Tag Archives: Anne Chris Bakker

October 2019 – upcoming London experimental gigs – a London visit for Asuna’s ‘100 Keyboards’ (2nd); psychonauts UnicaZürn step up to save the Horse Hospital (5th); Andrew Heath & Anne Chris Bakker play an ambient evening with Matt Atkins, Andrew Sherwell and Kevin Buckland (6th)

28 Sep

As part of London ambient sound festival MODE 2019, Japanese sound/drone artist Asuna will bring the occasional travelling installation in which he arranges a hundred battery-powered budget (or toy) analogue keyboards in concentric circles within a studio space (in this case, South London Gallery’s Clore Studio) and plays, sets up or alters single notes or clusters off each of them (usually sticking keys down with Sellotape) to produce “waves of overlapping sound”.

The results are a chorused spatial drone which you can wander through, in which the intention is to “generat(e) an undulating sonic harmony both mesmerising and mysterious. Sound waves on the same frequency multiply and bounce off in myriad directions, creating a complex sonic field of interference and reverberation that swells and changes over time. Subtle acoustic variations emerge, hover and retreat based on your location in the performance space.” The cheapness of the technology, the variability of battery performance and other factors will also provide additional variations to the setup. The three-minute excerpt below gives an idea of its grating shimmer.


 
On 5th October, psychedelic trio UnicaZürn (uniting members of Coil, Cyclobe, Guapo and Shock Headed Peters) will be playing at Bloomsbury avant-garde stronghold The Horse Hospital, showcasing music from their recent ‘Sensudestricto’ album plus brand new pieces created especially for the concert.

UnicaZürn, 5th October 2019

I’ve previously described their work as a “scenic but chilly slow-evolving boil of waterside atmospherics and psychedelic sound-painting”. ‘Sensudestricto’, explicitly based around situational revolt (“has there ever been a better time to fuck off to the stars? Is a prison breakout “escapism”? Crisis carve some wound-space to let the dreams back in…” ) continues to build on that promise, evoking late ’60s oil projections and space rock, ’70s synth patterning and occult counterculture, and various subsequent shades of psych revolt, dark folk and hauntological weirdness.

The Horse Hospital itself (a twist of history, art and countercultural resistance lurking like a bold and salty tattoo in the heart of one of London’s plushest districts) is once again under threat of being priced out of existence via a rent increase demand of over three hundred per cent, plus other bullying gentrification pressures, so this is a benefit gig. Attend, talk, add some cash to the Kickstarter, etc.

 
Having been releasing ambient/drone/experimental atmospheric music for a little under two years now from its Farnham base, not-for-profit independent tape label Rusted Tone Recordings is starting off a live season at IKLEKTIK with a concert by Aqueous keyboard player/piano minimalist Andrew Heath and Dutch ambient bowed-guitarist/slowcore escapee Anne Chris Bakker.

Rusted Tone Recordings Live #1, 6th October 2019

The duo have recently collaborated on an upcoming RTR release (the north-Netherlands-recorded ‘A Gift for the Ephemerist’) which blends both men’s interest in space, sparseness and field recordings into a record which “is overwhelmingly informed both by an open, minimal landscape and a love of process, allowing lower case sounds to form as you would unfold a map – each section revealing a new and uncharted vista…suspended in time and place, are modulating drones, fragile notes, texture and immersive driftscapes which shimmer and pulse with half-glimpsed melodies that seem to hang in the air.”


 
Support slots come from fellow ambientarians and experimentalists Matthew Atkins, Andrew Sherwell, and Kevin Buckland. Although he’s sometimes a drummer for assorted projects he’s encountered or helped form via the London Improviser’s Workshop, Matthew spends most of his time on sound and visual art. When performing his own music he uses percussion, assorted objects, cassettes and laptop for sound collaging which pursues (or more properly, accepts) elements of “reductionism, chance, repetition and texture.” (Usually he’s working in collaboration with someone else; usually, it also seems, he’s providing the odder or more exploratory parts.) Similarly, Kevin is sometimes a solo bassist, but spends more time outdoors as a traveller, photographer and field recordist intrigued by “the underlying intrinsic musical character that I believe is present within the everyday soundscape; whether rural or urban, indoors or outside.” This in turn takes him back to slow-evolving electronic music of his own, often released on his own Quietest Records label and playing dusky subliminal spells with sound he’s captured along his voyages.



 
As for Andrew, he’s found a niche of his own, and sticks to it; but it’s a particularly cavernous, ecclesiastical niche. He marries field recordings from churches and cathedrals from across Britain and Europe with existing choral recordings, plunderphonicised from random choir albums found in charity shops or, when he can, recording the genuine article first-hand. The results are a devotional post-Christian drone, heavily processed from its source material, flooding through an imaginary nave like a ghostly draught.


 
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Dates:

South London Gallery/Thirty Three Thirty Three/Laurel Halo/The Japan Foundation present:
MODE 2019: Asuna presents ‘100 Keyboards’
South London Gallery, 65-67 Peckham Road, Camberwell, London, SE5 8UH, England
Wednesday 2nd October 2019, 7.00pm
– information here and here

UnicaZürn – A benefit gig in support of the Horse Hospital
The Horse Hospital, The Colonnade, Bloomsbury, London, WC1N 1JD, England
Saturday 5th October, 2019, 7.30pm
– information here, here and here

Rusted Tone Recordings presents:
Rusted Tone RecordingsLive #1: Andrew Heath & Anne Chris Bakker + Matt Atkins + Andrew Sherwell + Kevin Buckland
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Sunday 6th October 2019, 7.30pm
– information here and here
 

April 2017 – upcoming ambient/textural gigs in London, Stroud and Berlin – two ‘A Gift for the Ephemerist’ shows with Andrew Heath, Anne Chris Bakker, Romke Kleefstra and Jan Kleefstra (14th & 15th); Luke Howard in London and Berlin (19th, 20th) plus Charlie Coxedge. Plus a nod to the Fat Out Festival in Salford (14th-16th)

6 Apr

Four upcoming shows from the more elegant, pianistic end of ambient (although guitar noise is never far away)…

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'A Gift For The Ephemerist', 14th & 15th April 2017

‘A Gift for the Ephemerist’: Andrew Heath & Anne Chris Bakker + Kleefstra|Bakker|Kleefstra

  • IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England, Friday 14th April 2017, 8:00information
  • Secret Garden @ The Museum in the Park, Stratford Park, Stratford Road, Stroud, Gloucestershire, GL5 4AF, England, Saturday 15th April 2017, 12.00-3.00pm – free event – information here and here

“In 2015, an invitation from Aqueous synthesist Andrew Heath to Anne Chris Bakker (to play in the UK as part of a Resound performance) cemented a friendship and mutual admiration of each other’s music. Early the following year, Andrew visited Chris in the north of the Netherlands for a week of inspired improvisation – spending their time gathering field recordings, composing and of course, cycling. Combining Bakker’s beautiful bowed guitar and Heath’s quiet and minimal piano and textures, the collaboration has produced no less than two exquisite albums – ‘The Ephemerist’s Collection’ and ‘Lichtzen’. Pause and contemplate, for here are immersive driftscapes which shimmer and pulse with fragile, half-glimpsed melodies.

“Combining improvised dark-ambient with spoken word, Kleefstra|Bakker|Kleefstra is the work of Anne Chris Bakker with fellow experimental guitarist Romke Kleefstra plus poet Jan Kleefstra. The trio have worked together for several years – following their debut album ‘Wink’ in 2009, they played throughout Europe and Japan. ‘The Wire’ wrote about the trio: “two guitarists construct an icy enclave out of frozen drones and amplifier crackle, a veritable Fortress Of Solitude whose isolation is further emphasised by the poet’s intimately close-miked tones and distant echoes, giving an acute impression of expanses and depths both internal and external.” K|B|K have also collaborated with Peter Broderick, Nils Frahm, Greg Haines and Machinefabriek.”




 

Note also that Kleefstra|Bakker|Kleefstra will be playing on the 16th April at the Fat Out Festival in Salford – a pretty stunning array of musical experimentalists, noiseniks, avant-jazzers and more, running between the 14th and the 16th, and featuring far more contributors and collaborators than I can hope to pin down in a single blogpost anymore, let alone a shared one. If you’re in the area and sufficiently clued up, you’ll know about this avant-art ferment already. If not, it’s not too late to jump in – all details are here.

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Luke Howard, 19th April 2017“Melbourne-born composer and pianist Luke Howard (joined by Australian jazz drummer Daniel Farrugia) presents a selection of solo piano and ambient works from his records ‘Sun, Cloud’ and ‘Two Places’.

“Luke studied classical piano as a child before graduating with honours from the Victorian College of the Arts. He was twice a finalist in the Montreux Jazz Festival Solo Piano Competition and has written music for both film and theatre. In 2013 he released the Australian Music Prize long-listed record ‘Sun, Cloud’. Luke’s score to ‘ Where Do Lilacs Come From ‘ won Best Music for a Short Film at the 2014 APRA/AMCOS Screen Music Awards. His second solo album, ‘Two Places’, was released in April 2016.

“Dividing his time between Europe and Australia, in recent years Luke has opened for Benjamin Clementine and Ben Frost, and performed with artists as diverse as Lior and Jeff Mills. His music has been described as “totally sublime” (‘Headphone Commute‘, February 2014), “absolutely heavenly” (Mary Anne Hobbs of BBC Radio 6, July 2013), and “cinematic in its approach” (‘The Age‘, October 2009).”



 
The month’s pair of dates:

  • Bush Hall, 310 Uxbridge Road, Shepherds Bush, London, W12 7LJ, England, Wednesday 19th April 2017, 7.30pm (with Charlie Coxedge) – information here and here
  • Lido Berlin, Cuvrystraße 7, 10997 Berlin, Germany, Thursday 19th April 2017, 8.00pm – information here and here

In London, support comes from Charlie Coxedge (a.ka Charlie Cocksedge of Money), who’ll be performing solo sets of looped guitar music.



 
The London Howard/Coxedge show is another of the gigs repositioned following the sad and sudden closure of the Forge in Camden (see also the BC Camplight show at St Pancras Old Church the following day). It’s comforting to see that the artists can be accommodated so quickly rather than just having holes blown in their schedules; although it doesn’t entirely make up for the loss of a great venue and the closure of all of the work that went into building it up.
 

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