Tag Archives: St George the Martyr Church (venue) – Borough – London

June 2018 – upcoming London classical gigs – outstanding free late-lunch listening with Borough Music’s Series 9 (5th, 12th, 19th, 26th June) featuring Ret Frem Ensemble, Amy Jolly, Janet Oates and Aleksander Szram (plus reworked Britten and Finnissy and premiere pieces from Janet Oates, Janet Graham, Hollie Harding, Joel Järventausta, Frederick Viner)

3 Jun

Borough New Music‘s rolling programme of free concerts of new, recent and/or time-tested classical music continues with Series 9 this month.

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Ret Frem, 5th June 2018

The first of the concerts, on 5th June, features the Ret Frem Ensemble. They’ll be performing a programme including ensemble leader Will Handysides‘ own ‘Geiterspeil’ (2017), the British premiere of Series 9 guest artistic advisor Hollie Harding‘s ‘by breath and bow’, Kaija Saariaho‘s ‘Cendres’ (from 1998) and Barry O’Halpin‘s ‘Catarrh’ (from 2014). The set’s completed by Wil Offermans‘ reworking of the traditional Japanese tune ‘Tsuro No Sugomori’ and by Michael Finnissy 2003 piece ‘June’ (in a new version which he specifically assembled for Ret Frem).

Here are versions of the Harding, Saariaho and O’Halpin pieces…

 
plus a previous giddy Handysides ensemble piece as a pointer…

 
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Amy Jolly, 12th June 2018

The 12th June concert is a solo instrumental event for cellist Amy Jolly. She’ll be playing Kaija Saariaho‘s 1997 piece ‘Spins And Spells’ and Per Nørgård‘s ‘Sonata for Solo Cello No.2 In Due Tempi’ (consisting of two pieces composed over a gap of twenty-seven years – 1953’s ‘Solo Intimo’ and 1980’s ‘Solo in Scena’).

In addition, she’ll be playing Benjamin Britten’s 1976 piece ‘Tema “Sacher”‘ and a pair of new Hollie Harding variations on it (‘Extension’ and ‘Motion’, both composed for Amy over the last two years).

Various previous renditions of the pieces concerned:




 
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The 19th June concert showcases the compositions of Janet Oates and features an ensemble built around the soprano vocals of Jill House, Olivia Moss and Janet herself, plus Janet’s flute-playing, piano from Ret Frem’s Clare Simmonds and cor anglais from Nancy Johnston.

Half of the programme are Janet’s own songs: the previously-performed ‘Atomic Songs and Fancies’ and ‘Blind Fool Love’, and the two world premieres ‘Arse-elbow’ and ‘A Lover’. The rest of it’s made up of recent classical song repertoire: the late Jonathan Harvey‘s ‘Ah Sunflower’ and Tansy Davies‘ ‘Destroying Beauty’ (both from 2008), plus Dai Fujikura‘s ‘Away We Play’. There’ll also be two further world premieres of as-yet-untitled works by Joel Järventausta and Frederick Viner.

Here are previous renditions of the Fujikura and Harvey pieces and one of Janet’s previous performances of ‘A Lover’; plus a couple of previous Järventausta and Viner pieces (along the same ensemble lines, at least, as the new ones to be performed).



 
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Alexandr Szram, 26th June 2018The last of the June concerts – on the 26th – is another solo instrumental concert, this time for pianist Aleksander Szram. He’ll be playing Harding’s ‘Suite P’, Daryl Runswick‘s ‘Scafra Preludes Book 2’, Haris Kittos‘ ‘Arthrós’ and Simon Katan‘s ‘Khepera’, as well as the world premiere of Janet Graham‘s new ‘Sonata for Piano’.

Here are various renditions of the Harding and Kittos pieces, plus the preceding piece in the Runswick ‘Scafra Preludes’ sequence:

 
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Borough New Music Series 9, June 2018All events are at St. George the Martyr Church, Borough High Street, Borough, London, SE1 1JA, England: Dates and links below:

  • Series 9: Pot Luck! Ret Frem Ensemble – Tuesday 5th June 2018, 1.00pm – information here
  • Series 9: Featured Instrument – Cello – Amy Jolly – Tuesday 12th June 2018, 1.00pminformation
  • Series 9: Featured Composer – Janet Oates – Tuesday 19th June 2018, 1.00pm – information here
  • Series 9: Featured Performer – Aleksander Szram – Tuesday 26th June 2018, 1.00pm – information here

 

February 2018 – upcoming London classical gigs – assorted songwork with London Composer’s Forum’s ‘Art Of The Song’ (2nd February), Mimi Doulton’s ‘Focus: Solo Voice’ (13 February); and ‘Songwriters of 2018’ (20th February)

18 Jan

Various vocally-slanted classical gigs for the coming month, with an emphasis on various kinds of songcraft.

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London Composer’s Forum presents:
Tea House Theatre, 139 Vauxhall Walk, Vauxhall, London, SE11 5HL, England
Friday 2nd February 2018, 7.30pm
– information here, here, here and here

London Composers Forum: The Art Of Song, 2nd February 2018“In this concert London Composers Forum composers will explore the many and varied aspects of the art song, with solo and ensemble vocal pieces on a wide variety of themes accompanied by a chamber ensemble of wind and strings.”

“Vocal music, which may have begun as an accessory to the dance in remote antiquity, is probably the oldest branch of the art of music. At a later time, bards and troubadours developed the art to commemorate heroic exploits and heroes’ deaths, and minstrels, with their songs of love both innocent and erotic, contributed another genre. During the course of the twentieth century, with the assistance of broadcasting and the record industry, the art of song proliferated into many styles. There are good and bad examples in all of these, but on the whole, there has been a regrettable tendency to ignore the art and craftsmanship in the process.

“The aim of this venture is to write songs for an evening’s general entertainment and to demonstrate that the art of good song-writing never died. Nine musicians will provide the accompaniment to a variety of original and colourful songs, especially written for the occasion. Come, with your friends, and enjoy the music in the ambient atmosphere of the Tea House, where food will be served until 10pm and drinks until midnight. See you there!”

Among the works performed will be David Arditti’s ‘Chamber Music’ (a song cycle setting of James Joyce, sung by tenor Ezra Williams and now orchestrated for a larger chamber ensemble) and Laurence Glazier‘s ‘Smartphone Aria’. There will also be new songs by Denis Betro, Jane de Florez, Peter Openshaw, Pamela Slater, John Holland, Liz Sharma, Janet Oates and Philip Jones. No news on who, besides Ezra, is actually performing (although I’m reasonably sure that Jane de Florez will be singing her own material.)

A preview of Lawrence’s piece – and a few examples of previous songs from various contributors – are below…



 

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Another classical songwriter’s concert for February is here – this one’s a free admission event for anyone who’s got an early Tuesday afternoon available…

Borough New Music Series 5: Featured Composers, 20th February 2018

Borough New Music and 2021 Concerts present:
‘Featured Composers: Songwriters of 2018’
St. George the Martyr Church, Borough High Street, Borough, London, SE1 1JA, England
Tuesday 20 February 2018, 1.00pm
– free event – information here

Rasmus Zwicki and Robert Reid Allan (glockenspiel/melodica), Ben Smith (piano, glockenspiel/melodica), Siân Dicker (soprano), Mimi Doulton (soprano), Delphine Mégret (soprano) and Krystal Tunnicliffe (piano) are performing a set of songs composed over the last few years by contemporary composers born in the 1970s, 1980s and 1990s (including Rasmus himself).

Programme:

Clare Elton – Escape
James Garner – Emily Dickinson Settings
Cecilia Livingston – Give Me Your Hand
Oscar Ridout – Élévation
Mo Zhao – Just Watching
Rasmus Zwicki – Fly Little Birdy

A couple of tastes…

 
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The above is part of Series 5, the latest set of lunchtime concerts from south London New Music promoters Borough New Music covering new and rarely-performed contemporary pieces. For part of this season, Borough Music have teamed up with 2021 Concerts (Mimi Doulton and fellow soprano Patricia Auchterlonie’s own concert series) for several performances focussing on the human voice, sometimes in odd combinations and juxtapositions with other instruments.

Mimi herself makes another appearance in the series, performing a series of vocal/song-pieces, one of which – Alex Gowan-Webster’s ‘Cantio Invocatione’ – is a world premiere. The rest, dating from the late 1970s to the late noughties (Judith Weir’s ‘King Harald’s Saga’, Stephen Barchan’s ‘Two Songs About Spiders’, Elliott Carter’s ‘La Musique’, Georges Aperghis’ ‘Récitations 1 & 8’ and Oliver Knussen’s ‘Four Late Poems and an Epigram of Rainer Maria Rilke’) are not.

Borough New Music and 2021 Concerts present:
‘Featured Instrument: The Voice’ (or “Focus: Solo Voice’)
St. George the Martyr Church, Borough High Street, Borough, London, SE1 1JA, England
Tuesday 13 February 2018, 1.00pm
– free event – information here and here

Borough New Music Series 5: Featured Instrument: The Voice’ (or “Focus: Solo Voice’), 13th February 2018

Some previous examples of the songs in the set…





 
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Other events in Series 5 this month are:

As with the two other Series 5 events, these are both free and take place at St. George the Martyr at 1.00pm.
 

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