October 2017 – upcoming London experimental gigs – the Radiophonic Workshop takes over the British Library (13th October)

3 Oct

A quick reposting…

Radiophonics Workshop, 13th October 2017

The British Library presents:
Late at the Library: The Radiophonic Workshop & Guests
Entrance Hall @ The British Library, 96 Euston Road, Kings Cross, London, NW1 2DB, England
Friday 13th October 2017, 6.30pm

information

“The Radiophonic Workshop are one of the most influential electronic music groups of all time. Founded in 1958 by Desmond Briscoe and Daphne Oram, it was home to a maverick group of experimental composers, sound engineers and musical innovators including the late Delia Derbyshire. In a series of small studios within the labyrinthine corridors of the BBC Maida Vale complex, the Workshop set about exploring new ways of using – and abusing – technology to create new sounds.


 
“Their influence on popular music has been profound. As the in-house composers of music and effects for the BBC they created the sonic backdrops for ‘Doctor Who’, ‘The Hitchhikers Guide to the Galaxy’, ‘Tomorrow’s World’ and countless others. From The Beatles, The Rolling Stones, Prince and Pink Floyd through to some of the most innovative contemporary electronic artists and DJs, the Workshop’s legacy continues to grow as new generations of musicians discover their catalogue of extraordinary recordings.

“Now, nearly two decades after the Workshop was decommissioned, original members Peter Howell, Roger Limb, Dr Dick Mills, Paddy Kingsland and long-time associate composer Mark Ayres are back working together. They soundtracked the childhoods of several generations, now they’re back to soundtrack your Friday night with a two part set. The first is a live version of their first studio album for twenty-five years, the improvised work ‘Burials On Several Earths’, with guest collaborator Martyn Ware (Heaven 17, The Human League and BEF). The second is a heritage archive set in which the Workshop perform some of their best known material – including the high water mark of early British electronica – the signature tune for ‘Doctor Who’.

“Join the Radiophonic Workshop at 6.30pm for a special in-conversation event ‘Soundhouses: The Radiophonic Workshop at 60’. Tickets include entry to the Late event. Visuals for the night are performed by Obsrvtry, a collaboration between Michael Faulkner (founder of D-Fuse) and Ben Sheppee (creator of Lightrhythm Visuals), with a guest DJ set from Tom Middleton of Global Communication.”


 

October-December 2017 – opera and musical theatre – the ‘Rough For Opera’ scratch night in London (9th October); Lucy Steven’s Kathleen Ferrier bio-show tours England (21st/26th/27th September, 3rd December)

2 Oct

Next week in London, a window on some nascent opera work…

'Rough For Opera' #16

Second Movement present:
Rough For Opera #16: A Scratch Night For New Opera
Cockpit Theatre, Gateforth Street, London NW8 8EH
Monday 9th October 2017, 7.30pm
information

“…’Rough For Opera is a performance platform for composers to share new work and opera in progress. Each event is a snapshot and celebration of contemporary opera making, with most work being brought from page to stage for the very first time. With an informal and intimate atmosphere and a Q&A following each performance, Rough For Opera is a great way for audiences to engage directly with opera makers and for composers to get invaluable feedback about their work at an early stage in its development.” 

This month’s edition features the following short opera performances (between ten minutes and half and hour apiece):

Michael-Jon Mizra – ‘Can you Give Up Your Seat Please?’ 
Georgina Bowden – ‘Radium’ (libretto by Eleanor Knight, directed by Ruth Knight)
Voicings Collective – ‘Voicings’ (composed by Michael Betteridge, written by Rebecca Hurst, directed and performed by Freya Wynn-Jones)

Post-performance Q&As will be led by Professor Paul Barker (RCSSD).

* * * * * * * *

Over the course of October (and at the beginning of December), a labour-of-love musical staging of the life of classical and folk singing legend Kathleen Ferrier is touring some of the more out-of-the-way venues in England. From the sound of it, it’s a pretty portable show, so if you’re interested in booking it for your own venue, drop the production company a line.

Dramatic Solutions presents:
Kathleen Ferrier: Whattalife!

Lucy Stevens (as Kathleen Ferrier)

Lucy Stevens (as Kathleen Ferrier)

“This new one-woman play with music tells the story of the great English contralto, whose voice and recordings are treasured to this day. Kathleen Ferrier was one of Britain’s phenomenal women of the twentieth Century. ‘Whattalife!‘ tells her story from her debut as a singer in 1940, her meteoric rise and her tragic death in 1953. ‘Whattalife!’ is the first staged dramatisation of Ferrier’s life, evoking the spirit of the war and post war years. Just like Kathleen during her short but full life, the show has a great sense of fun and talks straight from the heart. 

“Professional actress and contralto Lucy Stevens has researched and created a unique and totally engaging performance. The play is written in Kathleen’s own words taken from her letters and diaries. Sung music with piano accompaniment from her repertoire is woven through the text.”

There’s a ‘Guardian’ article on the piece here, in which Lucy reveals how the piece was put together and throws light on the life, moods and artistry of a strong-minded and talented woman who went her own way during a time when such things weren’t so readily accepted.


 
Dates:

  • Holy Trinity Church, New Road, Bengeo, Hertfordshire, SG14 3JJ, England, Saturday 21st October 2017, 7.30pmemail for details
  • Cooper Hall, Selwood Manor, Frome, Somerset, BA11 3NL, England, Thursday 26th October 2017, 7.30pminformation
  • Anthony Minghella Theatre @ Quay Arts, Sea Street, Newport Harbour, Isle of Wight, PO30 5BD, England, Friday 27th October 2017, 7.30pminformation
  • Dorchester Arts, Corn Exchange, High East Street, Dorchester, Dorset, DT1 1HF, England, Sunday 3rd December 2017, 2.30pm information

And purely to indulge myself, here’s Jocelyn Pook‘s mid-’90s setting of a Ferrier loop as part of her minimalist song-cycle ‘Deluge’: best known as the theme for a mobile phone advert (and, as the video image shows, as fodder for numerous new-age compilations), it’s a little classic of minimalist fusion.


 

October 2017 – upcoming London gigs – heavy art rock with Thumpermonkey, The Fierce & The Dead and Ham Legion; another Society of Imaginary Friends Soiree with Beth Jones, WondRwomN and others (both 6th October)

1 Oct

A couple of London choices for this Friday…

* * * * * * * *

Thumpermonkey + The Fierce & The Dead + Ham Legion, 6th October 2017

Chaos Theory Promotions presents:
The Facemelter: Thumpermonkey + The Fierce & The Dead + Ham Legion
The Black Heart, 2-3 Greenland Place, Camden Town, London, NW1 0AP, England
Friday 6th October 2017, 7.30pm
– information here and here

There’s still a few grab-’em-while-you-can tickets for this friendly clash between these three varied exemplars of British art rock. I keep posting odds and ends about them and always fear running out of something new to say, but here goes…

Described, this time out, as a “merry band of loony pronk heroes”, Thumpermonkey are better pegged as arch New Weird rockers, or as geeks-made-good. Bright, sharp, literate tale-tellers and brain-twisting scenarists, they roll out blistering tales and portraits of strange perspectives and stranger goings on festooned in kinked, scree-slipping riffs and grand declamatory vocals with an ever-present tinge of dark laughter. Unpicking the puzzlebox machinery of a typical Thumpermonkey song is a route to mingled glee and frustration, since singer, lyricist and concept director Michael Woodman packs in tight multi-dimensional digressions and inferences with the skill of a master.

This gig is a launch party for Thumpermonkey’s new EP ‘Electricity‘, inspired by “the luminous magnificence of human foolishness” and the story of “Victorian MP and visionary Lord James Badger… atomized by technology he hoped would transform the canals of the Euphrates, all because he followed the instructions of an angelic visitation.” The particular genius of Thumpermonkey is that they can unroll these kind of parodic slipstream plots without ever toppling into cute whimsy. If you’re looking for the missing link between Mastodon, Zappa, China Miéville, Van der Graaf Generator, Alejandro Jodorowsky and the harder end of the Mighty Boosh (and God knows that if you’re looking for something like that, you’re pretty specific), you’ll find it here. Clever bastards.


 

Currently riding along on the scaly back of their recent live album ‘Field Recordings’, The Fierce & The Dead are heading towards their seventh year as an imposing, boundary-squatting instrumental rock band, forcibly blending post-hardcore, instrumental prog, post-punk immediacy and experimental noise. Despite their music being sweetened by the inclusion of tuneful loop-guitar honeybear Matt Stevens in the lineup, they sport a brutal, angular, drawer-popping rifftastic sound which variously resembles Led Zeppelin and Black Flag simultaneously shaking down a post-rock band, a hotel kitchen getting a forcible mid-meal remodelling by Archaos, or a carhenge attempting to twerk along to highlife. Have a listen to Dancing Robots below for a dose of their live crunch and down-to-earth banter – or, if you prefer, there’s a free Bandcamp download sampler available.


 
Intermittently active Brightonian trio Ham Legion will open the show with a set of their cramped, restless heavy art-pop, matching the other two bands blurt-for-blurt and switch-for-switch.


 
* * * * * * * *

If all of the above is not for you – or if your Friday funds only stretch to a Tube journey and a drink – cabaret art-poppers Society of Imaginary Friends are putting on another free soiree in Wood Green (see passim). As ever, there’s a theme and a new bit of performance art jiggery-pokery from the Society themselves.

Society of Imaginary Friends Soiree, 6th October 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “It’s Our Home County Amateur Dramatic Class Soiree” (featuring Society Of Imaginary Friends + Beth Jones + WondRwomN + Martin Wakefield + Cian Binchy + Lord Buckley + Ted Sawyer/Frank Frenzy DJ sets)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 6th October 2017, 8.00pm – free event
information

“From Tring to Crawley, Amersham to Reigate, the dusky Downs resound to the sound of dramatis personae… for this is the time of preparation… the drawing-in of the nights can mean only one thing to these outcasts… Panto season is approaching.

“Our October Soiree is dedicated to London’s cultural refugees who dwell beyond the M25 where things are quite different… in a quiet cul-de-sac of the mind they float… there is no music other than ’80s power-synth ballads or Gary Numan… the Am Dram village hall is at the centre of the Home Counties mock-Tudor universe… As a mark of deep respect for this tradition, Society of Imaginary Friends will be performing the premiere of their ‘Home Counties’ song cycle featuring their cosy pub classic Please Put That Hammer Away and It’s My Home Counties Amateur Dramatic Class.”

Also on the bill is the usual swirl of other words and music – bluesy singer-songwriter Beth Jones ; poet/raconteurs Martin Wakefield and Cian Binchy, emerging Tottenham groove goddess WondRwomN with a cocktail of psychedelic soul, funk, rap and “grit pop”; and the “deranged and strange” Lord Buckley (presumably a tribute act to the hipsemantic beat standup from the 1950s, unless SOIF have mastered necromancy this year and brought us back the real thing). There’s also a double DJ helping from Ted Sawyer (Northern Soul) and Frank Frenzy (that 1980s power disco sound mentioned earlier) plus Karamel’s usual prizewinning vegan food (this time “reimagining the ’70s classics like prawn cocktail and Boeuf Bourguignon as a death free feast”).

See below for the Society’s poperatic tribute to social media, a harmonica-laden song about infidelity from Beth, and a couple of drum-and-‘bone-assisted joints from WondRwomN…


 

October 2017 – London classical gigs – Olga Stezhko’s Paris flash (10th & 19th October); Billroth Quartet play Mozart and a Paul Barnes premiere (15th October)

30 Sep

Olga Stezhko, 2015It’s always good to hear about new concerts by Olga Stezhko. In addition to her dazzling piano technique, Olga’s enquiring mind, her intellectual rigour and her urge to communicate ideas always ensures that she sets up interesting programmes and juxtapositions.

Her latest London appearances are no exception, as she focusses on music created during a particularly animated period of cultural shift. As she comments, “all the pieces… (Debussy, Poulenc, Prokofiev and Ravel) were composed in Paris at a time when Europe was undergoing a seismic cultural and socio-political shift. I will explore the dynamics that drove the creativity of four complex personalities in the fast-paced environment of the City of Lights…”

Programme:

Claude Debussy – Suite bergamasque; Children’s Corner (Wigmore Hall only); Et la lune descend sur le temple qui fut (from ‘Images, Series 2’ – Wigmore Hall only)
Francis Poulenc – Trois pièces
Maurice Ravel – Oiseaux tristes and Alborada del gracioso (from ‘Miroirs’)
Sergei Prokofiev – Pensées Op. 62 (Wigmore Hall only)

* * * * * * * *

Billroth Quartet, 15th October 2017

In between the two Stezhko dates, the Billroth Quartet (violinists Thomas Leate and Christian Halstead, viola player Simon Ballard and cellist Heidi Parsons, whose performance gamut runs from contemporary classical to jazz, tango and world recordings) are premiering a debut piece by composer and crystallographer Paul Barnes, in programme with a Mozart favourite.

Programme:

Wolfgang Amadeus Mozart – Duo for Violin & Viola (K423)
Paul Barnes – Layers of Life (for string quartet)

Regarding his piece, Paul Barnes writes:

“…’Layers of Life’ is a commemoration of all lives that fulfil some aspect of their potential, whether small or large, recognised or hidden… This composition is very unusual in that the styles of its four movements contain aspects of the four basic musical styles (respectively: baroque, classical, Romantic, and modern) thereby illustrating the passage of time, from cradle to grave, of its subject. The story ends with a passage where the subject enters a dreamy phase which becomes strongly agitated when its status, as a life finale, is realised.

“However, the dream then reforms into a vision in which the subject’s whole life flashes quickly past, as represented by the distorted re-appearance of several themes from its earlier movements, and by the final harmony which signals an ambiguous ending indicative of the varying beliefs concerning an afterlife.”

Billroth Quartet
Platform Theatre @ Platform Islington, Hornsey Road Baths, 2 Tiltman Place (off Hornsey Road), Holloway, London, N7 7EE, England
Sunday October 15th, 3.00 pm
information (tickets available on the door, or reservable by emailing the composer)

This low-key concert (you won’t currently find it mentioned on the Platform website) is the debut live event from a new North London recording and performance initiative, aiming to find and carry out effective micro-budget strategies for classical musicians and composers. They’ll be producing a limited-edition CD-R of the Barnes piece for the evening, with hopes of further concerts and releases later on. I’ll post up more info on all of this, as and when I get it.
 

October-December 2017 – performance art in London – Erin Markey’s ‘Boner Killer’ show (3rd-14th October) and ‘Inside Pussy Riot’ (14th November-24th December)

29 Sep

Quick notes on two fiery female-driven events coming up. I’ll let them speak for themselves, since those involved are far more voluble than I could be…

* * * * * * * *

'Erin Markey, Boner Killer', autumn 2017

Fierce vs The Yard Theatre presents:
“Erin Markey, Boner Killer”
The Yard Theatre, Queen’s Yard, White Post Lane, Hackney Wick, London, E9 5EN, England
Wednesday 3rd to Saturday 14th October 2017, 8.00pm
information

“We’re teaming up with the brilliant minds behind Fierce Festival to bring you an evening of performance that’s gonna heat up those dark autumn evenings.

“New York City’s hottest cabaret-cum-comedy queen Erin Markey is crossing the Atlantic to bring you ‘Boner Killer’ landing at The Yard next week. It’s going to be weird, wild and wickedly funny. Join us for an evening of outrageous songs and explosive performance. Erin has “laser-beam eyes, a hair-raising singing voice, and an intense, almost predatory sexuality” (‘The New Yorker’). She’s a “magnetic diva” (‘New York Times’). She’s one of Brooklyn’s 50 Funniest People (‘Brooklyn Magazine’). And she wants to tell you some stories.

“‘Boner Killer’ fuses Erin’s signature autobiographical stand-up with her sensual home-made pop. It’s an intimate musical conversation between what she thinks she can’t have and how she’d have it if she could. See her sacrifice her life to the mike and transform personal humiliations into naked feminist hope.”


 

* * * * * * *

'Inside Pussy Riot'

Les Enfants Terribles & The Tsukanov Family Foundation present:
‘Inside Pussy Riot’
Saatchi Gallery, Duke of York’s HQ, King’s Road, Chelsea, London, SW3 4RY, England
Tuesday 14th November to Sunday 24th December 2017
information

“From Les Enfants Terribles theatre company, the creators of Olivier nominated immersive smash hit ‘Alice’s Adventures Underground‘, comes ‘Inside Pussy Riot’ – a story that needs to be experienced to be understood. Coinciding with the Saatchi Gallery‘s ‘Art Riot: Post Soviet Actionism‘ exhibition and presented in association with the Tsukanov Family Foundation, Inside Pussy Riot is an immersive experience, about Nadya Tolokonnikova‘s tribulations as the founder of Pussy Riot, the post punk, feminist art collective who stuck two fingers up at the Russian system and suffered the consequences.

“On 17th August 2012, Nadya was prosecuted for performing thirty-five seconds of a song called Virgin Mary Put Putin Away – a direct attack on the Russian Orthodox Church’s unequivocal support for Vladimir Putin – inside Moscow’s Cathedral of Christ the Saviour. She was convicted of “hooliganism motivated by religious hatred” and was sentenced to two years of imprisonment, where she was faced with solitary confinement and humiliation, including regular forced gynaecological examinations.

“To mark the hundredth anniversary of the Russian Revolution, audiences are encouraged to pull on the balaclava and stand up for what they believe in. Stand in the dock as Pussy Riot and live the realities of incarceration through this exhilarating theatre experience. Would you sacrifice everything for the sake of a punk prayer for a freer world?

“The immersive world of ‘Inside Pussy Riot’ seeks to remind audiences what actually happened and how one’s basic human rights and freedom of expression can be taken away at any point. With heightened theatricality, the production exposes the horrors of Pussy Riot’s experience, and shows that what happened to them can happen to anyone. We are all Pussy Riot.”

Here’s their original Kickstarter trailer for the project…


 

August 2017 – Rob Crow’s Gloomy Place UK tour (22nd-26th August)

11 Aug

Rob Crow's Gloomy Place UK tour, 22-26 August 2017Rob Crow was once the man who seemed to do everything all the time. Best known as one of the two multi-instrumental frontmen for American cult rockers Pinback, he’s also been the driving force behind a host of projects. To the uninitiated, you could describe him as an kind of unfettered one-man Pavement – he does, after all, write long and delightfully noodly songs which build up like mushrooming musical favelas – but without Malkmus and co’s detached preppiness and their relatively narrow college-rock framing.

Instead, Rob voyages off into odd avenues of punkified folk-naive, semi-sloppy wandering garage meditations, stream-of-chat lyrics, and omnivorous lo-fi post-Sonic Youth psychedelia punctuated by dirty guitar blasts. For a while, it seemed as if every other convoluted mid-paced meander spilling from American underground rock had a Crow fingerprint on it somewhere. Listening across his catalogue, you can find slippery reincorporations of math rock and pop into each other’s spheres (on Other Men’s ‘Wake Up Swimming‘), apparent mixtures of thrash metal, grunge and line-dancing (viz the opening songs on his Ladies album ‘They Mean Us‘) or pretty much everything that flashes across his mind and memory (most Heavy Vegetable and Thingy records) – and that’s before you get to the toy-play of Optiganally Yours and the parody doom/drone/pop culture metal of Goblin Cock. In general, Rob treats genres as if they’re all bedrooms in one single-floor dormitory block and all he has to do is amble up in a friendly way and knock on the door.

A couple of years ago, Rob downed tools and walked away. Burnt out, broke and unhealthy, for a while it seemed as if he’d become an unwilling example of the costs and practical futility of doing committed but marginalised DIY quirk-rock for too long without proper support. Actually, the way it’s turned out has been less pathetic and more sensible: all Rob needed were better plans in which to cradle his existing energies. With his dark patch behind him, and his home life and lifestyle repaired, he’s back in business with a number of new projects.

Prime amongst these is the relatively new Rob Crow’s Gloomy Place, a shifting collective based around him and his guitar. Rather than tote an expensive band around full time, he’s now (like a strapped but shrewd jazzman) in the position of being able to assemble one around whichever sympathetic souls are available wherever he happens to touch down. For his upcoming British tour, he’s been able to mine a particular strand of DIY musical gold thanks to a cluster of particularly talented Crow enthusiasts – Kavus Torabi on second guitar, Craig Fortnam on bass, Rhodri Marsden on keyboards, and the mysterious “Loz Bozenge” (apparently current Gong drummer Cheb Nettles, shuffling his Chinese box of pseudonyms). Expect further but wiser wrangles on the expansive Rob template, as laid out on the Gloomy Place debut ‘You’re Doomed. Be Nice‘.


 
The London gig also sports the sly, tremendous heavy-art-rock of Thumpermonkey – long-running nice-boy brainiacs who bring to the table deft slabs of intricate stunt-riffing, grand lyrical puzzles and intimidating songwriter wit (like the geek who can also and effortlessly beat all comers at arm-wrestling). In Glasgow, the support slot’s filled by Herbert Powell (described as an “amazing hi-NRG needling jogathon for fans of This Heat and Povlo”). It’s been a bit trickier finding out who’d be along for the ride in Manchester, but it turns out to be sarcastic Mancunian noise-poppers Sweet Deals On Surgery, who offer “short, snappy, stupidly-titled insights into Jeremy Kyle Britain, social decline, alcohol, drug abuse, sour family histories, serial killers and an ungrounded dislike for Elvis Costello.” Fine as these gigs promise to be, in Salisbury Rob and co. will be headlining something much bigger – a cavalcade of bands honouring and emulating the peculiarly rich musical vision of Cardiacs’ Tim Smith as part of the biennial Alphabet Business Convention. More on that next time – in many respects, it’s a natural home for Crowery.


 
The full set of dates:

  • The Deaf Institute, 135 Grosvenor Street, Manchester, M1 7HE, England, Tuesday 22nd August 2017, 8.00pm (+ Sweet Deals On Surgery) – information here and here
  • Stereo, 22-28 Renfield Lane, Glasgow, G2 6PH, Scotland, Wednesday 23rd August 2017, 7.30pm (+ Herbert Powell & guests) – information
  • Hoxton Square Bar & Kitchen, 2-4 Hoxton Square, Hoxton, London, N1 6NU, London, England, Thursday 24th August 2017, 8.00pm (+ Thumpermonkey) – information
  • Alphabet Business Convention @ Salisbury Arts Centre, Bedwin Street, Salisbury, Wiltshire, SP1 3UT, England, Saturday 26th August 2017, 5.30pm – information here and here

 

June 2017 – upcoming London jazz gigs – Alice Zawadzki & Jamie Safir (24th June); the LUME Festival 2017 (24th & 25th June)

17 Jun

A quick London jazz update, in two contrasting flavours (jazz-pop in a plush Soho brasserie; wild improv and thick sound in a Lambeth art space).

Alice Zawadzki & Jamie Safir, 24th June 2017

Live At Zédel presents:
Alice Zawadzki & Jamie Safir
Brasserie Zédel, 20 Sherwood Street, Soho, London W1F 7ED, England
Saturday 24th December 2016, 7.00pm
information

“Following a sold-out show in January, Alice Zawadzki and Jamie Safir return to their favourite venue for an evening of power-ballads and pop-songs: rearrangements of ’70s, ’80s and ’90s classics stripped bare and drastically re-imagined in this intimate jazz setting. Described by ‘The Guardian’ as “a genuine original” and by ‘MOJO’ magazine as “something of a phenomenon”, Alice truly possesses a unique musical gift on both voice and violin. Tonight she will be ably accompanied by accomplished, young pianist and arranger Jamie Safir, a regular at Zedel, and a creative and virtuosic improviser whose sensitivity and skill when accompanying vocalists has led to him work recently with Will Young, Ian Shaw, Olly Murs and Barb Jungr amongst others.”

I couldn’t find any clips of Alice and Jamie working together (they’ve done this show before at Zédel, but no-one seems to have thought to film it). Still, to give you an idea, here’s Alice’s separate guitar/violin/bass trio cover of Nobody’s Fault But Mine, brought down to a thrumming pitch of apprehension. Not that the original’s a power ballad, but it fits the mould if you stretch the latter beyond belief (and carefully ignore the fact that the original’s actually a Blind Willie Johnson blues moan rather than a crushing Led Zeppelin behemoth), though I’m not sure whether she’ll be applying similar techniques to Hold The Line, Nothing’s Gonna Stop Us Now or other ‘School Disco‘/’Guilty Pleasures’ stalwarts.


 
* * * * * * * *

LUME Festival, 24th & 25th June 2017

LUME presents
LUME Festival 2017
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Saturday 24th June 2017 & Sunday 25th June 2017 (3.00pm to 10.30pm, both days)
– information http://iklectikartlab.com/lume-festival-2017/ here, https://luminouslabel.bandcamp.com/merch here and here https://www.facebook.com/events/539918599729636/

At the same time, London experimental jazz organisation LUME will be throwing a two-day performance party in the shape of their own yearly LUME Festival. Drawing on the success of last year’s event, it brings a selection of old and new faces to town.

Both of the LUME organisers are bringing along their own quintets: Cath Roberts’ growling, exploded free-blues explorers Sloth Racket (with tenorist Sam Andreae, guitarist Anton Hunter, bass player Seth Bennett and drummer Johnny Hunter) and Dee Byrne’s flowing, cosmological, space-jazzing Entropi (with trumpeter Andre Canniere, keyboardist Rebecca Nash, drummer Matt Fisher and bassist Olie Brice). So too is Derby vibraphone theorist Corey Mwamba, playing his extended piece ‘as_the_tex(t): body’ in a band featuring Robert Mitchell, Rachel Musson, Liran Donin, and Richard Olatunde.

Newer to LUME are multi-layered Newcastle trio Archipelago (Christian Alderson, John Pope and Faye MacCalman, who throw piano, tapes, mbiras and handheld Monotron synths into the jazz-meets-garage-rock fusion of their bass/reeds/drums lineup) and the stormy murmuring chants of Laura Cole’s jazz-folk sextet Metamorphic, in which she’s joined by saxophonists John Martin and Chris Williams (the latter also of Led Bib), drummer Tom Greenhalgh, loop vocalist Kerry Andrew (of Juice Vocal Ensemble) and a bass chair that’s filled either by Paul Sandy of The Rude Mechanicals or by Sloth Racket’s Seth Bennett. Also in the mix are solo sets by visually-minded trumpeter and laptop wizard Alex Bonney (of Splice, Loop Collective, Leverton Fox and many others) and by electric trombonist and field recorder Tullis Rennie.

On top of this, there are some new entanglements. There’s the “brutally physical” Manchester/London teamup of David Birchall, Andrew Cheetham, Otto Willberg and Colin Webster; the Ma/ti/om percussion/bass/woodwind teaming of Matilda Rolfsson, Tim Fairhall and Tom Ward; plus whatever the random ensemble shuffle of The Hat Speaks throws up. To round off, there’s the mass blowing of the LUMEkestra as it debuts new work by Sam Andreae, Adam Fairhall, Dee Byrne and others.

Time details and daily lineups below, plus the usual wobbly stack of tunes, snippets and aural collisions to warm you up for the event.

LUME Festival, 24th & 25th June 2017


 

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