Tag Archives: Shitwife

July 2016 – upcoming London experimental gigs – Horse Improvised Music Club improvisations from small groups including Adam Bohman Text Quartet (5th); Hominid Sounds electronic night with Mark Dicker, Guncleaner, Johnny Broke and others (7th)

2 Jul

A couple of London experimental gigs for the coming week, briefly explored:

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Horse Improvised Music Club, 5th July 2016

The Horse Improvised Music Club presents:
Noel Taylor/Asaf Fleischmann/Ulf Mengersten + Adam Bohman Text Quartet + Antonio Cunzo/Joe Wright/David Stockard/Tony Hardie-Bick
IKLECTIK, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England
Tuesday 5th July 2016, 8.00 pm
information

Three small-group performances from the South Bank London improvisers’ hub; following, in part, their tradition of putting well-known improvisers together with lesser-known ones.

The opening act is a scratch quartet of rising Aberdonian jazz saxophonist Joe Wright and Carrickfergus-based percussionist David Stockard with pianist Antonio Cunzo and Chapman Stick player Tony Hardie-Bick. (While it always gives me a lift to see a Stick pop up anywhere in music, since I’ve always loved its clipped-but-singing polyphonic tones, Tony also seems to have the most interesting backstory within the quartet. From being Sham 69’s keyboard player during the late ‘80s, he’s moved from backing up other people’s punk polemics to spending most of his time as a software instrument developer, coaxing new levels of performance interaction out of touchscreens and wearable tech. As a performer, he’s been known to drag his protesting Stick flex-first across gallery floors, an art-punk flourish which I guess is a change from the cloud of warm jazzy reverence which usually surrounds the instrument.)

 
Veteran London acoustic-noise’n’objects performer Adam Bohman takes the middle slot with his Adam Bohman Text Quartet, completed by Adrian Northover, Sue Lynch and Hutch Demouilpied. While Adrian and Sue are usually saxophonists (working together in David Petts’ Remote Viewers and Hogcallin’) and Hutch is a trumpeter and sound designer, it looks as if everyone’s working with voice this time.

There’s not much information on this other than that it’s a text piece, but some guidelines might come from Adam’s work on “talking tapes” during the late ‘70s and early ‘80s – lo-fi audio collages which ranged from spontaneous dictaphone observations (Adam discovering and illustrating the ordinary and mundane anew, in slurred Dada-esque tones) to ludicrous cartoon vocal pieces. The ‘Music and Words’ collation of these odds-and-sodes was described as a laugh-out-loud avant garde album and later releases were even funnier, pushing into prank-and-sketch territories like a splicing of Bob Cobbing with a one-man Pete’n’Dud. Have a listen to When A Man (in which a trio of growling Adams parody both bozo masculinity and thunder-throat action-film trailers, like a squad of querulous Daleks bloated on bright orange corn snacks), or White Sauce Without For Those Who Don’t (Adam’s cutup account of a single Christmas, chopped across with assorted literary, musical and familial distractions).


It is, of course, thirty years on from all of this, so you might get something far more sombre. Since the Quartet are performing something called “the Robin’s Nest Revisited Vocal Quartet”, I wouldn’t bet on it..

The last act of the evening are a trio connected to large-scale improvising institutions in two European capitals. Longstanding improv clarinettist Noel Taylor (Splatter, London Improvisers Orchestra, plenty more) will be playing with Ulf Mengersten (a double bass mainstay of Berlin Improvisers Orchestra) and pianist Asaf Fleischmann.

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Hominid Sounds evening, 7th July 2016

Hominid Sounds presents:
Mark Dicker + Guncleaner + Johnny Broke + tbc
New River Studios, Ground Floor Unit E, 199 Eade Road, Manor House, London, N4 1DN, England
Thursday 7th July 2016, 8:00 pm
– information here and here

To celebrate the release of Mark Dicker‘s new tape ‘Frog Eggs’, London experimental label Hominid Sounds are putting on “a night of clangs and bangs.” There’s a gradually expanding bill for this, featuring various electronic noisemakers and beat-glowerers from the more unruly edge of London electronica. Mark himself (the man “responsible for the noise behind (the recently deceased) Palehorse is headlining, bringing “supersonic modular-synth slow jams” (for a little more on Mark and how he thinks, there’s a ‘Quietus’ interview here). So far, he’s being supported by “clanging, banging techno noise project” Guncleaner (featuring two members of secretive, elusive London heavy math-rockers Nitkowski) and by “improvised, analogue-synth acid techno” act Johnny Broke (initially a solo project by Shitwife‘s Wayne Adams, which now seems to have expanded and welcomed one half of north London noiseniks Death Pedals). More performers to be confirmed…

I’ve not got much information or workable noises for this concert. For starters, I only bounce around on the outside of this particular musical scene (like a stray static spit in the mix); It also seems clear that it’s a lineup of sound-artists in deliberate flux and change, demonstrating very different faces to their usual output; and even by noise music’s usual enclosed standards, information on this show seems to be insiders-only. So you’ll need to just attend and take a chance on what it might be like.

I did succeed, however, in pulling up a little recent Johnny Broke-ism and a Dicker track from early last year, so here they are:



 

March 2016 – upcoming gigs – London murk and sarcasm – an industry-baiting evening of 30-second songs by the Pocket Gods and mystery buddies; plus noise rock from Arabrot, Shitwife and Godzilla Black at Corsica Studios

15 Mar

Two London gigs for Thursday…

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Pocket Gods @ Zigfrid von Underbelly, 17th March 2016

The Pocket Gods (’30 Second Song Set’) + tbc
Zigfrid von Underbelly, 11 Hoxton Square, Hoxton, London, N1 6NU, England
Thursday 17th March 2016, 7.00pm
– free event – more information

Here’s the chirp – ”London lo-fi indie popsters The Pocket Gods play a free St Patrick’s Day gig in Hoxton, London to promote their groundbreaking album ‘100×30’ – which features one hundred songs, all of which are thirty seconds long and some of which will be featured. Free entry and some great support bands!“

Sweet, isn’t it?

Here’s the rest of the story.

‘100×30’ was released last December. It’s a sharp, timely yet self-mocking broadside aimed at the music industry as a whole, and also at the amorphous greed’n’gratification culture that’s gulping down what remains of it. Masterminding this collection of half-minute jabs are The Pocket Gods – shabby knowing masters of multiple styles, mix’n’matching shreds of chart pop, punk, synth-blurb, soggy psych and outright pisstakes (including Blur, and Dappy from N-Dubz). Sometimes they sound like a back-bedroom Zappa Band operating on cheapjack equipment from a small-town branch of Argos, and sometimes like a more eclectic Half Man Half Biscuit aiming more of their jokes at the towers of power.

Threaded through the whole album is a sense of indignation at the implosion of music as a workable career (“my royalty statement is a thing of wonder, and keeps me in a state of permanent hunger”) and the dismissal of artists who can no longer be counted as fresh and malleable meat. One lyric points out, with sardonic but righteous indignation, “I can write songs about anything, because I’ve lived a little longer”; and there’s quite a bit of moping about the prospect of a future which involves little more than making unwanted music on a laptop. Across the tracks, the subject matter paints a scathing, resolutely unimpressed picture of vulgarity and short-termisms. Songs attack the rent hikes which force music venue closures; lampoon the encroachment of multinational corporate interests into independent business (the entwinement of Orchard and Sony takes a pounding, which – since Orchard is releasing the album – is a particularly fanged move); and pour sarcasm onto side topics like the sorry parade of boss-pleasing reality-TV contestants, the cluelessness of A&R men and the ludicrous table prices at the Brits (apparent sideshows which point towards the bigger problem). The Gods even slag off laptop music and mount a harpsichord-driven assault on the memory of Steve Jobs. So much for the individual being independently empowered by technology.

With the proven flexibility of the Pocket Gods, it’s tempting to assume that the brace of performers elsewhere on the album are just pseudonyms. Not a bit of it. Some – including oddball pop mutterer Michael Panasuk and fuzz-guitar flourisher Brian Heywood – appear to be rogue film, television and library music composers. Two more are former chart stars (Owen Paul and Mungo Jerry’s Ray Dorset, each damn near unrecognisable).Some veer towards cabaret (the semi-genteel, character-vocalled acoustipop of The Low Countries) or sarky contrarian Scottish dolour (Bill Aitken). Others even sound like glossy successes in waiting, including power-popper Katy Thorn, gobby R&B-er Tricey R, immaculate faux-Californian rockers Dead Crow Road, countrified Elvis-alike Osborne Jones, twinkling white-boy hip hoppers Foxgrease and full-bore electropop drama queens Hands Of Industry. The burnished countrified chart-pop of Heywood Moore even sounds as if it could make a killing in the American Bible Belt (sweeping out of the same CCM radio playlists as the likes of Lexi Elisha – not bad for a band that’s actually from Dunstable). None of this seems to stop any of them from joining in. Some of them may be taking a long-delayed, heartfelt chomp at the hand that feeds so grudgingly, or refuses to feed at all; or which they see starving others, from audience to artist, both fiscally and spiritually.

Despite all of this justifiable resentment, it could all turn precious and self-righteous were it not for the jabs of anti-pomposity which the Gods and their friends turn in on themselves (the musician-skewering of ‘Small Town Musos’ and ‘Mac Book Ho’ made me laugh out loud, as did a song about the natural progression from ambitious Radio 1 listener to experienced Radio 2 couch-fogey). There are also the other moments – the flip side to the flipness – in which the half-minute song limit becomes a lesson in how much can be achieved in a short time. John Rowland’s plunderphonics and piano instrumentals; upROAR’s quick echo-laden harp passage, Orb collaborator Another Fine Day’s gorgeous burst of echo-soused kalimba; or when writer and narrator Michael Hingston (who’s already spent two tracks guesting with the Pocket Gods, bidding goodbye to the swelling ranks of closed-down London music venues in a hardbitten wise-barfly drawl) gently blows thirty seconds of tentative, unaccompanied saxophone.

Finally, there’s the persistent realist-absurdist wit of The Pocket Gods themselves – party hosts, project backbone and the only act formally confirmed as performing at the Hoxton gig on Thursday (yes, I was going to get back to that…) Come along to see who else makes it. Meanwhile, you can play through the whole album below; and even buy it (if you feel that that won’t somehow spoil either the joke or the protest).

 

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Baba Yaga’s Hut presents:
Arabrot + Shitwife + Godzilla Black
Corsica Studios, 4-5 Elephant Road, Elephant & Castle, London, SE17 1LB, England
Thursday 17th March 2016, 8.00pm
more information

Arabrot + Shitwife +Godzilla Black @ Baba Yaga's Hut, 17th March 2016Norwegian noise-rockers Arabrot have spent a decade and a half feeding classical, Biblical, existential and surreal tropes through a grand and gothic avant-rock mangle. As you can imagine from this, both their gigs and records have had an immediate raw-lifed, raw-liver feel to them, despite what ‘The Quietus’ describes as the band’s “velveteen grace”. More recently, group leader Kjetil Nernes spent two years recovering from throat cancer, during which he’s fought off and defeated encroaching death not just via hospital treatment and homestay but by hurling himself back into Arabrot recording and touring. Having admitted that the experience was “as close to real physical and psychological hell as you can go”, Kjetil has spun his reactions into Arabrot’s latest album, ‘The Gospel’, which is suffused with spectres of death, illness and his own defiance.

Shitwife have possibly the most discouraging band name in history – an evil grunt of a handle, a surly trucker’s growl of a monicker. We last encountered them in the listings for a Christmas gig, in which they were described as an “astonishingly brutal drums/laptop/electronics juggernaut fusing rave, death metal, noise and post-hardcore.” As far as I know, they’ve had no reason to mess with that formula in the intervening three months. Here’s a clip of them in action at a different gig last September (just a short walk away from ‘Misfit City’ HQ, not that I knew it) plus a more recent video showing laptop/keyscruncher Wayne Adams engaged in a painting session (and looking far sweeter than he ought to, given that his other band’s called Ladyscraper).


As I’ve said before, Godzilla Black seem to have made themselves into London noise-rock favourites while not actually having much to do with noise-rock at all. Most of the latter’s in the brawling muscle which they apply to their John-Barry-writes-for-Ruins-or-King-Crimson tunes; and in the garnish of hiss and fry lying on top of that muscle, adding a pitch and pinch of disintegration to their drums-and-horns pimp-roll. Otherwise what I’m hearing is spy-movie glamour all the way, albeit gone slightly weird: extra panicky descends and clangings, sax stranglebursts and sampler squeals. Brand new single ‘First Class Flesh’ sounds as if its about some kind of disassociative disorder: singer John McKenzie boggling, all glazed and juicy, about body parts but not actually about bodies (ending up neither sexy nor creepy, but away in a skewed and disfocussed branch-off of both).


 

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More March gig previews shortly…
 

December 2015 – the last of the Christmas gigs – a happy Glasgow progmas with Abel Ganz/Tiger Moth Tales/We Are Kin; Harry Merry/John Callaghan/Sealionwoman/Tropic of Xhao in Colchester; while in London there’s a Momentum Arts Xmas Fundraiser (with The Marzec Group, Mariela of Venus On The Radio, Maz O’Connor and Keith Burstein), a spill of art-punk-psych-rock bands and a shamisen at the Firstivus, a Christmas Cabareilidh in Stoke Newington, a Yuletide math rock growler (with Axes/Shitwife/Vasa/Wot Gorilla), Kavus Torabi rides with mummers in Deptford, and Café Oto sees in the New Year with Hieroglyphic Being

17 Dec

Rush, rush. Last gigs before I give it a rest for the year. Here’s the expected random peppering, that lack of a consistent aesthetic, and all the other things you either love me for or despair over. They’re still mostly London shows, but Glasgow and Colchester are getting a look in.

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The Prog Before Xmas, 18th December 2015

The Prog before Xmas: Abel Ganz + Tiger Moth Tales + We Are Kin (Saramago @ Centre for Contemporary Arts, 350 Sauchiehall Street, G2 3JD Glasgow, Scotland, Friday 18th December 2015, 7.30pm) – £13.00 – information here and here  – tickets

I probably can’t get away with calling Abel Ganz “veteran neo-proggers”. Although they’ve had no shortage of lineup changes and lengthy hiatuses since forming in Glasgow back in 1980, in recent years they’ve become an almost entirely new band, with the last founder members finally stepping down a year or two ago in favour of new musicians. Not so unusual, perhaps; but oddly, Abel Ganz has thrived in these new circumstances: in 2015, they’ve enjoyed their most successful band year in three-and-a-half decades, and are in the mood to celebrate.

“We really wanted to end what has been a fantastic year for us with a special show in our own home town – and to help us celebrate we have invited along not one, but two of our very favourite bands to join us. Amazingly, they have both agreed! First of all, we are absolutely overjoyed to welcome along the man who is behind the brilliant Tiger Moth Tales: Peter Jones! Anyone who has not heard Pete’s albums ‘Cocoon’ and ‘Story Tellers’ is really missing out! The reaction to these astonishing works has been nothing less than ecstatic with many reviewers – quite rightly – hailing the man’s arrival on the prog scene as a major talent!

Secondly, we have been watching with great interest the growing roster of fantastic artists that have been gradually collected by perhaps the most important and influential independent prog record label around at the moment: Bad Elephant Music. Amongst their many stand-out releases in 2015, there is one in particular that we keep coming back to: ‘Pandora’, by young Manchester band We Are Kin. Rave reviews describe this fresh band’s atmospheric approach as music that “transcends genre and sound to become something timeless, original and new”. So – there you have it. We are really, really excited about this! Three bands on one Xmas party night. We are so pleased that Tiger Moth Tales and We Are Kin will join us on this special occasion, and we are very proud to be bringing them both to Scotland for their first shows north of the border.”



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Back in London, Momentum Arts set themselves going with a Christmas gig. They’ve got roots in, and are closely associated with, the Jeremy Corbyn movement, so the politically averse/committed should expect speeches and some familiar political faces to be included in the package along with the music. You can find out exactly who’s speaking, and in some cases what about) by following the information link). Personally, I share quite a few of their sympathies; but here’s what they have to say:

Momentum Arts Xmas Fundraiser with The Marzec Group + Mariela of Venus On The Radio + Maz O’Connor + Keith Burstein + others (Momentum Arts @ POW/The Prince of Wales, 467-469 Brixton Road, Brixton, London, SW9 8HH, England, Friday 18th December 2015, 7.00pm) – £6.00-£7.00 – informationtickets

Momentum Arts is an open network where creative people from all walks of life and lovers of the arts can unite through a shared passion for contemporary progressive, socially democratic politics. We are very proud of this and always aim (as far as possible) to create organising spaces which are safe for all. For this reason we’ll be operating on a zero tolerance policy for homophobia, racism, classism, transphobia and misogyny. We’re excited to present the first Momentum Arts event upstairs at the Prince Of Wales in Brixton! Get down to hear our excellent speakers, some inspiring music or just have a bit of a dance.

Performing:

The Marzec Group‘s appreciation for the club culture and electronic music genres brings back a reality to jazz; a grit long forgotten. Channelling these influences through a fresh and sophisticated combination of jazz, soul, blues and electronic music, their intense and improvisatory grooves are tailor made for the dancefloor.

Mariela is a girl of many hats; a musician and published author influenced by the likes of Jeff Buckley, Nina Simone, Jack White, Sergio Moroder and many others. With longtime collaborator Anthony she formed Venus On The Radio, a band which after recording in Abbey Road studios, was featured in BBC Introducing.

Maz O’Connor is a gifted singer of traditional and self-penned songs. Influenced by the folk songwriters of the 1960s; Bob Dylan, Joni Mitchell, Nick Drake, Neil Young along with her literary leanings make for a varied and intriguing body of work.


Keith Burstein is a composer whose work includes controversial operas which have provoked much comment and indignation from the right-wing press for daring to question the political establishment. Most notable among these is ‘Manifest Destiny’ (co-written with Dic Edwards) which portrays would-be suicide bombers who renounce violence and trigger a peace movement across the world. Keith will be performing two songs on piano, with a guest singer.



 

DJs Dr Punkenstein and Calvin De Kline will also be playing sets.

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In Deptford, something a little more straightforwardly musical:

Firstivus (The Bird’s Nest, 32 Church Street, Deptford, London, SE8 4RZ, England, Friday 18th December to Sunday 20th December 2015, 5.00pm onwards) – free – information & tickets

Firstivus 2015

Two Deptford gig-scene lynchpins, Sinema City and Tom Moody –join forces for this year’s Firstivus – “a fun-filled weekend that will likely proved to be just a little too rhythmically-challenging for the whole family.”

Friday 18th opens, appropriately, with First (about whom no-one seems to know anything), followed by a pair of noisy drum-and-guitar duos (Charles Hayward’s Bass Drum project with his son Riley Hayward, then the more secretive No One You Know). The music continues with garage-grungers Black Plastic Cardiacs/Bungle/Zappa-inspired progressive punk tanglers The Display Team, Gong-esque jazz-rock collisionists Psychoyogi, and finally by Ted Milton’s veteran schizo-disco art-punks Blurt (who are informed by poetry and puppeteering as much as by rock and roll).






Saturday 19th sports another diverse roster – stoner rockers The Cortège, the ”post-punk/alt-pop/awkward friendliness” of Dead Arm, The All New Greatest Hits Band (in which event organiser Tom Moody fronts the rhythm section of The Display Team), an acoustic Japanese interlude with shamisen player Hibiki Ichikawa and Champagne Dub, a new teaming of established friends: polydiscipline drummer Max Hallett (of A Scandal In Bohemia/Super Best Friends’ Club) and bassist Ruth Goller (Acoustic Ladyland, Oriole, Bug Prentice, many others), who’ve previously worked together in the encym trio. The evening rounds off with Afrobeating Leeds post-punk trio Azores and headliners Boss Terror (who bring “drone, punk, spaced-and-motorway funk” as well as “Cockney tropical surf”).





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To be honest, I’ve got little idea of what’s going to happen with this next one, especially since it’s at The Others – but all of the clues point to a fusion of music, theatre and audience, and what time of year is better for that?

The Christmas Cabareilidh 2015

The Christmas Cabareilidh (Troupe @ The Others, 6-8 Manor Road, Stoke Newington, London, N16 5SA, UK, Saturday 19th December 2015, 8.00pm) – £8.00 – information & tickets

A brand new night out that fuses the fabulous fun of cabaret with the gaiety of a good old fashioned ceilidh. Fresh from the success of our last sell-out event, Troupe presents another Christmas Cabareilidh that promises to be even more delightful than the evening’s portmanteau. You’re invited to sit under the glowing haze of fairy lights, as our hilarious cabaret performers fill you with festive cheer. Dance with giddy abandon to the live folk music of our Cabareildih band and fill your stomachs and hearts with mulled wine, minced pies and cheery Christmas carols. Join us at The Others for an evening of irreverent yuletide song and dance- because nothing says Christmas quite like a Cabareilidh!

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Out of London again for a moment… over in Colchester, one of the town’s leading alternative venues (and one of its more eccentric promoters) has something for you.

A Harry Merry Christmas @ The Waiting Room, Colchester, 19th December 2015

A Harry Merry Christmas with John Callaghan + Sealionwoman + Tropic of Xhao (Mother Popcorn @ The Waiting Room, The Old Bus Station, off Queen Street, Colchester, Essex CO1 2PQ, Saturday 19th December 2015, 7.00pm) – pay-what-you-like – information

Harry Merry returns to Colchester for the final Mother Popcorn gig of 2015. Last time he was here was a few years back (when what is now Tribal was still Molly Malones). If you were there then you know what went down. If you weren’t, don’t miss this opportunity to see a Rotterdam legend do his thing in Colchester! Harry has toured extensively with his good friend Ariel Pink (who covered his song ‘Stevie Storm’) and has shared the stage with R. Stevie Moore, Quintron & Miss Pussycat and Colchester Arts Centre regular (via the Faroe Islands) Goodiepal. Here’s what ‘The Weirdest Band In The World’ blog has to say about Harry:

“Harry Merry is a living underground legend from the Dutch harbor city of Rotterdam. Dressed up in a sailor’s tunic and styled with an iconic haircut, he is out there to flabbergast with his unique brand of entertainment. His favorite keyboard is subjected to his own wild arrangements, full of odd chord changes and a tone scale of its own. Add Harry Merry’s unique, heavily accented voice and your ears will witness a match made in weirdo heaven.”

In support is John Callaghan (“an unusual songwriter / performer of thoughtful and spiky electronica from Birmingham… king and fool of the Eccentronica Microscene”), who played for Ma Popcorn back in May and made such an impression on Colchester that he was invited back for the Free Festival in August.

Tropic Of Xhao, that weird psychedelic drum n bass lot from Essex’s only tropical island St. Xhao (and featuring Captain Mother Popcorn) will be playing as well. We invite you to come and do weird dances with us.

Really happy to say Sealionwoman have just been confirmed to complete the line-up and open the show! This will be their first Mother Popcorn but the third time I’ve seen them, and I already want to book them for more next year. Double bass and vocal, both at the top of their game in terms of musicianship, just an incredible force to watch and hear. They list their band influences as “gin, jazz and noise” which sums them up better than anything I could write.

As usual pay what you can afford. All the money goes to the bands so please give generously if you can.

(Just to add a little to the blurb on Sealionwoman: if you want to read my own live review of them from a few years ago – also featuring Liam Singer, Foxout! and a moonlighting Laura Moody – it’s here. And to add to the blurb on John Callaghan: while I’ve yet to make it to one of his shows, I know his music, we’ve conversed, and he’s one of the wisest men I’ve met but cunningly disguised as one of the silliest.)

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Back to the centre of London for some no-nonsense math rock, post-hardcore and brainwork with knuckles… and what could be more festive and seasonal than a band called Shitwife?

TINJR Xmas Party with Axes, Shitwife, Vasa & Wot Gorilla (This is Not Revolution Rock/Jebs Presents @ The Borderline, Orange Yard, off Manette Street, London, W1D 4JB, England, Saturday 19th December 2015, 7.00pm) – £8.50-£9.60 – informationtickets

“Absolutely buzzing for this show. Not only will this be the Xmas party for This Is Not Revolution Rock / Jebs Presents, it marks Del’s 30th birthday and 200th show as a promoter. So we’re really pushing the boat out and there might be some free mince pies. Please spread the word and let’s pack the venue out from start to finish for this, the last show we’re putting on in 2015!”

(They’re so carried away by the occasion that they didn’t really introduce the bands… or assumed that everyone reading would know them. I’m in a hurry, so here’s the one-line version.

Axes – brash and playful mathrockers with a Foo Fighter pop vigour.
Shitwife – astonishingly brutal drums/laptop/electronics juggernaut fusing rave, death metal, noise and post-hardcore. Side project of musicians in bands with equally tasteful names.
Vasa – noisy synesthesic post-rock package.
Wot Gorilla? – how to noodle away at prog-inspired math rock and not alienate people.




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Here’s Knifeworld’s frontman (and eccentric broadcaster, in every sense) heading over to Deptford to dig up something old for the end of the year…

Dear Boss, 20th December 2015

Dear Boss: Kavus Torabi and others (The Bird’s Nest, 32 Church Street, Deptford, London, SE8 4RZ, England, Sunday 20th December 2015, 4.00pm) – free entry – information

It’s Chri-i-i-i-i-i-i-i-i-istma-a-a-a-as! Join us as we are joined by avant-psych-rock multi-instrumentalist and all round Interesting Alternative guy Kavus Torabi (Knifeworld/Guapo)…(Mr. Steve Davis sadly can’t join us, as he’s gone skiing). And… come early to witness one of England’s strangest and most resilient midwinter traditions – ‘The Christmas Champions’ (a.k.a ‘The Mummers Play’). Our team of Jolly Boys and Guisers will offer up some seasonal shambols – preparing to entertain you with a short performance featuring William the Great, St George, Bull Slasher, The Doctor and old Beelzebub himself – with original music from James Larcombe (Stars in Battledress/North Sea Radio Orchestra). We’ll be doing it around 7-ish, I expect.

Boss. Wassail!

Beyond all of the throaty bombast I think that most of what’s beyond the mummery is DJ sets, although anyone who’s tuned in to Kavus on the Interesting Alternative Show will know that he can slap together some of the most extraordinarily eclectic sets you could ever hope to hear, featuring plenty of names you’d never heard, while telling cheerful lies about other cult artists who don’t actually exist. Fun to catch, in other words.

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On the subject of DJ sets, here’s one last one…

Hieroglyphic Being

Café Oto NYE Party with Hieroglyphic Being 6-hour DJ set) (Café Oto, 18-22 Ashwin Street, Dalston, London, E8 3DL, UK, 31st December 2015, 10.00pm) – £20.00-£30.00 – informationtickets

We’re ecstatic to be welcoming in the New Year with Jamal Moss (a.k.a. Hieroglyphic Being), who will be flying in especially to Café Oto for a bumper 6 hour DJ set.

Jamal is one of the most unhinged and adventurous artists working in electronic music today; born in Chicago and raised in the heyday of the city’s house music scene, he has gone on to blur the lines between various forms of dance music, free jazz and industrial music, releasing countless singles and LPs, and even recently collaborating with the likes of Marshall Allen and Daniel Carter. His infamously unpredictable DJ sets have gardened considerable praise over the years, so we’re delighted to have him here for this very special occasion.

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And that’s it – although there’ll be a ramble through 2015 sometime between now and the end of January, and I may sneakily shuffle a few previously-incompleted posts back into the dates when I intended to publish them.

See you later.
 

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FormerConformer

Striving for Difference

musicmusingsandsuch

The title says it all, I guess!

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