April 2017 – upcoming ambient/textural gigs in London, Stroud and Berlin – two ‘A Gift for the Ephemerist’ shows with Andrew Heath, Anne Chris Bakker, Romke Kleefstra and Jan Kleefstra (14th & 15th); Luke Howard in London and Berlin (19th, 20th) plus Charlie Coxedge. Plus a nod to the Fat Out Festival in Salford (14th-16th)

6 Apr

Four upcoming shows from the more elegant, pianistic end of ambient (although guitar noise is never far away)…

* * * * * * * *

'A Gift For The Ephemerist', 14th & 15th April 2017

‘A Gift for the Ephemerist’: Andrew Heath & Anne Chris Bakker + Kleefstra|Bakker|Kleefstra

  • IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England, Friday 14th April 2017, 8:00information
  • Secret Garden @ The Museum in the Park, Stratford Park, Stratford Road, Stroud, Gloucestershire, GL5 4AF, England, Saturday 15th April 2017, 12.00-3.00pm – free event – information here and here

“In 2015, an invitation from Aqueous synthesist Andrew Heath to Anne Chris Bakker (to play in the UK as part of a Resound performance) cemented a friendship and mutual admiration of each other’s music. Early the following year, Andrew visited Chris in the north of the Netherlands for a week of inspired improvisation – spending their time gathering field recordings, composing and of course, cycling. Combining Bakker’s beautiful bowed guitar and Heath’s quiet and minimal piano and textures, the collaboration has produced no less than two exquisite albums – ‘The Ephemerist’s Collection’ and ‘Lichtzen’. Pause and contemplate, for here are immersive driftscapes which shimmer and pulse with fragile, half-glimpsed melodies.

“Combining improvised dark-ambient with spoken word, Kleefstra|Bakker|Kleefstra is the work of Anne Chris Bakker with fellow experimental guitarist Romke Kleefstra plus poet Jan Kleefstra. The trio have worked together for several years – following their debut album ‘Wink’ in 2009, they played throughout Europe and Japan. ‘The Wire’ wrote about the trio: “two guitarists construct an icy enclave out of frozen drones and amplifier crackle, a veritable Fortress Of Solitude whose isolation is further emphasised by the poet’s intimately close-miked tones and distant echoes, giving an acute impression of expanses and depths both internal and external.” K|B|K have also collaborated with Peter Broderick, Nils Frahm, Greg Haines and Machinefabriek.”




 

Note also that Kleefstra|Bakker|Kleefstra will be playing on the 16th April at the Fat Out Festival in Salford – a pretty stunning array of musical experimentalists, noiseniks, avant-jazzers and more, running between the 14th and the 16th, and featuring far more contributors and collaborators than I can hope to pin down in a single blogpost anymore, let alone a shared one. If you’re in the area and sufficiently clued up, you’ll know about this avant-art ferment already. If not, it’s not too late to jump in – all details are here.

* * * * * * * *

Luke Howard, 19th April 2017“Melbourne-born composer and pianist Luke Howard (joined by Australian jazz drummer Daniel Farrugia) presents a selection of solo piano and ambient works from his records ‘Sun, Cloud’ and ‘Two Places’.

“Luke studied classical piano as a child before graduating with honours from the Victorian College of the Arts. He was twice a finalist in the Montreux Jazz Festival Solo Piano Competition and has written music for both film and theatre. In 2013 he released the Australian Music Prize long-listed record ‘Sun, Cloud’. Luke’s score to ‘ Where Do Lilacs Come From ‘ won Best Music for a Short Film at the 2014 APRA/AMCOS Screen Music Awards. His second solo album, ‘Two Places’, was released in April 2016.

“Dividing his time between Europe and Australia, in recent years Luke has opened for Benjamin Clementine and Ben Frost, and performed with artists as diverse as Lior and Jeff Mills. His music has been described as “totally sublime” (‘Headphone Commute‘, February 2014), “absolutely heavenly” (Mary Anne Hobbs of BBC Radio 6, July 2013), and “cinematic in its approach” (‘The Age‘, October 2009).”



 
The month’s pair of dates:

  • Bush Hall, 310 Uxbridge Road, Shepherds Bush, London, W12 7LJ, England, Wednesday 19th April 2017, 7.30pm (with Charlie Coxedge) – information here and here
  • Lido Berlin, Cuvrystraße 7, 10997 Berlin, Germany, Thursday 19th April 2017, 8.00pm – information here and here

In London, support comes from Charlie Coxedge (a.ka Charlie Cocksedge of Money), who’ll be performing solo sets of looped guitar music.



 
The London Howard/Coxedge show is another of the gigs repositioned following the sad and sudden closure of the Forge in Camden (see also the BC Camplight show at St Pancras Old Church the following day). It’s comforting to see that the artists can be accommodated so quickly rather than just having holes blown in their schedules; although it doesn’t entirely make up for the loss of a great venue and the closure of all of the work that went into building it up.
 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

ATTN:Magazine

Not from concentrate.

Xposed Club

improvised/experimental/music

I Quite Like Gigs

Music Reviews, music thoughts and musical wonderings

Make Weird Music

Because 4 chords aren't enough

A jumped-up pantry boy

Same as it ever was

PROOF POSITIVE

A new semi-regular gig in London

We need no swords

Static and debris. Skronk and wail. This is music?

:::::::::::: Ekho :::::::::::: Women in Sonic Art

Celebrating the Work of Women within Sonic Art: an expanding archive promoting equality in the sonic field

Ned Raggett Ponders It All

Just another WordPress.com weblog

Headphone Commute

honest words on honest music

Yeah I Know It Sucks

an absurdist review blog

Pop Lifer

Waiting for the gift of sound and vision

Archived Music Press

Scans from the Melody Maker and N.M.E. circa 1987-1996

The Weirdest Band in the World

A lovingly curated compendium of the world's weirdest music

OLD SCHOOL RECORD REVIEW

Where You Are Always Wrong

Fragile or Possibly Extinct

Life Outside the Womb

a closer listen

A home for instrumental and experimental music.

Bird is the Worm

New Jazz: We Search. We Recommend. You Listen.

Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

eyesplinters

Just another WordPress.com site

FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

%d bloggers like this: