Tag Archives: Frederick Viner

June 2018 – upcoming London classical gigs – outstanding free late-lunch listening with Borough Music’s Series 9 (5th, 12th, 19th, 26th June) featuring Ret Frem Ensemble, Amy Jolly, Janet Oates and Aleksander Szram (plus reworked Britten and Finnissy and premiere pieces from Janet Oates, Janet Graham, Hollie Harding, Joel Järventausta, Frederick Viner)

3 Jun

Borough New Music‘s rolling programme of free concerts of new, recent and/or time-tested classical music continues with Series 9 this month.

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Ret Frem, 5th June 2018

The first of the concerts, on 5th June, features the Ret Frem Ensemble. They’ll be performing a programme including ensemble leader Will Handysides‘ own ‘Geiterspeil’ (2017), the British premiere of Series 9 guest artistic advisor Hollie Harding‘s ‘by breath and bow’, Kaija Saariaho‘s ‘Cendres’ (from 1998) and Barry O’Halpin‘s ‘Catarrh’ (from 2014). The set’s completed by Wil Offermans‘ reworking of the traditional Japanese tune ‘Tsuro No Sugomori’ and by Michael Finnissy 2003 piece ‘June’ (in a new version which he specifically assembled for Ret Frem).

Here are versions of the Harding, Saariaho and O’Halpin pieces…

 
plus a previous giddy Handysides ensemble piece as a pointer…

 
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Amy Jolly, 12th June 2018

The 12th June concert is a solo instrumental event for cellist Amy Jolly. She’ll be playing Kaija Saariaho‘s 1997 piece ‘Spins And Spells’ and Per Nørgård‘s ‘Sonata for Solo Cello No.2 In Due Tempi’ (consisting of two pieces composed over a gap of twenty-seven years – 1953’s ‘Solo Intimo’ and 1980’s ‘Solo in Scena’).

In addition, she’ll be playing Benjamin Britten’s 1976 piece ‘Tema “Sacher”‘ and a pair of new Hollie Harding variations on it (‘Extension’ and ‘Motion’, both composed for Amy over the last two years).

Various previous renditions of the pieces concerned:




 
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The 19th June concert showcases the compositions of Janet Oates and features an ensemble built around the soprano vocals of Jill House, Olivia Moss and Janet herself, plus Janet’s flute-playing, piano from Ret Frem’s Clare Simmonds and cor anglais from Nancy Johnston.

Half of the programme are Janet’s own songs: the previously-performed ‘Atomic Songs and Fancies’ and ‘Blind Fool Love’, and the two world premieres ‘Arse-elbow’ and ‘A Lover’. The rest of it’s made up of recent classical song repertoire: the late Jonathan Harvey‘s ‘Ah Sunflower’ and Tansy Davies‘ ‘Destroying Beauty’ (both from 2008), plus Dai Fujikura‘s ‘Away We Play’. There’ll also be two further world premieres of as-yet-untitled works by Joel Järventausta and Frederick Viner.

Here are previous renditions of the Fujikura and Harvey pieces and one of Janet’s previous performances of ‘A Lover’; plus a couple of previous Järventausta and Viner pieces (along the same ensemble lines, at least, as the new ones to be performed).



 
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Alexandr Szram, 26th June 2018The last of the June concerts – on the 26th – is another solo instrumental concert, this time for pianist Aleksander Szram. He’ll be playing Harding’s ‘Suite P’, Daryl Runswick‘s ‘Scafra Preludes Book 2’, Haris Kittos‘ ‘Arthrós’ and Simon Katan‘s ‘Khepera’, as well as the world premiere of Janet Graham‘s new ‘Sonata for Piano’.

Here are various renditions of the Harding and Kittos pieces, plus the preceding piece in the Runswick ‘Scafra Preludes’ sequence:

 
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Borough New Music Series 9, June 2018All events are at St. George the Martyr Church, Borough High Street, Borough, London, SE1 1JA, England: Dates and links below:

  • Series 9: Pot Luck! Ret Frem Ensemble – Tuesday 5th June 2018, 1.00pm – information here
  • Series 9: Featured Instrument – Cello – Amy Jolly – Tuesday 12th June 2018, 1.00pminformation
  • Series 9: Featured Composer – Janet Oates – Tuesday 19th June 2018, 1.00pm – information here
  • Series 9: Featured Performer – Aleksander Szram – Tuesday 26th June 2018, 1.00pm – information here

 

April/June/July 2017 – upcoming classical gigs – William Howard’s ‘Love Music?’ project for piano – London showcase with Judith Weir (26th April); further shows in London (26th June) and Cheltenham (9th July)

13 Apr

William Howard writes “Throughout my professional career I have enjoyed working with composers and commissioning new works. While I was preparing to record my album of romantic love songs for piano, I started wondering what their contemporary equivalents might sound like. I thought many composers might not take to the idea of writing a piano ‘love song’, with its suggestions of a romantic genre, but almost every composer I approached reacted with great enthusiasm. Since love is a theme common to music across the world and across the centuries, I realised that a collection of twenty-first century piano love songs could provide a perfect introduction to the different musical languages of living composers, especially for listeners who come to new music somewhat reluctantly.”

This is the outcome.

Hoxton Hall/Spitalfields Music presents:
William Howard & Judith Weir: ‘Love Music?’
Hoxton Hall, 130 Hoxton Street, Hoxton, London, N1 6SH, England
Wednesday 26th April 2017, 7.30pm
information

William Howard: 'Love Music', 26th April 2017“How do today’s composers write about love? Join pianist William Howard and composer Judith Weir, Master of the Queens Music, to explore a fascinating selection of new piano pieces expressing different aspects of love through different musical styles.

“William Howard will premiere works by Richard Reed Parry (from Arcade Fire), Joby Talbot (once of The Divine Comedy), Robert Saxton, David Knotts and leading Czech composer Pavel Zemek Novák, together with the winning pieces of his recent composing competition that attracted over five hundred entries from fifty-four countries.

“This is an informal evening with contributions from several composers. Questions and feedback from the audience will be welcome.”

Having selected the concert pieces, William’s just commented “they are all very different in character, mood and level of difficulty and offer a fascinating taster menu of different ways in which composers approach writing music of a very personal nature. ‘Camille’ by Joby Talbot is dedicated to his eight-month-old daughter, Robert Saxton’s ‘For Teresa’ is dedicated to his wife. Richard Reed Parry’s ‘Fast Cloud’ is a fantasy of swirling fast notes, Pavel Zemek Novák’s ‘Little Song of Love and Mercy is a spiritual reflection. The two winning pieces of my composing competition are also very contrasted. Chia-Ying Lin‘s ‘Chanson Perpétuelle’ describes “the kind of love which is everlasting and constantly renewed over time” in an imaginative sound world of crystalline textures, while Freddy Viner‘s ‘Herz an Herz’ is an unashamedly romantic piece evoking the spirit of Wagner. The concert will end with Cheryl Frances-Hoad‘s glorious tribute to Dusty Springfield.”

Programme (in no particular order):

David Knotts – Album Leaf
Chia-Ying Lin – Chanson Perpétuelle (winner, Over 25 category)
Pavel Zemek Novák – Little Song Of Love And Mercy
Richard Reed Parry – Fast Cloud
Robert Saxton – For Teresa
Joby Talbot – Camille
Frederick Viner – Herz an Herz (winner, Under 25 category)
Cheryl Frances-Hoad – Love Song For Dusty

It’s a pity that there doesn’t seem to be a chance of hearing the runner-up pieces (Simon Mawhinney’s ‘ Daniel Josiah is Sleeping ‘, Nathan James Dearden’s ‘love holds me captive again’, Samuel Cho Lik Heng’s ‘Arbophillia’ and Daniel Fardon’s ‘Saudade’) but perhaps they’ll surface at some point. Meanwhile, William has a couple of follow-up Love Songs concerts scheduled:

 
The new pieces act as a companion set to the works on William’s 2016 release ‘Sixteen Love Songs’ (on Orchid Classics).


 

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