Tag Archives: Joby Burgess

November 2019 – upcoming classical concerts – Duncan Honeybourne premieres Richard Pantcheff in London (6th November); Scottish Ensemble’s ‘Elemental’ tour across Scotland with Aidan O’Rourke and Kit Downes (9th-13th November); Joby Burgess plays SOLO in London (13th November)

30 Oct

Duncan Honeybourne, 6th November 2019On 6th November, in London, Duncan Honeybourne – a longstanding specialist in British and Irish piano music – premieres Richard Pantcheff’s ‘Piano Sonata’ at the 1901 Club as part of the English Music Festival. Richard himself will be on hand to introduce the piece.

Duncan is also performing a couple of other British piano works – Frank Bridge’s ‘Piano Sonata’ (from the latter’s later post-tonal, post-impressionist compositional stage), and ‘Notturno’, by Bridge’s onetime pupil and champion Benjamin Britten (a competition piece which, rather than foregrounding performer virtuosity, challenges them to create and sustain an atmosphere involving ever-quieter dynamics). Richard Pantcheff was, in turn, Britten’s pupil – so there’s a chain of learning and of respect being explored here.

Versions of the Britten and Bridge pieces are below…



 
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Mid-month, the Scottish Ensemble embark on their four-date Elemental tour through Scotland, accompanied by Aidan O’Rourke (fiddler for striking post-folk trio Lau) and cross-disciplinary keyboard whiz Kit Downes plus guest violinist/director Simon Blendis (of London Mozart Players, Orchestra Ensemble Kanazawa and Schubert Ensemble).

Scottish Ensemble: 'Elemental' tour - 9th to 13th November 2019

The program centres around a new O’Rourke/Downes co-composition ‘There is no beginning’ (written for harmonium, piano, fiddle and string orchestra) which “fuses the visceral energy and haunting beauty of Aidan’s traditional Celtic roots with wisps of jazz, folk, ambient and classical. Surrounding it will come a clutch of contemporary works that speak to us of all things elemental – space, silence, waves and air – intertwined with melodies which echo an ancient Scotland.

“The performance is inspired by Edwin Morgan’s 1984 poem ‘Slate’, generally accepted as a love letter to a politically- and environmentally-battered Scotland. Through music, alongside its two collaborators, Scottish Ensemble will explore themes of time, change and transformation, particularly in relation to our nation and our world; entities that, as with music, are subject to the constant processes of time. Sound will be used to conjure thoughts of the past, present and future of the land we all share – as well as creating a space to contemplate it.”

Several further string orchestra pieces flesh out the programme. Tansy Davies’ ‘The Beginning of the World’ was originally a 2013 BBC Proms piece and is “a variation on Sellinger’s Round, an Elizabethan theme”; David Fennessy’s 2016 work ‘Hirta Rounds’ is an unconducted piece for sixteen string player in small groups with “many different fluctuations in tempo occurring simultaneously”. From earlier on in the repertoire, there’s György Ligeti’s ‘Ramifications’ from 1968 (a “mistuned” experiment for twelve players in two groups, one of which is collectively tuned a quarter tone higher than standard pitch, and within which there are no stresses, meter or specific rhythm) and Ruth Crawford Seeger’s ‘Andante for Strings’ from 1931 (“a study in dissonant dynamics, with the overlapping of crescendos and diminuendos alone creating a sense of melody out of single pitches in each instrument.”)

Versions of the last two are below…



 

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Joby Burgess, 13th November 2019Having already made an impression this season at Daylight Music back in October, percussionist Joby Burgess is heading to Peckham’s CLF Art Café for the first in a new round of composer Alex Groves’ itinerant SOLO concerts.

As is the case with performers at all of these concerts, Joby will be playing a brand-new Groves piece (in this case ‘Curved Form (No. 18)’, one of an ongoing series) plus various other unspecified contemporary percussion pieces. There’s not much information on the latter, although there’ll definitely be some Morton Feldman and some Linda Buckley: possibly the latter’s ‘Dischordia’, played on the aluminium harp (as showcased above and below).

 
Meanwhile, there’s a Joby Q&A here, at the SOLO site, for a window into what makes him tick (and rustle, and rattle, etc.); and here are a few more Joby performances recycled from the Daylight post…



 
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Dates:

The English Music Festival presents:
Duncan Honeybourne performs Richard Pantcheff’s ‘Piano Sonata’ (première)
1901 Arts Club, 7 Exton Street, Waterloo, London, SE1 8UE
Wednesday 6th November 2019, 6.30pm
– information here, here and here

Scottish Ensemble’s ‘Elemental’ tour:

  • Aberdeen Music Hall, Union Street, Aberdeen, AB10 1QS, Scotland – Saturday 9th November 2019, 7:30 pm – information here, here and here
  • Caird Hall, City Square, Dundee, DD1 3BB, Scotland – Sunday 10th November 2019, 7:30 pm – information here, here and here
  • Galvanisers @ SWG3, 100 Eastvale Place, Glasgow, G3 8QG, Scotland – Tuesday 12th November 2019, 7:30 pm – information here, here and here
  • Assembly Roxy, 2 Roxburgh Place, Edinburgh, EH8 9SU, Scotland – Wednesday 13th November 2019, 7:30 pm – information here, here and here

SOLO presents:
SOLO 07: Jody Burgess
The CLF Art Café, Block A, Bussey Building, 133 Copeland Road, Peckham, London, SE15 3SN, England
Wednesday 13th November 2019, 8.00pm
– information here, here, here and here
 

October 2019 – Daylight Music’s 2019 autumn season continues – Janek Schaefer, Joby Burgess and AVA (5th October); Keith Tippett & Matthew Bourne with Tania Chen & Steve Beresford (12th October); We Like We, Otto A Totland, Rauelsson and F.S.Blumm (19th October); Susumu Yokota remembered and reinvented by Isan, Seaming To and The Imperfect Orchestra (26th October)

25 Sep

Daylight Music 10, 2019

Following its folk-tinged September concerts, Daylight Music’s autumn 2019 season continues with four October concerts including a piano event, a reinvention of the music of Japanese ambient composer Susumu Yokota and a couple of sustained, themed but accessible dips into post-classical sound art.

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Daylight Music 316: Janek Schaefer + Joby Burgess + AVA – 5th October 2019“For ‘Space In This Place’ (on 5th October), get ready to really experience the chapel and engage with the space in new ways as it resonates and reverberates through the transmission of radios, the pounding of bass drums or the rumble in your belly of the chapel own in-built synthesizer – the Henry Willis organ.

“Sound artist, entertainer, and professor Janek Schaefer trained as an architect at the Royal College of Art, where he fell in love with exploring the relationship between sound, space and place. He has exhibited and performed in over thirty countries worldwide, from The Tate Modern to The Sydney Opera House, and has released thirty-four albums, including collaborations with Charlemagne Palestine, Philip Jeck, Robert Hampson, and Stephan Mathieu.

 
“Watching violinist Anna Phoebe and pianist Aisling Brouwer of AVA interact on stage is always a mesmerising experience – and it will be enhanced by the Chapel’s acoustics. Rooted in cinematic narratives, AVA’s music unfolds around the relationship between violin and piano, evoking emotional journeys that never conform to expectations and yet are instantly accessible. The duo has recently released their debut album, ‘Waves’, on One Little Indian Records.


 
“One of Britain’s most diverse percussionists, Joby Burgess can often be heard on major film and TV scores, notably leading the percussion on ‘Black Panther’, ‘The Darkest Hour’, ‘Paddington 2’, ‘Trolls’, ‘The Last Kingdom’ and ‘Taboo’. He was featured on the score to Alex Garland’s ‘Ex Machina’. His recent highlights include extensive tours with Peter Gabriel’s New Blood Orchestra, PUNKIT (an adventurous participatory project for massed percussion ensemble by Stephen Deazley), and ‘Pioneers of Percussion’, a solo recital programme featuring new work by Nicol Lizée, Linda Buckley and Rebecca Dale.

Joby will perform ‘Qilyaun’ (for solo bass drum & electronics) by John Luther Adams and ‘Can’t Sleep’ (for vibraphone & electronics) by Rebecca Dale.



 
“Joining the dots this week will be computer musician, digital choir boy, and algorithmic composer, Daniel James Ross (a PhD student and associate lecturer at Goldsmiths). Dan will be live-sampling the main performers and running the recordings through his brand new, custom-made, algorithmic composition machine, playing back whatever weirdness it produces whilst you eat your quiche.”

 
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The 12th October Daylight is a piano event presented in association with Sound UK and the Unpredictable Series concert series, criss-crossing British jazz, contemporary classical and spontaneous music:

 
“Witness two of Britain’s most adventurous jazz pianists join forces this October. A seminal figure in the evolution of UK jazz since the 1960s, Keith Tippett has forged his own ever-evolving sound as both composer and improviser. Thirty years his junior, Matthew Bourne has similarly explored the horizons of jazz and contemporary music, on both analogue synths and the acoustic piano. Inspired by Tippett’s suggestion to ‘do some playing together,’ in late 2016 this new and exciting musical partnership between two maverick pianists, a generation apart, is a meeting of like-minded but distinct individuals. Both are mesmerising live performers, famous for their idiosyncrasy, virtuosity, and non-conformity. Marking a key point in Tippett and Bourne’s simpatico relationship, which has spanned some twenty years already, they are finally joining forces to make new music together.



 
“Special guests this afternoon will be Steve Beresford and Tania Caroline Chen. Beresford has been a central figure in the British and international spontaneous music scenes for over forty years, freely improvising on the piano, electronics and other things with people like Derek Bailey, Evan Parker, Han Bennink and John Zorn: he has an extensive discography as performer, arranger, free-improviser, composer and producer, and was awarded a Paul Hamlyn award for composers in 2012. Tania Caroline Chen is a pianist, sound artist and free improviser, who draws her inspiration from the New York, British and European schools of 20th century experimental composition: she has performed and recorded the works of John Cage, Morton Feldman, Earle Brown and Cornelius Cardew as well as compositions by Andrew Poppy, Michael Parsons, Luc Ferrari, Arnold Schoenberg, Anton Webern, Eric Satie and Alexander Scriabin.”

 
This event will also feature a duet performance from pianists Cameron Ward (a mainstay of north English jazz bands such as Racoon Dog Soup) and Glen Leach (an improviser who also plays hip hop with NixNorthWest and adds a jazz-fusion aspect to grime act Project Hilts).

 
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The Daylight on the 19th is “dedicated to sonic landscapes and instrumental explorations through electronic and piano music with Berlin based label Sonic Pieces, who also mark ten years since their first release.

 
We Like We – the duo of Katrine Grarup Elbo (violin) and Katinka Fogh Vindelev (voice) – perform a version of ‘Time is Local’, a work co-created by the ensemble and sound artist Jacob Kirkegaard. Originally this was a twelve-hour multichannel performance, based on a live installation in twelve different chambers of a museum. This afternoon’s performance will bring a version of this new project to the chapel, continuing their mission to express sound beyond the grid of genres.


 
“Minimalistic, melodic, visual, and calming, Otto A. Totland‘s music reflects both his early interest in computers, sequencers and synths and his subsequent departure from them to focus on piano composition. He has released two solo piano albums, ‘Pinô’ and ‘the Lost’, on Sonic Pieces. Otto is also a member of the duo Deaf Center with Erik K Skodvin.

 
“Known for his constant musical evolution, Rauelsson’s musical journey has transitioned from lo-fi, intimate compositions of delicate folk to a more contemplative, experimental, and dense sound. His latest release, ‘Mirall’, is an eclectic collection of compositions that celebrate electronic exploration while maintaining a focus on classical instrumentation. In addition to his main discography, Rauelsson has also released music for film, documentary and photographic projects.

 
“Frank Schültge is a German author, musician, and producer, working under the pseudonym F.S. Blumm. He has recorded many collaborations but is perhaps best known on Sonic Pieces for the album of unconditional spontaneity with Nils Frahm. Based in Berlin, Frank absorbs everything and takes it with him, weaving it into his instrumental portraits. “The man makes some damn charming music.” (‘Pitchfork’).”


 
This is another extended Daylight event, running on until 2.15pm.

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Daylight Music 319: Interpretations: The music of Susumu Yokota (featuring Isan + Seaming To + The Imperfect Orchestra) – 26th October 2019

The last of the October Daylights is a tribute to the late Susumu Yokota, curated by Lo Recordings“a suitably diverse and esoteric collection of musicians to perform compositions from his catalogue. This event also marks the release of ‘Cloud Hidden,’ an album of previously unreleased music by the producer.

“Antony Ryan and Robin Saville have been making music as Isan for over twenty years. Their music takes threads from early electronic experimentalism, blurry dream-pop, motorik rhythms and diverse modern modular sounds, weaving them into a confection which is entirely their own. Sweet but rarely without a melancholy edge, they have been described as making “difficult music easy to listen to”. Onstage, Isan fill the space with beautiful washes of noise and rhythm. They will be taking Yokota’s compositions as starting points and augmenting them with improvised beats, pulsing melodies and rippling loveliness.


 
Seaming To has been described as “the voice of the twenty-first century” (‘BBC Radio 1’), and an artist that is truly “avant-garde” (Robert Wyatt). Her experimental ethos and mastery across a variety of instruments has enabled her to collaborate with some of the most respected and radical artists of this decade, particularly in electronic, classical and experimental genres. Expect a uniquely engaging take on Yokota’s work.


 
The Imperfect Orchestra have been writing and performing since 2013. They specialise in working with amateur and non-musicians to produce live performance soundtracks for moving image and contemporary art events. For this commission, Imperfect Orchestra will be taking specific elements from the work of Susumu Yokota and developing it into an eclectic live performance that creates a narrative exploring some of the themes that were important to his life and his work, including sampling and resampling audio, found sounds and field recordings, and spirituality and electronica.


 
George Crowley is a saxophonist, clarinettist, composer and promoter based in London. As a performer he is active across a range of styles; whether infusing melodic through-composed writing with open, searching improv in his own Can Of Worms, channelling fiery avant-parade ghosts in Brass Mask, weaving through the polyrhythmic Ghanaian trance of Vula Viel or exploring more traditional repertoire, He can also be found playing with bands and musicians such as Melt Yourself Down, Yazz Ahmed, Red Snapper, the Olie Brice Quartet featuring Jeff Williams.”


 
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All gigs are at Union Chapel, 19b Compton Terrace, Islington, London, N1 2UN, England, with a suggested donation of five pounds. Dates below:

  • Daylight Music 316: ‘Space In This Place’ (featuring Janek Schaefer + Joby Burgess + AVA) – Saturday 5th October 2019, 12.00pm – information here and here
  • Daylight Music 317: Keith Tippett & Matthew Bourne with Tania Chen & Steve Beresford – Saturday 12th October 2019, 12.00pm – information here and here
  • Daylight Music 318: ‘Time Is Local’ (featuring We Like We + Otto A Totland + Rauelsson + F.S. Blumm) – Saturday 19th October 2019, 12.00pm – information here and here
  • Daylight Music 319: ‘Interpretations: The Music Of Susumu Yokota’ (featuring Isan + Seaming To + The Imperfect Orchestra) – Saturday 26th October 2019, 12.00pm – information here and here

Details on November’s Daylight concerts to follow in due course…
 

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