Tag Archives: Far Rainbow

September 2019 – the start of Daylight Music’s autumn season in London – The Memory Band, Far Rainbow and Ingrid Plum (21st September); Kathryn Williams’ Anthology extravaganza (28th September)

12 Sep

Daylight Music 10, 2019

My favourite London free-music event resumes shortly, following its summer holiday break – although simply calling Daylight Music “a free event” rather undersells it. Let’s call it an exercise in grace. Two hours of pay-what-you-like, mixed-genre music in a cavernous and spectacular London chapel, set up along the inclusive idea that listening and responding to music is a familial activity and that any gathering of people of any age is potentially familial… and a Bakeoffian idea that everything goes better with tea and cake. (That’s ‘Bake Off’ as in the British TV institution, by the way – not as in Bakeoff the unfairly-neglected radical-conservative Bulgarian philosopher…)

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Daylight Music 314: The Memory Band + Far Rainbow + Ingrid Plum – 21st September 2019

The first show of the autumn season is on 21st September and bridges traditional and contemporary folk with playful avant-garde soundmaking and folktronica:

“After an extended break from performing, acoustic folk band The Memory Band returns to Daylight Music in great style in time for our 10th Birthday year, with a vocal set featuring bandleader Stephen Cracknell along with the voices of Hannah Caughlin and Helene Bradley. Influenced by a wide variety of contemporary and traditional styles, they have produced five studio albums and numerous 7″ singles. This afternoon they will be performing a selection of songs old and new – this will not be a set of instrumental landscape music.


 
Far Rainbow is a London-based improvising duo comprised of sound artist Bobby Barry and drummer Emily Barnett. They create vast neo-psychedelic slabs of gradually developing sound and delight in using everyday household objects as part of their stage gear. You’ll never know what will appear on stage: bubble wrap, plastic bags, cellotape, hairbrush, shaver, electric toothbrush, various small motors, taped field recordings, pencil sharpener, egg slicer, or even a small portable vacuum cleaner.


 
Ingrid Plum is a Brighton-based vocalist combining folk music, contemporary classical music and sound art. Her work has been described by ‘The Guardian’ as being characterised by “gorgeously atmospheric vocal techniques woven around field recordings and electronics”, while ‘The Wire’ described her live shows as “succinct and nourishing… a luxuriant space between almost excessive precision and looser improvisation”. She has performed internationally, as well as having worked with Late Junction and BBC Radio 3.”


 
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Daylight Music 315: Kathryn Williams Anthology with super special guests – 28th September 2019In the last week of September, Kathryn Williams comes to Daylight Music with an anniversary Anthology show. Due to the extra volume of music involved, this particular Daylight will be running for an extra quarter of an hour.

“It’s a delight to once again see Mercury Prize-nominated singer-songwriter Kathryn Williams, as she celebrates her twentieth anniversary with her fiery spirit and keen sense of adventure. To date, Williams has released fourteen studio albums and she has also written and arranged for a multitude of artists. Her latest release, a gorgeous twenty-CD boxset of her most loved songs, is painstakingly curated by Williams herself, and includes paintings by the artist, lyrics, stories and unheard demos.

On this special afternoon she will fill the chapel stage with likeminded souls; songwriters, singers, multi-instrumentalists, collaborators and friends from across her career. She will also welcome those she has more recently tutored and helped inspire at the Arvon creative writing retreat. As always with Daylight, this will be a curation like no other, a celebration in song through the heart and voice of Kathryn Williams.”

Kathryn’s guest performers will be Michele and Romeo Stodart (of The Magic Numbers), Chris Difford (of Squeeze), Neill MacColl (of The Bible, Liberty Horses, King L and stints in Eddi Reader’s band), Colin MacIntyre (better known as Mull Historical Society), David Ford and Polly Paulusma; with additional contributions from Lucy Duncans, Euan Allison, Stewart Robbie, Lindsey Strachan, Emma Carr Martin, Jess Tuthill, Emily Barden, Phil Langran, Andy Pearce and Anna Skelton.






 
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All gigs are at the usual place – Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England – with a suggested donation of five pounds. Dates below:

  • Daylight Music 314: The Memory Band + Far Rainbow + Ingrid Plum – Saturday 21st September 2019, 12.00pm – information here and here
  • Daylight Music 315: Kathryn Williams Anthology with super special guests – Saturday 28th September 2019, 12.00pm – information here and here

Details on October’s Daylight concerts to follow in due course…
 

June 2018 – upcoming London experimental gigs – Colliding Lines’ ‘Reanimation: Phantasmagoria’ film soundtracking night with Georges Kaplan Presents…, Hypnotique, Alexander Carson and Far Rainbow (6th June)

2 Jun

Despite their unfortunate no-show last month, cineastes and sonicnambulistic encouragers Colliding Lines bounce back with another evening of films and music, this time pairing the Edwardian fantasias of early French cinema with a variety of new accompaniments including Theremin-ery, object-scrabble, dry downtempo post-classical songcraft, Rhodes-and-sax jazz and screebling noise.

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Colliding Lines present:
‘Reanimation: Phantasmagoria’ – featuring Georges Kaplan Presents… + Hypnotique + Alexander Carson + Far Rainbow
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Wednesday 6th June 2018, 8.30pm
– information here and here

“This month we explore the phantasmagoria of 1900’s sci-fi and fantasy films – the magic of hand-tinted films, retro futurism and early special effects, scored live by four different artists.

Films:

• ‘Voyage de la Luna’ (‘Trip to the Moon’), 1902.
• ‘Le Royaume des Fées’ (‘The Kingdom of the Fairies’), 1903.
• ‘L’Album Merveilleux’ (‘Wonderful Album’), 1905.
• ‘Les Tulipes’ (‘The Tulips’), 1907.
• ‘La Grenouille’ (‘The Frog’), 1908
• ‘Le Spectre Rouge’ (‘The Red Spectre’), 1907.

“The programme features the work of film pioneers and stage magicians Georges Méliès and Segundo de Chomón, whose innovations in narrative and visual filmmaking are considered among some of the most influential in film history.

“We are excited to introduce the following soundtrack artists:

Georges Kaplan Presents… are a musical duo hailing from London’s gnarled and twisting streets, who in all things take their cue from their leader Georges Kaplan. A man of infinite mystery, very little is known about Georges’ true identity save for his love of a hot tempo and a predilection for strong bourbon. Forever on the run, with only his wits to keep him alive he always knows how to stay ahead of the game. A hustler? A master manipulator? A mere shadow? No one can say, although those who claim to know him best simply marvel at his impeccable taste and incalculable talent in outwitting any would-be detractors.

 
Hypnotique is a thereministe, electronic musician and auteur based in London whose lyrical subjects range from the apocalypse, post-feminism, erotic narrative and allotments. She’s performed solo shows at Edinburgh Fringe, worked with Gong and The Heliocentrics, toured the Amazon and annoyed Simon Cowell. For this performance she collaborates with electronics and experimental legend Cos Chapman, founder of the Rude Mechanicals. His recent work has included a performance at Berlin Musitecfest and live sound design for dance-theatre in Taipei.

 
Alexander Carson is a neoclassical downtempo composer and songwriter based in London. Carson has previously spent the better part of seven years as the lead singer, and songwriter for genre-fluid quintet Wooden Arms. His debut single ‘Lovers’ was released on the 4th of May via Round Table Records.

 
Far Rainbow were formed in London in 2014 by Bobby Barry and Emily Barnett, two old friends from Brighton. Improvising using drums, electronics, and whatever random household objects they can extract a noise from, Far Rainbow approach their arsenal of intonarumori as if they were alien artefacts or ritual paraphernalia, operating according to recursive logics only partly comprehensible.”


 
Here are videoclip versions of the films being shown, with a variety of tintings and existing soundtracks (from classical to noise-rock and irritating French voiceovers…)







 

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