack for burbling textural synth loops and choral layering. All done live and solo, interwoven in real time, without a net. And she’s still talking about it as if it’s baby steps. What’ll she have proved herself capable of once she feels she’s fully up to speed?



 

Elsewhere on the bill, Manchester provides the dubstep/grime collective Virus Syndicate, who deliver claustrophobic, compelling narratives across chilly isolationist beats. In turn, Bristol offers the irresistibly peppy partnership of Lil Rhys and Mr Woodnote (the former a freestyle rapper who chatters like an engaging dancehall singer; the latter a saxophonist, EWI player and beatboxer who creates a smart-stepping one-man-band via loops and timing).



 

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A few weeks later, just down the road from the Underworld, Divinity Roxx will be slamming it out at the Jazz Café.

Divinity Roxx + Steve Lawson
The Jazz Café, 5 Parkway, Camden Town, London, NW1 7PG, England
Tuesday 27th September 2016, 7.00pm
information
 


 

If I were to say that Divinity was Beyoncé’s bassist and musical director for two world tours, some might think that was the most interesting thing about her. I think that it isn’t. Being taken seriously as a player is good; for a female player, even more so. Being handed the MD-ship on one of the biggest shows in the business is even more of an honour – but there are plenty of yo-cat session players around who can handle that kind of thing, including plenty of female ones. Biz-wise, Divinity might be a bass player’s bass player, but there’s more to her than that, and it rolls out best in her solo work.


 

Playing flexible and diverse basslines, leading bands, delivering complex and confident live raps on top of her grooves, and possessing generous star quality of her own, Divinity can own a stage every bit as well as her erstwhile employer. With a repertoire already mining jazz, R&B, fusion, rock and hip hop, she can even deliver potential hits. In 2012’s ‘Get Here’, she swung old-school MC braggadocio around funk rock and a raw look-at-me stance; in last year’s ‘We Are’ she changed tack to wrap some flower-child hippy optism and civil-rights march vibes up with slick CCM-friendly gospel pop. Live, however, is where to catch her; and this month you can see her up-close before more people really start to cotton on to her. It’s only going to be a matter of time now.



 

For the Jazz Café show, Divinity will be joined by her musical buddy and fellow bass ace Steve Lawson. Steve’s otherworldly cinematic soundscapes, improvised live with nothing but a bass guitar, a MIDI controller and a bewildering array of pedals, have helped make him the most celebrated solo bassist in the UK. Since he’s also willing and eager to chat the legs of a fieldful of donkeys, it’ll be interesting to see what his daffy, teasing wit (and glammy dress sense) bring to the occasion. It’ll probably be like Ross Noble crashing a Neneh Cherry gig… assuming that Ross then went on to treat you to a set of tunes like Bootsy Collins, Pat Metheny and Boards of Canada all playing a convivial pass-the-parcel with Robert Fripp’s stage rig.



 

Steve has another couple of British gigs earlier in the month, which I’ll plug during the next jazz gig update in a few days’ time. If you can’t wait until then, click here to get the info direct from the source, and click here to read more about Steve from what’s been splashed across this blog over the years. Meanwhile, here he is busking in Frankfurt – in a jazzy mood, and without his usual wall of effects.


 

Upcoming live events – Steve Lawson plays in Poole, Birmingham & London; the Ian Smith 50th birthday event at the Vortex

24 Jun

Gregarious loop bassist Steve Lawson has announced (at pretty short notice) three gigs in England over the coming week. As ever, they’ll be a tuneful/melodic/noisy hybrid of jazz, pop, electronic and ambient influences squeezed through Steve’s battery of sound treatments, and salted by the usual mixture of stand-up comedy, general gabby friendliness and opinionation; the last of which isn’t a word, but is a pretty good definition of what Steve does when he’s not playing, and sometimes when he is playing. At a Lawson gig you get the whole brand, and then some. You can take your family; you can take your friends; you can take a donkey whose legs are in need of a bit of honing…

Steve Lawson live

Steve Lawson + Echo Engine + others (SoundCellar @ The Blue Boar, 29 Market Close, Poole, Dorset, BH15 1NE, UK, Thursday June 25th – 8.30pm, £8.50 )

This is the one which counts as a full gig – a solo Steve Lawson set, after which he’ll be joined by the Echo Engine trio (Daniel Biro on keyboards, ) plus ex Bjork/D’Influence drummer Pascal Consoli and the ECM-inspired saxophonist Jon Lloyd. Up-to-date info is here and here, and you can reserve your ticket via email here.

Scott Pellegrom + Andy Edwards + Adam Gammage (Birmingham Dream Cymbals Day @ Glee Club, Birmingham, B5 4TD, UK – Sunday June 28th, 6.00pm – £10.00/£15.00)

This is actually a drum clinic appearance, at which Steve will be playing with drummer and regular collaborator Andy Edwards. Up-to-date info is here and tickets are here. Also performing are Adam Gammage (Baxter Dury band) and Scott Pellegrom.

Ian Smith’s 50th Birthday Event @ The Vortex Jazz Club, 11 Gillett Square, London, N16 8AZ, UK, Monday June 29th, 6.00pm – £13.20

Steve will be performing at this expansive celebratory gig for London Improvisers Orchestra founder Ian Smith – an event so substantial that it needs its own section further down this post. Steve will be playing in the 10pm slot alongside drummer Jason Cooper and guitarist Reeves Gabrels (both currently members of The Cure). Tickets here: more on the event in a moment.

As usual, Steve has plenty of other things going on, not least an appearance at The One Dayer: Independent Music, Money & Tech conference at Cecil Sharp House in London on July 1st, where (as a longstanding advocate of independent artist-run music careers) he’ll be one of the speakers. He’s also planning further collaborations with loop vocalist/beatboxer Beardyman (having previously played with him in a “dream team” improvising quartet alongside drummer Andy Gangadeen and guitar journeyman Gary Lucas), with fellow bass guitarists Divinity Roxx and Jonas Hellborg (the latter for an October tour) and with Jon Thorne’s semi-experimental Sunshine Brothers trio (for an August appearance at the Manchester Jazz Festival. If you want to read about what he did earlier in his career, here are links to the ‘Misfit City’ archive reviews of ‘And Nothing But The Bass‘, ‘Not Dancing For Chicken‘, ‘Conversations‘ and the first in the ‘Lessons Learned From An Ancient Feline‘ series, early steps on a path of explorations and musical hook-ups.

*****

And now, some more on the Ian Smith birthday event at the Vortex at the end of the month, which sees a remarkable lineup of British jazz players and other improvisers swarm into Dalston to pay tribute to one of their own living heroes. (Hopefully the timings I’ve cited here are right, as the layouts in the original postings are a little confusing…)

Ian Smith 50th Birthday Event @ The Vortex

Ian Smith’s 50th Birthday Event @ The Vortex Jazz Club, 11 Gillett Square, London, N16 8AZ, UK, Monday June 29th, 6.00pm – £13.20

Ian MacGowan (aka Smith) arrived in London in 1990 from Dublin with two phone numbers in his hand: John Stevens and Derek Bailey. Those were the only two numbers he wanted at the time, but as the months went on he got to know and play with many amazing musicians – he founded The Gathering with Maggie Nichols, and the London Improvisers Orchestra with Steve Beresford and Evan Parker. He ended up playing and recording with John and Derek, and plays with anybody who wants to start from nothing. Most of tonight’s cast are old friends; some new; all are beautifully personal voices. He’ll be playing with most of them.

In the Square, 6.00pm:
Henry Lowther, Byron Wallen – trumpets
Julian Faultless – french horn
Alan Tomlinson, Sarah Gail Brand, Ed Lucas – trombones
Oren Marshall, Dave Powell – tubas
Steve Beresford – occasional conductor

In the Vortex downstairs, 7.00pm:
Pete McPhail – alto sax
Tom Wheatley – bass
Steve Noble – drums

In the Vortex upstairs, 8.00pm
BJ Cole – pedal steel
Ansuman Biswas – percussion

In the Vortex upstairs, 9.00pm:
Rowland Sutherland – flutes
Marcio Mattos – bass

In the Vortex upstairs, 9.30pm:
Sibyl Madrigal – poetry

In the Vortex upstairs, 10.00pm:
Reeves Gabrels – guitar
Steve Lawson – bass guitar
Jason Cooper – drums

and more special guests to be confirmed.

Tickets here.

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