Tag Archives: Wilton’s Music Hall (venue) – Whitechapel – London

November 2017 – upcoming London classical gigs – baroque-xplorations with Peter Sheppard Skærved’s ‘The Voice of the Violin’ (21st) and Anette Bjørnenak/Krishna Nagaraja/Masumi Yamamoto’s Norwegian ‘Folk-Barokk’ (25th)

13 Nov

Quick news on a couple of perspective-expanding baroque music events later in the month…

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Wilton’s Music Hall presents:
Peter Sheppard Skærved: ‘The Voice of the Violin’
Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Tuesday 21st November 2017, 7.00pm
– information here and here

Peter Sheppard Skærved, leader of the Kreutzer Quartet, explores the beginnings of the virtuoso violin, playing a series of extraordinary instruments from the 17th century in this intimate solo performance featuring Benjamin Hebbert and including two special world premieres. There’ll be a talk before the concert (at 7.00pm).

'The Voice of the Violin', 21st November 2017“The programme consists of music for solo violin by Giuseppe Torelli, Biagio Marini, Pietro Locatelli, Nicola Matteis, Carlo Ambrogio Lonati, Giovanni Bassano, Carl Heinrich Biber, Thomas Baltzar, Johann Paul von Westhoff, Le Sieur de Machy, Johann Heinrich Schmelzer, Giuseppe Tartini, Georg Philipp Telemann and Johan Sebastian Bach; and will include music from the Klagenfurt Manuscript. There will also be world premieres of new works by composer Edward Cowie (‘Gad’) and David Matthews (‘Capriccio-Fantasia’).”

Here’s Peter playing some Telemann and a newer piece by David Gorton:



 
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'Folk-Barokk!', 25th November 2017Schott Music presents:
‘Folk-Barokk!’ From Nor­way: Anette Bjørnenak/Krishna Nagaraja/Masumi Yamamoto
Schott Recital Room @ Schott Music, 48 Great Marlborough Street, Soho, London, W1F 7BB, England
Saturday 25th November 2017, 7.00pm
information

Anette Bjørnenak (recorders), Krishna Nagaraja (viola/Norwegian hardingfele fiddle) and Masumi Yamamoto (harpsichord) explore folk music of Norway from an eighteenth-century music book, and also look at the way folk music influenced composers of the Baroque era.

“Works by Telemann, Morel, Jacob Mestmacher, C.P.E. Bach and Francesco Barsanti.”
 

June 2017 – some of London’s more theatrical upcoming gigs – cartoon critters run amok with ‘Cat & Mouse’ (8th & 9th June); plague, trauma and rhythm with Grand Union Orchestra’s ‘Song of Contagion’ (13th-17th June); Debbie Wiseman and The Locrian Ensemble play music from ‘Wolf Hall’ (June 18th)

26 May

Three theatrical/televisual fusion gigs in London for the coming month…

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'Cat and Mouse', 8th/9th June 2017

1927 Theatre Company and Village Underground present:
‘Cat and Mouse’
Village Underground, 54 Holywell Lane, Shoreditch, London, EC2A 3PQ, England
Thursday 8th + Friday 9th June 2017, 7.00pm
– information here and here

“The world premiere of ‘Cat And Mouse’! A theatrical animation experience involving an animated cat and mouse and a band of dogs. Featuring the animations of Paul Bill Barritt (1927) with live music by Officer Pup (composer Laurence Owen and band), introducing Miss Lesley Ewen as The Law.

“You could say we’ve seen it all at VU, but in actual fact there are still plenty of firsts. This’ll be one of them: our debut in-house theatrical production. We’ve been waiting for just the right project to come along for some time, so when Paul said he wanted to do a theatrical animation experience with anthropomorphic animals, we knew we’d waited long enough.


 
“The cultural history of anthropomorphised animals is long and deep, as long and deep as the river of imagination itself. We see ourselves reflected back at ourselves within those furry beings. ‘Cat and Mouse’ is one such development. Taking its germ from the great peddler of anthropomorphised cat and mouse chaos Mr. George Herriman (creator of the ‘Krazy Kat’ stories which in turn inspired ‘Tom & Jerry’), it proceeds in a zigzag line through the gamut of human idiocy from art to war, from technology to industry, from civilisation to love all via the shenanigans of various humanimals mostly of the rodent/feline variety with some notably canine overseers holding court over the proceedings. Sticking within the traditions of artistic purveyance there will be visuals in the form of animations, sets and costume, there will be live music and there will be storytelling. A theatrical animation experience unlike anything seen before, alike to everything seen once upon a time, long ago . . .

“‘Cat and Mouse’ sets up the familiar dichotomy of good and evil, navigating the extremes of human idiocy from art to war, from technology to industry, from civilisation to love all rendered through the shenanigans of a rodent, a feline and the dogs of law. With a band performing the original score live, don’t expect to sit through this – witnessing Cat and Mouse will be like finding yourself inside a television set. “Made of old ‘toons and new tunes, it’s like an arthouse ‘Itchy and Scratchy’ where the action spills out into the audience,” says Paul. “Expect high-octane action, fun and frolics, extreme (cartoon) violence, moments of edification, sadomasochism, a face machine, skeletons, dogs, dancing, and more.”

“As we veer further towards duplicitous times of fake news and alternate facts, the idea that we can define what is purely good or evil becomes a tempting focus. Yet with cartoonish reality TV characters as world leaders, the notion that we’re all made up of these shades of good and evil becomes increasingly obscured. Predator and prey, good and evil, and our instincts to protect those that are vulnerable – ‘Cat and Mouse’ couldn’t be more timely.”


 
Here’s a more in-depth interview with Paul Barritt about the project, from ‘Run Riot‘…

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Grand Union Orchestra, 13th-17th June 2017

Grand Union Orchestra and Wilton’s Music Hall present:
Grand Union Orchestra: ‘Song Of Contagion’
Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Tuesday 13th June to Saturday 17th June 2017, 7:30pm (2:30pm – schools matinee on 15th June, family show on 17th June including “meet the musicians” event)
– information here, here, here and here

“Ever wondered what would happen if you teamed up a distinguished scientist with internationally-acclaimed jazz and world musicians? The answer is ‘Song Of Contagion‘, the brainchild of composer Tony Haynes and epidemiologist Elizabeth Pisani and featuring Grand Union Orchestra, which explores the mismatch between areas where diseases are suffered and those where the money is spent, bringing cold statistics vividly to life on stage.

“It begins in the East End, round the corner from Wilton’s, where cholera raged in Victorian times; eradicated in London by building the sewers, it continues rampant in Kolkata today. A moving series of songs tells the stories of combatants and civilians affected by shell-shock, for which treatment is still scarce. Exuberant dance rhythms describe how dengue and Zika spread unnoticed across Africa and the Caribbean until Zika hit the headlines, threatening to spoil the Rio Olympics. A big-band piece celebrates the activism that brought HIV/AIDS to public attention and an old music hall song dramatises the danger of heart disease posed by the junk food industry.

“‘Song Of Contagion’ features thirty of Grand Union’s finest musicians and singers from musical traditions worldwide, who add immense impact and authenticity to the performance – Indian musicians evoking Kolkata past and present; brilliant jazz soloists giving voice to the trauma of soldiers and refugees; highlife, merengue, soca and samba beats dramatising the spread of Zika.”



 

Thursday 15th June features a schools matinee and a free pre-evening show at 6.00pm in which Sam Johnson and students from Community Music describe their contribution to the project with audio illustrations. There’s also a free post-show discussion at 9.30pm on Friday 16th June in which Elizabeth Pisani talks about ‘Turning health statistics into music and song’. On Saturday 17th June (at 4:15pm) the extra event is ‘King Cholera and the Great Metropolis Walk‘ a two-hour tour with guide Sophie Campbell exploring cholera in London’s East End.

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Anton Lesser as Thomas More

Live at Zédel presents:
‘Wolf Hall live’
Brasserie Zédel, 20 Sherwood Street, Soho, London W1F 7ED, England
Sunday 18th June 2017, 7.00pm
information

“Hilary Mantel’s award-winning novel ‘Wolf Hall’ was transformed into a riveting six-part drama by the BBC to huge acclaim in 2015. Accompanying Thomas Cromwell’s machinations and hushed conversations in shadowy palace corners was original music by Debbie Wiseman, performed by members of The Locrian Ensemble of London; the soundtrack CD reached no.1 in the classical charts.

“Debbie has over two hundred film and television soundtracks to her name including ‘Wilde’, ‘Wolf Hall’ and, more recently, ‘Dickensian’. Consisting of some of the country’s finest musicians, the Locrian Ensemble is at the very top of its game, delivering stunning performances which range from the blisteringly dramatic to the heart-rendingly mournful.

“Tonight, Debbie and the Ensemble perform selections from her acclaimed score, alongside extracts from ‘Wolf Hall’ and its first sequel ‘Bring Up The Bodies’ read by Anton Lesser (who played Thomas More in the BBC series). The concert roughly follows the narrative of the television series with Lesser’s intense readings setting the scene for a musical commentary. The most intense part of the concert must surely be the depiction of Anne Boleyn’s execution, as the impassioned readings leave the audience hanging on every word, with music that is gripping and moving in equal parts.”


 

April 2017 – upcoming London gigs – “wonk rock” with The Display Team + A Sweet Niche + Ham Legion (3rd); Patricia Hammond & Matt Redman’s Edwardian pop (3rd); SOIF Soiree with Society Of Imaginary Friends, David Skinner, The Support Stockings, Cian Binchy, Millie George, I Am Her, Martin Wakefield, Jed Demochowski, Anne Corrigan etc. (7th)

27 Mar

I was moved to jam these three early April gigs together for a preview. On the Wednesday, it’s up to you whether you go for the tangled electric loom of wonky pop/jazz/punk noise or for the hundred-year-old pop hits with the Keep Calm And Carry On teatowels. Either way, you still get to attend the latest mixed-music-and-poetry SOIF cabaret on the following Friday…

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The Display Team + A Sweet Niche + Ham Legion, 3rd April 2017Bad Hedge presents:
The Display Team + A Sweet Niche + Ham Legion
The Birds Nest, 32 Deptford Church Street, Deptford, London, SE8 4RZ, England
Monday 3rd April 2017, 7.00pm
information

“A repulsive onstage three-way shocker! For one night in April, three heavyweights of the widely ignored wonk rock scene will spill off the stage in one of London’s best (and cheapest) small venues. And all for free! The Display Team: nob-bothering high-octave brutalitarians; like a small orchestra with big balls. A Sweet Niche: skronky honkies that bring an ominous twistin’ y’all can’t be resistin’. Ham Legion: kaleidoscopic power-pop rompers with more dinner ideas than you’ve had hot.”

For a little more on these people from back in the ‘Misfit City’ archives, have a peek here, here and here. Meanwhile, here’s the obligatory fistful of tunes.




 
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Patricia Hammond & Matt Redman - 3rd April 2017Wiltons Music Hall presents:
Monday Night Music: Patricia Hammond with Matt Redman
The Mahogany Bar @ Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Monday 3rd April 2017, 8.00pm – free event
– information here and here

“An evening of rousing Edwardian pop! Patricia Hammond and Matt Redman, world-renowned specialists in authentic historical performance, will play an assortment of pop songs from the Edwardian era, including some of the first songs ever written about motorised transport: Willie Had A Motor-Boat, In My Merry Oldsmobile, My Rickenbacker Car, Wait Till You Get Them Up In The Air, Boys, and many, many more delights. If you’re very nice to them, Patricia and Matt also promise some rousing singalongs to gems such as If You Were The Only Girl In The World and, for the WW1 Centenary’s sake, Pack Up Your Troubles In Your Old Kit-Bag.

 
Matt will be performing on piano, guitar, banjo and accordion, and will treat people to instrumentals of some of the new dance crazes of the 1900s and 1910s, such as tango, chorinho, ragtime, Hawaiian and blues. Of course, this being Wilton’s, songs of the great music hall era will also feature. All together now!”

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SOIF Soiree, 7th April 2017

Society Of Imaginary Friends present:
Society of Imaginary Friends Soiree: “For Absent Friends” (featuring Society Of Imaginary Friends + David Skinner + The Support Stockings + Cian Binchy + Millie George + I Am Her + Martin Wakefield + Evie + Jed Demochowski + Anne Corrigan + Dj Onjdrew + others t.b.c.)
Kabaret @ Karamel Restaurant, The Chocolate Factory 2, 4 Coburg Road, Wood Green, London, N22 6UJ, England
Friday 7th April 2017, 8.00pm – free event
information

The latest in Society of Imaginary Friends’ ongoing series of grab-bag gigs, featuring a number of faces which ought to be familiar from recent performances:

“A sunny spring park comes to life crowded with absent friends, friends turned imaginary, walking with the sun, singing and humming, playing rounders, turning summersaults, laughing with the children,climbing trees, smiling into the breeze and as the sun sets we gather round a bandstand at the centre of a green. Vegan ma-nah is brought out by sensual peace-loving Daleks… a gorgeous offering of sound and light a celebration of friendship.

“Performing on 7th is the virtuosic guitarist and velvety voiced singer David Skinner; harmonious vocal stylings from our choir The Support Stockings; fresh from his sold-out national tour, Cian Binchy; the fabulous young poet and star of the Round House and Young Vic Millie George; urban punk from the mighty Julie Riley‘s I Am Her; Martin Wakefield and Evie with inspiring poetry, music and verse; Jed Demochowski (of the VIPs) and his new band; Anne Corrigan delighting us with her poems; DJ Onjdrew, and a couple of super amazing surprise star guests. Plus us, theSociety Of Imaginary Friends.

“Please come and bring a memory, a line or two about your absent friend to say on the night. Looking forward to seeing you there. Don’t forget it is free entry and there is amazing vegan food and award-winning beverages to purchase.”





 

August/September/December 2016 – music dramas in London and Edinburgh: Héloïse Werner & Jonathan Woolgar’s ‘Scenes From The End’ (10th to 27th August variously, plus more in December) and Zoe Lewis’ ‘Britten in Brooklyn’ (31st August-17th September)

4 Aug

Some news on a couple of pieces of music drama showing in London and Edinburgh this month – one a fully-fledged conceptual solo piece (involving original contemporary classical compositions and diverse performance techniques), the other a more conventional theatrical play themed around the wartime exile of Benjamin Britten.

Here’s a little more information about each of them (combed, shaped and styled in a hurry, from the press releases).

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Héloïse Werner's 'Scenes From The End'

‘Scenes from the End’ is a tour-de-force showcase for Héloïse Werner – soprano, sometime cellist and member of (amongst others) contemporary classical ensemble The Hermes Experiment, vocal ensemble Shards and original folk bands The Coach House Company and The Amazing Devil.

“Héloïse’s increasing interest in the dramatic potential of the unaccompanied voice has led her to experiment with a wide range of more contemporary techniques. ‘Scenes from the End’ is a fully staged, physical drama that combines classical and operatic vocal techniques, as well as improvisation, acting and body percussion. In it, Héloïse aims to confront the audience with the uncomfortable themes of death and grief, challenging them to reevaluate their own attitudes towards these difficult issues.

‘Scenes from the End’ is a collaboration with young composer Jonathan Woolgar (a previous award-winner of the BBC Proms Young Composers’ Competition) and with director Emily Burns. Using a colourful array of vocal and theatrical means, the show paints historic, comic and tragic pictures of “the end”, from the heat-death of the universe to the end of an individual life. This is virtuoso music theatre on a scale that is both cosmic and intimate.”

‘Scenes From The End’ is being performed at the Edinburgh Fringe Festival, with a couple of preview performances in London a week and a half beforehand. There’ll be a further run of London performances in December.

Camden Fringe Festival @ Camden People’s Theatre, 58-60 Hampstead Road, London NW1 2PY, England
Wednesday 10th August 2016 & Thursday 11th August 2016, 7.15pm
information

Edinburgh Fringe Festival: Lime Studio @ Greenside (Nicholson Square), 25 Nicolson Square, Edinburgh, EH8 9BX, Scotland
Monday 22nd August 2016 to Saturday 27th August 2016 1.55pm
information

Tristan Bates Theatre, 1A Tower St, Covent Garden, London, WC2H 9NP
Tuesday 6th December 2016 to Saturday 10th December 2016, 7.30pm (plus one 3pm performance on the 10th)
– no information online yet

Although Héloïse is someone I’d like to catch up with for a chat at some point, for the moment I’d better point you in the direction of this recent interview she’s done (freshly published today!) with the LaLaLa Records vocal music homepage, covering ‘Scenes From The End’ and several of her other projects.

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'Britten In Brooklyn'

“Based on true events, the world premiere of Zoe Lewis‘s passionate and thought-provoking play Britten In Brooklyn takes place in the beautiful and unique setting of Wilton’s Music Hall. Starring Sadie Frost and directed by Oli Rose, it plays for a strictly limited season of 21 performances.

“New York City, 1940. A dilapidated house in Brooklyn Heights. The bohemian lifestyle of Benjamin Britten, WH Auden, Carson McCullers and Gypsy Rose Lee in the artistic community at 7 Middagh Street starts to unravel as World War II becomes a brutal reality. Exiled in America for his beliefs and a national disgrace, Benjamin Britten must decide which way his conflicted political ideals lie but the constant parties, doomed affairs and John Dunne, the mysterious stranger, provide an easy distraction.”

‘Britten in Brooklyn’
Wilton’s Music Hall, 1 Graces Alley, Whitechapel, London, E1 8JB, England
Wednesday 31st August 2016 to Saturday 17th September 2016, 7.30pm (plus 2.30pm matinee performance on Wednesdays and Saturdays)
information
 

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